Page numbers refer to the print edition but are hyperlinked to the appropriate location in the e-book.
Aboriginals,
20; Aboriginal Welfare Board,
1,
2,
195n8; art and,
18,
19,
40–41,
51,
54,
55,
55–56; civil rights and,
1–2; Lake Tyers Aboriginal Reserve,
6,
195n8; Ngaanyatjarra people,
19; painting and,
18–20,
42–45,
59–60,
185; with religion,
7,
8,
13,
59; Yuendumu Aboriginal Reserve,
204n9.
See also Warlpiri peopleAbout Looking (Berger),
194n7
Abramović, Marina,
148,
149,
155; family life,
149–50,
151,
153,
156; pain and,
150–51,
152; public realm and,
157–58Alienation, photography and,
145–46Allegories of the Wilderness (M. Jackson),
100
Alter-ation, process of,
3Ancestors,
4,
5,
40,
46,
53,
115; Dreaming and,
44,
48,
56,
57; rituals,
16,
154Animals: animal spirit,
107; rituals to multiply,
16,
17Art,
45,
203n117; Aboriginal people and,
18,
19,
40–41,
51,
54,
55,
55–56; “the art field,”
23; birth and,
28,
30,
40,
53–54; Buber on,
vii; culture and,
23,
67,
201n86; death with,
153,
156; defined,
80; Dewey on,
vii,
xiv; with life, escape from,
139–47; life and,
xvi,
95,
200n64; with life sacrificed,
134–35; narcissism with,
31; possessiveness,
181; reality in,
88,
127; as religion,
12–14,
18,
198n3; religion and,
10–11,
23–24,
54,
108,
119–20,
161–63,
184,
188–89,
196n17,
199n47; ritual and,
67,
153,
167–70; role of,
xiv,
3–8,
10,
18,
19,
33,
40–41,
42–44,
66,
77,
81,
83–84,
90,
116–17,
120–21,
122,
171; solitude of,
68–72,
101; two lives of,
4–5,
21,
23–24,
32Art galleries, as reverential space,
11“Art Is My Life” (P. Clairmont),
102Artist Is Present,
The (Abramović),
149,
157
Art objects: with class and culture,
23; maker with,
4,
7,
8,
27–28,
104; mystery of,
27–28,
32; in public realm,
4–5Ascriptive approach, to religion,
10Assembly Line (Li Xiaofei),
175
At Home in the World (M. Jackson),
203n3
“Berlin Childhood around 1900” (Benjamin),
82Beuys, Joseph,
26,
84,
85,
108,
166; Everyman and,
24; religion and,
14; Tartars and,
25–26,
201n90bin Mohammad, Mahathir,
84Biographical objects,
194n9Birth,
15; art and,
28,
30,
40,
53–54; childbirth,
30,
31,
114; Maori people and,
113; postpartum sadness,
181Black Notebooks (
Schwarze Hefte) (Heidegger),
161Bourgeois, Louise,
67,
108,
166; with art, role of,
33,
66; art and life,
xvi; art as religion,
13; on Bacon,
95Breathing In/Breathing Out (Abramović and Ulay),
156
Cantwell-Smith, Wilfred,
196n15Carroll, Lewis (Dodgson, Charles),
80,
87,
106–7Caspar Wolf and the Aesthetic Conquest of Nature,
35
Central Land Council,
39,
43,
49Cézanne, Paul,
23,
93,
108,
129,
130; being-in-the world and,
129; family life,
133,
134; love letters and,
131; nature and,
127–39; objects and,
133–34Christ Bearing the Cross (Titian),
189
Christ Mocked (
The Crowning with Thorns) (Bosch),
188
Christus (Faller-Barris),
159
Clairmont, Philip,
98–99,
99,
100,
102; alcoholism and,
209n102; antiapartheid movement and,
107–8; legacy,
108–9; objects and,
101–2,
105–6; on painting, role of,
102–3; suicide,
107,
108Class, art object with culture and,
23Classification, Aristotle and,
196n24Cognition, “primal unity” of,
19Coleridge, Samuel Taylor,
196n17Collective consciousness,
9“Come out” (
wilibari): Dreaming with,
15–16; “go in” and,
14–20Coming into existence.
