Abbott and Costello Meet Frankenstein (Charles Barton, 1948, US)
À bout de souffle (Breathless) (Jean-Luc Godard, 1959, France)
Àdouble tour (Web of Passion)(Claude Chabrol, 1959, France)
The Adventures of Priscilla, Queen of the Desert (Stephan Elliot, 1994, Australia)
The Adventures of Robin Hood (Michael Curtiz and William Keighley, 1938, US)
Air Force (Howard Hawks, 1943, US)
Alien (Ridley Scott, 1979, UK)
Alien Nation (Graham Barker, 1988, US)
Alien vs. Predator (Paul W. S. Anderson, 2004, US)
Ali: Fear Eats the Soul (Rainer Werner Fassbinder, 1974, Germany)
All That Heaven Allows (Douglas Sirk, 1955, US)
Alphaville (Jean-Luc Godard, 1965, France)
The Amazing Colossal Man (Bert I. Gordon, 1957, US)
American Hot Wax (Floyd Mutrux, 1978, US)
American Me (Edward James Olmos, 1992, US)
Andy Warhol’s Dracula (Blood for Dracula) (Paul Morrissey and Antonio Margheriti, 1974, Italy/France)
Antonio das Mortas (Glauber Rocha, 1969, Brazil)
Apache (Robert Aldrich, 1954, US)
Apocalypse Now (Francis Ford Coppola, 1979, US)
Assault on Precinct 13 (John Carpenter, 1976, US)
Attack of the 50 Foot Woman (Nathan Juran, 1958, US)
Attack of the Puppet People (Bert I. Gordan, 1958, US)
Back to the Future III (Robert Zemeckis, 1990, US)
Bad Taste (Peter Jackson, 1987, New Zealand)
The Ballad of Little Jo (Maggie Greenwald, 1993, US)
Ball of Fire (Howard Hawks, 1941, US)
Bamboozled (Spike Lee, 2000, US)
The Band Wagon (Vincente Minnelli, 1953, US)
Battle Beyond the Stars (Jimmy T. Murakami, 1980, US)
The Battle of Elderbush Gulch (D. W. Griffith, 1913, US)
The Big Clock (John Farrow, 1948, US)
Bigger Than Life (Nicholas Ray, 1956, US)
The Big Heat (Fritz Lang, 1953, US)
The Big Sky (Howard Hawks, 1952, US)
The Big Sleep (Howard Hawks, 1946, US)
The Big Sleep (Michael Winner, 1978, UK)
Billy the Kid vs. Dracula (William Beaudine, 1966, US)
Black Gunn (Robert Hartford-Davis, 1972, US)
The Black Pirate (Albert Parker, 1926, US)
Blacula (William Crain, 1972, US)
Blade Runner (Ridley Scott, 1982, US)
Das Blaue Licht (The Blue Light) (Leni Rienfenstahl, 1932, Germany)
Blazing Saddles (Mel Brooks, 1974, US)
The Blob (Irwin S. Yeaworth Jr, 1958, US)
Blood Simple (Joel Coen, 1984, US)
The Blue Dahlia (George Marshall, 1946, US)
Blue Steel (Kathryn Bigelow, 1990, US)
Blue Velvet (David Lynch, 1986, US)
Body Heat (Lawrence Kasdan, 1981, US)
Bonnie and Clyde (Arthur Penn, 1967, US)
Le Boucher (The Butcher) Claude Chabrol, 1970, France)
Bound (Andy and Larry Wachowski, 1996, US)
Boyz n the Hood (John Singleton, 1991, US)
Braindead (Peter Jackson, 1992, New Zealand)
Brigadoon (Vincente Minnelli, 1954, US)
Bringing Up Baby (Howard Hawks, 1938, US)
Bring Me the Head of Alfredo Garcia (Sam Peckinpah, 1974, Mexico/US)
Broken Arrow (Delmer Daves, 1950, US)
