REFERENCES AND BIBLIOGRAPHY

This bibliography contains all works to which reference is made in the notes, together with a few other studies of relevance to the field. JWCI = Journal of the Warburg and Courtauld Institute.

Ackerman, J. S., ‘Architectural practice in the Italian Renaissance’, Journal of the Society for Architectural History 13 (1954), pp. 3–10.

—The Architecture of Michelangelo. 2nd edn, Harmondsworth: Penguin, 1970.

—‘Ars sine scientia nihil est’, Art Bulletin 12 (1949), pp. 84–108.

—Palladio. Harmondsworth: Penguin, 1966.

—‘Sources of the Renaissance villa’, in Studies in Western Art, Vol. 2: The Renaissance and Mannerism, ed. I. E. Rubin, pp. 6–18. Princeton, NJ: Princeton University Press, 1963.

Ady, C. M., The Bentivoglio of Bologna. Oxford: Oxford University Press, 1937.

Ago, R., Gusto for Things: A History of Objects in Seventeenth-Century Rome. Eng. trans., Chicago: University of Chicago Press, 2013.

Ajmar, M., ‘Talking pots’, in The Art Market in Italy, ed. M. Fantoni et al., pp. 55–64. Modena: Panini, 2003.

Ajmar-Wollheim, M., and F. Dennis (eds), At Home in Renaissance Italy. London: V&A, 2006.

Ajmar-Wollheim, M., F. Dennis and A. Matchette, Approaching the Italian Renaissance Interior. Oxford: Blackwell, 2007.

Alberici, C. (ed.), Leonardo e l’incisione. Milan: Electa, 1984.

Alberigo, G., I vescovi italiani al concilio di Trento. Florence: Sansoni, 1959.

Alberti, L. B., De re aedificatoria, ed. P. Portoghesi, 2 vols. Milan: Il Polifilo, 1966.

—I libri della famiglia, ed. R. Romano and A. Tenenti. Eng. trans. R. N. Watkins. Columbia: University of South Carolina Press, 1969.

—On Painting, Eng. trans. J. R. Spencer. London: Routledge & Kegan Paul, 1956.

—On Painting; and On Sculpture, Eng. trans. C. Grayson. London: Phaidon Press, 1972.

Albertini, R. von, Das florentinisch Staatsbewusstsein im Ubergang von der Republik zum Prinzipat. Bern: Franke, 1955.

Alpers, S., The Art of Describing. Chicago: University of Chicago Press, 1983.

Alsop, J., The Rare Art Traditions. London: Thames & Hudson, 1982.

Ames-Lewis, F., ‘Donatello’s bronze David and the Palazzo Medici courtyard’, Renaissance Studies 3 (1989), pp. 235–51.

—Drawing in Early Renaissance Italy. New Haven, CT, and London: Yale University Press, 1981.

—(ed.), Florence. Cambridge: Cambridge University Press, 2012.

—The Intellectual Life of the Early Renaissance Artist. New Haven, CT, and London: Yale University Press, 2000.

—Isabella and Leonardo. New Haven, CT, and London: Yale University Press, 2012.

Ames-Lewis, F., and Wright, J. (eds) Drawing in the Italian Renaissance Workshop. New Haven and London: Yale University Press, 1983.

Anderson, J., ‘Rewriting the history of art patronage’, Renaissance Studies 10 (1996), pp. 129–38.

Anselmi, G. M., F. Pezzarassa and L. Avellini, La ‘memoria’ dei mercatores. Bologna: Pàtron, 1980.

Antal, F., Florentine Painting and its Social Background. London: Kegan Paul, 1947.

Anthon, C., ‘Social status of Italian musicians during the sixteenth century’, Journal of Renaissance and Baroque Music 1 (1946), pp. 111–23, 222–34.

Antoni, C., From History to Sociology. Eng. trans., Detroit: Wayne State University Press, 1959.

Archambault, P., ‘The analogy of the body in Renaissance political literature’, Bibliothèque d’Humanisme et Renaissance 29 (1967), pp. 21–53.

Aretino, P., Sei giornate (1534–6), ed. G. Aquilecchia. Bari: Einaudi, 1975.

Arnaldi, G., and M. Pastore Stocchi (eds), Storia della cultura veneta, 3: Dal primo quattrocento al concilio di Trento, 2 vols. Vicenza: Neri Pozza, 1980–1.