See TupuConvict and Mrs Fraser (Nolan),
94
Creative process,
38; approaches,
23,
32; “dream thinking” and,
21; Everyman and,
24; natality and,
xvi,
30,
53Cyclical: life as,
29,
47; time as,
23
Dark Night Walking with McCahon (Edmond),
126
Death: with art,
153,
156; Dreaming and,
58; “go in” or
yuga and,
16; “passing away,”
15; spirit after,
57; suicide,
107,
108,
146,
217n115Divination baskets,
194n9Dreaming,
3,
57,
184; “come out” and “go in” with,
15–16; death and,
58; “dream thinking,”
21; dream work,
151; Hare Wallaby Dreaming,
46,
48–49; men and,
42–44,
46; role of,
14–15,
18,
19,
45–47,
51,
199n51; Two Kangaroo Dreaming,
48,
56; Warlpiri people and,
204n12; women and,
15,
20,
43.
See also AboriginalsDreyfus-Best, Richard,
36
Elementary Forms of Religious Life,
The (Durkheim),
8–9,
39
Elsewhere (somewhere other),
xv,
13Entbindung (Faller-Barris),
160,
161
Environmental disaster,
88–91Erewhon (Butler),
80,
106
Essays in Radical Empiricism (James),
203n112
Étranger,
L’ (Camus),
133
Existentialism,
8,
57,
109,
113,
116; existential chiasmus,
79; existential transfiguration,
3Exodus (Faller-Barris),
161,
167
Fairweather, Rose (sister),
68Faller-Barris, Carola,
158–60,
159,
160,
165,
167; family life,
164,
166; intersubjectivity and,
163; religion and,
161–63Fall of Icarus,
The (Bruegel),
136
False Existence Appearing Real (Idagi),
7
Family life,
101; Abramović,
149–50,
151,
153,
156; Cézanne,
133,
134; Faller-Barris,
164,
166; Gauguin,
144; Maori people,
114–15; mothers and infants,
147–49,
195n2; Song Dong,
178–79; Turrell,
172–73Fiction: realistic fiction,
147; “supreme fiction,”
140Flying termites (
pamapardu),
16–18“Forgotten Dialectic of the Heart, The” (Gilbert),
96Forking Tongues (Gill),
75
Fraser, James (Captain),
92
Garden of Earthly Delight,
The (Bosch),
137
Gender, role reversals,
30,
31Gethsemane (Fairweather, I.),
206n42
Ghirlandaio, Domenico,
61Gill, Simryn,
75,
79,
80,
82,
83,
84; with being-in-the world,
76; as outsider,
73–75; on “particular present,”
77–78Gleneagles Agreement,
106“Go in” (
yuga): “come out” and,
14–20; death and,
16; Dreaming and,
15–16Golski, Nadya (daughter),
65–66
Head of Christ (Clairmont, P.),
108
Hegel, Georg Wilhelm,
128House with the Cracked Walls,
The (Cézanne),
129–30,
130
Human Being (Li Wei),
177
Humans: human culture as progressive,
196n18; as imperfect,
178; life imperatives,
4–5,
6,
14Hunters in the Snow,
The (Bruegel),
135,
136–37
“Idea of Order at Key West, The” (Stevens),
127Imperfect, humans as,
178Indeterminate space.
See SpacesInner experience: “axes of bias” and,
33–34; indeterminate space and,
13; into outward form,
5–6,
17,
18,
21,
33,
36,
65“Inside Is the Outside, The” (Clark, L.),
32
Jackson, Freya (daughter),
xiiiJackson, Heidi (daughter),
xiiiJackson, Pauline (wife),
110,
126Jacob’
s Ladder (
Himmelsleiter) (Faller-Barris),
159
James, William,
20,
21,
202n109,
203n112; creative process and,
xiv; with objective and subjective perspective,
9; “radical empiricism” and,
15,
186Japaljarri Sims, Paddy,
43,
44Japaljarri Stewart, Paddy,
43,
204n6Jonah (Faller-Barris),
162
Jupurrula Nelson, Paddy,
45,
47–50,
108; Hare Wallaby Dreaming and,
46; Warlukurlangu Art Centre and,
42,
43,
44–45
Kngwarreye, Emily Kame,
67Knowledge, Warlpiri people and,
41–42
Lady Chatterley’s Lover (Lawrence),
29
Lake Tyers Aboriginal Reserve,
6,
195n8Land,
39,
43,
49; forest and,
112,
137,
161,
182,
198n42; landscape, symbolism,
212n146; Maori people and,
123–25; rituals,
47; unappreciated,
122–23Large Pine Tree and Red Earth (Cézanne),
129
Last Judgment (Michelangelo),
205n35
Lazarus Emerging from the Wardrobe (P. Clairmont),
108
Letters on Cézanne (Rilke),
132
“Letter to Gershom Scholem on Franz Kafka” (Benjamin),
82Lévi-Strauss, Claude,
76,
109Life,
8,
9,
39,
102,
132,
138; art, two lives of,
4–5,
21,
23–24,
32; art and,
xvi,
95,
200n64; art to escape,
139–47; art with sacrificing of,
134–35; as cyclical,
29,
47; freedom in,
2,
30,
35,
195n14; human imperatives in,
4,
5–6,
14; public realm,
4–5; with Warlpiri worldview,
15–16.
