“YOU FAILED TO MENTION that the Morati delivered more memories.” The muffled quality of the end of Julian’s sentence makes me think he has face-planted onto the sofa out of exhaustion.
“They were there when I got back from class today.” I didn’t want to believe that my actions were directly related to the bombings, but now I cannot ignore the timing. The Morati have made clear the price of retrieving my lost memories.
Members of the security force are posted at the bridges to make sure only Careers pass back and forth. Did the security force get hit? Am I a killer? Are the deaths of the muse students at the library my fault? What about the healers? Should I be held responsible for them? And Neil. That first memory I viewed . . . and then Neil almost died. Megan did die. What have I done?
I think back to Nate’s accusation that I’m self-absorbed. I’ve been so single-minded about retrieving my memories that I haven’t given enough thought to how my obsession is affecting others. How did I let things get so bad?
Picking myself off the floor, I vow to make this right. To track down the Morati killers not for my own gain but for the good of all of Level Three. Furukama trusts my abilities, and with Julian helping me train, we will find out which of the seraphim guard candidates are Morati in disguise—before it’s too late. Maybe I don’t have to rely on Neil’s influence to be good. Maybe, in spite of my many flaws, I can develop the instinct to help people on my own.
No matter how much they tempt me, I can’t view any more memories. Not from the Morati, and not from Nate.
I pass Julian on my way out. He did indeed collapse face-first into the sofa. I pat his shoulder. “See you soon.”
The chaos in the hallway makes me want to turn and hide in a dark corner of Julian’s room. By the time I reach the stairs, the stairwell is thick with shouting, jostling people desperate to leave the dorm. I’m pulled into the grinding gears of their elbows and knees, and am left hanging on for dear life and gasping for air as I work my way to the exit.
It would be so much worse if they knew it was me who betrayed them. It’s not difficult to picture the mob. They would lash out at me, ripping at my clothes and skin and hair with their sharp fingernails and teeth, finally able to give direction to their fear and anger. I’d be torn into a million pieces, scattered into oblivion.
I stare at the cracks in the walls as I’m forced along, trying to read the future of the dorm. The cracks aren’t long or deep enough to mean collapse. We emerge into the lobby, and the double doors spit us out onto Western Avenue.
The security force is out in droves, herding us toward Assembly Hill. The mere presence of people who seem to be in charge brings down the level of panic. We settle into an orderly march. A hand grabs my wrist, and I turn to face Moby.
“Did you hear?” Moby releases me and lets out a low whistle. “The bridges were destroyed.”
“Was anyone hurt?” I dread the answer.
“There’s no official statement yet.” He rubs his eyebrow, and we’re so close, I can’t help but notice the fangs of his snake tattoo peeking out from under the edge of his long sleeve. “But Neil and Libby are putting on a healing concert at Assembly Hill,” Moby says.
They organized that incredibly quickly. Is there a way we can help? “We should join them onstage. Me on piano, you on bass?” We don’t have any experience at all in healing, but if they can use us somehow to calm everyone down, it’s the least I can do.
“I’m down with that.”
“Cool.” Having a plan of action distracts me from my self-loathing. And for some reason, whenever Moby’s around, things seem less dire. I like that about him. “Neil and I were working on a couple of duets for our muse audition. We could do those.”
Moby suggests a few rock songs, even humming me the melody to one of his band’s hits. When I ask him what year it’s from, I’m bummed to learn that it was released after my car accident. Yet another reminder of what the Morati stole from me. I don’t even know what year I died or if I would have been around to hear him play or not.
We hear Neil’s voice before we see him. It’s more beautiful than ever. The ballad he sings hypnotizes and calms the crowd. He has such an ability to connect with others through music. If I went onto the stage with him, would it allow us to reconnect?
Moby nudges me forward. “Let’s do this.” Because the crowd has relaxed, people are no longer packed so tightly and we’re able to approach the crest of the hill with relative ease. Keegan is in the front row, staring up at Neil like Neil is some sort of rock star. Libby is onstage, next to Neil, clapping along. I catch her eye and wiggle my fingers like I’m playing piano, then point at myself and then at the stage. She waves me up.
“Can you sing?” Moby says into my ear as we climb the steps to join Neil, who hasn’t noticed us yet because his eyes are closed and he’s lost in the moment. When I shake my head, Moby says, “I’ll back him up, then.”