Broken Arrow (John Woo, 1996, US)
The Bronze Buckaroo (Richard C. Kahn, 1939, US)
Brother Orchid (Lloyd Bacon, 1940, US)
Buck and the Preacher (Sidney Poitier, 1972, US)
Butch Cassidy and the Sundance Kid (George Roy Hill, 1969, US)
Captain Blood (Michael Curtiz, 1935, US)
Les Carabiniers (Jean-Luc Godard, 1963, France)
Carmen Jones (Otto Preminger, 1954, US)
The Chant of Jimmie Blacksmith (Fred Schepisi, 1978, Australia)
Charlie Chan Carries On (Hamilton MacFadden, 1931, US)
Charlie’s Angels (McG, 2000, US/Germany)
Charlie’s Angels: Full Throttle (McG, 2003, US)
Cheyenne Autumn (John Ford, 1964, US)
Chicago (Rob Marshall, 2002, US)
Chinatown (Roman Polanski, 1974, US)
Cliffhanger (Renny Harlin, 1993, Italy/France/US)
Coffy (Jack Hill, 1973, US)
Collateral (Michael Mann, 2004, US)
Conan the Barbarian (John Milius, 1982, US)
Coogan’s Bluff (Don Siegel, 1968, US)
Cornered (Edward Dmytryk, 1945, US)
Cotton Comes to Harlem (Ossie Davis, 1970, US)
The Cowboys (Mark Rydell, 1972, US)
The Creature from the Black Lagoon (Jack Arnold, 1954, US)
Crocodile Dundee II (John Cornell, 1988, Australia/US)
Crouching Tiger, Hidden Dragon (Ang Lee, 2000, Taiwan/Hong Kong/US/China)
The Crowd Roars (Howard Hawks, 1932, US)
Dark City (William Dieterle, 1950, US),
Dark City (Alex Proyas, 1998, US)
Daughters of Darkness (Harry Kümel, 1971, Belgium/Italy/France/Germany)
Dawn of the Dead (George A. Romero, 1978, US)
Day of the Dead (George A. Romero, 1985, US)
Der Müde Tod (Destiny) (Fritz Lang, 1921, Germany)
Destry Rides Again (Benjamin Stoloff, 1932, US)
Destry Rides Again (George Marshall, 1939, US)
Detour (Edgar G. Ulmer, 1945, US)
Devil in a Blue Dress (Carl Franklin, 1995, US)
Die Hard (John McTiernan, 1988, US)
Die Hard 2 (Renny Harlin, 1990, US)
Die Hard with a Vengeance (John McTiernan, 1995, US)
Dirty Harry (Don Siegel, 1971, US)
Disraeli (Alfred E. Green, 1929, US)
DOA (Rudolph Maté, 1950, US)
DOA (Annabel Jankel and Rocky Morton, 1988, US)
Don’t Be a Menace to South Central While Drinking Your Juice in the Hood (Paris Barclay, 1996, US)
The Doom Generation (Gregg Araki, 1995, US/France)
Do the Right Thing (Spike Lee, 1989, US)
Dracula (Tod Browning, 1931, US)
Dracula (John Badham, 1979, US)
The Driver (Walter Hill, 1978, US)
Drums Along the Mohawk (John Ford, 1939, US)
Duck Soup (Leo McCarey, 1933, US)
Easy Rider (Dennis Hopper, 1969, US)
Enemy at the Gates (Jean-Jacques Annaud, 2001, US/Germany/UK/Ireland)
Enemy Mine (Wolfgang Petersen, 1985, US)
Executive Decision (Stuart Baird, 1996, US)
Face/Off (John Woo, 1997, US)
Fantasia (Walt Disney, 1940, US)
Farenheit 451 (Francois Truffaut, 1966, UK)
Farewell, My Lovely (Dick Richards, 1975, UK)
Far from Heaven (Todd Haynes, 2002, France/US)
Fargo (Joel Coen, 1996, US)
