This list includes all texts referred to in chapters 1–9. A specific edition of a literary source is provided only when the source has been directly quoted. Films are listed separately at the end.
Books and Articles
Abbott, H. Porter. 2002. The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press.
Altman, Charles F. (Rick). 1974a. “Hyperbolic Modulation in Some Modern Novels or ‘How Did We Get Here From There?’” Les Bonnes Feuilles 3: 3–12.
——. 1974b. “Medieval Narrative vs. Modern Assumptions: Revising Inadequate Typology.” Diacritics 4: 12–19.
——. 1975. “Two Types of Opposition and the Structure of Latin Saints’ Lives.” Medievalia et Humanistica. New Series 6: 1–11.
——. 1977. “Interpreting Romanesque Narrative: Conques and The Roland.” Olifant 5: 4–28.
——. 1981a. “Intratextual Rewriting: Textuality as Language Formation.” In The Sign in Music and Literature, ed. Wendy Steiner, 39–51. Austin: University of Texas Press.
——. 1981b. “The Lonely Villa and Griffith’s Paradigmatic Style.” Quarterly Review of Film Studies 6, no. 2: 123–34.
——. 1987. The American Film Musical. Bloomington: Indiana University Press.
——. 1989. “Dickens, Griffith, and Film Theory Today.” South Atlantic Quarterly 88: 321–60..
Apollinaire, Guillaume. 1965. Les peintres cubistes. Paris: Hermann..
Apuleius, Lucius. Metamorphoses or the Golden Ass.
Ariosto, Lodovico. Orlando furioso.
Aristotle. Aristotle on the Art of Poetry. 1909. Ed. and trans. Ingram Bywater. Oxford: Oxford University Press.
Armstrong, Nancy. 2005. How Novels Think: The Limits of Individualism from 1719–1900. New York: Columbia University Press.
Associated Press. 2006. “U.N. Chief: U.S. Should Close Prison at Guantanamo Bay.” Iowa City Press-Citizen, 17 February, 10A.
Athanasius. Life of Saint Anthony.
Aucassin et Nicolette.
Auden, W.H. 1945. “Musée des Beaux Arts.” In The Collected Poetry of W.H. Auden, 3. New York: Random House, 1945.
Augustine. 1963. The Confessions. Trans. R. S. Pine-Coffin. New York: Penguin.
——. The City of God.
Austen, Jane. 1966. Pride and Prejudice. Ed. Donald J. Gray. New York: Norton. Batrachomyomachia (“Battle of the Frogs and Mice”).
Bakhtin, Mikhail. 1968. Rabelais and His World. Cambridge: MIT Press.
——. 1981. The Dialogic Imagination. Austin: University of Texas Press.
Bal, Mieke. 1985. Narratology: Introduction to the Theory of Narrative. Trans. Christine van Boheemen. Toronto: University of Toronto Press. Translation of E theorie van vertellen en verhalen, 2nd rev. ed. Muiderberg: Coutinho, 1980.
Balzac, Honoré de. 1965a. “Avant-propos” to La Comédie humaine. Paris: Seuil. Vol. I: 51–56.
——. 1965b. Le Père Goriot. In La Comédie humaine. Paris: Seuil. Vol. II: 216–308.
——. Les Chouans.
——. Le Cousin Pons
——. Le Curé de Tours.
——. Grandeur et décadence de César Birotteau.
——. Illusions perdues.
——. Louis Lambert.
——. La Recherche de l’absolu.
Barbéris, Pierre. 1972. Le Père Goriot. Paris: Larousse.
Barnet, Sylvan, Morton Berman, and William Burto. 1960. The Study of Literature: A Handbook of Critical Essays and Terms. Boston: Little, Brown.
Barthes, Roland. 1953. Le Degré zéro de l ’écriture. Paris: Gonthier.
——. 1966. “Introduction à l’analyse structurale du récit.” Communications 8: 1–27.
——. 1970. S/Z. Paris: Seuil.
Bede. Life of Saint Cuthbert.
Bianconi, Piero. 1967. L’Opera completa di Bruegel. Milan: Rizzoli.
Boccaccio. The Decameron.
——. Filostrato.
