Routledge Library Editions – Shakespeare
CRITICAL STUDIES
In 36 Volumes
I | Shakespeare’s Poetic Styles | Baxter |
II | The Shakespeare Inset | Berry |
III | Shakespeare | Bradbrook |
IV | Shakespeare’s Dramatic Structures | Brennan |
V | Focus on Macbeth | Brown |
VI | Shakespeare’s Soliloquies | Clemen |
VII | Shakespeare’s Dramatic Art | Clemen |
VIII | A Commentary on Shakespeare’s Richard III | Clemen |
IX | The Development of Shakespeare’s Imagery | Clemen |
X | Shakespeare | Duthie |
XI | Shakespeare and the Confines of Art | Edwards |
XII | Shakespeare the Dramatist | Ellis-Fermor |
XIII | Shakespeare’s Drama | Ellis-Fermor |
XIV | The Language of Shakespeare’s Plays | Evans |
XV | Coleridge on Shakespeare | Foakes |
XVI | Shakespeare | Foakes |
XVII | Shakespeare’s Poetics | Fraser |
XVIII | Shakespeare | Frye |
XIX | The Shakespeare Claimants | Gibson |
XX | Iconoclastes | Griffith |
XXI | That Shakespeherian Rag | Hawkes |
XXII | The Living Image | Henn |
XXIII | Shakespeare, Spenser, Donne | Kermode |
XXIV | Themes and Variations in Shakespeare’s Sonnets | Leishman |
XXV | King Lear in Our Time | Mack |
XXVI | Shakespeare as Collaborator | Muir |
XXVII | Shakespeare’s Sonnets | Muir |
XXVIII | The Sources of Shakespeare’s Plays | Muir |
XXIX | The Voyage to Illyria | Muir & O’Loughlin |
XXX | Shakespeare | Nicoll |
XXXI | The Winter’s Tale | Pyle |
XXXII | The Problem Plays of Shakespeare | Schanzer |
XXXIII | Swearing and Perjury in Shakespeare’s Plays | Shirley |
XXXIV | The Artistry of Shakespeare’s Prose | Vickers |
XXXV | Literature and Drama | Wells |
XXXVI | Readings on the Character of Hamlet | Williamson |