1

“Good-bye, my darling.”

“Good-bye, my sweet.”

“Good-bye, my love.”

“Good-bye, dear.”

“I hate to go, my darling.”

“I know, sweet.”

“How will you ever manage without me?”

“I have no idea. Your cab is waiting, dear.”

“Are you sure you’ll be all right, darling?”

“Your cab is still waiting, sweet. And cabs are hard to come by in Brussels. If that one downstairs gets tired of wasting gasoline, you’ll miss your train.”

“But what will you do without me to take care of you?”

“My dear Lisa,” Kek Huuygens said with smiling patience, “you will only be gone three days. I shall struggle through that endless period in some manner, difficult though it be. And you are only going to Maastricht to visit your mother, and that is roughly two hours by train from here, and probably even less by bicycle. You are not going to the South Pole for a three-year tour of duty. Although,” he added dryly, “you seem to have packed for it.”

“You are a beast,” Lisa said calmly, and pulled on her gloves. “Before we were married you took quite a different tone, my lad.”

“Before we were married,” Kek said reasonably, “the Walloonian blood you inherited from your father would never have permitted you to leave a taxi waiting for an hour, running up bills. Nor would it have permitted you to keep your husband from important business meetings which would enable him to keep you in bonbons and taxis running by the hour!”

Lisa pouted. “But Willi promised we could keep the apartment for a month.”

The apparent non sequitur did not disturb Kek. He was quite used to them.

“And Willi found he had to come back to Brussels for a few days, which fitted in perfectly, since you were planning on visiting your mother later in any event. After all, sweet, we can scarcely keep a man out of his own apartment.” Kek Huuygens smiled. He picked up one of her three suitcases, tucked it under one arm, managed the others, and led the way to the door. “Come along, my sweet.”

Lisa took her purse and travel case and followed him to the elevator. They rode in silence to the ground floor and emerged to the street. She waited while her bags were stowed in front beside the driver, climbed in the back, closed the door and ran down the window.

“You did say you’ll be at the Colonies Hotel, darling?”

“I did. I’ll be there the entire interminable three days. Unless this meeting today means a trip,” he added.

Lisa sighed; it was a half-pout. “I never knew art appraisers traveled so much! I should have married a postman. Or a policeman.”

“What a thought!” Kek said fervently.

“A floorwalker, then,” Lisa said. She opened her purse and checked her appearance in the mirror fastened to the cover. It seemed to satisfy her; she snapped it shut and leaned toward him through the open window.

“Good-bye, my darling.”

“Good-bye, my sweet.” He kissed her tenderly and stood away, bringing a cigarette from a packet stowed in his pocket, and lighting it.

“And Kek, darling—try and cut down on your smoking.”

He glanced down at the cigarette in his hand a bit guiltily, as if surprised to see it there. “Yes, sweet.”

“And if it gets any colder, wear your topcoat.”

“Yes, dear.”

“And eat well.”

“I always eat well.”

“And you’ll write, won’t you?”

“Write? To Maastricht? You’ll be gone three days and it takes a week for a telegram to be delivered there?”

“I mean, call.”

“Yes, dear. You’ll miss your train. You really will.”

The taxi window was finally rolled up reluctantly; the cab pulled away from the curb, its driver glancing back sympathetically. Kek stood on the sidewalk, looking after it affectionately. Dear Lisa! A bit of a scatterbrain like those she so often was called on to portray on the stage. They had been the roles in which she had achieved her greatest success, and she sometimes had a tendency to carry the pose into her private life. If it was a pose, that is.…

Kek glanced at his watch and hurriedly started up the walk toward the apartment entrance, flipping away the cigarette. He had one hour in which to pack his one small suitcase, leave a note for Willi, check into the Colonies Hotel, and make his business appointment. With luck in getting a second cab—Lisa’s had almost been a miracle—he could arrive at his destination with a good several seconds to spare.

“Two thousand. That’s the deal,” said the fat man, drumming his pudgy fingers on the veined-marble tabletop. If he was irritated at Kek for having arrived ten minutes late, he did not show it. His voice was soft, slightly lisping, but not in the least feminine for that. His face was round and white and soft and doughy; looking into his eyes one was faintly surprised not to find raisins peering back. A second glance and one was not so sure; some dark and wrinkled things were embedded there.