Bonaventura (Friedrich Gottlieb Wetzel?). Die Nachtwachen des Bonaventura.
Bonne, Jean-Claude. 1984. L’Art roman de face et de profil: le tympan de Conques. Paris: Le Sycomore.
Booth, Wayne. 1961. The Rhetoric of Fiction. Chicago: University of Chicago Press.
Borges, Jorge Luis. 1964. “Funes the Memorius.” In Labyrinths: Selected Stories and Other Writings, ed. Donald A. Yates and James E. Irby, 59–66. New York: New Directions.
Branigan, Edward. 1992. Narrative Comprehension and Film. London and New York: Routledge.
Brecht, Bertolt. 1964. “Alienation Effects in the Narrative Pictures of the Elder Brueghel” (“Verfremdungseffekte in den erzählenden Bildern des älteren Brueghel”). In Brecht on Theatre: The Development of an Aesthetic, ed. John Willett, 157–59. New York: Hill and Wang, London: Methuen.
Brombert, Victor. 1954. Stendhal et la voie oblique. New Haven: Yale University Press and Paris: Presses universitaires de France.
Brooks, Peter. 1984. Reading for the Plot: Design and Intention in Narrative. New York: A.A. Knopf.
Bunyan, John. Pilgrim’s Progress.
Campbell, Joseph. 1956. The Hero with a Thousand Faces. Cleveland: Meridian.
Camus, Albert. The Fall (La Chute).
——. The Plague (La Peste).
Carroll, Noël. 2001. “On the Narrative Connection.” In New Perspectives on Narrative Perspective, ed. Willie van Peer and Seymour Chatman, 21–41. Albany: State University of New York Press.
Castelvetro, Lodovico. Poetica d ’Aristotele vulgarizzata e sposta.
Céline, Louis-Ferdinand. Voyage au bout de la nuit (Journey to the End of the Night).
Cent nouvelles nouvelles, Les.
Cervantes, Miguel de. Don Quixote.
——. “Rinconete and Cortadillo” (in Novelas ejemplares).
Charnes, Jean Antoine de. 1679. Conversations sur la critique de la Princesse de Clèves. Paris: Chez Claude Barbin.
Chateaubriand, François René de. Atala.
——. René.
Chatman, Seymour. 1980. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell University Press.
——. 1990. The Rhetoric of Narrative in Fiction and Film. Ithaca: Cornell University Press.
Chaucer, Geoffrey. The Canterbury Tales
——. Troilus and Cressida.
Chrétien de Troyes. 1959. Le Roman de Perceval ou le conte du Graal. Geneva: Droz, and Paris: Minard.
——. 1963. Yvain (Le Chevalier au lion). Paris: Champion.
——. Cligés.
——. Érec et Énide.
——. Lancelot, ou le chevalier à la charrette.
Climacus, John. Climax (The Ladder of Perfection). See John Rupert Martin.
Congreve, William. 1930. Incognita: or, Love and Duty Reconcil ’d. A Novel. In Shorter Novels: Seventeenth Century, ed. Philip Henderson, 237–303. London: Dent.
Conrad, Joseph. Nostromo.
Corneille, Pierre. Le Cid.
Crane, Stephen. 1960. The Red Badge of Courage and Other Writings. Boston: Houghton Mifflin.
——. “A Mystery of Heroism.”
Crébillon, Claude Prosper Jolyot de. Le Sopha.
Christie, Agatha. Death on the Nile.
Croce, Benedetto. 1951. “La storia ridotta sotto il concetto generale dell’arte.” In Primi saggi, 3–41. Bari: Laterza.
Dante Alighieri. Divina Commedia (The Divine Comedy).
Danto, A. C. 1965. Analytical Philosophy of History. Cambridge: Cambridge University Press.
Defoe, Daniel. 1945. Robinson Crusoe. London: Dent, and New York: Dutton
——. 1964. Moll Flanders. New York: New American Library.
Descartes, René. Discours de la méthode.
Dickens, Charles. Bleak House.
——. David Copperfield.
——. Little Dorrit.
——. Nicholas Nickleby.
——. Oliver Twist.
