Bibliograph
y
JAPANESE FICTIONAL WORKS CONSULTED IN ENGLISH
Abe, Kōbō (1970).
The Face of Another.
London: Penguin Books.
——(1970).
Inter Ice Age 4.
New York: Alfred Knopf.
——(1972).
The Woman in the Dunes.
New York: Vintage Books.
——(1977).
Friends,
in Howard Hibbett (ed.)
Contemporary Japanese Literature.
New York: Alfred Knopf.
——(1980).
The Ruined Map.
New York: Perigee Books.
——(1980).
Secret Rendezvous.
New York: Perigee Books.
——(1986). “Song of a Dead Girl,” in Makoto Ueda (ed)
The Mother of Dreams.
New York: Kodansha.
——(1989).
The Ark Sakura.
New York: Vintage International.
——(1991). “The Crime of S.Karuma,” in
Beyond the Curve.
Tokyo: Kodansha International.
——(1991). “Dendracacalia,” in
Beyond the Curve.
Tokyo: Kodansha International.
Akutagawa, Ryūnosuke (1952). “The Dragon,” in
Rashomon and Other Stories.
Tokyo: Tuttle Books.
——(1952). “In a Grove,” in
Rashomon and Other Stories.
Tokyo: Tuttle Books.
——(1952). “The Martyr,” in
Rashomon and Other Stories.
Tokyo: Tuttle Books.
——(1952). “The Nose,” in
Rashomon and Other Stories.
Tokyo: Tuttle Books.
——(1961). “The Hell Screen,” in
Short Stories by Ryunosuke Akutagawa.
New York: Liveright Publishing Co.
——(1965). “Cogwheels,” in
Chicago Review,
Vol. 18, No. 2.
——(1972). “The Autumn Mountain,” in Ivan Morris (ed.)
Modern Japanese Stories: An Anthology.
Tokyo: Charles E.Tuttle.
——(1974).
Kappa.
Tokyo: Charles E.Tuttle.
Enchi, Fumiko (1983).
Masks.
New York: Vintage.
Endō, Shūsaku (1988).
Scandal
Tokyo: Charles E.Tuttle.
Ishikawa Jun (1961) “Asters,” in Donald Keene (ed.)
The Old Woman, the Wife, and the Archer.
New York: Viking.
——(1990).
The Bodhisattva.
New York: Columbia University Press.
Kanai, Mieko (1982). “Rabbits,” in Phyllis Birnbaum (trans.)
Rabbits, Crabs etc.
Honolulu: University of Hawaii Press.
Kawabata, Yasunari (1956).
Snow Country.
New York: Knopf.
——(1970).
House of the Sleeping Beauties.
New York: Ballantine Books.
——(1970).
Sound of the Mountains.
New York: Knopf.
——(1970). “One Arm,” in
House of the Sleeping Beauties.
New York: Ballantine Books.
——(1988). “Snow,” in
Palm of the Hand Stones.
Tokyo: Tuttle Books.
——(1988). “Immortality,” in
Palm of the Hand Stones.
Tokyo: Tuttle Books.
Kyōka, Izumi (1956). “A Tale of Three Who Were Blind,” in Donald Keene (ed.)
Modern Japanese Literature.
Tokyo: Tuttle Books.
Mishima, Yukio (1959).
The Temple of the Golden Pavilion.
Tokyo: Charles E. Tuttle.
Miyazawa, Kenji (1991).
Night of the Milky Way Railway
(trans. Sarah Strong). Armank, NY: M.E.Sharpe.
Murakami, Haruki (1988).
Dance, Dance, Dance.
New York: Kodansha International.
——(1989).
A Wild Sheep Chase.
New York: Kodansha International.
——(1991).
Hard Boiled Wonderland and the End of the World.
New York: Kodansha International.
——(1993). “The Little Green Monster,” in
The Elephant Vanishes.
New York: Knopf.
Nakagami, Kenji (1985). “The Immortal,” in C.Van Gessel (ed.)
The Shōwa Anthology.
New York: Kodansha International.
Nakajima, Ton (1962). “The Tiger Poet,” in Ivan Morris (ed.)
Modern
Japanese Stories: An Anthology. Tokyo: Tuttle Books.
