index

Adorno, Theodor
Africa. See also names of specific countries
Africa Fights, Africa Will Win! (Koretsky)
Africa Shall Be Free! (Koretsky)
African National Congress (ANC)
African propaganda
African victim imagery
Afrikaans language
Alarm (film)
Allegorization
Angola
Apartheid
Apartheid and Mass Murder Are Synonymous Concepts (Koretsky)
Apartheid Is a Crime
Arratau
Asibadali (We Won’t Pay Rent)
Attention! Missiles on the Rhine! (film)
Avant-gardists
artistic themes
development
Koretsky and
Prishvin and
Sex/Death energies and
technology and
Azikwela (We Won’t Ride)

Badiou, Alain
Beatles
Bellour, Raymond
Benjamin, Walter
Beware, Maoism! (film)
Biko, Steve Bantu
Bolaño, Roberto
Bolshevism
Bonnell, Victoria
Bozhko, Viktor
Braque, Georges
Broadsheets
Brotherhood and Equality Among All Nations! (Koretsky)
Bus boycotts
Byzantine iconography

Caillois, Roger
Capitalism
Cold War and
communism versus
nightmare imagery in posters
Sex/Death acts and
Capitalism Is War, the People’s Suffering, and Tears (Koretsky)
Caricatures
hyperbolic caricatures
racist caricatures
Sino-Soviet friendship
Central Committee
Chains Breakin—The Echo of Our Revolution! (Koretsky)
Cheremnykh, Mikhail
Christian dogma
Chromolithography
CIA Affairs (Koretsky)
Cinematic/photographic technology
“Cinetophone”
Civil disobedience
Cold War
Collective Actions group
Comintern
Comintern Radio Tower (Shukhov)
Commissar for Enlightenment
Communism
Bozhko and
capitalism versus
Cold War and
individual freedoms and
international communism
Marx depiction
mass media and
as puritanical
resistance in rural areas
technology and
Communist and Workers’ Parties Will Develop Internationalist Cooperation and Solidarity on the Basis of the Great Ideas of Marx, Engels, and Lenin (Koretsky)
Conner, Lynne
Constantinople
Czechoslovakia

Dada
Dancing
Dawn of the Republic of Ghana (film)
Death/Sex imagery
Debord, Guy
Diamonds
Disposable communication
Dovzhenko, Aleksandr
Duchamp, Marcel

Earth (Dovzhenko)
Egly, Max
Ehrenburg, Ilya
Eisenman, Peter
Empathy Machine
Engels, Friedrich
Equal Rights!!! (Koretsky)
Esperanto
Ethiopia
Evening Sacrifice (film)
Evreinov, N.N.
Exhibitions
expectations and
music and
presentation
style of exhibit

Federation of South African Women (FEDSAW)
Ferry, Bryan
Film
Alarm
Attention! Missiles on the Rhine!
Beware, Maoism!
collective viewing
Dawn of the Republic of Ghana
Evening Sacrifice
global struggle and
Happiness
Klop
Last Bolshevik
Letter from Siberia
Letter to a Chinese Friend
Letter to Jane
propaganda and
Russian Ark
Youth in Bloom
First Five-Year Plan (Soviet economic plan)
Florensky, Pavel
Fluxus
4,000,000 Homeless in the USA (Koretsky)
Fourth Reich (Heredia)
France
Freedom American-Style (Koretsky)
Freedom for All African Nations! (Koretsky)

Gitseyich, Vera
Godard, Jean-Luc
Gold
Greek plays
Greetings to the Fighters Against Fascism (Koretsky)
Groys, Boris
Gulag

Hamba Kahle Umkhonto (Safe Journey Spear)
Happiness (film)
Happy Moscow (Platonov)
Heartfield, John
Heredia, Segundo José
Hitler, Adolf
Hitler fans

Iakulov
Iconography
Ignatios
Individual freedoms
International Organization of Aid for the Fighters of the Revolution
Internationalism
Internet
Iphi Ndlela (Where Is the Way)
Isicathamiya