Diderot, Denis. Encyclopédie ou dictionnaire raisonné des sciences, des arts et des métiers.
——. Jacques le fataliste et son maître.
Dostoevsky, Feodor Mikhailovitch. Notes from the Underground.
Doyle, Arthur Conan. The Adventures of Sherlock Holmes (includes “A Case of Identity”).
Dreiser, Theodore. Sister Carrie.
Dryden, John. 1965. An Essay of Dramatic Poesy. Indianapolis: Bobbs-Merrill.
Dumas, Alexandre (fils). La Dame aux camélias (Camille).
Du Plaisir. 1975. Sentiments sur les lettres et sur l ’histoire avec des scrupules sur le style. Geneva: Droz.
——. La Duchesse d ’Estramène.
Eagleton, Terry. 1976. Criticism and Ideology. London: NLB.
Eisenstein, Sergei. 1949. “Dickens, Griffith and Film Today.” In Film Form, ed. and trans. Jay Leyda, 195–255. New York: Harcourt, Brace.
Eliade, Mircea. 1959. Cosmos and History: The Myth of the Eternal Return. New York: Harper and Row.
Eliot, George. Daniel Deronda.
——. Middlemarch: A Study of Provincial Life.
Empson, William. 1950. Some Versions of Pastoral. Norfolk, Conn.: New Directions.
Enuma Elish (War of the Gods/Babylonian Genesis).
Eschenbach, Wolfram von. Parzival.
Felix. Life of Saint Guthlac.
Fénélon, François de Salignac de la Mothe-. Télémaque.
Fielding, Henry. Joseph Andrews.
——. Tom Jones.
The Filmic Character/Le Personnage au cinéma. 1997. Ed. Margrit Tröhler, Anne Goliot-Lété, Dominique Blüher, Claire Dupré la Tour, Marie-Françoise Grange. Iris 24.
Fitzgerald, F. Scott. The Great Gatsby.
Flaubert, Gustave. L’Éducation sentimentale.
——. Madame Bovary.
——. Salammbô.
Fletcher, Angus. 1964. Allegory: The Theory of a Symbolic Mode. Ithaca: Cornell University Press.
Foster, George M. 1961. “The Dyadic Contract: A Model for the Social Structure of a Mexican Peasant Village.” American Anthropologist 63: 1173–92.
——. 1965. “Peasant Society and the Image of Limited Good.” American Anthropologist 67: 293–315.
Fox, Edward. 1971. History in Geographic Perspective. New York: Norton.
Francis of Assisi, Saint. Little Flowers of Saint Francis.
Frank, Joseph. 1963. “Spatial Form in Modern Literature.” In The Widening Gyre: Crisis and Mastery in Modern Literature, 3–62. New Brunswick: Rutgers University Press.
Franklin, Benjamin. Autobiography.
Frye, Northrop. 1957. Anatomy of Criticism. Princeton: Princeton University Press.
Galsworthy, John. The Forsyte Saga.
Garrett, Peter K. 1980. The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale University Press.
Genette, Gérard. 1966. Figures. Paris: Seuil.
——. 1972. Figures III. Paris: Seuil.
——. 1980. Narrative Discourse. Trans. Jane E. Lewin. Ithaca: Cornell University Press.
——. 1983. Nouveau discours du récit. Paris: Seuil.
——. 1988. Narrative Discourse Revisited. Trans. Jane E. Lewin. Ithaca: Cornell University Press.
Gide, André. 1932. Oeuvres completes d’André Gide. Paris: Nouvelle Revue Française.
——. 1958a. Les Caves du Vatican (Lafcadio’s Adventures). In Romans: Récits et soties—Oeuvres lyriques, 677–873. Paris: Pléïade.
——. 1958b. Les Faux-monnayeurs (The Counterfeiters). In Romans: Récits et soties—Oeuvres lyriques, 931–1248. Paris: Pléïade.
——. L’Immoraliste.
——. La Porte étroite (Strait Is the Gate).
——. La Symphonie pastorale.
Gillette, William. Sherlock Holmes: A Drama in Four Acts.
Girard, René. 1961. Mensonge romantique et vérité romanesque. Paris: Grasset.
