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—, London in the 1890s: A Cultural History (New York: W.W. Norton, 1992)

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Margaret Beetham, ‘Towards a Theory of the Periodical as a Publishing Genre’, in Investigating Victorian Journalism, ed. Laurel Brake, Aled Jones and Lionel Madden (London: Macmillan, 1990), pp. 19–32

Laurel Brake, Subjugated Knowledges: Journalism, Gender and Literature in the Nineteenth Century (New York: New York University Press, 1994)

—, Print in Transition, 1850–1910: Studies in Media and Book History (Basingstoke: Palgrave, 2001)

J.W. Burrow, The Crisis of Reason: European Thought 1848–1914 (New Haven: Yale University Press, 2000)

Jason Camlot, Style and the Nineteenth-Century British Critic: Sincere Mannerisms (Aldershot: Ashgate, 2008)

G.A. Cevasco, The Breviary of the Decadence: J.-K. Huysmans’ À Rebours and English Literature (New York: AMS Press, 2001)

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Olive Classe, ed., Encyclopaedia of Literary Translation in English, 2 vols. (London: Fitzroy Dearborn, 2000)

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Anne Margaret Daniel, ‘Arthur Symons and The Savoy’, The Literary Imagination 7:2 (2005): 165–93

Linda Dowling, Language and Decadence in the Victorian Fin de Siècle (Princeton: Princeton University Press, 1986)

Richard Ellmann, ‘Discovering Symbolism’, in Golden Codgers: Biographical Speculations (Oxford: Oxford University Press, 1960), pp. 101–12

Ian Fletcher, ed., Decadence and the 1890s (London: Edward Arnold, 1979)

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Tom Gibbons, Rooms in the Darwin Hotel: Studies in English Literary Criticism and Ideas, 1880–1920 (Nedlands: University of Western Australia Press, 1973)

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Jennifer Higgins, English Responses to French Poetry 1880–1940: Translation and Mediation (London: Legenda, 2011)

Graham Hough, The Last Romantics (London: Duckworth, 1949)

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Frank Kermode, Romantic Image (London: Routledge and Kegan Paul, 1957)

A.G. Lehmann, The Symbolist Aesthetic in France 1885–1895 (Oxford: Basil Blackwell, 1950)

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Bruce Morris, ‘Mallarmé’s Letters to Arthur Symons: Origins of the Symbolist Movement’, English Literature in Transition, 1880–1920, 28:4 (1985): 346–53

—, ‘Elaborate Form: Symons, Yeats and Mallarmé’, Yeats: An Annual of Critical Studies 4 (1986): 99–120

Murray Pittock, Spectrum of Decadence: The Literature of the 1890s (London: Routledge, 1993)

Mario Praz, The Romantic Agony (Oxford: Oxford University Press, 1951)

Lynn Pykett, ‘Reading the Periodical Press: Text and Context’, Victorian Periodicals Review 22 (1989): 100–108

Peter Quennel, Baudelaire and the Symbolists: Five Essays (London: Chatto & Windus, 1929)

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Clive Scott, Channel Crossings: French and English Poetry in Dialogue 1550– 2000 (Oxford: Legenda, 2002)

Enid Starkie, From Gautier to Eliot: The Influence of France on English Literature 1851–1939 (London: Hutchinson, 1960)

Ruth Temple, The Critic’s Alchemy: A Study of the Introduction of French Symbolism into England (New York: Twayne, 1953)

R.K.R. Thornton, The Decadent Dilemma (London: Edward Arnold, 1983)

Robert and Isabelle Tombs, That Sweet Enemy: The French and the British from the Sun King to the Present (London: Heinemann, 2006)

David Weir, Decadence and the Making of Modernism (Amherst: University of Massachusetts Press, 1995)

Edmund Wilson, Axel’s Castle (New York: Scribner, 1931)