“Two thousand,” he repeated quietly.

“Pounds sterling, of course,” Kek Huuygens said genially.

“No, not pounds sterling, of course. Dollars, of course,” the fat man said. His name was Thwaite and he was English with parents and grandparents from Hull, though he would have denied it. He was dressed in a bilious green tweed much too heavy for the day and far too ancient for the style. There was a faint trace of amusement in his soft voice at this pitiful—but not unexpected—attempt to raise the price.

It was in the year 1948 that these events took place, and much has changed in the world since then. But in 1948, in those difficult days following the Second World War, there were few men who could afford to argue the conditions of offered employment, and particularly in Europe and especially men who—like Kek Huuygens—lived on the outskirts of the urbanity known as the law. His wife Lisa may well have been taken in by the fiction of Kek being an art appraiser, but those who knew the man well were quite aware of his true profession. And Kek Huuygens had long since set a high value on his rather unique services and was determined not to scab; or at least not on himself.

“Then I’m afraid that this time you have the wrong man,” he said, with what sounded like true regret.

He was an athletic young man in his late twenties, with shoulders of a bulk that seemed to partially negate his height of six feet. His neat, discreet double-breasted suit seemed to point up the basic error of the tweed. He had an unruly mop of dark brown hair set above a strong, handsome face with a broad forehead and widespread intelligent gray eyes. At the moment, despite his tone of voice, his eyes shared the other’s secret amusement.

“After all,” he went on, a sudden flash of smile revealing strong, white teeth, “I’m a newlywed; I’m sure you must have known. And wives—at least mine—are expensive to support.”

The fat man’s shrug indicated that he, himself, was not without financial responsibilities caused by feminine companionship, nor did he know very many people who were. His attitude also subtly suggested Huuygens should appreciate his leaving unmentioned the question of Lisa’s earning capacity.

“Two thousand dollars, American,” he said, sounding inflexible, and then moderated his tone slightly, making a concession. “Plus expenses, of course.”

“Two thousand pounds sterling,” Huuygens said, determined to prove equally cooperative. He considered the other in kindly fashion. “Naturally, plus all expenses.”

“There are other people who can handle the job,” Thwaite said, his soft voice turning surly.

“I’m quite sure,” Huuygens agreed equably, and came to his feet in one lithe move. He glanced across the cobbled square to the ancient clock set high in the filigreed rococo stone tower there, and then checked his wristwatch. The two were exact, as always.

“Fifteen hundred pounds,” the fat man said finally, sullenly.

“Two thousand.”

“But no expenses!” A puffy white finger was lifted for emphasis.

“With all expenses, naturally,” Kek said, his tone asking the other to stop being foolish.

“Sit down,” the fat man said, defeated.

Actually, he did not sound as bitter as one might have expected. Rather, his tone seemed to say that in this less-than-perfect life one had to learn to give and take if one were to survive, and survival had been his specialty for years. Kek suspected, quite correctly, that Thwaite also took a lot more than he gave. The fat man looked up.

“Payment on delivery, of course.”

“Of course.”

Huuygens lowered himself obediently into his chair again, beckoning to a waiter. The two men were sitting at a sidewalk café in the Grand’ Place in Brussels, the warm late-morning sun was glinting spectacularly from the copper-greenish hands of the steeple clock across from them, and their filtres were empty and pushed to one side together with the wicker bun basket. Behind them the heavy oaken doors of the main bar had been thrust wide, embracing the last of the glorious early October weather; through the opening at the top of the steps a copper chimney could be seen, gleaming brightly, rising above an empty circular fireplace to disappear through the beamed ceiling. A stuffed horse unaccountably stood beside it.

Kek reached under his jacket to his cigarette pocket, brought out the package and slid it across the table in silent invitation. The fat man shook his head sadly and tapped his chest. Kek took back the packet, lit a cigarette, and tilted his head toward the waiter who was finally responding to his signal.