Fatal Attraction (Adrian Lyne, 1987, US)
Fido (Andrew Currie, 2006, Canada)
Fire Down Below (Félix Enríquez Alcalá, 1997, US)
First Blood (Ted Kotcheff, 1982, US)
A Fistful of Dollars (Sergio Leone, 1964, West Germany/Spain/Italy)
The Five Heartbeats (Robert Townsend, 1991, US)
Follow the Fleet (Mark Sandrich, 1936, US)
Footlight Parade (Lloyd Bacon, 1933, US)
Force of Evil (Abraham Polonsky, 1948, US)
Fort Apache (John Ford, 1948, US)
48 Hrs. (Walter Hill, US, 1982)
42nd Street (Lloyd Bacon, 1933, US)
Foxy Brown (Jack Hill, 1974, US)
Frankenstein (James Whale, 1931, US)
Freddy vs. Jason (Ronny Yu, 2003, US)
The Gay Divorcee (Mark Sandrich, 1934, US)
Gentlemen Prefer Blondes (Howard Hawks, 1953, US)
Get on the Bus (Spike Lee, 1996, US)
The Girl Can’t Help It (Frank Tashlin, 1956, US)
The Godfather (Francis Ford Coppola, 1972, US)
Gog (Herbert L. Strock, 1954, US)
Go, Johnny, Go! (Paul Landres, 1959, US)
Golddiggers of 1933 (Mervyn LeRoy, 1933, US)
Gone With the Wind (Victor Fleming, 1939, US)
Go West (Buster Keaton, 1925, US)
Go West (Edward Buzzell, 1940, US)
La Grande Illusion (Jean Renoir, 1937, France)
The Grapes of Wrath (John Ford, 1940, US)
The Great Train Robbery (Edwin S. Porter, 1903, US)
The Green Pastures (Marc Connelly and William Keighley, 1936, US)
The Grey Fox (Phillip Borsos, 1982, Canada)
The Gunfighter (Henry King, 1950, US)
Hallelujah (King Vidor, 1929, US)
Halloween (John Carpenter, 1978, US)
Hard-Boiled (John Woo, 1992, Hong Kong)
The Harder They Fall (Mark Robson, 1956, US)
Hard Target (John Woo, 1993, US)
Hard to Kill (Bruce Malmuth, 1990, US)
Harlem Rides the Range (Richard C. Kahn, 1939, US)
Hatari! (Howard Hawks, 1962, US)
Higher Learning (John Singleton, 1995, US)
High Noon (Fred Zinneman, 1952, US)
High Sierra (Raoul Walsh, 1941, US)
High Society (Charles Walters, 1956, US)
His Girl Friday (Howard Hawks, 1940, US)
Hollywood Shuffle (Robert Townsend, 1987, US)
Home of the Brave (Mark Robson, 1949, US)
Horror of Dracula (Terence Fisher, 1958, UK)
Hostage (Florent Emilio Siri, 2005, US/Germany)
House on 92nd Street (Henry Hathaway, 1945, US)
Hud (Martin Ritt, 1963, US)
The Hunt for Red October (John McTiernan, 1990, US)
The Hurricane (John Ford, 1937, US)
Im Lauf der Zeit (Kings of the Road) (Wim Wenders, 1976, Germany)
Imitation of Life (Douglas Sirk, 1959, US)
The Incredible Shrinking Man (Jack Arnold, 1957, US)
The Indian Fighter (André De Toth, 1955, US)
The Informer (John Ford, 1935, US)
Invasion of the Body Snatchers (Don Siegel, 1956, US)
Invasion U.S.A. (Joseph Zito, 1985, US)
The Iron Horse (John Ford, 1924, US)
It’s Alive! (Larry Cohen, 1974, US)
It’s Always Fair Weather (Stanley Donen and Gene Kelly, 1955, US)
It’s a Wonderful Life (Frank Capra, 1946, US)
