À bout de souffle (Breathless) (Jean-Luc Godard, Fr., 1959)
Ace in the Hole (Billy Wilder, US, 1951)
The Addiction (Abel Ferrara, US, 1995)
After Dark, My Sweet (James Foley, US, 1990)
After Hours (Martin Scorsese, US, 1985)
Against All Odds (Taylor Hackford, US, 1984)
Algiers (John Cromwell, US, 1938)
Alphaville (Jean-Luc Godard, Fr./It., 1965)
The Anderson Tapes (Sidney Lumet, US, 1971)
Angel Heart (Alan Parker, US/Can./UK, 1987)
Angels with Dirty Faces (Michael Curtiz, US, 1938)
Ascenseur pour l’echefaud (Lift to the Scaffold) (Louis Malle, Fr., 1957)
Asphalt (Joe May, Ger., 1928)
The Asphalt Jungle (John Huston, US, 1950)
L’Atalante (Jean Vigo, Fr., 1934)
Attack (Robert Aldrich, US, 1956)
Au-delà des grilles (Beyond the Gates) (René Clément, Fr. 1949)
Baby Face (Alfred E. Green, US, 1933)
Badlands (Terrence Malick, US, 1973)
Bad Lieutenant (Abel Ferrara, US, 1992)
Ball of Fire (Howard Hawks, US, 1941)
Bande à part (Band of Outsiders) (Jean-Luc Godard, Fr., 1964)
Barton Fink (Joel Coen, US/UK, 1991)
Basic Instinct (Paul Verhoeven, US/Fr., 1992)
Beast of the City (Charles Brabin, US, 1932)
Le Beau Serge (Handsome Serge) (Claude Chabrol, Fr., 1958)
La Belle équipe (They Were Five) (Julien Duvivier, Fr., 1936)
Bend of the River (Anthony Mann, 1952)
La Bête humaine (The Human Beast) (Jean Renoir, Fr., 1938)
Beware, My Lovely (Harry Horner, US, 1952)
Beyond a Reasonable Doubt (Fritz Lang, US, 1956)
Beyond the Forest (King Vidor, US, 1949)
The Big Clock (John Farrow, US, 1948)
The Big Heat (Fritz Lang, US, 1953)
The Big Lebowski (Joel Coen, US/UK, 1998)
The Big Sleep (Howard Hawks, UK, 1946)
The Big Sleep (Michael Winner, US, 1978)
The Black Cat (Edgar G. Ulmer, US, 1934)
The Blackout (Abel Ferrara, US/Fr., 1997)
Black Rain (Ridley Scott, US, 1989)
Blade Runner (Ridley Scott, US, 1982)
Der Blaue Engel (Josef von Sternberg, Ger., 1930)
Blind Date (Joseph Losey, UK, 1959)
Blood Simple (Joel Coen, US, 1984)
Blow Out (Brian De Palma, US, 1981)
Blowup (Michelangelo Antonioni, UK/It., 1966)
The Blue Dahlia (George Marshall, US, 1946)
The Blue Gardenia (Fritz Lang, US, 1953)
Blue Velvet (David Lynch, US, 1986)
Bob le Flambeur (Bob the Gambler) (Jean-Pierre Melville, Fr., 1955)
Body and Soul (Robert Rossen, US, 1947)
Body Double (Brian De Palma, US, 1984)
Body Heat (Lawrence Kasdan, US, 1981)
Body of Evidence (Uli Edel, Ger./US, 1993)
Boomerang! (Elia Kazan, US, 1947)
Le Boucher (The Butcher) (Claude Chabrol, Fr./It., 1969)
Bound (Larry and Andy Wachowski, US, 1996)
The Brasher Dubloon (John Brahm, US, 1947)
Breakdown (Jonathan Mostow, US, 1997)
Bride of Frankenstein (James Whale, US, 1935)
Brighton Rock (John Boulting, UK, 1947)
Buffalo 66 (Vincent Gallo, US, 1998)
Bullet Ballet (Shinya Tsukamoto, Jap., 1998)
