This chronology is necessarily selective, but I have tried to include as many major operatic works as possible, especially those with any hold on the repertoire, as well as lesser-known operas which have particular national or other significance (Catalan, Finnish, Flemish, Greek, Latvian, Lithuanian, Portuguese, Romanian and Slovak operas, for instance). Some composers have established themselves firmly in the opera-going public’s estimation as great exponents of the genre (notably Strauss, Puccini, Janá
ek, Berg, Weill and Britten), while others have written outstanding operas which are only rarely performed (Hindemith and Roussel, for example). Since the 1960s, the works of Birtwistle and Maxwell Davies, then Casken, Turnage, Macmillan, Adès and others have demonstrated that new opera in Britain is flourishing; and the same can be said of Adams and Glass in the United States, of Rihm in Germany, and so on. Earlier in the century, composers whose work is rarely seen in theatres today enjoyed immense success: the likes of Braunfels, Bruneau, Klenau, Korngold, Schreker and Wolf-Ferrari were performed widely, but of these only Korngold and Schreker are staged at all regularly now – and only then after decades of neglect.
A few works are listed here because of their originality, or their oddness: Zillig’s Das Opfer (about Scott of the Antarctic) is written in a rigorously serial language but features a dance chorus of penguins; Pratella’s L’aviatore Dro is a rare example of an Italian Futurist opera; Redolfi’s Crysallis is the first sub-aquatic opera (for soprano and amphibious percussion); Blomdahl’s Aniara is innovative – as the first ‘space opera’ – but it is also a work of lasting quality. Two operas have been listed because of their connections with much more famous works by Strauss: Gnecchi’s Cassandra (1905) was at the centre of a scandal in 1909 when the Italian critic Giovanni Tebaldini drew attention to the striking similarities between Gnecchi’s work and Strauss’s Elektra , which was composed in 1906–8, after the premiere of Cassandra . Another work with a Strauss connection is Mariotte’s Salomé (1908), which set the original French text of Wilde’s play and was composed before Strauss’s work even though it was first performed three years later. Monleone’s Cavalleria rusticana brought about a lawsuit, since Mascagni was worried that another opera of the same name might damage the earning potential of his own Cav (1890). Opera is full of such strange coincidences and odd quirks of history: two operas called Fedra performed in Italy within a fortnight of each other in 1915, and the famous case of the two Wozzeck s: Berg’s in 1925 and Gurlitt’s the following year. What became of Gurlitt? He was a pupil of Humperdinck’s who settled in Japan in 1939, where he spent the rest of his life promoting German opera.
Compiling a list of this kind is a curiously fascinating activity, since the same year, or even the same month, could produce such a bewildering diversity of styles. Taking an example more or less at random, 1920 included Der Schatzgräber
, one of Schreker’s biggest successes at the time; Janá
ek’s The Excursions of Mr Brou
ek
, a stunningly original work, but one which took its composer the best part of a decade to finish; the first successful Latvian opera (Banuta
); an Italian Futurist opera (L’aviatore Dro
); the veteran Bruneau’s Le Roi Candaule
; and Die tote Stadt
by Korngold. While he was still only in his early twenties, Korngold already had two significant operatic successes behind him, and Die tote Stadt
was to be performed all over Europe and in New York within less than a decade of its simultaneous premieres in Hamburg and Cologne.
