The June cover of Savoir was going to feature Howard Stern dressed as a bride. “Outrageous, yes, but so very Howard,” Maddie had proclaimed when she presented the idea. The magazine editor went wild.
“Explosive!” he’d shouted.
“Hilarious!” stiff-lipped Virginia had agreed.
The others, as usual, merely nodded in yes-man, yes-woman corporate correctness.
However, with the anticipated abundance of pre-summer advertisers and subsequent early print deadline, Maddie needed contact sheets right after New Year’s. Thankfully, Howard had consented to come out to her studio, and thankfully, Timmy had offered to spend his school vacation helping his mother set up the shot. Lately Maddie seemed to wake up every morning with a headache that made even the thought of work repulsive.
She’d blamed the headaches on too much sex. Putting off Cody had not been easy; she’d told him she simply had to concentrate on her work, that constructing a simulated radio announcer’s booth in her studio was no easy task. When he offered to help, she’d laughed and said that was all she needed—to watch him sweat and not be able to undress him and make love to him right there on her studio floor. It had, at least, seemed a more plausible excuse than admitting—to either Cody or herself—that she’d really rather be sleeping with Parker.
And now, as she proudly watched Timmy adjust the lighting on the dummy control board, Maddie realized it had been wise to turn down Cody’s offer. Besides the distraction his presence would create, she would not have had this time with Timmy. She noted her son’s intensity as he squinted and angled the tungsten lamp with concentrated deliberateness. She smiled.
“Let’s do a test,” she said to Timmy. “You can sit in for Howard. Get the Polaroid, okay? It’s on my desk in the office.”
While he was gone Maddie studied his work. Despite what many thought, she knew that the key to a great photo was not the concept, the subject matter, or the film. It was the lighting. Always the lighting.
She focused on the silver-gelled light that bounced off the microphone and would highlight Stern’s face. The idea was to have the radio giant seated at the controls, posed in an organdy wedding gown and veil, talking into the microphone to his imaginary audience of the day, the June brides. Dressed to relate, Howard might say.
Walking around the set, she decided the silver gel should work, that Timmy was learning, and learning well. Maddie never liked to think that she preferred Timmy over Bobby; it was just that she and the younger twin shared the common passion of photography. She also suspected that Timmy felt as though Parker had dumped him, too. Shared passion, shared pain. Perhaps some good had come out of the divorce after all.
“Hurry up with that camera,” Maddie called out. “I don’t want to leave these lights on much longer.”
“Timmy?” she called again. “Did you find it?” When he still didn’t reply, Maddie sighed and headed across the studio toward the door to the office.
Then Timmy appeared, holding a stack of things—a stack that in no way resembled a camera.
“Where’s the Polaroid?” she asked. But as the words came out, Maddie knew. Her eyes dropped to Timmy’s hand, then shot up to his face. An odd quiver began somewhere deep in her heart.
“What are these, Mom?” Timmy asked, holding out his hand.
She did not have to look. She knew what they were. “What are you doing with those?” she spoke sharply, stepping forward and grabbing the stack.
“Pictures of Dad, Mom?” His voice was low, hurt.
As if to hide them, as if to pretend they were not what they were, Maddie quickly clutched the photos to her breast. “Just some old memories,” she said and tried to laugh. “I’d forgotten these things were still hanging around.”
“They’re not all old, Mom. A few of them have pictures of Dad’s new car.”
Her heart hammered. She stalked past him into her office. “You don’t know what you’re talking about,” she snarled. “And you have no business going through my personal things.”
“I wasn’t going through your things. I was looking for film.”
She stormed toward the file. The drawer was open; piles of photographs had spilled onto the floor. Choking back tears, Maddie bent down and furiously stuffed the contents back into the drawer.
“Why, Mom?” Timmy asked.
As she stood up quickly, the room began to spin. She grabbed the cabinet to steady herself. “Don’t ask questions when you won’t understand the answers,” she said, wagging a finger at her son.
His head dropped. “I saw the magazines, too. They’re all here—every issue since Dad left.”