Goethe, Johann Wolfgang von. Faust.
——. Werther.
——. Wilhelm Meisters Lehrjahre.
Goldmann, Lucien. 1964. Pour une sociologie du roman. Paris: Gallimard.
Goscinny, René, and Albert Uderzo. 1961. Astérix le Gaulois. Paris: Dargaud.
Gregory (the Great), Saint. 1878. “Homilies on Ezechiel, Book 2, Homily 5, Sections 8–9.” In Patrologia Cursus Completus, Series Latina, ed. Jacques-Paul Migne, vol. 76, cols. 989–90 (Paris: Garnier).
——. Life of Saint Benedict.
Greimas, A. J. 1966. Sémantique structurale. Paris: Larousse.
Grossmann, F. 1973. Pieter Bruegel: Complete Edition of the Paintings. New York: Phaidon/Praeger.
Guilleragues, Gabriel de Lavergne, sieur de. Les Lettres portugaises.
Halliday, E.M. 1966. “Narrative Perspective in Pride and Prejudice.” In Jane Austen, Pride and Prejudice, ed. Donald J. Gray, 431–37. New York: Norton.
Hammett, Dashiell. The Maltese Falcon.
Hardy, Thomas. Tess of the D’Urbervilles.
Harris, Joel Chandler. 1965. Uncle Remus. New York: Schocken.
Harvey, W.J. 1965. Character and the Novel. Ithaca: Cornell University Press.
Hawthorne, Nathaniel. 1962. The Scarlet Letter. An Annotated Text, Backgrounds and Sources, Essays in Criticism. Ed. Sculley Bradley, Richard Croom Beatty, and E. Hudson Long. New York: Norton.
——. 1851. The House of Seven Gables. Boston: Houghton Mifflin..
Heliodorus of Emesa. Aethiopica (Theagenes and Chariclea).
Hendricks, William O. 1973. “Methodology of Narrative Structural Analysis.” Semiotica 7: 163–84.
Herman, David, Manfred Jahn, and Marie-Laure Ryan, eds. 2005. Routledge Encyclopedia of Narrative Theory. London: Routledge.
Herman, Luc, and Bart Vervaeck. 2005. Handbook of Narrative Analysis. Lincoln: University of Nebraska Press.
Herrad of Lansberg. Hortus deliciarum.
Hersey, John. 1946. Hiroshima. New York: Knopf.
Hesiod. Theogony.
Hesse, Hermann. Steppenwolf.
Homer. 1946. The Odyssey. Trans. E.V. Rieu. Baltimore: Penguin.
——. The Iliad.
Hugo, Victor. 1963. Notre-Dame de Paris. In Romans I. Paris: Le Seuil.
——. Les Misérables.
Jakobson, Roman. 1956. “Two Aspects of Language and Two Types of Aphasic Disturbances.” In Jakobson and Morris Halle, Fundamentals of Language, 67–96. The Hague: Mouton.
James, Henry. 1934. “Preface to The Tragic Muse.” In The Art of the Novel, ed. R. P. Blackmur, 79–97. New York: Scribners.
——. The Portrait of a Lady.
——. The Turn of the Screw.
——. What Maisie Knew.
Jerome, Saint (Sophronius Eusebius Hieronymus). Life of Saint Hilarion.
——. Life of Saint Paul of Thebes.
Katzenellenbogen, Adolf. 1964. Allegories of the Virtues and Vices in Mediaeval Art from Early Christian Times to the Thirteenth Century. New York: Norton.
Kenner, Hugh. 1968. The Counterfeiters. Bloomington: Indiana University Press.
Kierkegaard, Søren. 1980. The Concept of Anxiety: A Simple Psychologically Orienting Deliberation on the Dogmatic Issue of Hereditary Sin. Princeton: Princeton University Press.
Klee, Paul. 1945. “Notes from His Diary.” In Artists on Art from the XIV to the XX Century, ed. Robert Goldwater and Marco Treves, 441–43. New York: Pantheon.
Klein, H. Arthur. 1963. Graphic Worlds of Peter Bruegel the Elder. New York: Dover.
Koestler, Arthur. Darkness at Noon.