Bullets or Ballots (William Keighley, US, 1936)
Cape Fear (J. Lee Thompson, US, 1962)
Cape Fear (Martin Scorsese, US, 1991)
Carrie (Brian De Palma, US, 1976)
Casablanca (Michael Curtiz, US, 1942)
Casbah (John Berry, US, 1948)
Casque d’Or (Golden Marie) (Jacques Becker, Fr., 1952)
Cat People (Jacques Tourneur, US, 1942)
Caught (Max Ophüls, US, 1949)
Cause for Alarm (Tay Garnett, US, 1951)
Champion (Mark Robson, US, 1949)
Charley Varrick (Don Siegel, US, 1973)
Chicago Deadline (Lewis Allen, US, 1949)
Le Chemin de Rio (Robert Siodmak, Fr., 1937)
La Chienne (Jean Renoir, Fr., 1931)
Chinatown (Roman Polanski, 1974)
Christmas Holiday (Robert Siodmak, US, 1944)
Citizen Kane (Orson Welles, 1941)
City Streets (Rouben Mamoulian, US, 1931)
Clash By Night (Fritz Lang, US, 1952)
Cloak and Dagger (Fritz Lang, US, 1946)
Coma (Michael Crichton, US, 1978)
Conflict (Curtis Bernhardt, US, 1945)
Convicted (Henry Levin, US, 1950)
Cornered (Edward Dmytryk, US, 1945)
Crack-Up (Irving Reis, US, 1946)
The Crazies (George A. Romero, US, 1973)
The Criminal (Joseph Losey, UK, 1960)
Criss Cross (Robert Siodmak, US, 1949)
The Crooked Way (Robert Florey, US, 1949)
Crossfire (Edward Dmytryk, US, 1947)
Croupier (Mike Hodges, Fr./UK/Ger./Ire., 1999)
Cry of the City (Robert Siodmak, US, 1948)
Cypher (Vincenzo Natali, US, 2003)
Dangerous Game (Abel Ferrara, US, 1993)
Dark City (Alex Proyas, US, 1998)
Dark Corner (Henry Hathaway, US, 1946)
The Dark Mirror (Robert Siodmak, US, 1946)
Dark Passage (Delmer Daves, US, 1947)
Dead End (William Wyler, US, 1937)
Dead Presidents (Allen and Albert Hughes, US, 1995)
Dead Reckoning (John Cromwell, US, 1947)
The Deep End (Scott McGehee, US, 2001)
Deliverance (John Boorman, US, 1972)
Le Dernier tournant (The Last Turn) (Pierre Chenal, Fr., 1939)
Desperate (Anthony Mann, US, 1947)
Desperate Hours (Michael Cimino, US, 1990)
Desperately Seeking Susan (Susan Seidelman, US, 1985)
Detour (Edgar G. Ulmer, US, 1945)
Deux hommes dans Manhattan (Two Men in Manhattan) (Jean-Pierre Melville, Fr., 1959)
Les Diaboliques (Diabolique) (Henri-Georges Clouzot, Fr., 1954)
Dick Spanner, P.I. (1986)
Die Hard (John McTiernan, US, 1988)
Dirnentragödie (Tragedy of the Street aka Women Without Men) (Bruno Rahn, Ger., 1927)
Disclosure (Barry Levinson, US, 1994)
D.O.A. (Rudolph Maté, US, 1950)
D.O.A. (Rocky Morton and Annabel Jankel, US, 1988)
Doktor Mabuse, der Spieler, Part, 1: Der grosse Spieler – ein Bild der Zeit (Dr Mabuse, the Gambler) (Fritz Lang, Ger., 1922)
Doktor Mabuse, der Spieler, Part, 2: Inferno: Ein Spiel von Menschen unserer Zeit (Dr Mabuse, the Gambler) (Fritz Lang, 1922)
The Doorway to Hell (Archie Mayo, US, 1930)
Double Indemnity (Billy Wilder, US, 1944)
Le Doulos (Doulos: The Finger Man) (Jean-Pierre Melville, Fr./It., 1962)
Dracula (Tod Browning, US, 1931)
