| ONE HUNDRED ONE |

| 5 : 54 AM |

THE ROOM WAS LARGE, HIGH-CEILINGED, CLUTTERED WITH OVERSIZED furniture from another era. Every inch of wall space was covered with yellowed news clippings, photographs, posters. Every surface seemed to yield memories of years spent in isolation.

In the corner was a large hospital bed, covered in grimy sheets. On the dresser was an absinthe fountain with two spigots. Next to it were filmy crystal glasses, sugar cubes, tarnished silver spoons.

Jessica crossed to the window, parted the velvet curtains. There were bars on these windows too. In the moonlight she could see she was on the third floor, just above the spiked railing that led around the rear porch. Jessica glanced at the bed. Attached to each brass post were a pair of rusted handcuffs. On the nightstands were a series of easel frames, aligned like timeworn headstones. In the photographs, a young man stood in various poses, all mid-illusion—linking rings, releasing doves, fanning cards.

She crossed the room, pulled down the bed sheets. The dead man stared up at her, his eyes rolled back in their sockets, his hairless skull veined and scabbed.

Jessica touched a finger to his neck. There was no pulse.

“And now the Seventh Wonder,” a voice said. Jessica spun around, weapon raised. The television behind her was on. Ice-blue images flickered on the walls, the ceiling.

The scenario unfolding on the screen was identical to the other videos they had seen. But this time, Jessica knew who the man was. His name was Joseph Swann. The Collector. And he was somewhere in this house.

On-screen, Swann stepped to the side, and Jessica saw the steel-and-glass cage at the center of the stage. Inside sat Graciella. Swann closed the door, spun the cage twice, lifted a large conical silken drape overhead.

He then reached into his pocket, removed a small remote control, pressed a button. The camera angle widened, showing more of the stage. There was a ring of tower candles.

Swann picked up a small copper can with a spout, like a receptacle used for drizzling olive oil. He circled the silken cone, splashing the liquid from top to bottom, all the while mumbling something Jessica was unable to hear. When he finished, he placed the can on a side table, then walked behind the drape.

Jessica held her breath. For what seemed like a full minute, but was surely a much shorter period of time, there was no movement, no sound. The came a loud thud. The silken drapes billowed out, coming dangerously close to the candles. A few moments later a figure walked to center stage.

It was Graciella.

“Behold the Fire Grotto,” she said.

She raised the hoop. The cage was closed, but Jessica could see something inside. It looked like a hand pressed against the smoked glass.

“And behold Mr. Ludo,” Graciella added, gesturing to the box. “You may remember him from the Garden of Flowers, the Girl Without a Middle, and the Drowning Girl. You may remember him from the Sword Box, the Sub Trunk, and the Bridal Chamber.” Graciella picked up a candle. “I remember him for another reason.”

At this Graciella lowered the curtain, stepped behind. A few more seconds passed. The silk billowed again.

The world caught fire.