Natsume, Sōseki (1969).
The Wayfarer.
Tokyo: Charles E.Tuttle.
——(1971).
Light and Darkness.
Honolulu: University of Hawaii Press.
——(1974).
Ten Nights of Dream.
Tokyo: Charles E.Tuttle.
——(1978).
And Then.
Batan Rouge, La.: Louisiana State University Press.
——(1986).
I Am a Cat.
Tokyo: Charles E.Tuttle.
——(1988).
The Miner.
Tokyo: Charles E.Tuttle.
——(1992).
Kokoro and Selected Essays.
New York: Madison.
Nosaka, Akiyuki (1977). “American
hijiki
” in Howard Hibbett (ed.)
Contemporary Japanese Literature.
New York: Knopf.
Oe, Kenzaburō (1968).
A Personal Matter.
New York: Grove Press.
——(1977). “Agwhee the Sky Monster,” in Howard Hibbett (ed.)
Contemporary Japanese Literature.
New York: Alfred Knopf.
——(1977). “The Day He Himself Shall Wipe My Tears Away,” in
Teach Us to Outgrow Our Madness.
New York: Grove Press.
——(1977). “Prize Stock,” in
Teach Us to Outgrow Our Madness.
New York: Grove Press.
——(1994).
The Pinchrunner Memorandum.
Armonk, NY: M.E.Sharpe.
Ohba, Minako (1982). “The Smile of a Mountain Witch”, in Lippit and Selden (eds.)
Japanese Women Writers.
Armonk, NY: M.E.Sharpe.
Saikaku, Ihara (1963).
The Life of an Amorous Man.
Tokyo: Charles E.Tuttle.
Satō, Haruo (1972). “The House of a Spanish Dog,” in Ivan Morris (ed.),
Modern Japanese Stories.
Tokyo: Charles E.Tuttle.
Tanizaki, Junichirō (1957).
The Makioka Sisters.
New York: Knopf.
——(1963). “Portrait of Shunkin,” in
Seven Japanese Tales.
New York: Knopf.
——(1977).
The Bridge of Dreams,
in Howard Hibbet (ed.)
Contemporary Japanese Literature.
New York: Alfred Knopf.
——(1984).
In Praise of Shadows.
Tokyo: Tuttle Books.
——(1993).
The Reed Cutter/Captain Shigemoto’s Mother.
New York: Alfred Knopf.
Tsutsui, Yasutaka (1982). “Such Lovely Ladies,” in Ellery Queen (ed.)
A Japanese Golden Dozen.
Tokyo: Charles E.Tuttle.
——(1989). “Standing Woman,” in John Apostolou and Martin H.Greenberg (eds.)
The Best Japanese Science Fiction Stories.
New York: Dember Books.
——(1990).
What the Maid Saw.
New York: Kodansha International.
Ueda, Akinari (1974). “House Among the Thickets,” in
Ugetsu Monogatari.
Tokyo: Tuttle Books.
FICTIONAL WORKS IN JAPANESE
Abe, Kōbō (1972).
Owarishi michi no shirube ni,
Vol. 1 of
Abe Kōbō zenshū.
Tokyo: Shinchōsha.
Akutagawa, Ryūnosuke (1971). “Kamigami no bishō,” in
Akutagawa Ryūnosuke zenshū,
Vol. 3. Tokyo: Chikuma Shōbō.
Hiraga, Gennai (1932).
Furyū shidōkenden,
Vol. 2 of
Hiraga Gennai zenshū.
Tokyo: Gennai sensei kenshukai.
Inoue, Hisashi (1981).
Kirikirijin
(vols. I, II, and III). Tokyo: Shinchōsha.
Ishikawa, Jun (1980). “Yakeato no lesu,” Vol. 1 of
Ishikawa Jun zenshū.
Tokyo: Iwanami Shoten.
——(1980).
Taka,
Vol. 4 of
Ishikawa Jun zenshū.
Tokyo: Iwanami Shoten.
——(1980).
Shifuku sennen,
Vol. 8 of
Ishikawa Jun zenshū.
Tokyo: Iwanami Shoten.
——(1980).