Dressed to Kill (Brian De Palma, US, 1980)
The Driller Killer (Abel Ferrara, US, 1979)
Dr Jekyll and Mr Hyde (Rouben Mamoulian, US, 1932)
Du Rififi chez les hommes (Rififi) (Jules Dassin, Fr., 1955)
Easy Rider (Dennis Hopper, US, 1969)
Les Enfants du paradis (Children of Paradise) (Marcel Carné, Fr., 1943–45)
Equinox (Alan Rudolph, US, 1993)
The Ex-Mrs Bradford (Stephen Roberts, US, 1936)
Experiment Perilous (Jacques Tourneur, US, 1944)
Face (Antonia Bird, UK, 1997)
The Falcon Takes Over (Irving Reis, US, 1942)
The Fallen Idol (Carol Reed, US, 1948)
The Fallen Sparrow (Richard Wallace, US, 1943)
Falling Down (Joel Schumacher, Fr./US, 1993)
Farewell, My Lovely (Dick Richards, US, 1975)
The Far Country (Anthony Mann, US, 1955)
Fargo (Joel Coen, UK/US, 1996)
Fatal Attraction (Adrian Lyne, US, 1987)
Fear City (Abel Ferrara, US, 1984)
Fear X (Nicolas Winding Refn, Den./Can./UK/Braz., 2002)
Femme Fatale (Brian De Palma, Fr., 2002)
Fight Club (David Fincher, Ger./US, 1999)
The File on Thelma Jordan (Robert Siodmak, US, 1950)
The Finger Points (John Francis Dillon, US, 1931)
Footlight Parade (Lloyd Bacon, US, 1933)
Force of Evil (Abraham Polonsky, US, 1949)
Frankenstein (James Whale, US, 1931)
Freeway (Matthew Bright, US, 1996)
Die freudlose Gasse (The Joyless Street) (G. W. Pabst, Ger., 1923)
The Friends of Eddie Coyle (Peter Yates, US, 1973)
Fury (Fritz Lang, US, 1936)
The Game (David Fincher, US, 1997)
Gaslight (George Cukor, US, 1944)
Genuine (Robert Wiene, Ger., 1920)
The Getaway (Roger Donaldson, US/Jap., 1994)
Get Carter (Mike Hodges, UK, 1970)
The Gift (Sam Raimi, US, 2000)
Gilda (Charles Vidor, US, 1946)
The Glass Key (Frank Tuttle, US, 1935)
G-Men (William Keighley, US, 1935)
The Good Die Young (Lewis Gilbert, UK, 1954)
Le Grand jeu (Jacques Feyder, Fr. 1933)
The Great Train Robbery (Edwin S. Porter, US, 1903)
The Grifters (Stephen Frears, US, 1990)
Gun Crazy (Joseph H. Lewis, US, 1949)
Hard To Handle (Mervyn LeRoy, US, 1933)
The Harder They Fall (Mark Robson, US, 1956)
Hangover Square (John Brahm, US, 1945)
Heat (Michael Mann, US, 1995)
Hell Drivers (Cy Endfield, UK, 1957)
Hell is a City (Val Guest, UK, 1960)
High Noon (Fred Zinnemann, US, 1952)
High Sierra (Raoul Walsh, US, 1941)
Hintertreppe – Ein Film-Kammerspiel (Backstairs) (Leopold Jessner, Ger., 1921)
His Kind of Woman (John Farrow, US, 1951)
Hôtel du Nord (Marcel Carné, Fr., 1938)
The House on 92nd Street (Henry Hathaway, US, 1945)
The Hudsucker Proxy (Joel Coen, UK/Ger./US, 1994)
Human Desire (Fritz Lang, US, 1954)
I Am a Fugitive from a Chain Gang (Mervyn LeRoy, US, 1932)
I Am the Law (Alexander Hall, US, 1938)
I Confess (Alfred Hitchcock, US, 1953)
I Drink Your Blood (David Durston, US, 1971)
In a Lonely Place (Nicholas Ray, US, 1950)
Ivy (Sam Wood, US, 1947)
