A slanting ray of evening light

   Shoots through the yellow pane;

It makes the faded crimson bright,

   And gilds the fringe again:

The window’s gothic frame-work falls

In oblique shadow on the walls.

How since these trappings first were new,

   How many a cloudless day,

To rob the velvet of its hue,

   Has come and passed away! [10]

How many a setting sun has made

That curious lattice-work of shade!

Crumbled beneath the hillock green,

   The cunning hand must be,

That carved this fretted door, I ween,

   Acorn, and fleur-de-lis;

And now the worm hath done her part,

In mimicking the chisel’s art.

In days of yore (as now we call)

   When the first James was king; [20]

The courtly knight from yonder hall,

   Hither his train did bring;

All seated round in order due,

With broidered suit and buckled shoe.

On damask cushions, set in fringe,

   All reverently they knelt:

Prayer-books, with brazen hasp and hinge,

   In ancient English spelt,

Each holding in a lily hand,

Responsive at the priest’s command. [30]