“Have a drink, then,” he said, and added with a faint smile. “On me.”

Thwaite waggled a swollen finger again in reluctant self-denial, and this time patted his overflowing stomach for explanation. Huuygens raised his hand abruptly, stopping the approaching waiter in his tracks. The white-aproned figure, unperturbed, went back to flicking invisible motes from spotless tables.

“All right,” Kek said quietly, returning his attention to the business at hand. “What is it this time?”

There was a moment’s silence; then Thwaite spoke proudly, quietly.

“A Hals,” he said.

He didn’t hestitate. Who hired Huuygens hired reliability above all else; nor had it been the first time the two had done business together. One paid highly but one received service. The fat man had lowered his already-soft voice to little more than a whisper, but he was practiced enough in the art not to lean forward in compensation. Nor did Huuygens in any way appear to strive to hear. To a casual observer the two were maintaining a desultory conversation. It was merely habit, however; they were quite alone at the outside tables. The raisin eyes studied the younger man above a yeasty ridge of flesh.

“Which Hals?” Kek asked.

While it was true he was not the art appraiser he sincerely hoped Lisa believed him to be, he could well have qualified among the best. His early training had been in art; his knowledge in the field was almost legendary among those who dealt in his services. On occasion he had even offered his help to friends facing a difficult choice in purchasing a rare painting, but this had only been in the manner of a favor. His interest was quite another.

“Which Hals?” he repeated quietly.

“The Innkeeper of Nijkerk,” the fat man said softly, watching him.

Huuygens’ eyebrows raised the merest fraction of an inch and then returned to their normal, slightly saturnine angle as he considered this quite startling bit of information.

“The Innkeeper of Nijkerk …” He thought for several moments, slowly nodding. “Sotheby’s made over fifty thousand pounds just handling the auction, as I recall. And I recently read that the picture was being loaned by the Frick Museum in New York for the Hals exhibit at the Clouet Gallery here next week.”

He paused a moment. A wide smile crossed his face.

“Did I drive a bad bargain? Did I charge too little?”

“I don’t rate the Sotheby’s prices,” Thwaite said sourly.

“True,” Huuygens conceded genially, and grinned his apology. “Incidentally, a very good lesson for both the Frick and the Clouet Gallery of the ultimate wisdom of Hamlet.”

“Eh?”

“‘Neither a borrower nor a lender be,’” Huuygens quoted, and smiled at his own sententiousness. His smile faded; he became practical. “I’ve seen the painting at the Frick many times since I moved to New York. I like it; I consider it one of the best Hals of his middle period, which was by far his best—or at least his most exuberant—period.” He frowned a moment in recollection. “As I remember it’s roughly sixty centimeters by one hundred and twenty; I don’t recall the exact catalog dimensions. About two feet by four feet, more or less.” He studied the other impersonally. “Scarcely a postcard …”

Thwaite made no reply but continued to wait. Huuygens crushed out the cigarette that had been wasting away in the ashtray and immediately lit another, frowning off into space, considering the problem. The fat man’s patience was not disturbed. The sharp gray eyes finally came back from their thoughts to the realities of the Grand’ Place and his companion.

“One question, Thwaite: is the Clouet Gallery aware that come next Tuesday—the exhibit does start on the Tuesday, does it not?—there will be an unfortunate hiatus in their presentation? A certain pristine virginity on one deprived wall or another?”

The fat man frowned at this lightness of tone; he seemed to consider it in poor taste, especially when speaking of an object worth many hundreds of thousands of pounds. Huuygens seemed to appreciate a bit of the other’s feelings, for he added with a touch of apology:

“What I am trying to say is this: at what point in its travels from New York was the borrowed painting—ah, reborrowed? Had it arrived? Had it been unpacked?”

“They know it’s gone, if that’s what you’re trying to say,” Thwaite said flatly, and glanced at his watch. “They will have known at least twelve hours by now. Why?”

