Reading Red
Charles Bernstein
1.
Reading red
only event
over & under
fuses
green with
(no idea
2.
Road Show
Face on face
hides (divides)
not what’s inside
but what’s
3.
Four Foot Six
Dear Blue,
Dear Orange,
knock me for obtuse
rending (rendering)
layers of treats,
rips
4.
5.
Dear/Duel
Delirium would stand for
what’s next to
the girls next door
the boy who falls
beside oneself in a sane way
6.
There is no level
In the middle ground
7.
Double & Out
Remove the ground
triple the crack
you still won’t get
the middle back
the pains are yellow
& speak like facts
flush then drained
absorption’s knack
8.
Side by Side
The shadow falls
& the object appears in
the space between
(don’t ever leave)
9.
Blue Blue (Off the Mark)
I’d like to talk to you about the mistakes
We just can’t handle
laminating (lamentation)
warp us as
humility changes
We don’t have to
10.
Where the fold should be
There is no fold
11.
No Man’s Land (Call and Response!
now that I’m
old as I am
the more I appreciate
that moment of
human life
I must
have lived
through but
didn’t experience
at the time
you can’t paint
what you can’t feel
12.
Broken Token
Hush
slips sealed
13.
Dear. Here
if a tree could
talk you would
not understand
its bark only its
bite
14.
Loopy
a
pine
is
a
curve
that
isn’t
deterred
15.
color is not about the object
but a part of the human being
not inside but outside
not outside but inside
16.
Key Lime Hide
It’s about playing a game
the way a lamp shines out at
flight
but the subject is still
overlay & under-
cover, in which
the line pertains
to neither
either, ether
17.
White along edge
Bark of tree
As if blue becomes a
lighter color
Holds
As you make your bed then
lie in it
Ground father to
Figuration
18.
The Knees Have It
I had a double meter
I gave my father half
He put it in his pocket
Then threw it in the trash
Now since that time I’ve lost a dime
I’ve even broke a flute
But all I want’s that half a rime
To bleat the denting out
19.
Duophone
East is hung & south
is its
torn motion
belongs to Caesar
neither, or
north’s west passagelessness
20.
This Side Up
flues cross
memory’s encyclopedic
permutations—
transparent, succumb
“the body,
the
21.
Zone
no circle
no shape
coming out of my mouth
“the sun is but a morning star”
22.
Don’t Touch
Shadow cast on black
mocks line
cleave, dart, splinter
23.
Can’t hold what resists
enclosure—
a village of
malcontents
Dear or Don’t
Agents of
24.
Against Itself
like a cut in skin
or the bleating of edges
into the frost
the paintbrush is the forest of society
25.
strongest attempt
the work could make
to destroy itself