See also Family lifeLife of Dialogue,
The (Buber),
vii
Lightsource (Clairmont, P.),
99
Living in the Maniototo (Frame),
183
Lugwani (Tanzanian wood-carver),
104–5
Macbeth (Shakespeare),
79
Mansfield, Katherine,
191Maori people,
106,
212n154; appropriation of Maori imagery,
143; birth and,
113; family life,
114–15;
hau and,
103,
104,
182; land and,
123–25; pare and,
109–16,
111,
112; worldview,
210n128Marriage at Cana (Fairweather, I.),
68
Masks,
37,
74,
149; mask carvers and ritual,
104; as “supernatural being,”
27Mate (passing out of existence),
110,
112,
113Matrikin (
kurdungurlu),
18,
42McCahon, Colin,
97,
108,
124,
125,
126,
188; alcoholism and,
117–18; on art,
116–17,
120–21,
122; Fairburn on,
211n138; on land, unappreciated,
122–23; on landscape, symbolism,
212n146; religion and,
119–20Melbourne Now exhibition,
6
Men: ceremonial dramas and,
16; Dreaming and,
42–44,
46; role reversals and,
30,
31Metamorphosis (Faller-Barris),
159
Mme. Cézanne in a Red Dress (Cézanne),
132
Monastery (Fairweather, I.),
68,
69
Moscoso, Pio de Tristan (Don),
143Museums: Kunstmuseum Basel,
35–38; as reverential space,
11Myth of Sisyphus,
The (Camus),
184
Natural History (Pliny),
63–64
Nature,
35; Cézanne and,
127–39; culture and,
80; environmental disaster,
88–91; Goldsworthy and,
171,
172Necessary Protection paintings (C. McCahon),
123Negative capability,
84,
132Ngata, Apirana (Sir),
115Nietzsche, Friedrich,
162Nightsea Crossing (Abramović and Ulay),
156
Norrie, Richard (brother),
86–87“Not Included in the Footnotes” (O’Sullivan),
217n112
Objective perspective: “axes of bias” and,
35; subjective and,
2–3,
9–10,
32“On First Looking Into Chapman’s Homer” (Keats),
97–98Oppression,
8,
14,
52,
118,
122,
143; body and,
152,
153; of postpartum sadness,
181; violence and,
85Oratory (Faller-Barris),
159
Orphan Files (Jiang Jian),
177Other Criteria: Confrontations with Twentieth-Century Art (Steinberg),
203n117
Outer experience: “axes of bias” and,
33–34; indeterminate space and,
13
Painting,
xiv,
102–3,
123; Aboriginals and,
18–20,
42–45,
59–60,
185; body painting,
18,
200n62; Martu women and,
184–85; Munch and,
33–34,
34; sandpainting,
18,
40; Warlpiri people and,
18–19,
42–45,
54,
55Palm at the End of the Mind,
The (M. Jackson),
12,
13
Parihaka Triptych (C. McCahon),
124,
125
“Particular present,”
77–78Passing out of existence.
See MatePensée Sauvage,
La (Lévi-Strauss),
76
Performance, rituals and,
155Photography, alienation and,
145–46Picture of Dorian Gray (Wilde),
107
Pieta (Michelangelo),
62,
63
Politics, human rights and,
88–91“Primal unity,” of cognition,
19Production, reproduction and,
28–32Protestant Reformation,
137Public realm: artist and,
157–58; art object in,
4–5; “the art field” and,
23Purity and Danger (Douglas),
152
Qin Shi Huang (Emperor of China),
5,
174
“Radical empiricism,”
15,
186Reiora,
Te (The Dream) (Gauguin),
142–43
Relation in Time (Abramović and Ulay),
156
Religion,
202n109,
216n89; Aboriginals with,
7,
8,
13,
59; art and,
10–11,
23–24,
54,
108,
119–20,
161–63,
184,
188–89,
196n17,
199n47; art as,
12–14,
18,
198n3; ascriptive approach to,
10; Catholic Church,
120,
136,
137,
159,
187,
206n35,
217n112; classifications,
196n24; conditions for,
4; Family of Love and,
136; primitiveness and,
197n33; Protestant Reformation,
137; role of,
7,
8–10,
56,
96; with spirit after death,
57.