Aron, P., Toscanello. Venice, 1523.

Asor Rosa, A. (ed.), Letteratura italiana, 2: Produzione e consumo. Turin: Einaudi, 1983.

Atlas, A. W., Music at the Aragonese Court of Naples. Cambridge: Cambridge University Press, 1985.

Auerbach, E., ‘Figura’, in Auerbach, Scenes from the Drama of European Literature, pp. 11–76. New York, 1959.

—Literary Language and its Public in Late Latin Antiquity and in the Middle Ages. Eng. trans., London: Routledge & Kegan Paul, 1965.

—Mimesis. Eng. trans., Princeton, NJ: Princeton University Press, 1954.

Avery, C., Florentine Renaissance Sculpture. London: John Murray, 1970.

Bandello, M., Novelle (1554), ed. G. G. Ferrero. Turin, 1974.

Barbieri, G., Economia e politica nel ducato di Milano. Milan: Vita e pensiero, 1938.

Bareggi, C., Il mestiere di scrivere: lavoro intellettuale e mercato librario a Venezia nel cinquecento. Rome: Bulzoni, 1988.

Barkan, L., Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture. New Haven, CT: Yale University Press, 1999.

Barnes, B., Michelangelo’s Last Judgement: the Renaissance Response. Berkeley: University of California Press, 1998.

Barolsky, P., Infinite Jest: Wit and Humor in Italian Renaissance Art. London: University of Missouri Press, 1978.

—Why Mona Lisa Smiles. University Park: Pennsylvania State University Press, 1991.

Baron, H., ‘Burckhardt’s Civilisation of the Renaissance a century after its publication’, Renaissance News 13 (1960), pp. 207–22.

—The Crisis of the Early Italian Renaissance. Rev. edn, Princeton, NJ: Princeton University Press, 1966.

—‘The historical background of the Florentine Renaissance’, History 23 (1938), pp. 315–27.

Barzman, K.-E., ‘Gender, religious representation and cultural production in early modern Italy’, in Gender and Society in Renaissance Italy, ed. J. C. Brown and R. C. Davis, pp. 213–33. London: Longman, 1998.

Baskins, C., Cassone Painting, Humanism and Gender in Early Modern Italy. Cambridge: Cambridge University Press, 1998.

Batkin, L. M., L’idea di individualità nel Rinascimento italiano. Italian trans. from Russian. Rome: Laterza, 1992.

—Die italienische Renaissance. German trans. from Russian, Dresden: Verlag der Kunst, 1979.

Battara, P., La popolazione di Firenze alla metà del ’500. Florence: Rinascimento del libro, 1935.

Battisti, E., L’antirinascimento. Milan: Feltrinelli, 1962.

Bauer, H., Kunst und Utopie. Berlin: De Gruyter, 1965.

Baxandall, M., ‘Art, society and the Bouguer principle’, Representations 12 (1985), pp. 32–43.

—‘Bartholomaeus Facius on painting’, JWCI 27 (1964), pp. 90–107.

—‘A dialogue on art from the court of Leonello d’Este’, JWCI 26 (1963), pp. 304–26.

—Giotto and the Orators. Oxford: Clarendon Press, 1971.

—‘Guarino, Pisanello and Manuel Chrysoloras’, JWCI 28 (1965), pp. 183–201.

—Painting and Experience in Fifteenth-Century Italy. Oxford: Clarendon Press, 1972.

Bayer, A. (ed.), Art and Love in Renaissance Italy. New Haven, CT: Yale University Press, 2008.

Bec, C., Cultura e società a Firenze nell’età della Rinascenza. Rome: Salerno editrice 1981.

—(ed.), Italie 1500–1550: une situation de crise? Lyons: Hermès, 1975.

—Les livres des florentins (1413–1608). Florence: Olschki, 1984.

—Les marchands écrivains. Paris and The Hague: Mouton, 1967.

—‘Lo statuto socio-professionale degli scrittori’, in Letteratura italiana, 2: Produzione e consumo, ed. A. Asor Rosa. Turin: Einaudi, 1983.

Bellah, R., Tokugawa Religion. Glencoe, IL: Free Press, 1957.

Belloni, G., and R. Drusi (eds), Umanesimo ed educazione. Vicenza: Costabissara, 2007.

Beloch, K. J., Bevölkerungsgeschichte Italiens, vol. 3. Berlin: De Gruyter, 1961.