Tora no kuni,
Vol. 1 of
Ishikawa Jun zenshū.
Tokyo: Iwanami Shoten.
Izumi Kyōka (1981).
Kōya hijiri,
Vol. 5 of
Izumi Kyōka zenshū.
Tokyo: Iwanami Shoten.
——(1981). “Kechō,” Vol. 3 of
Izumi Kyōka zenshū.
Tokyo: Iwanami Shoten.
——(1981).
Yashagaike,
Vol. 11 of
Izumi Kyōka zenshū.
Tokyo: Iwanami Shoten.
——(1982).
Tenshu monogatari,
in
Kyōka shōsetsu gikyokusen,
Vol. 12. Tokyo: Iwanami Shoten.
Komatsu, Sakyō (1983).
Nippon chinbotsu
(vols I and II). Tokyo: Tokuma Bunko.
Kurahashi, Yumiko (1985). “Banpiru no kai,” in
Kurahashi Yumiko no kaikisho
hen. Tokyo: Shinchōsha.
——(1985). “Aporon no kubi,” in
Kurahashi Yumiko no kaikishōhen.
Tokyo: Shinchōsha.
——(1985). “Ogurukoku tokōki,” in
Kurahashi Yuniko no kaikishōhen.
Tokyo: Shinchōsha.
——(1986).
Amanonkoku ōkanki.
Tokyo: Shinchōsha.
Miyazawa, Kenji (1986).
Ginga tetsudō no yoru.
Tokyo: Kadokawa Bunko.
Oe, Kenzaburō (1973).
Kōzui wa wagatamashi ni oyobi.
Tokyo: Kodansha.
——(1979).
Dōjidai gēmu.
Tokyo: Shinchōsha.
——(1986).
Natsukashi toshi e no tegami.
Tokyo: Kodansha.
——(1990).
Chiryōto.
Tokyo: Iwanami Shoten.
Sakaguchi, Ango (1956). “Sakura no mori no mankai no shita,” in
Sakaguchi Ango senshū,
Vol. 4. Tokyo: Sōgensha.
Shiba, Shirō (1885–1887).
Kajin no Kigū,
in Yanagida Izumi (ed.)
Meiji shōsetsushū.
Vol. 1. Tokyo.
Sōseki, Natsume (1952). “Maboroshi no tate,” in
Rondontō Maboroshi no tate.
Tokyo: Shinchōsha.
Suehiro, Tetchō (1966).
Setchūbai,
in Yangida Izumi (ed.)
Meiji seiji shōsetsushū,
Vol. II
of Meiji bungaku zenshū.
Tokyo: Chikuma Shobō.
Tsutsui, Yasutaka (1982). “Kaomen hōkai,” in
Uchueiseihakuankai.
Tokyo: Shinchōsha.
——(1982). “Mondai gekka” in
Uchueiseihakurankai.
Tokyo: Shinchōsha.
——(1982). “Poruno wakusei no sarumonera ningen,” in
Uchueiseihakurankai.
Tokyo: Shinchōsha.
Yanagita, Kunio (1948).
Nihon mukashibanashi meii, Vol. 196.
Tokyo: Nihon Hōsō Shuppan Kyōkai.
SECONDARY WORKS IN ENGLISH
Albinski, Nan Bowman (1988).
Women’s Utopias in British and American Fiction.
London: Routledge.
Alexander, Marguerite (1990).
Flights from Realism: Themes and Strategies in Postmodernist British and American Fiction.
London: Edward Arnold.
Armitt, Lucy (ed.) (1991).
Where No Man has Gone Before.
London: Routledge.
Auerbach, Nina (1982).
Woman and the Demon: The Life of a Victorian Myth.
Cambridge, Mass.: Harvard University Press.
Bargen, Doris (1991). “Twin Blossoms on a Single Branch: The Cycle of Retribution in
Onnamen” Monumenta Nipponica,
Vol. 46, No. 2, 1991.
Bhaktin, Mikhail M. (1968).
Rabelais and His World.
Cambridge, Mass.: MIT Press.
Bronfen, Elisabeth (1992).
Over Her Dead Body: Death, Femininity and the Aesthetic.
London: Routledge.