It, The Terror from Beyond Space (Edward L. Cahn, 1958, US)
I Walk Alone (Byron Haskin, 1948, US)
The Jazz Singer (Alan Crosland, 1927, US)
Juice (Ernest Dickerson, 1992, US)
Junior (Ivan Reitman, 1994, US)
K-19: The Widowmaker (Kathryn Bigelow, 2003, UK/Germany/US/Canada)
The Karate Kid (John G. Avildsen, 1984, US)
Kate and Leopold (James Mangold, 2001, US)
Key Largo (John Huston, 1948, US)
Kickboxer (Mark DiSalle and David Worth, 1989, US)
Kill Bill: Vol. 1 (Quentin Tarantino, 2003, US)
Kill Bill: Vol. 2 (Quentin Tarantino, 2004, US)
The Killer (John Woo, 1989, Hong Kong)
The Killers (Robert Siodmak, 1946, US)
Kindergarten Cop (Ivan Reitman, 1990, US)
Kiss of Death (Henry Hathaway, 1947, US)
Ladri di biciclette (Bicycle Thieves) (Vittorio de Sica, 1947, Italy)
Land of the Dead (George A. Romero, 2005)
Land of the Pharoahs (Howard Hawks, 1955, US)
The Last Hunt (Richard Brooks, 1956, US)
Last Man Standing (Walter Hill, 1996, US)
Last of the Mohicans (George B. Seitz, 1936, US)
Last of the Mohicans (Michael Mann, 1992, US)
The Last Seduction (John Dahl, 1994, US)
The Left-Handed Gun (Arthur Penn, 1958, US)
Little Big Man (Arthur Penn, 1970, US)
Little Caesar (Mervyn LeRoy, 1931, US)
Logan’s Run (Michael Anderson, 1976, US)
Lonely are the Brave (David Miller, 1962, US)
The Long Goodbye (Robert Altman, 1973, US)
The Long Kiss Goodnight (Renny Harlin, 1996, US)
The Loveless (Kathryn Bigelow and Monty Montgomery, 1983, US)
M (Fritz Lang, 1932, Germany)
Mad Max (George Miller, 1979, Australia)
Mad Max: Beyond Thunderdome (George Miller, 1985, Australia)
Magnificent Obsession (Douglas Sirk, 1954, US)
The Magnificent Seven (John Sturges, 1960, US)
Malcolm X (Spike Lee, 1992, US)
The Maltese Falcon (John Huston, 1941, US)
The Man From Laramie (Anthony Mann, 1955, US)
The Man Who Shot Liberty Valance (John Ford, 1962, US)
The Man Who Wasn’t There (Joel Coen, 2001, US)
Mark of the Vampire (Tod Browning, 1935, US)
The Mark of Zorro (Fred Niblo, 1920, US)
McCabe and Mrs. Miller (Robert Altman, 1971, US)
Mean Streets (Martin Scorsese, 1973, US)
Meet the Feebles (Peter Jackson, 1990, New Zealand)
Menace II Society (Albert and Allen Hughes, 1993, US)
The Meteor Man (Robert Townsend, 1993, US)
Mildred Pierce (Michael Curtiz, 1945, US )
Missing in Action (Joseph Zito, 1984, US)
Money Train (Joseph Ruben, 1995, US)
Monkey Business (Howard Hawks, 1952, US)
The Most Dangerous Game (Irving Pichel and Ernest B. Schoedsack, 1932, US)
Moulin Rouge! (Baz Luhrmann, 2001, US)
Murder, My Sweet (Edward Dmytryk, 1944, US)
My Darling Clementine (John Ford, 1946, US)
The Naked City (Jules Dassin, 1948, US)
Nashville (Robert Altman, 1975, US)
Near Dark (Kathryn Bigelow, 1987, US)
New Jack City (Mario Van Peebles, 1991, US)
New York, New York (Martin Scorsese, 1977, US)
