Red Wolf Crossing, Snake River
You must understand the river
was a river then
not a pool behind a dam
above a pool behind a dam
above a pool behind a dam
and so on
I could go on
but see how the flow of the poem here is likewise unaesthetically halted
though this was then I’m talking about
and there was no poetry then
no poetry at all
that was not spoken and spoken
chanted and sung
as the river itself might be said to have sung and sung
though that would be to personify to sentimentalise
to make of the river a conscious being aware
of its own voice
aware of the other-way rush of the salmon
which this myth would have as the first bridge
young Red Wolf and the woman he loved
and chased among the drying racks and alder fires
the woman who laughed
and sprinting left him flat-footed and breathless
on the shore
her feet so lightly coming down
on the broad silver backs and rolling blue bellies
on the rounded red sides of the sockeyes
that she was in his eyes walking
on water though nothing
made a god of her anymore than she herself
on the far shore
when she shed her robe and smiled and made ready
from which also comes the word redd
river womb for egg and milt
and Red Wolf or the father of Red Wolf
or the fathers of all men
leaped and began
and thus it is now
when the river is a pool behind a dam
above a pool behind and dam
and so on
that the surface of the bridge in the elegiac last light
sometimes takes on the colors of their original skins
and not even the most sadly prudish of men and women
can fail to see the huge erotic symbolism
of the bridge
which is after all only concrete and steel
an elegant and unintentional cenotaph
built so someone must have thought to further
the mercantile and industrial needs of nowhere in particular
where nothing much has happened
but ten thousand years of miracles
before the beginning of the beginning of the end
of time