“Twelve hours … Not too bad. Certainly not the greatest length of time in the world.” Huuygens nodded thoughtfully, as if to himself. “Yes. And the Clouet people are keeping it a deep, dark secret between themselves and the Sûreté in the sincere hope that the painting will be recovered before they are forced to make a most embarrassing disclosure to the Frick Museum, and, of course, the poor insurance company …”

His eyes came up speculatively, watching a gaggle of tourists pose for photographs across the cobbled square, shifting back and forth before the cameraman that haunted the area, but not seeing them at all. He looked back at the fat man, his voice merely curious.

“Do they have any idea as to how the picture was taken?”

“They do not. Nor,” Thwaite added, his soft voice suddenly harsh and cold, “is it any of your concern. Your job is to see that the canvas is delivered in Madrid—”

“Madrid?”

“Yes. Any objections?”

“None. I was merely asking. I like Madrid; I have quite a few friends there. Although,” he added, wishing to be accurate, “I do prefer Barcelona. Weather, for one thing.”

Thwaite was not interested in the other’s preferences.

“As I was saying, your only concern is to deliver the canvas to me in Madrid at the address I will give you.” He hesitated a moment before continuing, but it was only to be sure the other was paying close attention. “By ten o’clock tomorrow night …”

“Tomorrow?” Huuygens sat straighter in his chair, staring at the other in surprise, and then shook his head. “Impossible.”

“By ten o’clock tomorrow night,” the fat man corrected gently. “That’s not quite the same thing as merely ‘tomorrow.’” He smiled sardonically. “And since when is anything impossible for the great Kek Huuygens? Especially where a sum like two thousand pounds sterling is involved?”

Huuygens disregarded the sarcasm. “Why the rush?”

“Let us say that while I trust you, I don’t want the painting out of my hands any longer than necessary.” The fat man shrugged, his tiny raisin eyes fixed on the other. He spread his puffy hands. “Or, if you prefer, let us say that my customer is an impatient person. He takes delivery at midnight tomorrow.”

Kek’s fingertips drummed an unconscious tattoo on the table as he considered this added problem. One thing was certain: it would not be easy. Another thing was equally certain: somehow he would make it. Not that there was the slightest chance that anyone in the world could do the job if he could not, but it was the challenge. He smiled to himself. And the two thousand pounds would come in very handily with the present state of his newlywed finances.

A second thought suddenly struck him, wiping away the lightness. It was impossible that Thwaite had not had a customer lined up before the theft. One didn’t steal a painting as valuable as the Hals and then hope to peddle it on the nearest street corner. And certainly no priorly arranged customer would expect delivery within a day or two. Ridiculous! Which only meant one thing: the fat man was up to some of his old tricks. His need to get it out of Belgium immediately was undoubtedly due to a double cross of some partner; such tactics were not unknown in Thwaite’s past. Not that it would affect Huuygens or his payment, but still …

He looked up, staring directly into the tiny eyes.

“Who worked with you on this job?”

“I beg your pardon?” The fat man sounded honestly shocked by what he truly considered a bad breach of professional etiquette. “What possible business is that of yours?”

“My dear Thwaite,” Huuygens said flatly, and there was no mistaking from his tone that he was not taking the matter lightly, “you and I both know that your reasons for having to get the painting to Madrid so quickly have nothing to do with either your nostalgia or your customer’s impatience.”

“Oh?” Thwaite said nastily. “Do we?”

“We do, indeed. Now, I happen to intensely dislike running into unforeseen complications in the middle of a job. Or running into irate partners-in-borrowing—to coin a phrase—who feel Done Down, as you British so neatly put it. They might have a tendency to take their frustrations out on me. They might also have a tendency to take the merchandise away from me, even going so far as to be unkind to my person in the act.”

He waited a moment for that logic to sink in, and then went on.

“In addition, you’ve added a third dimension with this new time element of yours, and it’s going to take some thought. And I think better when I have all the facts.” His voice didn’t harden, but it seemed to. “All right, now—who worked with you on this job?”

