*After the Civil War, Eliot provided to the sculptor Thomas Ball a photograph of Alexander, upon which Ball based the figure of the slave in what became the Freedman’s Memorial in Washington, D.C. See Eliot, The Story of Archer Alexander (Boston, 1885), and Kirk Savage, Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America (Princeton, N.J.: Princeton University Press, 1997), 116–17.