See also Bible, TheReport on Experience (Mulgan),
122
Reproduction, production and,
28–32Rings of Saturn,
The (Sebald),
85
Rituals: ancestors,
16,
154; animals, multiplying,
16,
17; art and,
67,
153,
167–70; land,
47; mask carvers and,
104; narcissism with,
31; performance and,
155; ritual labor,
13,
18,
46,
198n40; role of,
3,
20; sexual imagery and,
16Role reversals, gender,
30,
31
Sand drawing, with storytelling,
16Seated Peasant (Cézanne),
132
Self Portrait (Van Gogh),
37,
38
Self Portrait as the Ayatollah (P. Clairmont),
108
Sense of Sight,
The (Berger),
194n7
Sex: sexual imagery,
16,
29–30; sexual intercourse,
15,
16,
28; sexual symbolism,
29Shakespeare, William,
79,
83“Shield of Achilles, The” (Auden),
138Shoah (Faller-Barris),
159,
159
Social injustice, with freedom in life,
2Social situation, of artist,
23Sociology of Art,
The (Duvignaud),
194n7
Sound and the Fury,
The (Faulkner),
95
South Australia Museum,
43Sports events, racism and,
107Staircase Night Triptych (P. Clairmont),
102
Standing Still exhibition (Gill),
77
Still Life, Flask, Glass and Jug (Cézanne),
138–39
Still Life with Ginger Jar and Eggplants (Cézanne),
132
Stirling Castle (ship),
92–93
Storm,
The (Munch),
33,
34
Sturzhäche des Lauentales im Vorfrühling,
Die (Wolf),
36
Subjective perspective: “axes of bias” and,
35; objective and,
2–3,
9–10,
32“Supernatural being,” masks as,
27
Tane-mahuta (father of the forests),
112Tawhiri-ma-tea (father of winds and storms),
112–13Te Heheu (Taupo chief),
115Tempest,
The (Shakespeare),
83
“Thing, The” (Heidegger),
103Third of May 1808,
The (Goya),
144
Through the Looking-Glass, and What Alice Found There (Carroll),
80,
106
Time: as cyclical,
23; Dreaming and,
46–47Tjapaltjarri, Clifford Possum,
13,
59,
61Transcendence,
5,
8,
9,
35,
54,
108; art transcending culture,
67; Clairmont, Philip, and,
106; tea ceremony and,
168,
169; Van Gogh, Vincent, and,
53“Transformation of Subjects Into Objects in Walbiri and Pitjantjatjara Myth, The” (Munn),
199n53Transformative process: fear and,
66; Matisse and,
3–4Transitional space,
3,
33,
80Tropic of Cancer (Miller),
29
Tu-matauenga (father of fierce human beings),
113Turtle and Gong (Fairweather, I.),
68
Two Kangaroo Dreaming,
48,
56Tywerrenge (sacred object, law),
19
“Unpacking My Library” (Benjamin),
82Untitled (Faller-Barris),
160
Unvanquished,
The (Faulkner),
140
Up-On-The-Downs (Sydney),
181
Urewera Mural (C. McCahon),
125,
126
Uterine kin (
kurdungurlu),
13,
16,
163
Van Gogh, Vincent,
26,
37,
58,
108; creative process and,
23,
38; influence,
84–85; martyrdom and,
52; transcendence and,
53Varieties of Religious Experience,
The (James),
202n109
Village Wedding Feast (Bruegel),
139
Walya (earth, ground, country),
19,
21,
40,
41,
47
Warlpiri Iconography (Munn),
200n62
Warlpiri people,
199n53,
203n3; Dreaming and,
204n12; with knowledge,
41–42; painting and,
18–19,
42–45,
54,
55;
walya and,
40,
41,
47; worldview,
15–16Warlukurlangu Art Centre,
42–45Waste Not (Song Dong),
178
Watson Napangardi, Polly,
50Wind in the Pines: Classic Writings of the Way of Tea as a Buddhist Path (Hirota),
216n89
Wings of Desire (film),
24
Wolf in Sheep’
s Clothing,
A (Cole),
7
Women,
28; Dreaming and,
15,
20,
43; Martu women and painting,
184–85; role reversals and,
30,
31World,
20; within and without,
1–5,
14,
167; ancestors with world creation,
16; artist and,
36–38; being-in-the world,
5,
12,
14,
76,
129Worldviews: Balinese people,
23; Maori people,
210n128; Warlpiri people,
15–16Writers: with “primal unity” of cognition,
19; role of,
95
Yarlakurlu (
Big Yam) (P. Jupurrula Nelson),
44,
45
Yellow Christ (Gaugin),
108
Yuendumu Aboriginal Reserve,
204n9
Zein und Zeit (Heidegger),
161