She tried to jam the drawer shut with her foot. It did not close. “I keep them for research. Not that it’s any of your business.” She couldn’t believe how defensive she sounded. She couldn’t believe how defensive she felt.
“No, Mom. Some of those pictures were taken from the knoll behind our house. Some of those pictures were taken when Dad was bringing me and Bobby home.”
Her head pounded; her vision blurred. “That’s Bobby and me,” she said, then blinked.
Timmy looked at her blankly, as if there were more at stake here than proper grammar.
Thoughts spun in her mind. “All right,” she said slowly. “If you must know, the pictures are for legal reasons. I’ve had some custody issues with your father, and I need to keep a record.” She had no idea what she was saying; she only hoped Timmy’s youth would prevent him from questioning her further. Had she ever lied to her sons? She didn’t think so. Then again, she’d never been made to feel like a naughty child—a naughty child who’d been caught in the act.
“As for the magazines,” she continued, praying that the tremor in her voice did not give her away, “I keep them for you. So that someday, when your father puts you on staff, you can look back and see how the work has been done.”
Timmy didn’t answer.
Maddie took a deep breath and stepped toward her desk. “Now,” she said, picking up the Polaroid and a box of film, trying to appear unflustered, trying to appear in control, “let’s get a few test shots before the bulbs pop.”
She walked past him; he still hadn’t moved.
“Mom,” he called after her, “how could you expect I’ll work for him after everything he’s done to us?”
Maddie was silent. Carefully she loaded the camera; carefully, because her hands were shaking so hard she feared she’d drop everything. “I’ve told you before, Timmy. The divorce had nothing to do with you and Bobby. It was between your father and me.”
“Mom? You still love him, don’t you?”
The question had come so suddenly that Maddie was not prepared. She peered through the lens, not seeing anything on the other side because her eyes were full of tears.
“Geez, Mom, it’s been so many years. How can you even stand to look at him? Or at those magazines? That should be your magazine, not his. I may only be fifteen, but I’m not stupid.”
The silver light that bounced off the microphone stung Maddie’s eyes. She turned from the camera to look at her son.
“Well, I’ll never work for that bastard,” he shouted, his voice cracking now, his soft, boyish face turning bright pink. “I’ll never work for that bastard, and you can’t make me.” He stomped from the studio.
Maddie stared after him a moment, her head pounding, her heart aching. Then she mechanically walked around and snapped off the lights on the set, thinking that this wasn’t fair, this wasn’t right. Timmy, after all, was supposed to be like her. Timmy was supposed to be on her side.
Later that evening Timmy was at a friend’s house when Parker called.
“We’re flying back the day after New Year’s,” he said. “Would you like to meet us, or should I call my driver?”
Meet them? Maddie thought. What a happy family picture that would make: Parker, Maddie, Bobby, and Sharlene. She must remember to bring her camera.
“Maddie?” Parker asked.
She hesitated, wondering if her head would ever stop pounding. “My car isn’t big enough for the three of you with all your luggage,” she said curtly.
“It will only be Bobby and me.” He paused, then added, “Sharlene won’t be returning to New York.”
Maddie stared at the phone. Bobby and I, she wanted to say as his words sunk in slowly and went straight to her heart. It will only be Bobby and I.
It was not until after they had hung up that Maddie allowed herself to wonder what it all meant, and if her birthday wish really was going to come true after all.
The flurry of media attention had subsided, and the police seemed to have given up trying to prove murder. It seemed as though everyone was finally content to believe Abigail’s suicide note: she was unhappy, she was sorry, she was gone.
Kris was in Abigail’s bedroom with Louisa, sorting through racks and racks of boxes and drawers of Abigail’s incredible clothes, trying to decide what to do with them all.
Sondra had already been to the estate and helped herself to whatever she wanted. Though mother and stepdaughter wore the same size, their tastes were dissimilar—a fact that Kris found surprisingly pleasant. For though Abigail believed Sondra was innocent to Larry’s motives, Kris felt the less connection between them, the better.