Puccini: Tosca
Zemlinsky: Es war einmal
Charpentier: Louise
Wolf-Ferrari: Cenerentola
Fauré: Prométhée
Vives: Euda d’Uriach
Rimsky-Korsakov: The Tale of Tsar Saltan
Leoncavallo: Zazà
Caudella: Petru Rares
Leroux: Astarté
Dvo
ák: Rusalka
Bruneau: L’Ouragon
Paderewski: Manru
Pfitzner: Die Rose vom Liebesgarten
Massenet: Grisélidis
Strauss: Feuersnot
Weingartner: Orestes
Massenet: Le Jongleur de Notre-Dame
German: Merrie England
Debussy: Pelléas et Mélisande
Cilea: Adriana Lecouvreur
Nielsen: Saul og David
Nápravník: Francesca da Rimini
Rimsky-Korsakov: Kaschey The Immortal
D’Indy: L’Etranger
Massenet: Marie-Magdeleine
Blech: Alpenkönig und Menschenfreund
Gilson: Prinses Zonnenschijn
D’Albert: Tiefland
Wolf-Ferrari: Le donne curiose
Chausson: Le Roi Arthus
Mánen: Acté
Giordano: Siberia
Leroux: La Reine Fiammette
Janá
ek: Jen
fa
S. Wagner: Der Kobold
Puccini: Madama Butterfly
Saint-Saëns: Hélène
Dvo
ák: Armida
Delius: Koanga
Rimsky-Korsakov: Pan Voyevoda
Alfano: Risurrezione
Massenet: Chérubin
Bruneau: L’Enfant Roi
Mascagni: Amica
Humperdinck: Die Heirat wider Willen
Foerster: Jessika
Gnecchi: Cassandra
Strauss: Salome
Widor: Les Pêcheurs de Saint-Jean
Lehár: Die lustige Witwe
Rakhmaninov: The Miserly Knight and Francesca da Rimini
Converse: The Pipe of Desire
Wolf-Ferrari: I Quattro Rusteghi
C. Erlanger: Aphrodite
Massenet: Ariane
Smyth: The Wreckers
Nielsen: Maskerade
Bruneau: Naïs Micoulin
Monleone: Cavalleria rusticana
Massenet: Thérèse
Rimsky-Korsakov: The Legend of the Invisible City of Kitezh
Delius: A Village Romeo and Juliet
Dukas: Ariane et Barbe-bleue
Messager: Fortunio
Fall: Die Dollarprinzessin
Leroux: Le Chemineau
Goldmark: Ein Wintermärchen
Merikanto: Pohjan Neito
Mariotte: Salomé
Blech: Versiegelt
O. Straus: Der tapfere Soldat
H. Février: Monna Vanna
Strauss: Elektra
Nougès: Quo Vadis
Braunfels: Prinzessin Brambilla
Rimsky-Korsakov: The Golden Cockerel
Wolf-Ferrari: Il segreto di Susanna
Séverac: Le Coeur du moulin
S. Wagner: Banadietrich
Massenet: Don Quichotte
Bittner: Der Musikant
Merikanto: Elinan Surma
Bloch: Macbeth
Zemlinsky: Kleider machen Leute
Puccini: La fanciulla del West
Humperdinck: Königskinder
Strauss: Der Rosenkavalier
Converse: The Sacrifice
Ravel: L’Heure espagnole
Mascagni: Isabeau
Zandonai: Conchita
Bittner: Der Bergsee
Kienzl: Der Kuhreigen
Magnard: Bérénice
Wolf-Ferrari: I gioielli della Madonna
Waltershausen: Oberst Chabert
Ropartz: Le Pays
Lazzari: La Lépreuse
Massenet: Roma
Parker: Mona
Busoni: Die Brautwahl
Holbrooke: The Children on Don
Schreker: Der ferne Klang
Leoncavallo: Zingari
Strauss: Ariadne auf Naxos (first version)
Dohnányi: Tante Simona
Fauré: Pénélope
Schreker: Das Spielwerk und die Prinzessin
Falla: La vida breve
Montemezzi: L’amore di tre Re
Charpentier: Julien ou La Vie du Poète