Night of the Hunter (Charles Laughton, 1955, US)
Night of the Living Dead (George A. Romero, 1968, US)
Nosferatu (F. W. Murnau, 1922, Germany)
No Way Out (Roger Donaldson, 1987, US)
Obsession (Brian de Palma, 1976, US)
Once Upon a Time in the West (C’era una volta il West) (Sergio Leone, 1968, Italy)
Only Angels Have Wings (Howard Hawks, 1939, US)
On the Town (Stanley Donen and Gene Kelly, 1949, US)
Outland (Peter Hyams, 1981, UK)
Out of the Past (Jacques Tourneur, 1947, US)
The Outrage (Martin Ritt, 1964, US)
Paperback Hero (Peter Pearson, 1973, Canada)
Pat Garrett and Billy the Kid (Sam Peckinpah, 1973, US)
Le Peau Douce (François Truffaut, 1964, France)
Pennies from Heaven (Herbert Ross, 1981, US)
The Petrified Forest (Archie Mayo, 1936, US)
Phantom of the Paradise (Brian de Palma, 1975, US)
Pinky (Elia Kazan, 1949, US)
The Pirate (Vincente Minnelli, 1948, US)
Pitfall (André de Toth, 1948, US)
Poetic Justice (John Singleton, 1993, US)
Point Break (Kathryn Bigelow, 1991, US)
Posse (Mario Van Peebles, 1993, US)
The Postman Always Rings Twice (Tay Garnett, 1946, US)
The Postman Always Rings Twice (Bob Rafaelson, 1981, US)
Predator (John McTiernan, 1987, US)
The Proposition (John Hillcoat, 2005, Australia)
Psycho (Alfred Hitchcock, 1960, US)
Pursued (Raoul Walsh, 1947, US)
Raiders of the Lost Ark (Steven Spielberg, 1981, US)
Rancho Notorious (Fritz Lang, 1952, US)
Rashomon (Akira Kurosawa, 1950, Japan)
Red Line 7000 (Howard Hawks, 1965, US)
Red River (Howard Hawks, 1948, US)
Red Rock West (John Dahl, 1992, US)
Red Sun (Terence Young, 1971, Spain/Italy/France)
Ride the High Country (Sam Peckinpah, 1962, US)
Ride the Pink Horse (Robert Montgomery, 1947, US)
Rio Bravo (Howard Hawks, 1959, US)
The Road Warrior (George Miller, 1981, Australia)
The Rock (Michael Bay, 1996, US)
Rocky (John G. Avildsen, 1976, US)
Rosemary’s Baby (Roman Polanski, 1968, US)
Rumble in the Bronx (Hong Faan Kui) (Stanley Tong, Hong Kong/Canada, 1996)
The Running Man (Paul Michael Glaser, 1987, US)
Sanjuro (Akira Kurosawa, 1961, Japan)
The Savage (George Marshall, 1952, US)
Le Scandale (The Champagne Murders) (Claude Chabrol, 1967, France)
Scarface (Howard Hawks, 1932, US)
The Scarlet Drop (John Ford, 1918, US)
Scarlet Street (Fritz Lang, 1945, US )
School Daze (Spike Lee, 1988, US)
Scream (Wes Craven, 1996, US)
The Searchers (John Ford, 1956, US)
Seminole (Budd Boetticher, 1953, US),
Sergeant Rutledge (John Ford, 1960, US)
Sergeant York (Howard Hawks, 1941, US)
Se7en (David Fincher, 1995, US)
Seven Brides for Seven Brothers (Stanley Donen, 1954, US)
The Seven Samurai (Akira Kurosawa, 1954, Japan)
Shaft (Gordon Parks, 1971, US)
Shanghai Noon (Tom Dey, 2000, US)
Shaun of the Dead (Edgar Wright, 2004, UK)
She Wore a Yellow Ribbon (John Ford, 1949, US)