I Wake Up Screaming (H. Bruce Humberstone, US, 1942)
Jacob’s Ladder (Adrian Lyne, US, 1990)
Jade (William Friedkin, US, 1995)
Le Jour se lève (Daybreak) (Marcel Carné, Fr., 1939)
Joy Ride (John Dahl, US, 2001)
Judgment Night (Stephen Hopkins, US/Jap., 1993)
Das Kabinett des Dr. Caligari (The Cabinet of Dr Caligari) (Robert Wiene, Ger., 1919)
Keisatsukan (Policeman) (Uchida Tomu, Jap., 1933)
Key Largo (John Huston, US, 1948)
The Killers (Robert Siodmak, US, 1946)
The Killers (Don Siegel, US, 1964)
Killer’s Kiss (Stanley Kubrick, US, 1955)
The Killing (Stanley Kubrick, US, 1956)
The Kill-Off (Maggie Greenwald, US, 1990)
Kind Hearts and Coronets (Robert Hamer, UK, 1949)
King Kong (Merian C. Cooper and Ernest B. Schoedsack, US, 1933)
King of New York (Abel Ferrara, It./US/UK, 1990)
King’s Row (Sam Wood, US, 1941)
Kiss Me Deadly (Robert Aldrich, US, 1955)
Kiss of Death (Henry Hathaway, US, 1947)
Kiss Tomorrow Goodbye (Gordon Douglas, US, 1950)
Klute (Alan J. Pakula, US, 1971)
Kurutta Ippeiji (A Page of Madness) (Teinosuke Kinugasa, Jap., 1927)
L.A. Confidential (Curtis Hanson, US, 1997)
Ladies Love Brutes (Rowland V. Lee, US, 1930)
The Lady Eve (Preston Sturges, US, 1941)
The Lady from Shanghai (Orson Welles, US, 1948)
Lady in the Lake (Robert Montgomery, US, 1947)
The Ladykillers (Alexander Mackendrick, UK, 1955)
The Last House on the Left (Wes Craven, US, 1972)
Last Man Standing (Walter Hill, US, 1996)
The Last Seduction (John Dahl, US, 1994)
Laura (Otto Preminger, US, 1944)
The Lavender Hill Mob (Charles Crichton, UK, 1951)
The League of Gentlemen (Basil Dearden, UK, 1960)
Der Letzte Mann (The Last Laugh) (F. W. Murnau, Ger., 1924)
The Limey (Steven Soderbergh, US, 1999)
Little Caesar (Mervyn LeRoy, US, 1930)
Lock, Stock and Two Smoking Barrels (Guy Ritchie, UK, 1998)
The Lodger (John Brahm, US, 1944)
Lola rennt (Run, Lola, Run aka Lola Runs) (Tom Tykwer, Ger., 1998)
The Long Goodbye (Robert Altman, US, 1973)
The Long Night (Anatole Litvak, US, 1947)
Lost Highway (David Lynch, Fr./US, 1997)
The Lost Weekend (Billy Wilder, US, 1945)
Lured (Douglas Sirk, US, 1947)
M (Fritz Lang, Ger., 1931)
Macao (Josef von Sternberg [and Nicholas Ray, uncredited], US, 1952)
The Mad Miss Manton (Leigh Jason, US, 1936)
The Maltese Falcon (Roy Del Ruth, US, 1931)
The Maltese Falcon (John Huston, US, 1941)
The Man Between (Carol Reed, UK, 1953)
The Manchurian Candidate (John Frankenheimer, US, 1962)
Der Man, der Seinen Morder Sucht (Looking for His Murderer) (Robert Siodmak, Ger., 1931)
The Man from Laramie (Anthony Mann, US, 1955)
Man Hunt (Fritz Lang, US, 1941)
The Man Who Wasn’t There (Joel Coen, US, 2001)
La Mariée était en noir (The Bride Wore Black) (François Truffaut, Fr./It., 1967)
Marlowe (Paul Bogart, US, 1969)
