Basalt, granite, tourmaline, the male wash
of off-white seed from an elderberry,
the fly’s-eye, pincushion nubbins yellow
balsamroot extrudes from hot spring soil,
confetti of eggshell on a shelf of stone.
Here’s a flotilla of beaver-peeled branches,
a cottonwood mile the shade of your skin.
Every day I bring some small offering
from my morning walk along the river:
something steel, blackened amber with rust,
an odd pin or bushing shed by the train
or torqued loose from the track, a mashed penny,
the muddy bulge of snowmelt current.
I lie headlong on a bed of rocks,
dip my cheek in the shallows,
and see the water mid-channel three feet
above my eyes. Overhead the swallows
loop for hornets, stinkbugs, black flies and bees,
gone grass shows a snakeskin shed last summer.
The year’s first flowers are always yellow,
dogtooth violet dangling downcast and small.
Here is fennel, witches’ broom, and bunchgrass,
an ancient horseshoe nailed to a cottonwood
and halfway swallowed in its punky flesh.
Here is an agate polished over years,
a few bones picked clean and gnawed by mice.
Here is every beautiful rock I’ve seen
in my life, here is my breath still singing
from a reedy flute, here the river
telling my blood your name without end.
Take the sky and wear it, take the moon’s skid
over waves, that monthly jewel.
If there are wounds in this world no love heals,
then take the things I haul up—feather and bone,
tonnage of stone and the pale green trumpets
of stump lichens—are ounce by ounce
a weight to counterbalance your doubts.
In another month there won’t be room left
on the windowsills and cluttered shelves,
and still you’ll see me, standing before you,
presenting some husk or rusty souvenir,
anything the river gives, and I believe
you will love.