Across the down comforter now lay three neat rows: designer originals, designer copies, and off-the-rack items. The pile of designer originals, of course, was the largest, filled with satin and sequins, silk and fur.
“Louisa?” she asked as she stared at the piles. “Do you know what Abigail wore the night … the night of the accident?”
Louisa stopped what she was doing. “The faille suit, I think. The navy one.”
“Did she … did she wear any jewelry?”
“Oh, yes. Her locket, of course. She never took that off. And she always wore diamonds with that suit. Her great-grandmother’s diamonds.”
A numbness coursed through Kris. The diamonds. As planned. But she was too tired, too worn out, to wonder what it meant. It could, after all, have been one more diversion to throw Kris off track, to continue this torment.
She poked at a fur jacket. “I’m afraid these things are a bit inappropriate for a women’s shelter.”
“What will we do?” Louisa asked with a scowl. She did not need to say she wished Edmund would tell them, or that she was disappointed he had shown no interest, had merely told them to get rid of the things however they thought best.
“It would be a sin to trash them,” Kris said, then had an idea. “Why don’t we sell them to a secondhand shop? Then we could arrange for the cash to go to the women’s shelter.”
“Ah,” Louisa answered. “Abigail would like that.”
Kris didn’t know whether Abigail would like it or wouldn’t, but at this point she didn’t much care. She was tired of feeling guilty and of cleaning up the messes Abigail had left behind. If this was her penance, surely she must have paid enough by now.
“Are you looking forward to Phoenix?” she asked Louisa, removing a Dior suit from a hanger and placing it on the designer original pile.
“In some ways.” The money left to her by Abigail now enabled her to move to Arizona and be with her sister. And though the estate would not be finalized for some time—not until spring when a body did, or did not, surface—Edmund had advanced Louisa her share of the inheritance. “I’ll be sixty-eight this year. It seems strange to be retired. It seems even stranger not to have Abigail …” Her voice trailed off in a trickle of tears.
“I know,” Kris said softly. “You were like a mother to her, you know.”
Louisa nodded. “Are you leaving tomorrow, too?”
Kris folded a silk shirt. She knew it was time for her to go. She knew Edmund wanted to begin arrangements to have the property turned over to the state, to prepare for unknown visitors to come each year and pay their five dollars or ten to traipse through the halls and gawk at the remains of an era gone by and whisper about the kind of people who must have once lived here and the glorious life they must have had.
But tomorrow was New Year’s Eve, and Kris had no plans. There had been a time when New Year’s meant glitter and parties and dancing and singing, and ringing in the new year with mindless sex with some man she barely knew. She folded another shirt and wondered when all that had changed. It had been weeks now since she’d even had sex. She shuddered and wondered if that, too, was part of becoming fifty next year … in a year that would arrive in less than two days.
“You could ride into the city when Smitty drives me to the airport,” Louisa continued. They both knew that within a week all the servants except one groundskeeper and a housemaid would be gone. It was the way Edmund had wanted it. And the way that Abigail—living or dead—would probably have wanted it, too.
“I was hoping Kris would stay until New Year’s Day,” came Edmund’s voice from the doorway. “So someone would be here to help me ring out the old.”
Kris turned, surprised at his presence.
“I was also hoping you would join me in town for lunch, Kris. I need to take care of a few things at my attorney’s, and I’d welcome the company.”
“We need to call the secondhand shop to come get these things …”
“I can take care of it,” Louisa said. “You go ahead, Kris. You need to get out of here. You both do.”
“I lied,” Edmund said from across the table at a quiet tea shop in a village three towns to the east, where no one recognized Edmund, where, thankfully, no one seemed to know Kris.
She took a small bite of her chicken sandwich and tried not to show alarm. “Lied?”
“About having to see my attorney. I needed to get the hell off that estate. But I didn’t want to be alone.”
“You could have just said so.”
He shook his head. “I didn’t want Louisa to worry.” He stirred sugar into his coffee and stared into the dark liquid. “Kris,” he said quietly, “there’s something I have to tell you.”