Thwaite frowned across the table for several moments, the raisins almost buried in the rolled pie-crust of his brow. Huuygens was completely trustworthy, as he well knew; at least as far as delivering the product was concerned. He was not a thief, although his profession often caused him to deal with thieves. In the three years since the end of the war, the tall athletic gray-eyed man had built up a formidable reputation as a person remarkably capable of doing the customs service in the eye, and always without betraying either customer or confidence. The reputation extended to most of the countries in Europe and to both sides of the Atlantic, and were Huuygens not completely trustworthy, he would undoubtedly have long since come to a watery grave somewhere in between. Big and tough as he was, there were always others bigger and tougher.

The fat man heaved a massive sigh, his stomach quivering.

“Sorry,” he said, although his voice certainly held no contrition. “You’re right to question, I suppose.” He shrugged. “It was a local man, a Belgian. You may even know him, or know of him. His name is DuPaul.”

“DuPaul?”

“Yes. Alex DuPaul.”

“I know him,” Kek said without expression. No muscle twitched in his smooth cheeks, nor did his eyes betray his interest, but his mind registered the information as approximately six and a half on the Richter scale.

He knew him very well. He also knew that if Alex DuPaul was involved in the affair, then the fat man worked for DuPaul, and not the other way around. DuPaul was also in a position to finance a trick like this, as well as to have the brains to plan it. It was dubious if Thwaite could have done either. Although he’d have to have at least two thousand pounds plus expenses in cash the following day if he ever expected to get the painting in Madrid.

“And did you and Alex DuPaul come to a satisfactory arrangement between yourselves?” His voice was smooth, conversational.

“A thing between DuPaul and myself, don’t you think?”

“It rather depends,” Huuygens said. “Did you?”

“Look,” said the fat man. He put his thick hands on the table and leaned forward a bit. His voice hardened. “You wanted to know who worked with me on the deal, and I told you! The only thing you have to worry about, now, is being paid. And that’ll be when you deliver that painting to me in Madrid. DuPaul and I—” he shrugged. “Well, we’ll handle our own arrangements, thank you.”

“DuPaul is aware, of course, that you’re hiring me to take the painting into Spain?”

“Well—”

“And he was fully in accord with this, of course?”

“As a matter of fact—” The fat man floundered.

Huuygens took pity on him. It may have been the disconsolate appearance of the aging tweed, or it may have been that since he disliked the fat man so intensely, he felt obligated to greater charity.

“As you say, it’s your problem. I simply like to drive over the course a few times before the race, so to speak. To learn the dangers, the potholes, and curves. And who’s behind me, of course.”

His steady gray eyes assessed the man before him coolly for several moments, and then turned to consider the cobbled square. The tourists had disappeared, replaced by an old man wheeling a handbarrow piled high with furniture. Kek turned back.

“For example,” he went on, “the Grand’ Place—a bit obvious for a meeting under the circumstances, don’t you think? A trifle public? If I were trying to avoid an ex-partner …”

Thwaite looked into the sardonic eyes. With everyone’s motives so crystal clear, subterfuge at this point seemed not only a waste of time, but possibly even dangerous. He wet his thick lips.

“DuPaul is in Ghent today on personal business. His sister lives there. He won’t be back until sometime this evening.”

“At which time you’ll be well on your way to Madrid?”

“Yes,” the fat man said simply.

A falling out of thieves was no concern of Kek’s, but any facts affecting his performance were. He continued his questioning.

“The arrangements for the sale of the Hals were your responsibility?”

“One of my responsibilities,” Thwaite corrected.

“Does DuPaul know the name of your customer?”

“He knows the sale was intended for Madrid and nothing more.” His tone clearly indicated how much he wished Alex DuPaul didn’t even know that. He dug into one of the monstrous folds comprising the shape of the tweed, unearthing a crumpled piece of paper and a stunted pencil. “You’ll want my address in Madrid.” He wet the stub and brought it down, speaking between his biscuitlike lips. “It’s a bit out from the center, I’m afraid, but any taxi will get you there—”

“I have a friend who can drive me. If I reach him.”

“Possibly even better. In any event, it’s number 617 Estrada de las Mujeres. Not that there are any out there,” he added absently, and neatly folded the sheet.

Huuygens rewarded this care by tearing the paper to shreds, placing the bits in an ashtray on the marble surface, and lighting them with his lighter. He watched them burn.