Bruno, Giuliana (1990). “Ramble City: Postmodernism and
Blade Runner,”
in Annette Kuhn (ed.)
Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema.
London: Verso.
Burch, Noel (1979).
To the Distant Observer: Form and Meaning in the Japanese Cinema.
Berkeley, Calif: University of California Press.
Cummings, Michael and Smith, Nicholas (eds.) (1989).
Utopian Studies II.
Lanham, Md.: University Press of America.
Davis, Winston (1980).
Dojo: Magic and Exorcism in Modern Japan.
Stanford, Calif: Stanford University Press.
deBary, Brett (1979).
Three Works by Nakano Shigeharu.
Cornell University East Asia Papers No. 21, Ithaca, NY: Cornell University.
Delprat, Adrienne (1985). “Forms of Dissent in the Gesaku Literature of Hiraga Gennai (1728–1780),” unpublished doctoral thesis, Princeton University, Princeton, NJ.
DeVos, George (1985). “Dimensions of the Self in Japanese Culture,” in Marsella, DeVos and Hsu (eds.)
Culture and Self: Asian and Western Perspectives.
New York: Tavistock Publications,, pp. 141–184.
Dijkstra, Bram (1986).
Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture.
Oxford: Oxford University Press.
Foucault, Michel (1980).
The History of Sexuality,
Vol. 1. New York: Vintage Books.
——(1988).
Madness and Civilization: A History of Insanity in the Age of Reason.
New York: Vintage.
Fowler, Edward (1988).
The Rhetoric of Confession: Shishōsetsu in Early Twentieth-Century Japanese Fiction.
Berkeley, Calif.: University of California Press.
Gessel, Van C. (1993).
Three Modern Novelists.
Tokyo: Kodansha.
Gilbert, Sandra (1983). “Rider Haggard’s Heart of Darkness,” in George Slusser, Eric Rabkin, and Robert Scholes (eds.)
Coordinates: Placing Science Fiction and Fantasy.
Carbondale, Ill.: Southern Illinois University Press.
Gluck, Carol (1985).
Japan’s Modern Myths: Ideology in the Late Meiji Period.
Princeton, NJ: Princeton University Press.
Grixti, Joseph (1989).
Terrors of Uncertainty: The Cultural Contexts of Horror Fiction.
London: Routledge.
Harbison, Mark (1985). “Introductory Note” to “The Immortal,” in Van C. Gessel (ed.),
The Showa Anthology,
Vol. II. Tokyo: Kodansha.
Harootunian, H.D. (1990). “Disciplinizing Native Knowledge and Producing Place: Yanagita Kunio, Origuchi Shinobu, Takata Yasuma,” in J.Thomas Rimer (ed.)
Culture and Identity: Japanese Intellectuals During the Interwar Years.
Princeton, NJ: Princeton University Press.
Heilbrun, Carolyn (1981). “Introduction,” to Heilbrun and Higgonet (eds.)
The Representation of Women in Fiction.
Baltimore, Md.: Johns Hopkins University Press.
Heller, Terry (1987).
The Delights of Terror: An Aesthetics of the Tale of Terror.
Urbana, Ill.: University of Illinois Press.
Herndl, Diane (1993).
Invalid Women.
Chapel Hill, NC: University of North Carolina Press.
Highet, Gilbert (1962).
The Anatomy of Satire.
Princeton, NJ: Princeton University Press.
Hillegas, Mark R. (1967).
The Future as Nightmare: H.G.Wells and the Anti-Utopians.
Carbondale Ill.: Southern Illinois University Press.
Hume, Kathryn (1984).
Fantasy and Mimesis: Responses to Reality in Western Literature.
New York: Methuen.
Inouye, Charles (1991). “Water Imagery in the Work of Izumi Kyōka,”
Monumenta Nipponica,
Vol. 46, No. 1, pp. 43–68.
Irwin, W.R. (1976).
The Game of the Impossible: A Rhetoric of Fantasy.
Urbana: University of Illinois Press.
Ito, Ken (1991).
Visions of Desire: Tanizaki’s Fictional Worlds.
Stanford, Calif.: Stanford University Press.
Jackson, Rosemary (1981).
Fantasy: The Literature of Subversion.