Mussorgsky: Khovanschina (rev. Stravinsky and Ravel)
Wolf-Ferrari: L’amore medico
Mascagni: Parisina
Smareglia: L’abisso
Zandonai: Francesca da Rimini
Schmidt: Notre Dame
Sinding: Der heilige Berg
Rabaud: Mârouf, Savetier du Caire
Weingartner: Kain und Abel
Stravinsky: Le Rossignol
Graener: Don Juans letztes Abenteuer
Holbrooke: Dylan, Son of the Wave
Boughton: The Immortal Hour
Pizzetti: Fedra
Romani: Fedra
Parker: Fairyland
Schillings: Mona Lisa
Novák: The Imp of Zvíkov
Stanford: The Critic or An Opera Rehearsed
Smyth: The Boatswain’s Mate
Granados: Goyescas
Weingartner: Dame Kobold
D’Albert: Die toten Augen
Kalomiris: The Master Builder
Korngold: Violanta and Der Ring des Polykrates
Strauss: Ariadne auf Naxos (revised version)
Bittner: Das höllisch Gold
Novák: Karlstejn
Holst: S
vitri
Kienzl: Das Testament
Bruneau: Les Quatre journées
Oberleithner: Der eiserne Heiland
Zemlinsky: Eine florentinische Tragödie
De Koven: The Canterbury Pilgrims
Puccini: La rondine
Mascagni: Lodoletta
Busoni: Turandot and Arlecchino
Pfitzner: Palestrina
Kalomiris: The Mother’s Ring
Pfitzner: Das Christelflein
Schreker: Die Gezeichneten
Bartók: Bluebeard’s Castle
Stravinsky: L’Histoire du Soldat
S. Wagner: Schwarzschwanenreich
Wehrli: Das heisse Eisen
Puccini: Il tabarro , Suor Angelica and Gianni Schicchi (‘Il Trittico’)
Messager: Monsieur Beaucaire
Schoeck: Don Ranudo
Strauss: Die Frau ohne Schatten
Delius: Fennimore and Gerda
De Koven: Rip van Winkle
Schreker: Der Schatzgräber
Reznicek: Ritter Blaubart
Merikanto: Regina von Emmeritz
Janá
ek: The Excursions of Mr Brou
ek
Weingartner: Die Dorfschule and Meister Andrea
Kalnins: Banuta
R. Stephan: Die ersten Menschen
Malipiero: Sette canzoni
Pratella: L’aviatore Dro
Bruneau: Le Roi Candaule
Korngold: Die tote Stadt (simultaneous premieres)
Braunfels: Die Vögel
Somerville: David Garrick
Petrauskas: Birute
Dupont: Antar
Wellesz: Die Prinzessin Girnara
Hindemith: Mörder, Hoffnung der Frauen and Das Nusch-Nuschi
Honegger: Le Roi David
Janá
ek: Kát’a Kabanová
Alfano: La leggenda di Sakuntala
Prokofiev: The Love for Three Oranges
Zandonai: Giulietta e Romeo
Hindemith: Sancta Susanna
Schoeck: Venus
Szymanowski: Hagith
Stravinsky: Renard
Zemlinsky: Der Zwerg
Stravinsky: Mavra (stage premiere)
Vaughan Williams: The Shepherds of the Delectable Mountains
Pizzetti: Dèbora e Jaéle
Schmidt: Fredigundis
Cras: Polyphème
Falla: El retablo de Maese Pedro (concert performance)
Respighi: Belfagor
Gál: Die heilige Ente
Novák: Lucerna
Holst: The Perfect Fool
Roussel: Padmâvatî
Smyth: Fête galante
Falla: El retablo de Maese Pedro (private stage premiere)
Reznicek: Holofernes
Hubay: Anna Karenina
Foerster: The Heart
Milhaud: La Brebis égarée
Tournemire: Les Dieux sont morts
Wellesz: Alkestis
Schreker: Irrelohe
Berners: Le Carosse du Saint-Sacrement
Boito: Nerone
Schoenberg: Erwartung