Belozerskaya, M., Luxury Arts of the Renaissance. Los Angeles: J. Paul Getty Museum, 2005.

—Rethinking the Renaissance: Burgundian Arts across Europe. Cambridge: Cambridge University Press, 2002.

Belting, H., Florence and Baghdad: Renaissance Art and Arab Science. Eng. trans. D. L. Schneider. Cambridge, MA: Belknap Press, 2011.

—Likeness and Presence: A History of the Image before the Era of ArtEng. trans. E. Jephcott. Chicago: University of Chicago Press, 1994.

Beltrami, D., Storia della popolazione di Venezia. Padua: Cedam, 1954.

Bembo, P., Prose della volgar lingua (1525), in Bembo, Prose e rime, ed. C. Dionisotti. Turin: Unione Tipografico, 1960.

Benjamin, W., ‘The work of art in the age of mechanical reproduction’, Eng. trans. in Benjamin, Illuminations, pp. 219–44. London: Jonathan Cape, 1970.

Benson, P. J., The Invention of the Renaissance Woman. University Park: Pennsylvania State University Press, 1992.

Bentley, J., Politics and Culture in Renaissance Naples. Princeton, NJ: Princeton University Press, 1987.

Berengo, M., Nobili e mercanti nella Lucca del cinquecento. Turin: Einaudi, 1965.

Berlin, I., Vico and Herder. London: Hogarth Press, 1976.

Bertelli, S., ‘L’egemonia linguistica come egemonia culturale’, Bibliothèque d’humanisme et Renaissance 38 (1976), pp. 249–81.

Bing, G., ‘A. M. Warburg’, JWCI 28 (1965), pp. 299–313.

Binni, W., and N. Sapegno (eds), Storia letteraria delle regioni d’Italia. Florence: Sansoni, 1968.

Biow, D., The Culture of Cleanliness in Renaissance Italy. Ithaca, NY: Cornell University Press, 2006.

—Doctors, Ambassadors, Secretaries: Humanism and Professions in Renaissance Italy. Chicago: University of Chicago Press, 2002.

—In your Face: Professional Improprieties and the Art of Being Conspicuous in Sixteenth-Century Italy. Stanford, CA: Stanford University Press, 2010.

Biringuccio, V., Pirotechnia (1540). Eng. trans., new edn, Cambridge, MA: MIT Press, 1966.

Black, R., ‘Italian Renaissance education’, Journal of the History of Ideas 52 (1991), pp. 315–34.

Bloch, M., Land and Work in Medieval Europe. Berkeley and London: University of California Press, 1967.

Blunt, A., Artistic Theory in Italy 1450–1600. Oxford: Clarendon Press, 1940.

Boase, T. S. R., Giorgio Vasari: The Man and the Book. Princeton, NJ: Princeton University Press, 1979.

Bock, N., ‘Patronage standards and transfert culturel: Naples between art history and social science’, Art History 31 (2008), pp. 574–97.

Bodart, D. H., Tiziano e Federico II Gonzaga: storia di un rapporto di committenza. Rome: Bulzoni, 1998.

Bohannan, P., ‘Artist and critic in an African society’, in The Artist in Tribal Society, ed. M. W. Smith, pp. 85–94. London: Routledge & Kegan Paul, 1961.

Bolland, A., ‘From the workshop to the academy: the emergence of the artist in Renaissance Florence’, in Renaissance Florence: A Social History, ed. R. J. Crum and J. T. Paoletti, pp. 454–78. Cambridge: Cambridge University Press, 2007.

Bologna, F., Napoli e le rotte mediterranee della pittura: da Alfonso il Magnanimo a Ferdinando il Cattolico. Naples: Società Napoletana di Storia Patria, 1977.

Bombe, W. (ed.), Nachlass-Inventare des Angelo da Uzzano und des Lodovico di Gino Capponi. Leipzig and Berlin: Teubner, 1928.

—‘Die Tafelbilder, Gonfaloni und Fresken des Benedetto Bonfigli’, Repertorium für Kunstwissenschaft 32 (1909), pp. 97–146.

Bonfil, R., ‘The historian’s perception of the Jews in the Italian Renaissance’, Revue des Etudes Juives 143 (1984), pp. 59–82.

—Rabbis and Jewish Communities in Renaissance Italy. Oxford: Oxford University Press, 1990.

Bonomo, G., Caccia alle streghe. Palermo: Pulumbo, 1959.

