<meta content="urn:uuid:e0000000-0000-0000-0000-000000928937" name="Adept.expected.resource"/> </head> <body> <p><br/></p> <h3 style="text-align: center;">List of Names and Terms</h3> <p><br/></p> <p>academic (person)</p> <p>academic knowledge</p> <p>acafan</p> <p>actor</p> <p>adaptation</p> <p>adaptation studies</p> <p>aesthetics</p> <p>affect</p> <p>Afghanistan</p> <p>aficionado</p> <p>Alternate Universe (AU)</p> <p>Alternative Reality Game (ARG)</p> <p>amateur</p> <p>amateur press associations</p> <p>amazon.com</p> <p>anachronism</p> <p>anarchism</p> <p>animation</p> <p>anime</p> <p>anthropology</p> <p>archetype</p> <p>architecture</p> <p>archiveofourown.org</p> <p>archives</p> <p>art</p> <p>asexuality</p> <p>astronomy</p> <p>audience</p> <p>audience studies</p> <p>auteur</p> <p>author</p> <p>author function</p> <p>authority</p> <p>autonomy</p> <p><br/></p> <p>Baker Street</p> <p>Baker Street Irregulars</p> <p>BBC</p> <p>“The Blind Banker”</p> <p>blog</p> <p>blogger, Watson as</p> <p>bomber</p> <p>Brett, Jeremy</p> <p>Britishness</p> <p>broadcast</p> <p>broadcaster</p> <p><i>Buffy the Vampire Slayer</i></p> <p><br/></p> <p>cab driver</p> <p>cable (telegram)</p> <p>cable (television)</p> <p>cabs</p> <p>camera (production)</p> <p>canon</p> <p>Canon (Sherlockian)</p> <p>canonicity</p> <p>Chesterton, G.K.</p> <p>Christie, Agatha</p> <p>cinema</p> <p>cinematography</p> <p>city</p> <p>class</p> <p>classification</p> <p>classified</p> <p>cloud</p> <p>code:</p> <p>collaboration</p> <p>collective intelligence</p> <p>colonialism</p> <p>comics</p> <p>community</p> <p>computer</p> <p>Conan Doyle, Arthur</p> <p>consumers</p> <p>convergence culture</p> <p><i>Convergence Culture</i> (2006)</p> <p>Copernican Theory</p> <p>copyright</p> <p>costume</p> <p>creativity</p> <p>criminal</p> <p>cross-media</p> <p>crossovers</p> <p>cultural activators</p> <p>cultural attractors</p> <p>cultural capital</p> <p>Cumberbatch, Benedict</p> <p>Cushing, Peter</p> <p>cyborgs</p> <p><br/></p> <p>Darwinism</p> <p>decadence</p> <p>deduction</p> <p>deductive logic</p> <p>deerstalker</p> <p>degeneracy</p> <p>denofgeek.com</p> <p>derivative works</p> <p>dialogue</p> <p>diegesis</p> <p>digetic</p> <p>digital</p> <p>digital culture</p> <p>digital space</p> <p>digital tool</p> <p>director</p> <p>disguise</p> <p>Doctor Who</p> <p><i>Doctor Who</i> (1963–)</p> <p>documentary</p> <p>domesticity</p> <p>double</p> <p>Downey, Robert, Jr.</p> <p>drabble</p> <p>drama</p> <p>dreamwidth.org (DW)</p> <p>drugs</p> <p>DVD commentary</p> <p><br/></p> <p>“Elementary”</p> <p>empiricism</p> <p>enemy</p> <p>Englishness</p> <p>epistemological economy</p> <p>exegesis</p> <p><br/></p> <p>faith (religious)</p> <p>fan activity</p> <p>fan authorship</p> <p>fan community</p> <p>fan culture</p> <p>fan discourse</p> <p>fan engagement</p> <p>fan fiction</p> <p>fan knowledge</p> <p>fan studies</p> <p>fan texts</p> <p>fanboys</p> <p>fandom</p> <p>fanfic</p> <p>fanfiction.net</p> <p>fans</p> <p>fanvids</p> <p>fanworks</p> <p>feedback</p> <p>feminism</p> <p>fidelity</p> <p>film</p> <p>franchise</p> <p>Freeman, Martin</p> <p>futurity</p> <p><br/></p> <p>games</p> <p>Gatiss, Mark</p> <p>gender</p> <p>genius</p> <p>genre</p> <p>gossip</p> <p>GPS</p> <p>Granada</p> <p>Grand Game</p> <p>Great Britain</p> <p>“The Great Game”</p> <p><i>The Great Mouse Detective</i></p> <p><br/></p> <p>hard copy</p> <p>hard drive</p> <p>heritage</p> <p>heteronormativity</p> <p>Hills, Matt</p> <p>historical context</p> <p>history</p> <p>Holmes, Mycroft</p> <p>Holmesian</p> <p>holmesian.net</p> <p>homeless</p> <p>homoeroticism</p> <p>homosociality</p> <p><i>The Hound of the Baskervilles</i></p> <p><i>House, M.D.