K
enek: Der Sprung über den Schatten
Vaughan Williams: Hugh the Drover
Boughton: The Queen of Cornwall
Bantock: The Seal Woman
Schoenberg: Die glückliche Hand
K
enek: Zwingburg
Madetoja: Pohjalaisia
Strauss: Intermezzo
Janá
ek: The Cunning Little Vixen
Atterberg: Bäckahästen
Wolf-Ferrari: Gli amanti sposi
Zandonai: I cavalieri di Ekebù
Ravel: L’Enfant et les sortilèges
Holst: At the Boar’s Head
Busoni: Doktor Faust
Roussel: La Naissance de la lyre
Malipiero: L’Orfeide
Janá
ek: Sarka
Berg: Wozzeck
Honegger: Judith
Weill: Der Protagonist
Gurlitt: Wozzeck
Puccini: Turandot
Castelnuovo-Tedesco: La Mandragola
Milhaud: Les Malheurs d’Orphée
Szymanowski: King Roger
Kodály: Háry János
Hindemith: Cardillac
D’Albert: Der Golem
K
enek: Orpheus und Eurydike
Janá
ek: The Makropulos Affair
Schoeck: Penthesilea
Ibert: Angélique
K
enek: Jonny spielt auf
Graener: Hanneles Himmelfahrt (simultaneous premieres)
D. Taylor: The King’s Henchman
Weill: Royal Palace
Glière: Shakh-Senem
Gaubert: Naïla
Weinberger: Schwanda the Bagpiper
Alfano: Madonna Imperia
Stravinsky: Oedipus Rex (concert performance)
Milhaud: L’Enlèvement d’Europe Toch: Die Prinzessin auf der Erbse Hindemith: Hin und zurück
Weill: Mahagonny-Songspiel
Korngold: Das Wunder der Heliane
Respighi: La campana sommersa
Samuel-Rousseau: Le Bon Roi Dagobert
Milhaud: Le Pauvre matelot
Honegger: Antigone
Wolf-Ferrari: Sly
Lazzari: La Tour de feu
Bruneau: Angelo, Tyran de Padoue
A. Tcherepnin: Ol-Ol
Weill: Der Zar lässt sich photographieren
Stravinsky: Oedipus Rex (stage premiere)
Malipiero: Il finto Arlecchino
Lilien: Beatrix
Malipiero: Filomela e l’Infatuato
Milhaud: L’Abandon d’Ariane and La Délivrance de Thésée
Martin
: The Soldier and the Dancer
K
enek: Schwergewicht
, Der Diktator
and Das geheime Königreich
Dragoi: Napasta
Pizzetti: Fra Gherardo
Strauss: Die ägyptische Helena
Coelho: Belkiss
Hindemith: Lehrstück
Weill: Die Dreigroschenoper
Jeremias: The Brothers Karamazov
Toldrá: El Giravolt de Maig
D’Albert: Die schwarze Orchidee
Høffding: The Emperor’s New Clothes
Holbrooke: Bronwen
Dohnányi: The Tenor
Vaughan Williams: Sir John in Love
Canteloube: Le Mas
Brand: Maschinist Hopkins
Tovey: The Bride of Dionysus
Prokofiev: The Gambler
Kogoj: Black Masks
Hindemith: Neues vom Tage
Goossens: Judith
Weill: Happy End
K
i
ka: Bílý Pán
Ibert: Le Roi d’Yvetot
Shostakovich: The Nose
K
enek: Leben des Orest
Schoenberg: Von heute auf morgen
Weill: Aufstieg und Fall der Stadt Mahagonny
Janá
ek: From the House of the Dead
Alfano: L’ultimo Lord
Pizzetti: Lo straniero
Milhaud: Christophe Colomb
Zádor: X-mal Rembrandt
Antheil: Transatlantic
Delannoy: Le Fou de la Dame Rosenthal: Rayons de Soieries
Toch: Des Fächer
Hindemith: Wir bauen eine Stadt
Weill: Der Jasager
Schoeck: Vom Fischer un syner Fru
Reznicek: Spiel oder Ernst?