Borkenau, F., Der Übergang vom feudalen zum bürgerlichen Weltbild. Paris: Alcan, 1934.

Borsellino, N., Gli anticlassicisti del cinquecento. Rome and Bari: Laterza, 1973.

Bottari, G. G., Raccolta di lettere sulla pittura, scultura ed architettura, 8 vols. Milan: Silvestri, 1822–5.

Bourdieu, P., Distinction. Eng. trans. R. Nice. London: Routledge & Kegan Paul, 1984.

Bouwsma, W. J., ‘The Renaissance and the drama of European history’, American Historical Review 84 (1979), pp. 1–15.

Braghirolli, W., ‘Carteggio di Isabella d’Este intorno ad un quadro di Giambellino’, Archivio Veneto 13 (1877), pp. 376–83.

Branca, V., Poliziano e l’umanesimo della parola. Turin: Einaudi, 1983.

—(ed.), Umanesimo europeo ed umanesimo veneziano. Florence: Sansoni, 1964.

Braudel, F., The Mediterranean and the Mediterranean World in the Age of Philip II. Eng. trans. S. Reynolds, 2 vols. Berkeley and London: University of California Press, 1972–3.

—The Wheels of Commerce. Eng. trans. S. Reynolds. London: Collins, 1982.

Bredekamp, H., M. Diers and C. Schoell-Glass (eds), Aby Warburg. Hamburg: VCH, 1991.

Bridgman, N., La vie musicale au quattrocento et jusqu’à la naissance du madrigal. Paris: Gallimard, 1964.

Bronzini, G., ‘Pubblico e predicazione popolare di Bernardino di Siena’, Lares 44 (1978), pp. 3–31.

—Tradizione di stile aedico dai cantari al ‘Furioso’. Florence: Olschki, 1966.

Brotton, J., The Renaissance Bazaar: from the Silk Road to Michelangelo. Oxford: Oxford University Press, 2002.

Brown, A., Bartolommeo Scala, 1430–1497, Chancellor of Florence. Princeton, NJ: Princeton University Press, 1979.

—‘The humanist portrait of Cosimo de’Medici’, JWCI 24 (1961), pp. 186–221.

—(ed.), Language and Images of Renaissance Italy. Oxford: Oxford University Press, 1995.

Brown, C. M., ‘A Ferrarese lady and a Mantuan marchesa: the art and antiquities collections of Isabella d’Este Gonzaga’, in Women and Art in Early Modern Europe, ed. C. Lawrence, pp. 53–71. University Park: Pennsylvania State University Press, 1997.

Brown, J. C., and R. C. Davis (eds), Gender and Society in Renaissance Italy. London: Longman, 1998.

Brown, P. F., Private Lives in Renaissance Venice. New Haven, CT: Yale University Press, 2004.

—Venetian Narrative Painting in the age of Carpaccio. New Haven, CT: Yale University Press, 1988.

—Venice and Antiquity. New Haven, CT: Yale University Press, 1996.

Brucker, G., The Civic World of Early Renaissance Florence. Princeton, NJ: Princeton University Press, 1977.

—(ed.), Two Memoirs of Renaissance Florence. New York: Harper & Row, 1967.

Bruni, L., Epistolae populi Florentini nomine scriptae, ed. L. Mehus, 2 vols. Florence, 1741.

—‘Panegyric to the city of Florence’, in The Earthly Republic, ed. B. Kohl and R. Witt, pp. 135–75. Philadelphia: University of Pennsylvania Press, 1978.

Bryson, N., Word and Image. Cambridge: Cambridge University Press, 1981.

Bullen, J. B., The Myth of the Renaissance in Nineteenth-Century Writing. Oxford: Clarendon Press, 1994.

Burckhardt, J., The Architecture of the Italian Renaissance (1867). Eng. trans., London: Secker & Warburg, 1985.

—Beiträge zur Kunstgeschichte von Italien. Basel: Lendorff, 1898.

—The Civilization of the Renaissance in Italy (1860). Eng. trans., London: Phaidon Press, 1944.

—Reflections on History (1906). Eng. trans., London: Allen & Unwin, 1943.

Burke, J., Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence. University Park: Pennsylvania State University Press, 2004.

Burke, P., ‘Anthropology of the Renaissance’, Journal of the Institute for Romance Studies 1 (1992), 207–15.

