Two Poems
Vincent Katz
RAIN-TOPPLED FEBRUARY DUSK
rock and roll died without its personages
drab garments idiotic save a turn of the century black cape
with colored sewn flowers a male singer used
alleviate leaves in single brushstroke
the buddha amitabha seated in dhyana mudra indonesia
many quiet marvels in andesite
then the great faces of Rome the respect for personality
the looks out of those worlds tempera encaustic
highlights vast blizzards of congealment
dull longviews by one of photography’s masters
gentle limewood carvings of mother and child
polychrome illusion on doweled appendages
then back to the truth of the painters who marked
last century’s end, like writers accompanied them
smiling into absinthe, they sat and heard the world pass
in a horse’s whinny, clop clop on cobbles cigarette smoke
and alcohol a tiny hovel for one’s desires, pressed concupiscence
pastel woman fading into air overviews and reflex
the look of a real person smears of paint
an immense forest dark with sunset’s final brilliant oranges
poking glimmers a disappointing mess something really great
fête galante stumping graphite chalk red and white
eagles behind pinecones nestled in glass a belt buckle
glass choker with cats tiny leaves carved in sandstone painted
dimly lit hall perfect for Friday dusk kisses beneath the heights
invocations to turn to linger slyly pushing forward inches away
a sexy pose made clearer in lines become rigid no breathing of flesh
the empty bedrooms of the grand, sickbeds ecstatic flights
rain rhythms elastic bringing in front the slide down to park’s earth
request to fly homeward rested achieved in culture frequent side accounted told
BREADS AND SWEETS
bridling with unseen
energy, listen to moans
falsifications even
friends, haircut, architecture
slide downhill where everything
meshes, better than others
I lift my eyes to sink
vocal push into physical
size, body contacted
jealous of her producers
interviewers who miss
her point completely, sorry
but the songs ascend ignorance
shyly flirting segments
imagination, flaunted
intelligence, they leave her
undented in morning
actually it is I who
misunderstand from my
non-perspective, cascades
of words, piano and voice
are the weapons of armies
bolted to past thoughts and
present perceptions, refrain
the delicate intensity forked
spread up the photographs’
frankness, I want to use her
name, but not yet, the sky
has descended, earlier
we crossed the aqueduct
I live only in my life now
the words come from the
latin and they have been
preserved, I start to write
the unexpected streams
forth, didn’t know I was
thinking, was I? in
galleries, streets, passing
people borne down
by disharmony
they want that watch
and thatch but greed
hovers, oh no, here
comes the satellite
descending, descending
heedless of desire
trees’ grandeur in shady
boulevards, the song’s
pure chant hits, evens
promised longing till
self re-emerges, washed
and inimitable, once
again able to attend
I had hoped for so much
expectation of necessity
I am outside now
September’s clear
voice, indication
that shutters will
fall and open drily