Lothar: Lord Spleen
Gotovac: Morana
Rathaus: Fremde Erde
Forest: Camille
Honegger: Les Aventures du Roi Pausole
Bruneau: Virginie
Hubay: The Mask
Weinberger: Die geliebte Stimme
Ysaÿe: Piér le Houïeu
Wolf-Ferrari: La vedova scaltra
Hába: The Mother
Wellesz: Die Bakchantinnen
Honegger: Amphion
Pfitzner: Das Herz (simultaneous premieres)
Graener: Friedmann Bach
Gruenberg: Jack and the Beanstalk
Milhaud: Maximilien
Schulhoff: Flames
Goldschmidt: Der gewaltige Hahnrei
Weill: Die Bürgschaft
Casella: La donna serpente
Heger: Der Bettler Namenlos
Kodály: The Spinning Room
Casella: La favola d’Orfeo
D’Albert: Mister Wu
Schreker: Der Schmied von Gent
Gruenberg: Emperor Jones
Karnavicius: Grazina
Weill: Der Silbersee (simultaneous premieres)
A. Tcherepnin: Die Hochzeit der Sobeide
Pijper: Halewijn
Canteloube: Vercingétorix
Strauss: Arabella
Kalnins: The Country’s Awakening
Zemlinsky: Der Kreidekreis
Klenau: Michael Kohlhaas
Malipiero: La favola del figlio cambiato
Shostakovich: Lady Macbeth of Mtsensk
Respighi: La fiamma
Atterberg: Fanal
Thomson: Four Saints in Three Acts (New York premiere 20 Feb.)
Hanson: Merry Mount
Antheil: Helen Retires
Janá
ek: Fate
Stravinsky: Perséphone
Mascagni: Nerone
Madetoja: Juha
Wagner-Régeny: Der Günstling
Martin
: Plays about Mary
Hahn: Le Marchand de Venise
Egk: Die Zaubergeige
Strauss: Die schweigsame Frau
Weill: A Kingdom for a Cow
Gershwin: Porgy and Bess (New York premiere 10 Oct.)
Dzerzhinsky: Quiet Flows the Don
Alfano: Cyrano de Bergerac
Malipiero: Giulio Cesare
Wolf-Ferrari: Il campiello
Enesco: Oedipe
Vaughan Williams: The Poisoned Kiss
Reutter: Doktor Johannes Faust
Sutermeister: Die schwarze Spinne
Roussel: Le Testament de la Tante Caroline
Weill: Johnny Johnson
Weill: The Eternal Road
Klenau: Rembrandt van Rijn
Respighi: Lucrezia
Schoeck: Massimilla Doni
Honegger and Ibert: L’Aiglon
Martin
: Comedy on the Bridge
Menotti: Amelia goes to the Ball (New York premiere 11 April)
Copland: The Second Hurricane
Ghislanzoni: Re Lear
Casella: Il deserto tentato
Berg: Lulu
Orff: Carmina Burana
Blitzstein: The Cradle will Rock
Goossens: Don Juan de Mañara
Zillig: Das Opfer
Weinberger: Wallenstein
J. Haas: Tobias Wunderlich
Vaughan Williams: Riders to the Sea
Milhaud: Esther de Carpentras (stage premiere)
Honegger and Ibert: Les Petites Cardinal
Holst: The Wandering Scholar
Kabalevsky: Colas Breugnon
Martin
: Julietta
P. Haas: The Charlatan
Hindemith: Mathis der Maler
K
enek: Karl V.