</i></p> <p>hurt/comfort</p> <p>hybrid</p> <p>hybridity</p> <p><br/></p> <p>icon</p> <p>iconography</p> <p>identity</p> <p>ideology</p> <p>imdb.com (Internet Movie database)</p> <p>imperialism</p> <p>interface</p> <p>international</p> <p>intertext</p> <p>intertextuality</p> <p>intimacy</p> <p>iPhone</p> <p><i><br/></i></p> <p><i>Jekyll</i> (2007)</p> <p>Jenkins, Henry</p> <p><br/></p> <p>killer</p> <p><br/></p> <p>Law, Jude</p> <p>Lestrade, Inspector</p> <p>libel</p> <p>literary agent</p> <p>livejournal.com (LJ)</p> <p>logics</p> <p>London</p> <p><br/></p> <p>map</p> <p>Masterpiece anthology series</p> <p>Masterpiece Mystery</p> <p>Masterpiece Theatre</p> <p>media</p> <p>media critics</p> <p>media culture</p> <p>media industry</p> <p>media text</p> <p>MediaCommons</p> <p>medium</p> <p>message board</p> <p>metanarrative</p> <p>modernity</p> <p>modernization</p> <p>Moffat, David</p> <p>Moriarty, Jim</p> <p>Moriarty, Professor</p> <p>movie</p> <p>movie company</p> <p>Mrs. Hudson</p> <p>multiculturalism</p> <p>multimedia</p> <p><br/></p> <p>narrative</p> <p>narrative world</p> <p>nationality</p> <p>neo-colonialism</p> <p>neoliberalism</p> <p>new media</p> <p>nicotine patch</p> <p>nostalgia</p> <p><br/></p> <p>Orientalism</p> <p>otherness</p> <p><br/></p> <p>Paget, Sidney</p> <p>paratext</p> <p>parody</p> <p>participatory culture</p> <p>pastiche</p> <p>PBS</p> <p>Pearson, Roberta</p> <p>performance</p> <p>performer</p> <p>photography</p> <p>phrenology</p> <p>pipe</p> <p>platform</p> <p>plot:</p> <p>police</p> <p>post-industrialism</p> <p>postmodern(ism)</p> <p>practice:</p> <p>Prince, Connie</p> <p>procedural</p> <p>producer-fan</p> <p>producers</p> <p>production (television)</p> <p>production company</p> <p>production context</p> <p>production culture</p> <p>production discourse</p> <p>production personnel</p> <p>production process</p> <p>production value</p> <p>professional practice</p> <p>protocols</p> <p>pseudo-scholarship</p> <p>purist (Sherlockian)</p> <p>puzzles</p> <p><br/></p> <p>quality</p> <p><br/></p> <p>race</p> <p>racism</p> <p>Rathbone, Basil</p> <p>rationalism</p> <p>reboots</p> <p>reception</p> <p>reception history</p> <p>reception theory</p> <p>religion</p> <p>research</p> <p>Ripper, Jack the</p> <p><br/></p> <p>scholar</p> <p>scholar-fan</p> <p>science</p> <p>science fiction</p> <p>science of deduction</p> <p>“The Science of Deduction” (website)</p> <p>scientific method</p> <p>scientific mind</p> <p>scientific progress</p> <p>scientific thought</p> <p>screenwriters</p> <p>search:</p> <p>search engine</p> <p>set</p> <p>sexuality</p> <p><i>Sherlock Holmes</i> (1984–1994)</p> <p><i>Sherlock Holmes</i> (2009)</p> <p>Sherlock Holmes Society</p> <p>Sherlockians</p> <p>Sherlocking (web site)</p> <p>shipping</p> <p>show</p> <p>showrunners</p> <p><i>Sir Arthur Conan Doyle’s</i> <i>Sherlock Holmes</i> (2010)</p> <p>slash</p> <p>slashing</p> <p>smart phone</p> <p>social network</p> <p>socialism</p> <p>sociopath</p> <p>solar system</p> <p>source material</p> <p>source stories</p> <p><i>Star Trek</i></p> <p>storytelling</p> <p>storyworld</p> <p><i>The Strand</i></p> <p>“A Study in Pink” (episode)</p> <p><i>A Study in Scarlet</i> (story)</p> <p>subtext</p> <p>subversive</p> <p>surveillance</p> <p><br/></p> <p>taxis</p> <p>technology</p> <p>telegram</p> <p>television</p> <p>television series</p> <p>terror</p> <p>text message</p> <p><i>Textual Poachers</i> (1992)</p> <p>three patch problem</p> <p>three pipe problem</p> <p>transformative work</p> <p>transmedia</p> <p>transmediality</p> <p>transnational</p> <p>trivia</p> <p>tropes</p> <p>tumblr.com</p> <p><i>Twin Peaks</i></p> <p>twitter.com</p> <p>221B Baker Street</p> <p><i><br/></i></p> <p><i>Unlocking Sherlock</i> (2010)</p> <p>ur-text</p> <p><br/></p> <p>Vertue, Beryl</p> <p>Vertue, Sue</p> <p>victim</p> <p>Victorianism</p> <p>villain</p> <p>violin</p> <p><br/></p> <p>Warner Bros.</p> <p>Watson, Harriet</p> <p>web sites</p> <p>wikis</p> <p>writers</p> <p><i><br/></i></p> <p><i>The X-Files</i></p> <p><br/></p> <p>youtube.com</p> <p><br/></p> <p>zines</p> </body> </html>