Jameson, Fredric

Khrushchev, Nikita
Kizevalter, Georgy
Klop (film)
Klutsis, Gustav
Knoblok, Boris
Koretsky, Viktor
4,000,000 Homeless in the USA
Africa Fights, Africa Will Win!
Africa Shall Be Free!
African victim imagery
Apartheid and Mass Murder Are Synonymous Concepts
artistic style
Brotherhood and Equality Among All Nations!
Byzantine iconography and
Chains Breaking-The Echo of Our Revolution!
CIA Affairs
Communist and Workers’
Parties Will Develop
Internationalist
Cooperation and
Solidarity on the Basis of
the Great Ideas of Marx,
Engels, and Lenin
Equal Rights!!!
Freedom American-Style
Freedom for All African Nations!
Greetings to the Fighters Against Fascism
interpretation of artwork
on posters
Profession: Mercenary, Murderer from the Republic of South Africa
Rough, Red-Haired German
Save Us! (Spasi!)
Smash the RSA!
A Solid Peace for the World
South Africa. Angola. Racism in Action
Soviet propaganda and
Soweto. Law and Order
suffering imagery
This Is Our Final and Decisive Battle
Unknown and
Untitled (1940s-1950s)
Untitled (1960s)
USA. Republic of South Africa. World Policeman
Kotov, Nikolai G.
Kulagina, Valentina
Kulturindustrie (Adorno)
Kwela music

Last Bolshevik (film)
Lenin, Vladimir
Leningrad
Letter from Siberia (film)
Letter to a Chinese Friend (film)
Letter to Jane (film)
Lissitzky
Lithography
Luboks
Lunacharsky, Anatoly

Makeba, Miriam
Malanga (Gone Are the Days)
Malevich, Kazimir
Mandela, Nelson
Manifestation Above the City of Cartagena
Maoism
Marabi music
Marker, Chris
Martial law
Marx, Karl
Mass festivals
Mass media
May Day
Mayakovsky, Vladimir
Mbaqanga music
Mbeki, Thabo
Medvedkin, Aleksandr
Mensheviks
Mini, Vuyisile
Model of the Tower for the Third International (Tatlin)
Monastyrsky, Andrei
Monument to the Third International
Moscow Diary (Benjamin)
Mother of God
Mozambique
Mukhina, Vera
Music
art exhibitions and
Asibadali (We Won’t Pay Rent)
Azikwela (We Won’t Ride)
communication and
ethnically unifying
Hamba Kahle Umkhonto (Safe Journey Spear)
Iphi Ndlela (Where Is the Way)
Malanga (Gone Are the Days)
Nkosi Sikelel’ iAfrika (Sontonga; God Bless Africa)
Pasopa Nantsi
‘Ndodemnyama Verwoerd (Mini; Watch Out Verwoerd, Here Comes the Black Man)
protest songs
Senzeni Na? (What Have We Done?)
sexual icons
Shaya maBunu (Fight the Boers)
Somlandela uJesu (We Will Follow Jesus)
Somlandela uLuthuli (We Will Follow Luthuli)
songs of urban experience
Thula Sizwe (Quiet and Listen)
Umshini Wami (Bring My Machine Gun)
Wathint’ abafazi wathint’ imbokodo (You Have Struck a Woman, You Have Struck a Rock)

Naturalism
Nazism
Netherlands
Nkosi Sikelel’ iAfrika (Sontonga; God Bless Africa)
Nkruma, Kenneth

October Revolution
Okna ROSTA (Russian Telegraph Agency)

Pasopa Nantsi ‘Ndodemnyama Verwoerd (Mini; Watch Out Verwoerd, Here Comes the Black Man)
Perestroika
Photographic/cinematic technology
Picasso, Pablo
Piotrovsky, Adrian
Platonov, Andrei
Plywood posters
Police violence
Pompeii
Pop art
Portugal
Post-revolutionary culture
Posters
allegorization
capitalism and
caricatures
communication under
pressure
communism versus capitalism
derivation of word “poster,”
disposable communication and
employment conditions
evolution in use
history
illiterate population and
instruction and
intrusion and
naturalism and
nightmare imagery in posters
plywood posters
propaganda and
public spaces and
purpose
size
sources for study
themes
as weapon
Pravda (Russian newspaper)
Print technology
Prishvin, Mikhail
Profession: Mercenary, Murderer from the Republic of South Africa (Koretsky)
Propaganda
Protestor songs
Proust, Marcel
Punin, Nikolai
Pushkin, Aleksandr

