I WAS FIRST PUBLISHED IN 1997 when Killing Floor introduced the world to a quiet wanderer named Jack Reacher. Kathy Reichs also came along in 1997 when Déjà Dead brought us forensic anthropologist Temperance Brennan.
Kathy freely admits that both she and Temperance have the same curriculum vitae. Getting the science right is important to Kathy, and she routinely turns to her own real-life experiences as a forensic anthropologist when writing a Temperance Brennan adventure. With Reacher I’m constantly asked if he’s based on me. Truth be told, there’s a lot of me inside him. It’s almost unavoidable that a character created by a writer not be a little autobiographical. Reacher is pretty much a wish fulfillment for both me and the reader. What I (or they) would be, if we could all get away with it. How he acquired his name is simple. Both I and Reacher are tall. So back in the 1990s, while writing Killing Floor and grocery shopping, my wife remarked that “if the writing didn’t work out I could always be a reacher in a supermarket.”
Talk about fortuitous.
In creating our story, Kathy and I both agreed on the rough outline, then we wrote in turns. She likes things all planned out. I prefer to wander. But we found a happy medium in which to work. I must confess to being a little nervous working with her, given her reputation for thoroughness, but we discovered that our actual writing styles are somewhat similar. This sometimes happens with collaborations. It helped that we’ve both written screenplays. Kathy with the television series Bones, which is based on her characters, and myself with my daughter. There’s a process to fashioning a screenplay that’s different from crafting a novel. Much more give-and-take is there between the various contributors, since rarely is a screenplay written by only one person. Luckily, we were both comfortable with that process.
And the result is an intriguing adventure that involves—
Faking a Murderer.