“Number 617 Estrada de las Mujeres,” he repeated, shaking his head at the fat man’s extreme carelessness in committing things to writing. He came to his feet, this time decisively. “I’m at the Colonies Hotel—” He saw the sudden query in the other’s eyes and smiled. “No, I’m still in Willi’s apartment, but he needs it for a few days, so Lisa took the occasion to visit her mother in Maastricht. You will therefore please send the painting to me at the hotel.”

There was a second of shocked silence. “Send it?”

“By post,” Huuygens went on, in no way daunted by the other’s startled interruption. “I don’t want a private messenger delivering anything that size or shape with every policeman in town probably looking for the painting. And I think any further meeting between you and me—before Madrid, that is—could only increase your stomach problems.”

He pulled a cigarette loose from the packet in his pocket, lit it, drew on it deeply, and continued with his catechism.

“Regarding the Hals, I assume it is rolled, and undoubtedly in its smallest dimension, since one doesn’t carry a stolen painting out of a gallery holding it up like a pane of plate glass. I am also sure you are aware that paint can crack, and haven’t rolled it any tighter than necessary. You will stop, when you leave here, and purchase a large wall-calendar from any large stationery store. The calendar should be big enough to more or less duplicate the weight of the painting, although any calendar that size should do nicely …”

Thwaite sat up and stared at the other, listening, automatically recording his instructions. He was amazed at their precision. Apparently during their conversation Huuygens had formulated a plan and was well on his way to augmenting it. The standing man continued.

“You will inform the salesman that you intend to mail it as a gift at some later time, possibly with a personal note. The cardboard tube they furnish will be properly labeled with the name of the shop, giving it authenticity. You will merely replace the contents with the Hals in the secrecy of your boudoir, and drop it into the nearest sectional post office with sufficient postage.” He smiled at the other. “And you will send it fourth-class,” he added almost negligently. “Special handling.”

Thwaite was shocked to his core. Even his bilious tweed seemed to gather itself together in horror. “But—!”

“But what?”

“The fourth-class, that’s what!” The fat man came close to exploding. He made the words sound obscene. “The post office can open it!”

“Of course they can open it,” Huuygens said with gentle patience. “Which is precisely why they won’t. And the special handling will insure that it is delivered to me before the afternoon is out. If you manage to follow instructions and get it into the post office sometime relatively soon,” he added rather pointedly.

The fat man was still far from being either happy or convinced.

“But, a fourth-class package sent by special handling? Won’t it attract attention?”

“Not at all. It’s far more common than you think,” Huuygens assured him with complete confidence. “It’s quite normal for printed matter, especially for books. The cheapest of one service and the fastest of the other. And I shall be at the Colonies Hotel waiting for it. Even as you, I imagine and trust, will be at the Estrada de las Mujeres waiting for me tomorrow.” It wasn’t exactly a question; it merely sounded like one.

“I’ll be there every minute. Don’t worry.”

Thwaite’s mind was not on his words. He stared at the confident, handsome face above him a moment and swallowed convulsively. Now that he was actually face to face with the fearful fact of being parted from his treasure, even temporarily—and even into the hands of a man he knew would not abscond with it—a thousand fears raised their heads above the muck that constituted his mind.

“But—I mean—how will you ever manage to get it past the Spanish customs without them discovering it? They’re not children, you know. And as you said, it’s scarcely a postcard …”

Even as he spoke he knew he was committing a major gaffe in questioning Huuygens in what was, after all, his specialty, but the fat man found he could not hold back the words. Even discussing the matter seemed to keep the painting in his possession that many more minutes. He looked up imploringly.

“You certainly don’t intend to post it in a cardboard mailing tube?”

Huuygens smiled at him.

“You scarcely allow me time for that,” he said. “Not with the postal service from here to there. I only wish it were that simple.” He sounded genuinely sad that it was not. “Unfortunately, the customs of all countries—even Spain—examine very carefully packages that come through the mail.” He sighed deeply, but his eyes were twinkling as he considered the sheer audacity of the plan he had decided upon.

“No,” he said, “I’m afraid the precious Hals will have to be carried through the Spanish customs. In person …”