The oldest fears are the last to go
like the pre-dawn dread
of a process as impersonal
and tribal as birth
or dream
when someone masked and familiar –
the absence in the cupboard –
reappears for that ancient night-shift routine:
to pry something intimate
wet and still unprepared
from an aeon of self-assemblage
something that should have known
that entrails must always aspire
to be asphalt,
that the unambiguity of day
was never meant to be trusted –
its promise of mountain wind and blue summer sea.
Then the servile cringe,
the desperate bargains of the diehard trader,
squawk,
squiggle of nerve and gut,
erasure of struggle,
before the civilities
of sun
and cereal
and the imperceptible click of the cupboard door.