The tone of his voice was ominous. She shifted on her chair and hoped to God he wasn’t going to confess to Abigail’s murder.
He removed the spoon from the cup, set it in the saucer, and looked into her eyes. “Not you, exactly. But there’s something I have to get off my chest before it kills me.”
Kills me, Kris thought. An interesting choice of words. She picked up her sandwich again and tried to act nonchalant, while her thoughts raced about how he could have manipulated Abigail into writing the suicide note. Too bizarre, she thought. Not possible. She bit into the sandwich. “You’re making this all sound rather dark, Edmund.”
He nodded. “It is.”
She chewed slowly, her mind spinning, as she tried to decide what she should do if he admitted guilt. Excuse herself from the table and phone the police? That seemed rather dramatic. Convince him to turn himself in? God, she thought, this is like a B movie. She swallowed and took a sip of her tea. “Go on, Edmund. Please.”
Clearing his throat, Edmund studied the plate in front of him. “I don’t know if you’re aware that Abigail and I hardly had what one might call a perfect marriage.”
Under the table Kris crossed her feet to stop herself from twitching. “No marriage is perfect. At least, so I’m told.”
“I think in the beginning we loved each other,” he continued, “but it was more an arrangement than a marriage. Abigail’s grandfather approved of me … he didn’t think I was after her money, and I guess I seemed reasonably intelligent on my own.”
“Go on.” She wondered what Abigail would have thought of Edmund’s word, “arrangement.” Then she wondered what Abigail would have thought about the two of them sitting in a cozy tea room sharing lunch.
Edmund took a deep breath, then let it out slowly. “One thing the police said is true. I took a hit on the Gauguin deal.”
She blinked. “L.C. backed out of the deal?”
“I think when he learned the police were hovering, he got scared.” Edmund laughed a very small laugh. “So much for friends.”
Friends. Kris’s thoughts turned to back Abigail, and she felt a small boil begin. Suicide or not, how could Abigail put Edmund through this?
“Was the money you lost enough to leave you in debt?”
“No. Only enough to piss me off.” A small grin crept across his mouth. It was nice to see him smile again. He had such a gentle smile, a genuine smile.
“But there is one thing the police haven’t learned,” he continued, “or at least I don’t think they’ve learned—which could go against me if they find out.”
Her thriller-plot mind took over again. Was this why Edmund wanted to get away from the estate? Because he was afraid of being overheard, afraid of being “found out”? She toyed with her chicken sandwich, half-fearing what he would say next.
“Kris,” he said, glancing around the restaurant, as if to assure himself that no one was listening. He paused. “Oh, God, this is so humiliating.”
She nibbled on a crumb, trying to steady her composure. “Take your time.”
Instead of his time, he took another deep breath. “Abigail and I rarely slept together,” he blurted out, fixing his eyes everywhere he could except on Kris. “She had many problems. I guess I should have been more patient with her.”
“Hardly motive for murder,” Kris said without thinking.
“Perhaps,” he answered. “But there’s more. For almost two years, I had an affair. It ended six months ago.”
The light in the room seemed to dim. Kris took a bite of her sandwich, a swallow of tea. The fact of an affair was hardly shocking. The fact that it had been Edmund—staid, conservative Edmund—made it a little more intriguing. She wanted to know with whom; she wanted to know if Abigail had known. She wanted to know what woman had succeeded where she had not. Instead, she asked, “What happened six months ago?”
“Her husband found out.”
So it wasn’t just a simple affair, but an affair with a married woman.
“I don’t know why it happened,” Edmund said. “I’m not really even sure how. Abigail had become so immersed in her business. She was so … busy. She became so distant. Helen and I met at a party …”
Helen, Kris thought, and decided to remember the name.
“Were you and Helen in love?”
Edmund shrugged. “Love. Lust. It doesn’t really matter.” He pushed aside his plate. “I’m not proud of it, Kris. It’s something I hoped I’d not have to tell anyone. But now …”
She tried to stay objective. Objective and cool. “I don’t see why the police would care. If the affair was over six months ago …”
“I’m not worried that Helen will go to the police,” Edmund said. “But her husband is something else. From what I understand, he has filed for divorce. And now I don’t know what’s going to come out.”