—‘L’art de la propagande à l’époque de Pisanello’, in Pisanello, pp. 253–62. Paris: La documentation française, 1998.

—‘Civilization, sex and violence in early modern Italy: reflections on the theories of Norbert Elias’, Journal of the Institute of Romance Studies 5 (1997), pp. 71–80.

—‘Decentering the Renaissance: the challenge of postmodernism’, in At the Margins: Minority Groups in Premodern Italy, ed. S. Milner, pp. 36–49. Minneapolis: University of Minnesota Press, 2005.

—‘Gianfrancesco Pico and his Strix’, in The Damned Art, ed. S. Anglo, pp. 32–52. London: Routledge & Kegan Paul, 1977.

—Historical Anthropology of Early Modern Italy: Essays on Perception and Communication . Cambridge: Cambridge University Press, 1987.

—‘History as allegory’, Inti 45 (1997), pp. 337–51.

—‘Investment and culture in three seventeenth-century cities’, Journal of European Economic History 7 (1978), pp. 311–36.

—‘The Italian artist and his roles’, in History of Italian Art, ed. Burke, 2 vols, vol. 1, pp. 1–28. Cambridge: Polity, 1994.

—‘Jack Goody and the comparative history of Renaissances’, Theory, Culture and Society 26 (2009), pp. 1–17.

—‘Learned culture and popular culture in Renaissance Italy’, Pauvres et riches: mélanges offerts à Bronislaw Geremek, ed. M. Aymard, S. Bylina et al., pp. 341–9. Warsaw: Wydawnictwo Naukowe PWN, 1992.

—‘The myth of 1453: notes and reflections’, in Querdenken: Dissens und Toleranz im Wandel der Geschichte: Festschrift zum 65. Geburtstag Hans R. Guggisberg, ed. M. Erbe et al., pp. 23–30. Mannheim: Palatium, 1996.

—‘Oral culture and print culture in Renaissance Italy’, ARV: Nordic Yearbook of Folklore (1998), pp. 79–90.

—Popular Culture in Early Modern Europe. 3rd edn, Farnham: Ashgate, 2009.

—‘Prosopografie van der Renaissance’, Millennium 7 (1993), pp. 14–22.

—‘Renaissance Europe and the world’, in Palgrave Advances in Renaissance Historiography, ed. J. Woolfson, pp. 52–70. Basingstoke: Palgrave Macmillan, 2005.

—‘The Renaissance, individualism and the portrait’, History of European Ideas 21 (1995), pp. 393–400.

—The Renaissance Sense of the Past. London: Edward Arnold, 1969.

—‘Il ritratto veneziano nel cinquecento’, in La pittura nel Veneto: il cinquecento, vol. 3, ed. Mauro Lucco, pp. 1079–118. Milan: Electa, 1999.

—‘The sense of anachronism from Petrarch to Poussin’, in Time in the Medieval World, ed. C. Humphrey and W. M. Ormrod, pp. 157–73. Woodbridge: York Medieval Press, 2001.

—‘Strengths and weaknesses of the history of mentalities’, History of European Ideas 7 (1986), pp. 439–51.

—Varieties of Cultural History. Cambridge: Polity, 1997.

Burney, C., A General History of Music, 4 vols (1776–89). New York: Dover, 1969.

Burroughs, C., The Italian Renaissance Palace Façade. Cambridge: Cambridge University Press, 2002.

Butters, H., Governors and Government in Early Sixteenth-Century Florence. Oxford: Clarendon Press, 1986.

Callmann, E., Apollonio di Giovanni. Oxford: Clarendon Press, 1974.

Campbell, L., Renaissance Portraits, New Haven, CT: Yale University Press, 1990.

Campbell, S., The Cabinet of Eros: Renaissance Mythological Painting and the studiolo of Isabella d’Este. New Haven, CT: Yale University Press, 2004.

Caplan, H., ‘The four senses of scriptural interpretation’, Speculum 4 (1929), pp. 282–94.

Caplow, H. N., ‘Sculptors’ partnerships’, Studies in the Renaissance 21 (1974), pp. 145–75.

Carboni Baiardi, G., et al. (eds), Federico di Montefeltro: lo stato/le arti/ la cultura, 3 vols. Rome: Bulzoni, 1986.

Cardano, G., The Book of My Life (1575). Eng. trans., New York: Dover, 1962.

—De rerum varietate. Basel, 1557.