London: Methuen and Co.
Jameson, Fredric (1982). “Progress versus Utopia, or Can We Imagine the Future?”
Science Fiction Studies,
Vol. 9.
——(1990).
Signatures of the Visible.
London: Routledge.
Keene, Donald (1984).
Dawn to the West: Japanese Literature of the Modern Era.
New York: Holt, Rinehart & Winston.
Kellner, Douglas (1992). “Popular Culture and the Construction of Postmodern Identities,” in Scott Lash and Jonathan Friedman (eds.)
Modernity and Identity.
Oxford: Basil Blackwell, pp. 141–177.
Kramer, Peter (1993).
Listening to Prozac.
New York: Viking.
Kuehl, John (1989).
Alternate Worlds: A Study of Postmodern AntiRealistic American Fiction.
New York: New York University Press.
Kumar, Krishan (1987).
Utopia and Anti-Utopia in Modern Times.
Oxford: Basil Blackwell Ltd.
Lefanu, Sarah (1988).
In the Chinks of the World Machine: Feminism and Science Fiction.
London: Women’s Press.
——(1989).
Feminism and Science Fiction.
Bloomington, Ind.: Indiana University Press.
Malti-Douglas, Fedwa (1991).
Woman’s Body, Woman’s Word: Gender and Discourse in Arabo-Islamic Writing.
Princeton, NJ.: Princeton University Press.
Manuel, Frank and Manuel, Fritzie (1979).
Utopian Thought in the Western World.
Cambridge, Mass.: Harvard University Press.
Matthew, Robert (1989).
Japanese Science Fiction: A View of a Changing Society. London: Routledge.
Mayer, Fanny Hagin (1986).
The Yanagita Kunio Guide to the Japanese Folk Tale.
Bloomington, Ind.: Indiana University Press.
Miller, Karl (1987).
Doubles: Studies in Literary History.
Oxford: Oxford University Press.
Miyoshi, Masao (1991).
Off Center.
Cambridge, Mass.: Harvard University Press.
Moylan, Tom (1986).
Demand the Impossible: Science Fiction and the Utopian Imagination.
New York: Methuen.
Mulhern, Chieko (1977).
Kōda Rohan.
Boston, Mass.: Twayne Publishers.
Najita, Tetsuo (1987).
Visions of Virtue in Tokugawa Japan.
Chicago, Ill.: Chicago University Press.
——(1989). “On Culture and Technology in Postmodern Japan,” in M.Miyoshi, and H.D.Harootunian (eds.)
Postmodernism and Japan.
Durham, NC.: Duke University Press, pp. 3–20.
Napier, Susan J. (1987). “Brave New Worlds(?): Technology in Japanese Fiction,”
Bulletin of Science and Technology.
——(1993). “Panic Sites: The Japanese Imagination of Disaster from
Godzilla
to
Akira,
”
Journal of Japanese Studies,
Vol. 19, No. 2, pp. 327–351.
Nash, Christopher (1987).
World Games: The Tradition of Anti-Realist Revolt.
London: Methuen & Co.
Natsume, Sōseki (1992). “My Individualism,” in
Kokoro and Selected Essays.
Lanham, NY: Madison Books.
Ohnuki-Tierney, Emiko (1987).
The Monkey as Mirror: Symbolic Transformations in Japanese History and Ritual.
Princeton, NJ.: Princeton University Press.
Penley, Constance (1989). “Time Travel, Primal Scene and the Critical Dystopia,” in James Donald (ed.)
Fantasy and the Cinema.
London: British Film Institute, pp. 196–212.
Poulton, Cody (1993). “Supernatural Naturalism: Self and Nature in Izumi Kyōka,” in Kinya Tsuruta (ed.)
Nature and the Self: Proceedings.
Vancouver: University of British Columbia.
Powell, Bill (1992). “Don’t Write Off Japan,”
Newsweek,
No. 919, p. 48.
Rabkin, Eric S. (1976).
The Fantastic in Literature.
Princeton, NJ.: Princeton University Press.
Rabkin, Eric S., Greenberg, Martin H., and Olander, Joseph D. (eds.) (1983a).
The End of the World.