Strauss: Friedenstag
Strauss: Daphne
Egk: Peer Gynt
Wagner-Régeny: Die Bürger von Calais
Wolf-Ferrari: La dama boba
Orff: Der Mond
Sauguet: La Chartreuse de Parme
Klenau: Elisabeth von England
Menotti: The Old Maid and the Thief
Moore: The Devil and Daniel Webster
Milhaud: Médée
Korngold: Die Kathrin
Pratella: La leggenda di San Fabiano
Villa-Lobos: Izaht (concert performance)
Sutermeister: Romeo und Julia
Dallapiccola: Volo di notte
Prokofiev: Semyon Kotko
Blacher: Fürstin Tarakanowa
Wagner-Régeny: Johanna Balk
Britten: Paul Bunyan
Martin: Le Vin herbé (concert performance)
Bresgen: Dornröschen
Sutermeister: Die Zauberinsel
Delannoy: Ginevra
Reutter: Odysseus
Strauss: Capriccio
Rota: Ariodante
Bresgen: Das Urteil des Paris
Orff: Die Kluge
Krása: Brundibár
Orff: Catulli Carmina
J. Haas: Die Hochzeit des Jobs
Sauguet: La Gageure imprévue
Prokofiev: War and Peace (concert performance)
Britten: Peter Grimes
I. Krej
í: Scandal in Ephesus
Kalomiris: Anatoli
Prokofiev: The Betrothal in a Monastery
Menotti: The Medium
Britten: The Rape of Lucretia
Weill: Street Scene (New York premiere 9 Jan. 1947)
Pizzetti: L’Orò
Menotti: The Telephone
Thomson: The Mother of Us All
Poulenc: Les Mamelles de Tirésias
Orff: Die Bernauerin
Britten: Albert Herring
Einem: Dantons Tod
Kabalevsky: Taras and His Family
Reutter: Der Weg nach Freudenstadt
Gay arr. Britten: The Beggar’s Opera
Weill: Down in the Valley
Villa-Lobos: Magdalena
Martin: Le Vin herbé (stage premiere)
Sutermeister: Raskolnikoff
Prokofiev: The Story of a Real Man (private performance)
Egk: Circe
Delannoy: Puck
Gerhard: The Duenna (concert performance)
Britten: The Little Sweep
Orff: Antigonae
Bliss: The Olympians
Weill: Lost in the Stars
Blitzstein: Regina
Dallapiccola: Il prigioniero
Sucho
: The Whirlpool
Arrieu: Noé
Menotti: The Consul (New York premiere 15 March)
Milhaud: Bolivar
Dallapiccola: Il prigioniero (stage premiere)
Blacher: Romeo und Julia (stage premiere)
Dallapiccola: Job
Tailleferre: Il était un petit navire
Tailleferre: Parfums
Vaughan Williams: The Pilgrim’s Progress
Bondeville: Madame Bovary
Stravinsky: The Rake’s Progress
Sutermeister: Der rote Stiefel
Britten: Billy Budd
Menotti: Amahl and the Night Visitors
Henze: Boulevard Solitude
Liebermann: Leonore 40/45
Bernstein: Trouble in Tahiti
Strauss: Die Liebe der Danae (original premiere cancelled in 1944)
Orff: Trionfo di Afrodite
Britten: Gloriana
Blacher: Abstrakte Oper No. 1
Copland: The Tender Land
Milhaud: David
Berkeley: A Dinner Engagement
Reutter: Die Brücke von San Luis Rey
Liebermann: Penelope
Britten: The Turn of the Screw
Berkeley: Nelson
Walton: Troilus and Cressida
Menotti: The Saint of Bleecker Street
Tippett: The Midsummer Marriage
Tansman: Le Serment
Rota: Il cappello di paglia di Firenze
Egk: Irische Legende
Prokofiev: The Fiery Angel (first complete staged performance)
K
enek: Pallas Athene weint
Kabalevsky: Nikita Vershinin
Liebermann: The School for Wives
Landowski: Le Fou
Floyd: Susannah
Martin: Der Sturm
Henze: König Hirsch
Berkeley: Ruth
Bernstein: Candide (New York premiere 1 Dec.)
