A CHARM FOR COMMUNING WITH DEAD PETS DURING SURGERY

Peter Chiykowski

Recite their names

when the doctor says to

count backwards from ten

and anaesthesia dreams you into

the world of animals put to sleep.

Listen for the scratch-click

of nails on linoleum as they gather here

on the far side of sodium thiopental,

cats, hamsters, parrots,

all the dogs you said were

irreplaceable come to lick your fingers with

tongues like warm blood.

Recite their names.

They know you

forget, move on

but they are above jealousy

and below it. The cats slink to rest

on stainless steel trays.

The dogs sigh down to the tiles,

soft chins pressed to paw-tops,

eyes turned up like questions.

Try to remember their birthdays,

the nights they were sick, the drug

that put them to sleep,

the same injection rubbing you

drowsy now

under the knife.

Recite their names,

remember how the sound of something

can mean itself to life

like a dog called in from another room.

Lean into the bright moment

when you first saw

and loved them in spite of

yourself, knowing that

human years are a coefficient

for measuring barbiturates

into the bloodstream,

for calculating the rhythms

of faster hearts, smaller lungs,

shorter lives.

Recite, cradle each name

on your drug-thick tongue, and here

in the halo-world below the operating lamp,

be selfish, set your jaw

with these names behind it

as though you could traffic them

into the recovery room when the nurses come

to wheel you away,

as though you could walk out

of the underworld

smuggling the dead

in your mouth.