Carbondale, Ill.: Southern Illinois University Press.
——(eds.) (1983b).
No Place Else: Explorations in Utopian and Dystopian Fiction.
Carbondale Ill.: Southern Illinois University Press.
Rimer, Thomas (1990a). “The Move Inward,” in Thomas Rimer (ed.)
Culture and Identity: Japanese Intellectuals During the Interwar Years.
Princeton, NJ: Princeton University Press, pp. 3–6.
——(ed.) (1990b).
Culture and Identity: Japanese Intellectuals During the Interwar Years.
Princeton, NJ.: Princeton University Press.
Roden, Donald (1990). “Taishō Culture and the Problem of Gender Ambivalence,” in Thomas Rimer (ed.)
Culture and Identity: Japanese Intellectuals During the Interwar Years.
Princeton, NJ.: Princeton University Press, pp. 37–55.
Rose, Mark (1981).
Alien Encounters: Anatomy of Science Fiction.
Cambridge, Mass.: Harvard University Press.
Rosenberger, Nancy R. (ed.) (1992).
Japanese Sense of Self.
Cambridge: Cambridge University Press.
Rubin, Jay (1984).
Injurious to Public Morals: Writers and the Meiji State.
Seattle, Wash.: University of Washington Press.
——(1993). “The Other World of Murakami Haruki,”
Japan Quarterly,
pp. 490–500.
Sakaki, A. (1993). “Denaturing Nature, Dissolving the Self: An Analysis of Kurahashi Yumiko’s
Popoi
” in K. Isuruta (ed.)
Nature and the Self: Proceedings.
Vancouver: University of British Columbia.
Sato, Ikuya (1991).
Kamikaze Biker: Parody and Anomy in Affluent Japan.
Chicago, Ill.: Chicago University Press.
Sato, Tadao (1982).
Currents in Japanese Cinema.
Tokyo: Kodansha International.
Shively, Donald (1971). “The Japanization of the Mid Meiji,” in Donald Shively (ed.)
Tradition and Modernization in Japanese Culture.
Princeton, NJ.: Princeton University Press.
Shirane, Haruo (1987).
The Bridge of Dreams: Poetics in the Tale of Genji.
Stanford, Calif: Stanford University Press.
Siebers, Tobin (1984).
The Romantic Fantastic.
Ithaca, NY: Cornell University Press.
Silverberg, Miriam (1990). “Marxism Addresses the Modern: Nakano Shigeharu’s Reproduction of Taisho Culture,” in Thomas Rimer (ed.)
Culture and Identity: Japanese Intellectuals during the Interwar Years.
Princeton, NJ.: Princeton University Press, pp. 133–153.
Slusser, George, Rabkin, Eric, and Scholes, Robert (eds.) (1983).
Coordinates: Placing Science Fiction and Fantasy.
Carbondale, Ill: Southern Illinois University Press.
Swinfen, Anne (1984).
In Defence of Fantasy.
London: Routledge & Kegan Paul.
Todorov, Tzvetan (1975).
The Fantastic: A Structural Approach to a Literary Genre.
Ithaca, NY: Cornell University Press.
Tolman Mori, Mary Ellen (1994). “The Subversive Role of Fantasy in the Fiction of Takahashi Takako,”
Journal of the Association of Teachers of Japanese,
Vol. 28, No. 1, pp. 29–56.
Tudor, Andrew (1989).
Monsters and Mad Scientists: A Cultural History of the Horror Movie.
Oxford: Basil Blackwell.
Turner, Victor (1969).
The Ritual Process: Structure and Anti-structure.
Ithaca, NY: Cornell University Press.
Tyler, William Jefferson (1990). “Introduction” to Ishikawa Jun
The Bodhisattva.
New York: Columbia University Press.
Ueda, Makoto (1983).
Modern Japanese Poets and the Nature of Literature.
Stanford, Calif: Stanford University Press.
Vogel, Ezra (1978).
Japan as Number One.
Cambridge, Mass.: Harvard University Press.
Vohra, S.K. (1987).
Negative Utopian Fiction.
Meerut: Shalabh Prakshan.
Waugh, Patricia (1989).
Feminine Fictions: Revisiting the Postmodern.