Racial segregation
Racist caricatures
Radio
Radio Freedom
Ragtime
Ranciere, Jacques
Reformation Germany
Religion
allegorization and
Christian dogma
powerful experiences and
sources for Orthodox
image theory
Rodchenko, Aleksandr
Rome
Rosler, Martha
ROSTA (Russian Telegraph Agency)
ROSTA Window No. 858
(Mayakovsky)
ROSTA windows
Rough, Red-Haired German (Koretsky)
Rousseau, Jean Jacques
Roxy Music
Russia in the Shadows
(Wells)
Russian Ark (film)
Russian Civil War
Russian Telegraph Agency (ROSTA)

Save Us! (Koretsky; Spasi!)
Second Five-Year Plan
(Soviet economic plan)
Semiotics of the Kitchen (Rosler)
Senzeni Na? (What Have We Done?)
Sex/Death imagery
Shaya maBunu (Fight the Boers)
Shklovsky, Viktor
Shukhov, Vladimir
Siberia
Sino-Soviet friendship
SLON (Société de Lancement des Oeuvres Nouvelles)
Slonimsky, Viktor
Smash the RSA! (Koretsky)
Socialism
Socialist Realism
Sokurov, Aleksandr
A Solid Peace for the World (Koretsky)
Somalia
Somlandela uJesu (We Will Follow Jesus)
Somlandela uLuthuli (We Will Follow Luthuli)
Sontonga, Enoch M.
Sophiatown evictions of 1955,
Sources
apartheid
avant garde
history of posters
mass festivals
Orthodox image theory
protest music
Russian posters
South African history
Soviet word/image relationship
vision and visuality
South Africa
black citizen struggle for freedom
bus boycotts
chants of protest
civil disobedience
diamonds
economic status
gold
Koretsky’s artistic themes and
martial law
music and
police violence
racial segregation
Sharpeville massacre
Sophiatown evictions of 1955
Umkhonto we Sizwe (Spear of the Nation)
South Africa. Angola. Racism in Action (Koretsky)
South African Security Branch
Soweto. Law and Order (Koretsky)
Spatial Construction No.
(Rodchenko)
Spectacle (Debord)
Spiritual Brawling (Germany)
Stalin, Josef
Stalinism
Storming of the Winter Palace (Evreinov)
Structure of Socialism (Kotov)
Suffering imagery
Surrealism

Tanzania
Tarabukin, Nikolai
Tarkovsky, Andrei
Tatlin, Vladimir
Technology
avant-gardists and
aviation
Communism and
mass festivals and
photographic/cinematic technology
print technology
Television
Third International
This Is Our Final and
Decisive Battle (Koretsky,
Gitseyich, Knoblok)
Thrillification
Thula Sizwe (Quiet and Listen)
Tipazh-based models
To G. Kizevalter (Kizevalter in collaboration with
Collective Actions group)
Toyi-toyi (protest chant)
Trotsky, Leon
29 Days on Wheels (Marker)
Two Worlds—Two Plans
(Cheremnykh)

Umkhonto we Sizwe (Spear of the Nation)
Umshini Wami (Bring My Machine Gun)
Untitled (Koretsky; 1940s-1950s)
Untitled (Koretsky; 1960s)
USA. Republic of South
Africa. World Policeman
(Koretsky)

Vertov, Dziga
Viennese Actionism

Wagner, Richard
Wal-Mart
Wathint‘abafazi wathint’ imbokodo (You Have Struck a Woman, You Have Struck a Rock)
Wells, H.G.
Woodcuts
Worker and Collective Farm Woman (Mukhina)

Xhosa

Youth in Bloom (film)

Zambia
Zamenhof, Doctor
Zimbabwe
Zulu
Zuma, Jacob