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INTELLECTUAL WHORES AND BLOODY BORES

If there’s anything and anyone worse than a bloody bore, it’s an Intellectual Whore. Puzzled?

Okay … tell me you really DON’T recognize the following types: The intellectual whores generally hang around at embassy and consulate soirees, clad in dreadful kurtas (both men and women). They have perfected the art of crashing these parties over twenty long years of serious sucking up. That makes them permanent fixtures on lists that rarely get updated, going by the attendance of these cheapo fossils. Some are desperate enough to cultivate each successive social secretary and treat these lower level officers like visiting royalty. It’s the sort of treatment those poor sods are entirely unaccustomed to back home. But of course they revel in the importance so lavishly showered on them by these moochers. The only reason for the heavy-duty spongers to turn up night after night at these events is for the free booze and food.

Some have become experts at figuring out menus and alcohol brands on offer from host to host. They turn up their noses at parties hosted by the old East European block of kadka commies who continue to serve cheap vodka and stale sausages. They flock to German evenings for the superior beer and better sausages. The Brits are broke these days and such are the lean times they’re facing, even a toast at Queen Lizzie’s birthday dinners is raised with local, lukewarm champagne. No matter. The idea is to go scrounging around for whatever’s on offer … and bore the hell out of everyone present.

Mumbai’s intellectual whores fall into another category altogether. They prey on corporate types. They love bankers the most because those guys have amazing expense accounts, plus entertainment budgets and serve rare single malts at their do’s. The Mumbai intellectual whore loves to name drop – in the old days it used to be the names of famous artists like M.F. Husain. Now, it’s strictly Bollywood. But since the fake ‘intellectual’ tag has to be lived up to, the intellectual whore throws in social issues and municipal matters to demonstrate the existence of a conscience.

Armchair activism gains a few extra points if the person can confidently ‘lagao’ something vague about a meeting with the chief minister. If there’s an arty, museum connection somewhere, that’s still better. A few mentions of an obscure Biennale generally impress the ignorant. All this ‘haw haw’ talk is interspersed with heavy duty bragging, generally about Delhi connections – Ministry of Culture, Chief Minister Sheila Dixit or Planning Commission Deputy Chairman Montek Singh Ahluwalia. The last two names interest the tight ass bankers present and ensures another round of a 21-year-old Single Malt.

Net-working being the name of the social game (does nobody meet just for the pleasure of spending a pleasant evening together, anymore?), it is vital to use nick names known to the inner circle and then exchange knowing looks with those who ‘get it’. Woe betides those who don’t! Social death guaranteed. Then comes the worst part – asking for favours. These can include anything from a trip to a foreign destination (with companion), to an out-of-turn allotment for something significant (car, apartment, land). The modus operandi remains the same in both cities. The intellectual whore stands in a prominent, well lit corner and starts sounding off on the controversy of the day (Niira Radia, Amar Singh, Lalit Modi). Insider gossip (rubbish! It’s mostly recycled junk) is traded with a small group over several rounds of whatever is going – after the third drink nobody knows, counts or cares.

The Arty Whores are a breed apart. Their sole purpose in life is to confuse and confound those who may be genuinely interested in understanding art. Their prose is dense, almost impenetrable. They spout dated clichés about assorted European ‘movements’. Their pens and the artists’ paint brushes they represent are both for sale. Reviews have no validity, nor do their pseudo-intellectual ramblings in pricey catalogues (they charge a whack for writing those dreary, ponderous pieces). You can spot the pompous creeps at art openings, hanging around looking for – you’ve guessed it – free booze. Once sufficiently tanked up, supremely annoying, mostly inaccurate arty gossip takes over – which canvas sold for how much at the Christie’s auction? Which painter is on the make and doing which young, hot art dealer? How art prices are being manipulated by the art sharks? And isn’t it terrible what that art bully did with the attractive newbies participating in his art camp?

What do we do with these bores and whores?

Jettison them, of course! Uno, dos, tres … and out you go!