Laclos, Choderlos de. Les Liaisons dangereuses.
Lafayette, Madame (Marie Madeleine Pioche de La Vergne) de. 1961a. La Princesse de Clèves. In Romans et nouvelles, 237–395. Paris: Garnier.
——. 1961b. Zaïde. In Romans et nouvelles, 35–235. Paris: Garnier.
Langland, William (?). Piers Plowman.
La Rochefoucauld, François de. Maximes.
Lautréamont, Comte de (Isidore Lucien Ducasse). Les Chants de Maldoror.
Lawrence, D. H. 1960. Women in Love. New York: Viking.
——. 2003. “Nathaniel Hawthorne and The Scarlet Letter.” In Studies in Classic American Literature, ed. Ezra Greenspan, Lindeth Vasey, and John Worthen, 81–95. Cambridge: Cambridge University Press. Lazarillo de Tormes.
Lesage, Alain René. Le Diable boîteux.
——. Gil Blas de Santillane.
Levin, Richard. 1971. The Multiple Plot in English Renaissance Drama. Chicago: University of Chicago Press.
Lévi-Strauss, Claude. 1976. “Structure and Form: Reflections on a Work by Vladimir Propp.” In Structural Anthropology II, 115–45. New York: Basic Books.
Lewis, R. W. B. 1978. “The Return into Time: Hawthorne.” In Nathaniel Hawthorne, The Scarlet Letter: An Authoritative Text, Backgrounds and Sources, Criticism, ed. Sculley Bradley, Richmond Croom Beatty, E. Hudson Long, and Seymour Gross, 342–47. 2nd ed. New York: Norton.
Longus. 1953. Daphnis and Chloe. In Three Greek Romances, ed. and trans. Moses Hadas, 3–68. Indianapolis: Bobbs-Merrill.
Lubbock, Percy. 1957. The Craft of Fiction. New York: Viking.
Lukács, Georg. 1963. La Théorie du roman. Paris: Gonthier.
Luther, Martin. 1960. Three Treatises. Philadelphia: Fortress.
Maatje, Frank. 1964. Der Doppelroman: Eine literatursystematische Studie über duplicative Erzählstrukturen. Groningen, Netherlands: J.B. Wolters.
MacCaffrey, Isabel. 1959. Paradise Lost as “Myth.” Cambridge: Harvard University Press.
Machiavelli, Niccolò. 1964. The Prince: A Bilingual Edition. Ed. Mark Musa. New York: St. Martin’s.
Malraux, André. 1946. La Condition humaine (Man’s Fate). Paris: Gallimard (Poche).
Mann, Thomas. Buddenbrooks.
Marguerite de Navarre. L’Heptaméron.
Marivaux, Pierre Carlet de Chamblain de. Le Paysan parvenu.
——. La Vie de Marianne.
Marsh, Charles. 2006. “Wayward Christian Soldiers.” International Herald Tribune, 21 Jan., 6.
Marshburn, Joseph H., and Alan R. Velie. 1973. Blood and Knavery: A Collection of English Renaissance Pamphlets and Ballads of Crime and Sin. Rutherford, N.J.: Fairleigh Dickinson University Press.
Martin, John Rupert. 1954. The Illustration of the Heavenly Ladder of John Climacus. Princeton: Princeton University Press.
Martin, Wallace. 1986. Recent Theories of Narrative. Ithaca: Cornell University Press.
Martin du Gard, Roger. Les Thibault.
The Martyrdom of Saint Perpetua and Saint Felicitas.
Mérimée, Prosper. Chronique du règne de Charles IX.
Miller, J. Hillis. 1998. Reading Narrative. Norman: University of Oklahoma Press.
Milton, John. Paradise Lost.
Montaigne, Michel Eyquem de. Essais.
Montesquieu, Charles Louis de Secondat, baron de La Brède et de. Les Lettres persanes.
Nibelungenlied.
Nicholas, Brian. 1962. “The Novel as Social Document: L’Assommoir.” In The Moral and the Story, ed. Ian Gregor and Brian Nicholas, 63–97. London: Faber and Faber.