Two married lovers: one with an irate husband, one with a missing-and-presumed-dead, a probably self-inflicted, possibly murdered, dead wife. Kris leaned back in her chair. Objective or not, she could not dismiss the facts. “Yes,” she said quietly, “this could be a problem.”
The next morning they stood at the front door, waving good-bye to Louisa as the Mercedes pulled from the circular drive. For all appearances Kris and Edmund, side by side, might have resembled a happy couple bidding adieu to a guest, instead of an unconnected pair breaking another tie: Edmund, with the woman who had served as his head housekeeper for many years; Kris, with a woman she barely remembered from a childhood she’d tried to forget.
When the car disappeared from sight, Edmund turned to Kris. “Well, that’s that,” he said abruptly, closing the door and retreating into the foyer.
“You say that as if Louisa were a rat leaving a sinking ship.”
Edmund smiled a forced smile. “You have an uncanny way of putting things, Miss Kensington.”
“Well, this rat will be gone tomorrow, too, and you promised you’d help me with some research. The art thief, remember?”
His head drooped a little. “Sure. Why not.”
She wanted to say Look, Edmund, you don’t have to help me. I’m perfectly capable of researching things on my own. But I’m trying to help you. I’m trying to help you realize that there is life after Abigail. She also wanted to tell him that she was trying to assuage her own culpability, the dark side of her conscience that kept telling her she was responsible for all that had happened.
Instead, Kris grinned and said, “I’ll go upstairs and get my notebook.”
They spent the day in his study, browsing through oversized books with colorful plates of masterful works. Edmund told her she might want to think about having her art thief specialize in some field, as he specialized in impressionists.
“Do you mean to say you’d never sell a Rembrandt?” Kris asked.
“Never say never. But I’d prefer not to. Like you, I guess I’m not as partial to reality.”
She decided not to take that as an offense, and that if impressionists were good enough for Edmund, they were good enough for her.
By early evening Kris had filled a spiral-bound notebook and felt that she’d just completed three semester hours. She especially liked the lesser impressionists such as Paula Modeson Becker, whose broad, flat strokes had been inspired by Gauguin. But Becker was another woman artist in an era when women were not supposed to be artists.
“She’s like Lexi Marks,” Kris said.
“And Kris Kensington,” Edmund added.
She decided to take that as a compliment.
The clock struck seven. “Seven bells,” he said. “And I’ve been a terrible host. Are you hungry?”
They maneuvered their way into the kitchen. Kris looked around the enormous room, at the dried herbs that hung in perfect repose, at the shiny copper pots that glistened and gleamed as if no one had told them there would be no more Entertaining with Abigail segments shot here, as if they had no idea that the media hostess had met her demise.
An unexpected wave of sorrow washed over Kris. She wondered if Larry would change the name of the show and where he intended to produce it, now that Windsor-on-Hudson was about to become a dinosaur ward of the state.
Edmund opened the double doors of the refrigerator and let out a laugh. “You’re not going to believe this,” he said.
She walked over and peeked inside. The shelves were packed with plastic, lidded dishes, as though a Tupperware party were imminent.
He removed one dish, its top neatly labeled. “Chicken and rice soup,” he read. “Microwave about one and one-half minutes.” He set down the dish and removed another. “Beef stew. About two minutes.” He looked at Kris. “Louisa did this,” he said. “Do you believe it?”
“I believe we could open a restaurant with everything here.”
He pulled a Post-It note from the door. “Anything not eaten within three days should be frozen,” he read. “Freeze in the same containers.” He dropped his hand with the note. “She’s going to miss Abigail.”
“She’s going to miss both of you. This was her home.”
He sighed and returned to the refrigerator. “Well, what’ll it be? Chicken and rice, beef stew, or something else? You name it, it’s probably here.”