Marnie (Alfred Hitchcock, US, 1964)
The Mask of Dimitrios (Jean Negulesco, US, 1944)
La Maternelle (Marie Epstein, US, 1933)
Max Payne 2: The Fall of Max Payne (2003)
The Mayor of Hell (Archie Mayo, US, 1933)
Mean Streets (Martin Scorsese, US, 1973)
Medium Cool (Haskell Wexler, US, 1969)
Memento (Christopher Nolan, US, 2001)
Menschen am Sonntag (People on Sunday) (Robert Siodmak and Edgar G. Ulmer, Ger., 1930)
Metropolis (Fritz Lang, Ger., 1926)
Mildred Pierce (Michael Curtiz, US, 1945)
Miller’s Crossing (Joel Coen, US, 1990)
Ministry of Fear (Fritz Lang, US, 1945)
Mission: Impossible (Brian De Palma, US, 1996)
Mollenard (Hatred) (Robert Siodmak, Fr., 1938)
Moonlighting (1985–89)
Ms.45 (Abel Ferrara, US, 1981)
Mulholland Drive (David Lynch, Fr./US, 2001)
Murder, My Sweet (Edward Dmytryk, US, 1944)
My Darling Clementine (John Ford, US, 1946)
My Name is Julia Ross (Joseph H. Lewis, US, 1945)
Nachts, wenn der Teufel kam (Night, When the Devil Came aka The Devil Strikes at Night) (Robert Siodmak, W. Ger., 1957)
The Naked City (Jules Dassin, US, 1948)
The Naked Kiss (Samuel Fuller, US, 1964)
Naked Lunch (David Cronenberg, Can./UK/Jap., 1991)
The Naked Spur (Anthony Mann, US, 1953)
Nancy Steele is Missing (George Marshall, US, 1936)
Natural Born Killers (Oliver Stone, US, 1994)
New Rose Hotel (Abel Ferrara, US, 1998)
Night and the City (Jules Dassin, UK, 1950)
Night and the City (Irwin Winkler, US, 1992)
Nightfall (Jacques Tourneur, US, 1957)
Nightmare Alley (Edmund Goulding, US, 1947)
A Night to Remember (Richard Wallace, US, 1943)
North by Northwest (Alfred Hitchcock, US, 1959)
Notorious (Alfred Hitchcock, US, 1946)
No Way Out (Roger Donaldson, US, 1987)
Obsession (Edward Dmytryk, UK, 1949)
Obsession (Brian De Palma, US, 1976)
Ocean’s Eleven (Lewis Milestone, US, 1960)
Ocean’s Eleven (Steven Soderbergh, US, 2001)
Odd Man Out (Carol Reed, UK, 1947)
Odds Against Tomorrow (Robert Wise, US, 1959)
Ôdishon (Audition) (Miike Takashi, Jap./S. Kor, 2000)
On Dangerous Ground (Nicholas Ray, US, 1952)
One False Move (Carl Franklin, US, 1992)
Orlacs Hände (The Hands of Orlac) (Robert Wiene, Ger., 1924)
The Outfit (John Flynn, US, 1974)
Out of the Past (Jacques Tourneur, US, 1947)
The Paradine Case (Alfred Hitchcock, US, 1948)
Payback (Brian Helgeland, US, 1999)
Pépé le moko (Julien Duvivier, Fr., 1936)
A Perfect Murder (Andrew Davis, US, 1998)
Per un pugno di dollari (A Fistful of Dollars) (Sergio Leone, W. Ger/Sp./It., 1964)
Phantom Lady (Robert Siodmak, US, 1944)
Pickpocket (Robert Bresson, Fr., 1959)
Pièges (Personal Column) (Robert Siodmak, Fr., 1939)
Pierrot le fou (Jean-Luc Godard, Fr./It., 1965)
Pitfall (Andre de Toth, US, v1948)
Plein Soleil (Purple Noon) (René Clément, Fr./It. 1959)
Point Blank (John Boorman, US, 1967)