Poulenc: Dialogues des Carmélites (in Italian; French premiere Paris, 21 June)
Egk: Der Revisor
Schoenberg: Moses und Aron
Fortner: Bluthochzeit
Hindemith: Die Harmonie der Welt
Barber: Vanessa
Pizzetti: Assassinio nella cattedrale
Britten: Noye’s Fludde
Milhaud: Fiesta
Villa-Lobos: Izaht (stage premiere)
Shostakovich: Moscow, Cheryomushki
Poulenc: La Voix humaine
Blitzstein: Juno
Blomdahl: Aniara
Sutermeister: Seraphine
Barber: A Hand of Bridge
Orff: Oedipus der Tyrann
Prokofiev: War and Peace (first staged performance in relatively complete form)
Sucho
: Svätopluk
Henze: Der Prinz von Homburg
Britten: A Midsummer Night’s Dream
Martin: Le Mystère de la Nativité
Tailleferre: La Petite sirène
Britten: Billy Budd (premiere of revised version in two acts)
Mihalovici: Krapp ou La dernière bande
Tansman: Sabbataï Zévi
Martin
: The Greek Passion
Hindemith: The Long Christmas Dinner
Tippett: King Priam
Stravinsky: The Flood
Falla: Atálantida (stage premiere)
Martin: Monsieur de Pourceaugnac
Berio: Passaggio
Williamson: Our Man in Havana
Williamson: English Eccentrics
Britten: Curlew River
Ginastera: Don Rodrigo
Sutermeister: Das Gespenst von Canterville
Einem: Der Zerrissene
Maw: One Man Show
Zimmermann: Die Soldaten
R. R. Bennett: The Mines of Sulphur
Henze: Der junge Lord
Rorem: Miss Julie
Williamson: The Happy Prince
Tansman: L’Usignolo di Boboli
Blacher: Zwischenfälle bei einer Notlandung
Britten: The Burning Fiery Furnace
Milhaud: La Mère coupable
Crosse: Purgatory
Henze: The Bassarids
Barber: Antony and Cleopatra
Haubenstock-Ramati: Amerika
Dessau: Puntila
Williamson: The Violins of Saint-Jacques
Goehr: Arden muss sterben
Ginastera: Bomarzo
Sutermeister: Madame Bovary
Walton: The Bear
Berkeley: Castaway
R. R. Bennett: A Penny for a Song
Musgrave: The Decision
Rota: Aladino e la lampada magica
Ohana: Syllabaire pour Phèdre
Searle: Hamlet
Birtwistle: Punch and Judy
Britten: The Prodigal Son
Dallapiccola: Ulisse
Menotti: Help, Help, The Globolinks!
Pousseur: Votre Faust
Daniel-Lesur: Andrea del Sarto
R. R. Bennett: All The King’s Men
Birtwistle: Down by the Greenwood Side
Crosse: The Grace of Todd
Penderecki: The Devils of Loudun
Williamson: Lucky Peter’s Journey
Saguer: Mariana Pinéda
Floyd: Of Mice and Men
R. R. Bennett: Victory
Maw: The Rising of the Moon
Berio: Opera
Tippett: The Knot Garden
Brian: Agamemnon
Kagel: Staatstheater
Britten: Owen Wingrave
Reimann: Melusine
Einem: Der Besuch der alten Dame
Martin
: Three Wishes
Yun: Geisterliebe
Villa-Lobos: Yerma
Ginastera: Beatrix Cenci
Maxwell Davies: Taverner
Fortner: Elisabeth Tudor
Nabokov: Love’s Labour’s Lost
Britten: Death in Venice
Orff: De temporum fine comedia
Crosse: The Story of Vasco
Hamilton: The Cataline Conspiracy
Musgrave: The Voice of Ariadne
Tansman: Georges Dandin
Jolas: Le Pavillon au bord de la rivière
Ullmann: Der Kaiser von Atlantis (composed 1943, Theresienstadt)
Henze: We Come to the River
Glass: Einstein on the Beach
Hamilton: The Royal Hunt of the Sun
Rihm: Faust und Yorick