London: Routledge.
Wilson, Michiko (1986).
The Marginal Worlds of Oe Kenzaburo,
White Plains, NY: M.E.Sharpe Inc.
Yu, Beongcheon (1972).
Akutagawa.
Detroit, Mich.: Wayne State University Press.
Zamora, Lois (1995). “Introduction” to Lois Zamora and Wendy Paris (eds.)
Magic Realism: History, Theory, Community.
Durham, NC.: Duke University Press.
Zamora, Lois and Paris, Wendy (eds.) (1996).
Magic Realism: History, Theory, Community.
Durham: Duke University Press.
SECONDARY WORKS CONSULTED IN JAPANESE
Egusa, Mitsuko and Urushida, Kazuyo (eds.) (1992).
Onna ga yomu Nihon kindai bungaku.
Tokyo: Shinchōsa.
Etō, Jun (1974).
Natsume Sōseki.
Tokyo: Shinchōsa.
Fujimoto, Tokuaki (1980). “Bodai no roman: Kyōka bungaku ni okeru seikai,” in
Nihon bungaku kenkū shiryogosho: Izumi Kyōka,
Tokyo: Yūseido.
Hino, Tatsuo (1977).
Edojin to yūtopia.
Tokyo: Asahi shimbunsha.
Imaizumi, Fumiko (1991). “Yumeno Kyūsaku no anchiyūtopia,”
Koku
bungaku, Vol. 36, No. 9 (March), pp. 78–85.
Imamura, Tadazumi (1982). “Inoue Hisashi,”
Kokubungaku,
Vol. 27, No. 11 (August), pp. 126–7.
Isoda, Kōichi (1974). “Mukokusekisha no shiten: Abe Kōbō ron,” in
Nihon bungaku kenkyū shiryōgōsho: Abe Kōbō Oe Kenzaburō,
Tokyo: Yūseido.
Kasai, Kiyoshi (1988).
Monogatarino uroboros.
Tokyo: Chikuma Shobo.
Kawamura, Jiro (1985).
Ginga to jigoku: Gensō bungakuron.
Tokyo: Kodansha Gakujutsubunko.
Kawamura, Minato (1988). “Mizu to bōmei: Shifuku sennen no sekai,”
Yurika,
Vol. 20, No. 8 (July), pp. 213–221.
——(1989). “ ‘Shinsekai’ no owari to haatobureiku wandaarando,”
Yurika,
Vol. 21, No. 4 (June), pp. 174–181.
Kawano, Tsuneaki (1975). “Taisho no roman to fuantaji: Miyazawa Kenji, sono hoka ni tsuite,”
Kokubungaku,
Vol. 20, No. 4 (March), pp. 154–156.
Kurihara, Akira (1983). “Sokō to saisei: Aidenchichi seiji,”
Yurika,
Vol. 20, No. 8 (July), pp. 52–56.
Kuroko, Kazuo (1990).
Murakami Haruki to dōjidai no bungaku.
Tokyo: Iwade Shuppan.
Kuwahara, Tetsuo (1987). “Ijigensekai o byōshō shite miseta: Ginga tetsudō no yoru,” in
Miyazawa Kenji,
No. 7, Tokyo: Yoyosha.
Maeda, Ai (in discussion with Yamaguchi Masao) (1985). “Kyokaisenjo no bungaku: Kyōka sekai no genkyō,”
Kokubungaku,
Vol. 30, No. 7, pp. 8–24.
Matsuda, Osamu (in discussion with Yura Kimiyoshi) (1974). “Yurei kanwa: Sono genshō sono ronri,”
Kokubungku,
Vol. 19, No. 9 (August), pp. 7–32.
Mishima, Yukio (1981). “Izumi Kyōka,” in
Bungei dokuhon: Izumi Kyōka.
Tokyo: Iwade Shuppan.
Miyasaka, Satoru (1985). “Kappa,”
Kokubungaku,
Vol. 30, No. 5 (May), pp. 110–111.
Nakamura, Shinichiro (in discussion with Yura Kimoyoshi) (1984). “Gensō no sakiwau kuni ni,”
Kokubungaku,
Vol. 10, No. 29, pp. 10–30.
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