Moby and I materialize our instruments and position ourselves on either side of Neil. I set the piano at an angle, so that I can see Neil but still register the audience with my peripheral vision. Libby approaches and places her hand firmly on the base of my neck. She presses into the knot of my spine, and an electric current of energy flows into my shoulders, down my arms, and into my fingers. I don’t know this song, but I place my hands on the keys and play chords, the music taking a powerful shape around me. Moby finds his way in easily. Neil’s forehead creases slightly when he hears our instruments, his eyes fluttering open and taking us both in. But he doesn’t miss a single beat.
When Neil hits the final notes and falls silent, he looks at me full on and smiles. I mouth the name of a song we practiced, a midtempo radio hit that Moby said he knew too. Neil nods, and I poise my fingers above the keys. Neil plays the opening chords and Moby catches on immediately, thumbing his strings hard to lay down the backing rhythm. When I start playing, Libby’s hand still on me, the notes soar all around, intoxicating, and I soon get caught up in our group dynamic. Moby harmonizes with Neil on the choruses, and his deeper, scratchier voice lends the song an unexpected gravitas.
We all play the last notes together, and the crowd erupts in applause. It’s hard to believe these exuberant fans are part of the frightened huddle that accompanied me to the hill not that long ago. Music is truly a healing art.
Letting Neil take the lead, Moby and I join him for a couple more upbeat songs. Then we exit the stage with Libby and watch as Neil sings a closing ballad to send the audience on their way. When our fellow students stream back to the dorms, they huddle in small groups, arms around one another and still singing. Keegan goes with them, hugging his baseball cap to his chest, his face lit up with joy for the first time since Kiara’s death.
I’m giddy. There’s no greater high than this.
Libby bows before Moby and me. “I’m impressed. You two must consider dropping seraphim guard and joining up with the healers.”
She snaps her fingers, and my mind becomes razor-sharp again, the blade sinking in that there wouldn’t have been a concert without the horrors that came before.
“Were they bad? The bombings?” I ask.
Libby nods. “I told you before that only celestial beings have the power to fix or destroy certain eternal architecture like the records room. The bridges are like that. We can’t repair them without the help of an angel.”
“Julian could have fixed them. Before.” I mean before he was thrown in the brimstone jail, and she knows it.
“He also might have destroyed them, right?” Moby offers cautiously.
“Except he didn’t.” I keep my voice low. I don’t necessarily want it to carry up to where Neil is still onstage, putting his guitar back into its case.
“No. Not this time.” Libby says it diplomatically, but I can tell she hasn’t ruled out Julian having some sort of part in the whole mess. “And since Julian is . . . indisposed, and we don’t have any other willing angels on hand, we won’t be able to cross into Area One or Three for the time being, and the course instructors won’t be able to come here. We’ll have to rearrange or cancel classes.” The heads of the careers, such as Nate and Miss Claypool, stay in the administration building, but the other instructors commute every day.
“But nobody died?” That last word sticks in my throat.
Libby regards me curiously, with slightly narrowed eyes. “No. No reported deaths.”
At least I didn’t murder anyone today.
Neil comes down the stairs to the stage, holding his guitar case in front of him with both hands. “Great show, guys!”
“Proud to jam with you, bro.” Moby claps him on the shoulder. “You have mad skills.”
“Thanks.” Neil soaks in the compliment. He’s still amped, the aftershocks of the concert evident in the way his body trembles.
“We plan to do a concert every evening, three hours before curfew,” Libby says. “Both of you are more than welcome to join us whenever you like.”
She excuses herself for a meeting with Furukama, and the three of us return to the dorms. Moby’s building is farther down than ours, so we part ways with promises of getting together tomorrow to practice more songs.
When Neil and I reach the entrance, he stops and caresses my cheek. “It meant a lot to me. What you did tonight. Thanks.”
Little does he know much I did. And I can’t tell him either. Not if I want him to keep looking at me the way he is now.
He opens the door for me and then holds my hand as we take the stairs. As we step into our hallway, he comes to an abrupt stop.
“Umm . . . I was thinking,” he starts, but then doesn’t say anything more.
“Yes?” I prompt.
He puts down his guitar and then pulls at his collar with his free hand. “Do you want to stay with me tonight?”