Marilyn Arthur (1977): ‘Liberated Women: The Classical Era’, in R. Bridenthal and C. Koonz, 60-89.

Josephine Balmer (1996): Classical Women Poets (Newcastle upon Tyne: Bloodaxe Books).

————— (2013) Piecing Together The Fragments: Translating Classical Verse, Creating Contemporary Poetry (Oxford: Oxford University Press).

Silvio Bär (2016): ‘Ceci n’est pas un fragment: Identity, Intertextuality and Fictionality in Sappho’s Brothers Poem’, Symbolae Osloenses, 90, 8-54.

Willis Barnstone (1962): Greek Lyric Poetry (New York: Bantam Books).

Anton Bierl and André Lardinois (eds.) (2016): The Newest Sappho: P. Sapph. Obbink and P. GC inv. 105, frs.1–4. (Leiden: Brill).

John Boardman and E. La Rocca (1978): Eros in Greece (London: Phaidon).

Ewen Bowie (2016): ‘How Did Sappho’s Songs Get into the Male Sympotic Repertoire?’, in Bierl and Lardinois, 148-164.

C.M. Bowra (1961): Greek Lyric Poetry, 2nd ed. (Oxford: Oxford University Press).

R. Bridenthal and C. Koonz (eds.) (1977): Becoming Visible: Women in European History (Boston: Houghton Mifflin).

A.R. Burn (1978): The Lyric Age of Greece (London: Edward Arnold).

S. Burris, J. Fish and D. Obbink (2014): ‘New Fragments of Book 1 of Sappho’, Zeitschrift für Papyrologie und Epigraphik, 189, 1-28.

David A. Campbell (1976): (ed.) Greek Lyric Poetry (London: Macmillan).

————— (1982): (ed.) Greek Lyric 1 (London: Loeb Classical Library).

————— (1983): The Golden Lyre: The Themes of the Greek Lyric Poets (London: Duckworth).

J.A. Davison (1968): From Archilochus to Pindar (London: Macmillan).

George Devereux (1970): ‘The Nature of Sappho’s Seizure in fr. 31LP as Evidence of her Inversion’, Classical Quarterly n.s. 20, 17-31.

K.J. Dover (1978): Greek Homosexuality (London: Duckworth).

Page duBois (1978): ‘Sappho and Helen’, Arethusa 11, 89-99.

————— (1995), Sappho is Burning (Chicago: University of Chicago Press).

H. Fränkel (1975): Early Greek Poetry and Philosophy, trans. M. Hadas and J.Willis (Oxford: Blackwell).

Ellen Greene (ed.) (1996a): Reading Sappho: Contemporary Approaches (Berkeley and London: University of California Press).

————— (ed.) (1996b): Re-reading Sappho: Reception and Transmission (Berkeley and London: University of California Press).

B.P. Grenfell and A.S. Hunt (1898): Oxyrhynchus Papyri I (London: Egypt Exploration Fund).

Judith Hallett (1979): ‘Sappho and her Social Context: Sense and Sensuality’, Signs, 4, 447-64.

Richard Jenkyns (1982): Three Classical Poets: Sappho, Catullus and Juvenal (London: Duckworth).

Hugh Kenner (1971): The Pound Era (Berkeley & London: University of California Press).

Leslie Kurke (2016): ‘Gendered Spheres and Mythic Models in Sappho’s Brothers Poem’. In Bierl and Lardinois, 238-265.

André Lardinois (2016): ‘Sappho’s Brothers Song and the Fictionality of Early Greek Lyric Poetry,’ in Bierl and Lardinois, 167-187.

Mary R. Lefkowitz (1981): Heroines and Hysterics (London: Duckworth).

Mary R. Lefkowitz and Maureen B. Fant (eds) (1982): Women’s Life in Greece and Rome: A Source Book in Translation (London: Duckworth).

Albin Lesky (1966): A History of Greek Literature, trans. J.Willis and C. de Heer (London: Methuen).

Joel Lidov (2016): ‘Songs for Sailors and Lovers’, in Bierl and Lardinois, 55-109.

Edgar Lobel and Denys Page (eds.) (1955): Poetarum Lesbiorum Fragmenta (Oxford: Oxford University Press).

Thomas McEvilley (1971): ‘Sappho, fragment ninety-four’, Phoenix 25, 1-11.

M. Marcovich (1972): ‘Sappho fr.31: anxiety attack or love declaration?’, Classical Quarterly, n.s. 22, 19-32.

John D. Marry (1979): ‘Sappho and the heroic ideal: erotos arete’, Arethusa, 12, 71-92.

Melissa Mueller (2016): ‘Re-Centering Epic Nostos: Gender and Genre in Sappho’s Brothers Poem’, Arethusa, 49 (1) 25-46.

Oswyn Murray (1980): Early Greece (London: Fontana).

Dirk Obbink (2014): ‘Two New Poems by Sappho’, Zeitschrift für Papyrologie und Epigraphik, 189, 32-49.

————— (2015): ‘Interim Notes on “Two New Poems by Sappho”’, Zeitschrift für Papyrologie und Epigraphik, 194, 1-8.

————— (2016a): ‘The Newest Sappho: Text, Apparatus Criticus, and Translation’, in Bierl and Lardinois, 13-33.

————— (2016b): ‘Ten New Poems of Sappho: Provenance, Authenticity and Text of the New Sappho Papyri’, in Bierl and Lardinois, 34-54.

————— (2016c): ‘Goodbye Family Gloom! The Coming of Charaxos in the Brothers Song,’ in Bierl and Lardinois, 208-224.

Denys Page (1955): Sappho and Alcaeus (Oxford: Oxford University Press).

Sarah Pomeroy (1975): Goddesses, Whores, Wives and Slaves: Women in Classical Antiquity (New York: Schocken Books).

Diane Rayor (2016): ‘Reimagining the Fragments of Sappho through Translation’, in Bierl and Lardinois, 396-412.

Diane Rayor and André Lardinois (2014): Sappho: A New Translation of the Complete Works (Cambridge: Cambridge University Press).

Margaret Reynolds (ed.) (2000): The Sappho Companion (London: Chatto & Windus).

David M. Robinson (1925): Sappho and her Influence (London: Harrap).

Jane M. Snyder (1989), The Woman and the Lyre: Women Writers in Classical Greece and Rome (Bristol: Bristol Classical Press).

Eva Stehle (2016): ‘Larichos in the Brothers Poem: Sappho Speaks Truth to the Wine-Pourer,’ in Bierl and Lardinois, 266-292.

Odysseus Tsagarakis (1977): Self-expression in Early Greek Lyric, Elegiac and Iambic Poetry (Wiesbaden: Steiner, 1977).

M.L. West (2005): ‘The New Sappho,’ Zeitschrift für Papyrologie und Epigraphik, 151, 1–9.

————— (2014), ‘Nine poems of Sappho’, Zeitschrift für Papyrologie und Epigraphik, 191, 1–12.

Ulrich von Wilamowitz-Moellendorff (1913): Sappho und Simonides (Berlin: Weidmann).

Margaret Williamson (1995): Sappho’s Immortal Daughters (Cambridge, Massachusetts and London: Harvard University Press).

F.A. Wright (1923): ‘The Women Poets of Greece’, Fortnightly Review, 113 (February 1923), 323-33.