The Postman Always Rings Twice (Tay Garnett, US, 1946)
The Postman Always Rings Twice (Bob Rafelson, US/W. Ger., 1981)
Psycho (Alfred Hitchcock, US, 1960)
The Public Enemy (William Wellman, US, 1931)
Pursued (Raoul Walsh, US, 1947)
Quai des brumes (Port of Shadows) (Marcel Carné, Fr., 1938)
Quai des Orfèvres (Quay of the Goldsmiths) (Henri-Georges Clouzot, Fr., 1947)
Que la bête meure (The Beast Must Die) (Claude Chabrol, Fr., 1969)
Racket Busters (Lloyd Bacon, US, 1938)
Raising Cain (Brian De Palma, US, 1992)
Ramrod (Andre de Toth, US, 1947)
Rancho Notorious (Fritz Lang, US, 1952)
Raskolnikov (Robert Wiene, Ger., 1923)
Raw Deal (Anthony Mann, US, 1948)
Rear Window (Alfred Hitchcock, US, 1954)
Rebecca (Alfred Hitchcock, 1940)
The Reckless Moment (Max Ophüls, 1949)
Red Rock West (John Dahl, US, 1992)
Remember Last Night? (James Whale, US, 1935)
Reservoir Dogs (Quentin Tarantino, US, 1992)
Ride the Pink Horse (Robert Montgomery, US, 1947)
Roadhouse Nights (Hobart Henley, US, 1930)
The Rockford Files (1974–80)
Rokugatsu no hebi (A Snake of June, Shinya Tsukamoto, Jap., 2002)
Rope (Alfred Hitchcock, US, 1948)
The Rough and the Smooth (Robert Siodmak, UK, 1959)
La Rue sans nom (Street Without a Name) (Pierre Chenal, Fr., 1933)
Le Salaire de le peur (The Wages of Fear) (Henri-Georges Clouzot, Fr./It., 1953)
Le Samouraï (Jean-Pierre Melville, Fr./It., 1967)
Satan Met A Lady (William Dieterle, US, 1936)
Scarface (Howard Hawks, US, 1932)
Scarlet Street (Fritz Lang, US, 1945)
Schatten – Eine nächtlichte Halluzination (Arthur Robison, Ger., 1923)
Second Chance (Rudolph Maté, US, 1953)
Secret Beyond the Door (Fritz Lang, US, 1948)
Serenade (Anthony Mann, US, 1956)
The Set-Up (Robert Wise, US, 1949)
Se7en (David Fincher, US, 1995)
Sexy Beast (Jonathan Glazer, UK/Sp., 2000)
Shadow of a Doubt (Alfred Hitchcock, US, 1943)
Shane (George Stevens, US, 1953)
Sherlock Homes and the Voice of Terror (John Rawlins, US, 1942)
Shock Corridor (Samuel Fuller, US, 1963)
Side Street (Anthony Mann, US, 1950)
A Simple Plan (Sam Raimi, Fr./UK/Ger./US/Jap., 1998)
Sin City (Frank Miller and Robert Rodriguez, US, 2005)
La Sirène du Mississippi (Mississippi Mermaid) (François Truffaut, It./Fr., 1969)
Sleep, My Love (Douglas Sirk, US, 1948)
So Evil My Love (Lewis Allen, US/UK, 1948)
Something Wild (Jonathan Demme, US, 1986)
Somewhere in the Night (Joseph L. Mankiewicz, US, 1946)
Sorry, Wrong Number (Anatole Litvak, US, 1948)
Sous les toits de Paris (Under the Roofs of Paris) (René Clair, Fr., 1930)
The Spider Woman (Roy William Neill, US, 1944)
Spione (Spies) Fritz Lang, Ger., 1928)
The Spiral Staircase (Robert Siodmak, 1945)
The Star Chamber (Peter Hyams, US, 1983)
Star Wars: Episode 2 – Attack of the Clones (George Lucas, US, 2002)
Stella Dallas (King Vidor, US, 1937)