Tavener: A Gentle Spirit
Schedrin: Dead Souls
Maxwell Davies: The Martyrdom of St Magnus
Rota: Napoli milionaria
Tippett: The Ice Break
Alwyn: Miss Julie
Musgrave: Mary Queen of Scots
Blake: Toussaint
Ligeti: Le Grand Macabre
Reimann: Lear
Penderecki: Paradise Lost
Berg: Lulu
(three-act version completed by
erha)
Rihm: Jakob Lenz
Tavener: Thérèse
Maxwell Davies: The Lighthouse
Glass: Satyagraha
Knussen: Where the Wild Things Are (first version; premiere of definitive version 9 Jan. 1984, London)
Reutter: Hamlet
Stockhausen: Donnerstag aus Licht
Hamilton: Anna Karenina
Berio: La vera storia
Glass: The Photographer
Musgrave: An Occurrence at Owl Creek Bridge
Henze: The English Cat
Bernstein: A Quiet Place
Messiaen: Saint-François d’Assise
Glass: Akhnaten
Stockhausen: Samstag aus Licht
Berio: Un re in ascolto
Knussen: Higgelty Piggelty Pop! (incomplete; premiere of definitive version 5 June 1990, Los Angeles)
Landowski: Montségur
Donatoni: Atem
Sutermeister: Le Roi Bérenger
Glass: The Juniper Tree
Osborne: Hell’s Angels
Meale: Voss
Denisov: L’Ecume des jours
Birtwistle: The Mask of Orpheus
Jolas: Le Cyclope
Penderecki: Die schwarze Maske
Menotti: Goya
Rihm: Die Hamletmaschine
Weir: A Night at the Chinese Opera
Xenakis: Oresteia (stage premiere)
Rihm: Oedipus
Osborne: The Electrification of the Soviet Union
Adams: Nixon in China
Stockhausen: Montag aus Licht
Glass: The Fall of the House of Usher
Turnage: Greek
Glass: The Making of the Representative for Planet 8
Glass: 1000 Airplanes on the Roof
Menotti: The Wedding
Maxwell Davies: Resurrection
Höller: Der Meister und Margarita
Blake: The Plumber’s Gift
Casken: Golem
Tippett: New Year
Henze: Das verratene Meer
Holloway: Clarissa
Weir: The Vanishing Bridegroom
Einem: Tulifant
Adams: The Death of Klinghoffer
Birtwistle: Gawain
Penderecki: Ubu Rex
Rihm: Die Eroberung von Mexico
Schnittke: Life with an Idiot
Tavener: Mary of Egypt
Reimann: Das Schloss
Glass: The Voyage
Redolfi: Crysallis: opéra subaquatique
Stockhausen: Dienstag aus Licht (stage premiere)
Weir: Blond Ekbert
Firsova: The Nightingale and the Rose
Goldschmidt: Beatrice Cenci (composed 1949–50)
Birtwistle: The Second Mrs Kong
Schedrin: Lolita
Musgrave: Simón Bolívar
Schnittke: Gesualdo
Schnittke: Historia von D. Johann Fausten
Adès: Powder Her Face
Goehr: Arianna
Landowski: Galina
Maxwell Davies: The Doctor of Myddfai
Macmillan: Ines de Castro
Stockhausen: Freitag aus Licht
Berio: Outis
Henze: Venus and Adonis
Glass: Marriages between Zones 3, 4 and 5
Alwyn: Miss Julie (stage premiere)
Tan Dun: Marco Polo
Brian: The Cenci (concert performance)
Mollicone: Coyote Tales
Adamo: Little Women
Bryars: Dr Ox’s Experiment
Berio: Cronaca del luogo
Carter: What Next?
Andriessen: Writing to Vermeer
Harbison: The Great Gatsby
Turnage: The Silver Tassie
C. Halffter: Don Quijote
Ruders: The Handmaid’s Tale
Birtwistle: The Last Supper
Saariaho: L’Amour de loin
Sallinen: King Lear
Glass: In the Penal Colony
Casken: God’s Liar
Adams: El Niño