Carew-Reid, N., Les fêtes florentines au temps de Lorenzo il Magnifico. Florence: Olschki, 1995.

Carrithers, M., S. Collins and S. Lukes (eds), The Category of the Person. Cambridge: Cambridge University Press, 1985.

Cartwright, J., Isabella d’Este. 2nd edn., 2 vols. London: John Murray, 1903.

Casotti, G. B., Memorie istoriche della miracolosa immagine di Maria vergine dell’Impruneta, 2 vols. Florence, 1714.

Cassirer, E., P. Kristeller and J. H. Randall (eds), The Renaissance Philosophy of Man. Chicago: University of Chicago Press, 1948.

Cast, D., The Calumny of Apelles. New Haven, CT, and London: Yale University Press, 1981.

Castelnuovo, E., ‘Per una storia sociale de l’arte’, in Castelnuovo, Arte, industria, rivoluzioni. Turin: Einaudi, 1985.

—‘Il significato del ritratto pittorico nella società’, Storia d’Italia 5, pp. 1035–94. Turin: Einaudi, 1973.

Castelnuovo, E., and C. Ginzburg, ‘Centre and periphery’, Eng. trans. in History of Italian Art, ed. P. Burke, 2 vols, vol. 1, pp. 29–112. Cambridge: Polity, 1994.

Castiglione, B., Il cortegiano (1528), ed. B. Maier. 2nd edn, Eng. trans., New York: Ungar, 1959.

Castiglione, S. di, Ricordi (1549). 2nd edn, Venice, 1554.

Cavalcanti, G., Istorie fiorentine. Milan: Aldo Martello, 1944.

Céard, J., La nature et les prodiges. Geneva: Droz, 1977.

Cellini, B., Vita, ed. E. Camesasca. Eng. trans., Harmondsworth: Penguin, 1956.

Cèndali, L., Giuliano e Benedetto da Maiano. Florence: Società editrice Toscana, 1936.

Cennini, C., Il libro dell’arte. Eng. trans., ed. D. V. Thompson, 2 vols. New Haven, CT: Yale University Press, 1932–3.

Chabod, F., L’epoca di Carlo V. Milan: Treccani, 1961.

—‘Usi ed abusi nell’amministrazione dello stato di Milano’, in Studi storici in onore di Gioacchino Volpe, pp. 95–194. Florence: Sansoni, 1958.

—‘Was there a Renaissance state?’, in The Development of the Modern State, ed. H. Lubasz. New York: Macmillan, 1964.

Chakrabarty, D., Provincializing Europe. Princeton, NJ: Princeton University Press, 2000.

Chambers, D. S. (ed.), Patrons and Artists in the Italian Renaissance. London: Macmillan, 1970.

Chambers, D. S., and Quiviger, F. (eds), Italian Academies of the Sixteenth Century. London: Warburg Institute, 1995.

Chastel, A., Art et humanisme à Florence au temps de Laurent le Magnifique. Paris: Presses Universitaires de France, 1961.

—‘Art et humanisme au quattrocento’, in Umanesimo europeo ed umanesimo veneziano, ed. V. Branca, pp. 395–406. Florence: Sansoni, 1964.

—The Sack of Rome. Princeton, NJ: Princeton University Press, 1983.

Chipps Smith, J., The Northern Renaissance. London: Phaidon Press. 2004.

Chojnacki, S., ‘Political adulthood in fifteenth-century Venice’, American Historical Review 91 (1986), pp. 791–810.

Christian, K. W., and D. J. Drogin (eds), Patronage and Italian Renaissance Sculpture. Farnham: Ashgate, 2010.

Christiansen, K., and S. Weppelmann (eds), The Renaissance Portrait: From Donatello to Bellini. New York: Metropolitan Museum of Art, 2011.

Ciammitti, L., S. Ostrow and S. Settis (eds), Dosso’s Fate: Painting and Court Culture in Renaissance Italy. Los Angeles: Getty Research Institute, 1998.

Ciappelli, G., and P. Rubin (eds), Art, Memory, and Family in Renaissance Florence. Cambridge: Cambridge University Press, 2000.

Cipolla, C. M., Clocks and Culture. London: Collins, 1967.

—‘Economic depression of the Renaissance?’, Economic History Review 16 (1963–4), pp. 519–24.

Clark, S., Thinking with Demons: The Idea of Witchcraft in Early Modern Europe. Oxford: Clarendon Press, 1997.