The Strange Affair of Uncle Harry (Robert Siodmak, US, 1945)
The Strange Love of Martha Ivers (Lewis Milestone, US, 1946)
Stranger on the Third Floor (Boris Ingster, US, 1940)
Die Strasse (The Street) (Karl Grune, Ger., 1923)
Street of Chance (John Cromwell, US, 1930)
Sudden Fear (David Miller, US, 1952)
Sunset Blvd. (Billy Wilder, US, 1950)
The Suspect (Robert Siodmak, US, 1945)
Suspicion (Alfred Hitchcock, US, 1941)
Suture (Scott McGehee, US, 1993)
Sweet Smell of Success (Alexander Mackendrick, US, 1957)
The Taking of Pelham One Two Three (Joseph Sargent, US, 1974)
Taxi Driver (Martin Scorsese, US, 1976)
Temptation (Irving Pichel, US, 1946)
Das Testament des Dr Mabuse (The Testament of Dr Mabuse) (Fritz Lang, Ger., 1933)
The Texas Chain Saw Massacre (Tobe Hooper, US, 1974)
Thelma & Louise (Ridley Scott, US, 1991)
They Live by Night (Nicholas Ray, US, 1948)
Thieves Like Us (Robert Altman, US, 1974)
The Thin Man (W.S. Van Dyke, US, 1934)
The Third Man (Carol Reed, UK, 1949)
The Thirteenth Floor (Josef Rusniak, Ger./US, 1999)
This Is Not a Love Song (Bille Eltringham, UK, 2002)
This World, Then the Fireworks (Michael Oblowitz, US, 1997)
Time to Kill (Herbert I. Leeds, US, 1942)
Tirez sur le pianiste (Shoot the Piano Player) (François Truffaut, Fr., 1960)
Tokyo-ken (Tokyo Fist) (Shinya Tsukamoto, Jap., 1995)
Topkapi (Jules Dassin, US, 1964)
Touchez pas au Grisbi (Grisbi) Jacques Becker, Fr./It., 1945)
Touch of Evil (Orson Welles, US, 1958)
True Romance (Tony Scott, US, 1993)
The Two Mrs. Carrolls (Peter Godfrey, US, 1947)
2001: A Space Odyssey (Stanley Kubrick, UK/US, 1968)
Undercurrent (Vincente Minnelli, US, 1946)
Underworld (Josef von Sternberg, US, 1927)
Underworld U.S.A. (Samuel Fuller, US, 1961)
The Usual Suspects (Bryan Singer, US/Ger., 1995)
U Turn (Oliver Stone, Fr./US, 1997)
Vertigo (Alfred Hitchcock, US, 1958)
Very Bad Things (Peter Berg, US, 1998)
De Vierde man (The Fourth Man) (Paul Verhoeven, Neth., 1983)
Vital (Shinya Tsukamoto, Jap., 2004)
Vivement dimanche (Confidentially Yours) (François Truffaut, Fr., 1983)
Von morgens bis mitternachts (From Morn to Midnight) (Karl Heinz Martin, Ger., 1920)
Das Wachsfigurenkabinett (Waxworks) (Paul Leni, Ger., 1924)
The War of the Roses (Danny DeVito, US, 1989)
The Web (Michael Gordon, US, 1947)
Weekend (Jean-Luc Godard, Fr., 1967)
Where the Sidewalk Ends (Otto Preminger, 1950)
While the City Sleeps (Fritz Lang, US, 1956)
White Heat (Raoul Walsh, US, 1949)
Wild at Heart (David Lynch, US, 1990)
Winchester ‘73 (Anthony Mann, US, 1950)
The Window (Ted Tetzlaff, US, 1949)
The Woman in Green (Roy William Neill, US, 1945)
The Woman in the Window (Fritz Lang, US, 1945)
The Wrong Man (Alfred Hitchcock, US, 1957)
Yojimbo (Akira Kurosawa, Jap., 1961)
You Only Live Once (Fritz Lang, US, 1937)