Kris spotted eggs on the door. “How about an omelet?” she asked, remembering how luscious Devon’s had tasted on Christmas.
“I’m not much of a cook.”
“Me either. But maybe together we can give it a shot.”
“We’ll probably need wine.”
“Definitely. Do you know where the wine cellar is?”
“Very funny. I’ll have you know I can be quite self-sufficient. I don’t need servants to survive.”
“We’ll see,” Kris said. “Now go look for a bottle of nice white wine while I see what a nearly-fifty-year-old woman can do to screw up a few eggs.”
The omelets did not taste at all like Devon’s.
“It must be the whisk,” Kris moaned, staring at the yellow and brown mass on her plate. She’d suggested they eat in the library, on the centuries-old, 22-million-knot Persian carpet in front of a New Year’s Eve fire.
“Grandfather Hardy will turn over in his grave,” Edmund had commented at her suggestion.
But Kris no longer cared about Grandfather Hardy. She simply did not want to set the grand table in the dining room; it would not have seemed right without Abigail. Or without Louisa.
So now they sat in the massive room, listening to the snap of the fire and the smooth strains of Vivaldi, surrounded by Hardy portraits, Hardy books, Hardy traditions. Yet there were no Hardys left.
“Maybe if I’d whipped the eggs a little more,” Kris said, “they’d be fluffy.”
Edmund grinned. “It tastes fine. I do have one question, though.” With his fork, he plucked a dark piece of something from his eggs. “What exactly is this?”
“I believe that’s an olive.”
He examined it closely. “Hmm. I don’t think I’ve ever had an olive in an omelet.”
“I couldn’t find any ham. I decided they had the same texture.”
Edmund laughed, ate the olive, then grew quiet. “I will miss you, Kris,” he said. “I’ve enjoyed having you here … despite the circumstances.”
She sipped her wine and stared into the fire, not wanting to admit that she, too, had enjoyed being here, taking care of Abigail’s things. Despite her irritation she knew it had been cathartic. She also did not want to admit that she had enjoyed being with Edmund.
Setting down her fork, Kris looked around the room. In the fire’s warm glow she wrapped her arms around herself, around the surprising chill she felt. “The house seems so empty,” she said. “Where are you going to go, Edmund?”
“I haven’t decided. Somewhere in Europe, I suspect. I’ve always enjoyed Europe.”
“What about Sondra?”
“Sondra will be fine. My hope is that she and Craig get back together someday. Then again, I’m afraid I’m an old-fashioned romantic. And incredibly naive.” He set down his fork and gazed into the fire. “But either way, Sondra will be fine. With her baby, and with whatever ends up happening with Entertaining with Abigail.”
Resentment rose in Kris as she thought of the possibility that Sondra indeed would become a star, that Larry in fact would win. “You don’t approve?” she asked.
“I don’t think it’s going to work. Larry may believe otherwise, but Abigail had a special quality. I don’t think my daughter can duplicate that. She’s not … “he paused, then said with a chuckle, “crusty enough.” Then he slowly sipped his wine and added, “I’d like to have some influence over my grandchild, though. But whatever will happen will happen, I guess.”
They sat in silence. Kris thought about Edmund and about the loneliness that stretched out before him. Then she thought of herself and wondered how she could return to her life the way it had been, how she could return to jumping all over the globe, conjuring up plots of action, acting as if emotions didn’t matter, as if life—and people’s feelings—didn’t count.
Feelings. Especially her own.
It was an attitude she’d maintained all her life, the same kind of self-centered oneness in which prejudice was tooted, from which prejudice festered.
Quite simply, she had never let herself care. Not since Betty Ann. Not since Abigail’s grandfather. It had been a survival tool, and an effective one. But she had simply not cared. It was a life she no longer wanted to live.
“Life changes,” she said quietly, as much to herself as to him, as much to remind herself that the past was behind her and that new life, somewhere, lay ahead.
“Kris?” he asked slowly, without looking at her.
Her eyes moved toward him. “Yes?”
“If you don’t want to sleep alone tonight, I would very much enjoy it if you shared my bed.”