Richard Taruskin, General Editor
1.Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater, by W. Anthony Sheppard
2.Russian Opera and the Symbolist Movement, by Simon Morrison
3.German Modernism: Music and the Arts, by Walter Frisch
4.New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification, by Amy Beal
5.Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality, by David E. Schneider
6.Classic Chic: Music, Fashion, and Modernism, by Mary E. Davis
7.Music Divided: Bartók’s Legacy in Cold War Culture, by Danielle Fosler-Lussier
8.Jewish Identities: Nationalism, Racism, and Utopianism in Twentieth-Century Art Music, by Klára Móricz
9.Brecht at the Opera, by Joy H. Calico
10.Beautiful Monsters: Imagining the Classic in Musical Media, by Michael Long
11.Experimentalism Otherwise: The New York Avant-Garde and Its Limits, by Benjamin Piekut
12.Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968–1981, by Eric Drott
13.Music and Politics in San Francisco: From the 1906 Quake to the Second World War, by Leta E. Miller
14.Frontier Figures: American Music and the Mythology of the American West, by Beth E. Levy
15.In Search of a Concrete Music, by Pierre Schaeffer, translated by Christine North and John Dack
16.The Musical Legacy of Wartime France, by Leslie A. Sprout
17.Arnold Schoenberg’s “A Survivor from Warsaw” in Postwar Europe, by Joy H. Calico
18.Music in America’s Cold War Diplomacy, by Danielle Fosler-Lussier