Lavrentina Chazia had another place in the Lodka, a place few knew of, deeper than the deepest of the interrogation cells, reached by steep iron stairs and locked corridors to which she had the only key. It was not a room but a high, narrow tunnel, running under the immense building and out beyond it. Sometimes, when she was working alone, Chazia heard faint sounds and echoes from the dark tunnel mouths. The skitter of footfalls. Mutterings and distant shrieks. Heavy objects being dragged across stone and mud. She took no notice. Mice and rats in the city’s loft.
The section of tunnel where she worked was filled with cool grey morning light, spilling downwards from smeared light wells in the roof. Parallel steel rails set into the flagstone floor disappeared in both directions into shadow. The air smelled of damp stone and river water and machine oil and the faint iron-and-ozone scent of angel flesh. The tunnel hummed and prickled with the muted almost-life of the angel stuff. It was a low vibration at the threshold of perception. Chazia had collected blocks of it, in slabs and rolls and drums: offcuts from the Armoury workshops where they maintained the mudjhiks. For years she had been working here, at her bench, at night, under the bleak illumination of fluorescent tubing. She worked with lathes and belt saws and finer, subtler tools. It had taken her years to acquire the skills and equipment. Years of trial and error. Years of developing techniques. Years moving towards ever greater power.
The substance dug from the bodies of the immense dead angels varied in consistency. Some of it was as dense as lead and as hard as rock, but it could be soft and fibrous, like meat, or a viscous semi-liquid, or a fine and weightless lustrous diaphane. It ranged in colour from heavy blood-purples, almost blacks, through reds to alabaster orange-pinks. The theoreticians of the Vlast had no idea how the angels’ living bodies might have functioned: there were no apparent internal organs, and no two carcases had the same shape or inner structure.
Unlike the Armoury engineers, Chazia didn’t wear protective clothing. She didn’t work from behind thick glass, her hands in clumsy rubber mittens. She didn’t mask her face with gauze. Unafraid, she immersed herself in angel stuff and breathed its dust. She tasted it. She let it stain and merge with her flesh. Absorbing and being absorbed. It was strength, it was vigour, it was a heady prospect of joy. There had been failures, of course, false starts and disappointments and near-disasters. No one had ever attempted anything so ambitious as this work of hers. No one had dared imagine it or face the risks. But she had driven herself onward relentlessly. And in the end she had succeeded.
She had made herself a suit of angel flesh to wear.
And now, in the grey subaqueous wash of light, she pulled the oilcloth shroud from it.
The thing she had made looked like a mudjhik, but smaller and slighter. A matte reddish-purple carapace of interlocking pieces. And a mudjhik would have had the brain and spinal cord of an animal embedded in it, to give it cerebration, whereas this had none: it required none. She had made an angel headpiece to encase her own head, and angel gauntlets for her hands.
She stared at it, trembling with excitement. Its crude face stared into hers. The sense of power and life in it prickled across her skin, raising the hairs on the back of her neck. She felt the tightening in her throat. The stirring in her belly and between her legs. For weeks she had come down here daily to look at it. To be with it. To stand before it. She had not yet dared to put it on. Fear, or the delicious prolongation of desire, had held her at the brink. The tipping point.
She knew the risks. The science of angel flesh was a thin crust of bluster over vertiginous ignorance. Many had ruined their minds and died. She was not reckless. She would proceed cautiously and step by step. But she had already delayed too long.
No more delay. She must begin.