Sestina for the Lost
For Linnaeus

When you’re in town, make a visit to the church

in old Luleå, half a mile distant. Proceed by sea,

for there are no horses to procure in the whole place.

On the way, you’ll pass “old man’s beard,” strange

grass, known here as Lapland hair. Also, deep

in the wet soil, shellfish crackle, while above

flies swarm, numerous as atoms, and above

them the northern sun, falling on the church—

built from fieldstone that doesn’t lie deep

but on the earth’s surface, washed by seas.

This one is old, constructed after strange

peace was negotiated with the Russians, placed

here to secure the state, and what a place

for a house of God, amid fields emptied

of harvest, and four hundred wood-built houses strangely

silent. Go ahead, step inside the church—

it isn’t quite the place to sweep you in a sea

of emotion, but doesn’t mean you don’t feel, deep

in the quiet. You think these roots run deep

but nothing has always been in this place—

no matter how eternal, God, Christ, the sea,

something else was there before, below, above.

A thing uncontained by wall and altar, a church

of wind and water, tall trees to whom strange

gifts were offered. Here, old statues of strange

martyrs, in whose heads are cavities deep,

holding water, so that priests in the church

can make them weep at pleasure. Go on, place

your hand on the book teaching mercy from above

and not between us sinners. Look up, you can see

the two pedestals with images upon each. See

how their hands are contrived to lift upon strangers

when they enter, folding in adoration from above.

Here, all is neatness. The lined pews tell of a deep-

seated need for order; everything in its rightful place—

we may fritter away on the fringes, so long as the church

is at the center. And above. While all around a sea of chaos,

the fieldstone church plays anchor; no place for our strange

loyalties to deep wilderness, calling to replace churches with trees.