Shivers (David Cronenberg, 1975, Canada)
The Shootist (Don Siegel, 1976, US)
The Siege (Ed Zwick, 1998, US)
Sisters (Brian de Palma, 1973, US)
Slaughter (Jack Starrett, 1972, US)
Somewhere in Time (Jeannot Szwarc, 1980, US)
Speed (Jan de Bont, 1994, US)
Stagecoach (John Ford, 1939, US)
Star Wars (George Lucas, 1977, US)
Stella Dallas (Henry King, 1925, US)
Stella Dallas (King Vidor, 1937, US)
Strange Days (Kathryn Bigelow, 1995, US)
Sunset Boulevard (Billy Wilder, 1950, US)
Superfly (Gordon Parks Jr, 1972, US)
Surviving the Game (Ernest Dickerson, 1994, US)
Swordfish (Dominic Sena, 2001, US)
T-Men (Anthony Mann, 1947, US)
The Terminator (James Cameron, 1984, US)
Terminator 2: Judgment Day (James Cameron, 1991, France/US)
Terror in a Texas Town (Joseph H. Lewis, 1958, US)
Thelma & Louise (Ridley Scott, 1991, US)
Them! (Gordon Douglas, 1954, US)
The Thing from Another World (Christian Nyby, 1951, US)
They Died with Their Boots On (Raoul Walsh, 1941, US)
They Drive by Night (Nicholas Ray, 1949, US)
They Live (John Carpenter, 1988, US)
3 Godfathers (John Ford, 1948, US)
THX-1138 (George Lucas, 1971, US)
A Time to Love and a Time to Die (Douglas Sirk, 1958, US)
Tirez sur le pianiste (Shoot the Piano Player) (François Truffaut, 1960, France)
To Wong Foo Thanks for Everything, Julie Newmar (Beeban Kidron, 1995, US)
El Topo (The Mole) (Alejandro Jodorowsky, 1970, Mexico)
Total Recall (Paul Verhoeven, 1990, US)
Touch of Evil (Orson Welles, 1958, US)
Triumph des Willens (Triumph of the Will) (Leni Rienfenstahl, 1936, Germany)
A Trooper of Troop K (Harry A. Gant, 1917, US)
True Lies (James Cameron, 1994, US)
Twentieth Century (Howard Hawks, 1934, US)
Two Mules for Sister Sarah (Don Siegel, 1970, US)
Vampire in Brooklyn (Wes Craven, 1995, US)
Van Helsing (Stephen Sommers, 2004, US/Czech Republic)
The Velvet Vampire (Stephanie Rothman, 1971, US)
Videodrome (David Cronenberg, 1983, Canada)
The Virginian (Victor Fleming, 1929, US)
The Virginian (Stuart Gilmore, 1946, US)
Wagon Master (John Ford, 1950, US)
The Warriors (Walter Hill, 1979, US)
Watermelon Man (Melvin Van Peebles, 1970, US)
Die Weiße Hölle vom Piz Palü (The White Hell of Pitz Palu) (Arnold Franck and Georg Wilhelm Pabst, 1929, Germany)
West Side Story (Robert Wise, 1961, US)
Westward the Women (William A. Wellman, 1951, US)
White Zombie (Victor Halperin, 1932, US)
Who Framed Roger Rabbit (Robert Zemeckis, 1988, US)
The Wild Bunch (Sam Peckinpah, 1969, US)
Windtalkers (John Woo, 2002, US)
Written on the Wind (Douglas Sirk, 1956, US)
Yojimbo (The Bodyguard) (Akira Kurosawa, 1961, Japan)
Young Frankenstein (Mel Brooks, 1974, US)
Young Man with a Horn (Michael Curtiz, 1950, US)
Young Mr. Lincoln (John Ford, 1939, US)
You Only Live Once (Fritz Lang, 1937, US)