Clark, T., Image of the People. London: Thames & Hudson, 1973.

Clements, R. J. (ed.), Michelangelo: A Self-Portrait. Englewood Cliffs, NJ: Prentice-Hall, 1963.

Clough, C. H., ‘Federigo da Montefeltre’s patronage of the arts’, JWCI 36 (1973), pp. 129–44.

Cocchiara, G., Le origini della poesia popolare. Turin: Boringhieri, 1966.

Coffin, D. R. (ed.), The Italian Garden. Washington, DC: Dumbarton Oaks, 1972.

—The Villa in the Life of Renaissance Rome. Princeton, NJ: Princeton University Press, 1979.

Cohn, S. K., Creating the Florentine State: Peasants and Rebellion, 1348–1434. Cambridge: Cambridge University Press, 1999.

—The Laboring Classes in Renaissance Florence. New York: Academic Press, 1980.

—‘Renaissance attachment to things’, Economic History Review 65 (2011), pp. 984–1004.

Cole, B., The Renaissance Artist at Work: From Pisano to Titian. London: John Murray, 1983.

—Sienese Painting. New York: Harper & Row, 1980.

Collett, B., Italian Benedictine Scholars and the Reformation. Oxford: Clarendon Press, 1985.

Comanducci, R. M., ‘Il concetto di “artista” e la pratica di lavoro nella bottega quattrocentesca’, in Arti fiorentine, ed. G. Fossi and F. Franceschi, vol.2, pp. 149–65. Florence: Giunti, 1999.

—‘L’organizzazione produttiva della bottega d’arte fiorentina’, in Economia ed arte, ed. S. Cavaciocchi, pp. 751–9. Florence: Le Monnier, 2002.

—‘Produzione seriale e mercato dell’arte a Firenze tra quattro e cinquecento’, in The Art Market in Italy, 15th–17th Century, ed. M. Fantoni et al., pp. 105–13. Modena: F. C. Panini, 2003.

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—Dell’arabico: a Venezia tra Rinascimento e Oriente. Venice: Marsilio, 1994.

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Coniglio, G., II regno di Napoli al tempo di Carlo V. Naples: Edizioni scientifiche italiane, 1951.

Connell, S., The Employment of Sculptors and Stonemasons in Venice in the Fifteenth Century. New York: Garland, 1988.

Connell, W. J. (ed.), Society and Individual in Renaissance Florence. Berkeley: University of California Press, 2002.

Contadini, A., ‘Middle Eastern objects’, in At Home in Renaissance Italy, ed. M. Ajmar-Wollheim and F. Dennis, pp. 308–21. London: V&A, 2006.

Contarini, G., Commonwealth and Government of Venice (1543). Eng. trans., London, 1598.

Conti, A., ‘L’evoluzione dell’artista’, Storia dell’arte italiana, 2, pp. 117–263. Turin: Einaud, 1979.

Coor, G., Neroccio de’Landi. Princeton, NJ: Princeton University Press, 1961.

Copenhaver, B. P., and C. Schmitt, Renaissance Philosophy. Oxford: Oxford University Press, 1992.

Corti, G., and F. Hartt, ‘New documents concerning Donatello’, Art Bulletin 44 (1962), pp. 155–67.

Cosenza, M., Biographical and Bibliographical Dictionary of the Italian Humanists. New York, 1952.

Cox, V., The Renaissance Dialogue: Literary Dialogue in its Social and Political Contexts, Castiglione to Galileo. Cambridge: Cambridge University Press, 1992.

—Women’s Writing in Italy, 1400–1650. Baltimore: Johns Hopkins University Press, 2008.

Cox-Rearick, J., Dynasty and Destiny in Medici Art. Princeton, NJ: Princeton University Press, 1984.

Cozzi, G., ‘Cultura, politica e religione nella pubblica storiografia ven-eziana’, Studi Veneziani 5 (1963), pp. 215–94.

Cranston, J., The Poetics of Portraiture in the Italian Renaissance. Cambridge: Cambridge University Press, 2000.

Craven, W. G., Giovanni Pico della Mirandola, Symbol of his Age. Geneva: Droz, 1981.

Crawcour, E. S., ‘Changes in Japanese commerce in the Tokugawa period’, in Studies in the Institutional History of Early Modern Japan, ed. J. W. Hall and M. B. Jansen, pp. 189–202. Princeton, NJ: Princeton University Press, 1968.

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