Olrik, Axel. 1965. “The Epic Laws of Folk Narrative.” In The Study of Folklore, ed. Alan Dundes, 129–41. Englewood Cliffs, N.J.: Prentice Hall.
Onega, Susana, and José Angel García Landa. 1996. Narratology: An Introduction. London: Longman.
O’Neill, Patrick. 1994. Fictions of Discourse: Reading Narrative Theory. Toronto: University of Toronto Press.
Ordoñez, Garci (or Rodríguez Montalvo). Amadís of Gaul.
Otloh. Life of Saint Nicholas.
Ovid (Publius Ovidius Naso). 1958. Metamorphoses. Trans. Horace Gregory. New York: Viking.
Pächt, Otto. 1962. The Rise of Pictorial Narrative in Twelfth-Century England. Oxford: Clarendon Press.
Pascal, Blaise. Pensées.
Phelan, James. 2006. “Narrative Theory, 1966–2006: A Narrative.” In Robert Scholes, Robert Kellogg, and James Phelan, The Nature of Narrative, 283–336. 2nd ed. Oxford: Oxford University Press.
Poe, Edgar Allan. 1981a. “The Gold Bug.” In Tales of Mystery and Imagination, 69–101. London: Dent.
——. 1981b. “Murders in the Rue Morgue.” In Tales of Mystery and Imagination, 378–410. London: Dent.
——. 1981c. “The Purloined Letter.” In Tales of Mystery and Imagination, 454–71. London: Dent.
——. 1981d. “Thou Art the Man.” In Tales of Mystery and Imagination, 471–84. London: Dent.
The Poem of the Cid (Cantar de mio Cid). 1963. Trans. W. S. Merwin. In Medieval Epics, 441–590. New York: Modern Library.
Pöschl, Viktor. 1962. The Art of Vergil: Image and Symbol in the Aeneid. Trans. Gerda Seligson. Ann Arbor: University of Michigan Press.
Possidius. Life of Augustine.
Price, Martin. 1983. Forms of Life: Character and Moral Imagination in the Novel. New Haven: Yale University Press.
Prince, Gerald. 1973. A Grammar of Stories: An Introduction. The Hague: Mouton.
——. 1982. Narratology: The Form and Functioning of Narrative. Berlin: Mouton.
——. 2003 [1987]. A Dictionary of Narratology. 2nd ed. Lincoln: University of Nebraska Press.
Propp, Vladimir. 1970. Morphologie du conte (Morphology of the Folktale). Paris: Le Seuil.
Prudentius. Pyschomachia.
La Quête du Graal (La Queste del Saint Graal). 1965. Ed. Albert Béguin and Yves Bonnefoy. Paris: Le Seuil.
Rapin, René. 1674a. Reflections on Aristotle’s Treatise of Poesie, containing the necessary rational, and universal rules for epick, dramatick, and the other sorts of poetry. Trans. Thomas Rymer. London: Printed by T. N. for H. Herringman.
——. 1674b. Réflexions sur la Poétique d ’Aristote, et sur les ouvrages des poètes anciens & modernes. Paris: Chez F. Muguet.
Raynal, Maurice. 1966. “Conception et Vision.” Trans. Jonathan Griffin. In Edward F. Fry, Cubism, 94–96. London: Thames and Hudson..
Remarque, Erich Maria. All Quiet on the Western Front.
Reverdy, Pierre. 1927. Le Gant de crin. Paris: Plon.
Richardson, Samuel. Clarissa.
——. Pamela.
Richardson, Brian. 1997. Unlikely Stories: Causality and the Nature of Modern Narrative. Newark: University of Delaware Press.
Rimmon-Kenan, Shlomith. 2002. Narrative Fiction: Contemporary Poetics. 2nd ed. London: Routledge.
Roberts, Andrew Michael, ed. 1993. The Novel: A Guide to the Novel from Its Origins to the Present Day. London: Bloomsbury.
Romains, Jules. Les Hommes de bonnes volonté.
Roman de Flamenca.
Roman de Renart.
Rougemont, Denis de. 1974. Love in the Western World. New York: Harper and Row.
Rousset, Jean. 1964. Forme et signification: Essais sur les structures littéraires de Corneille à Claudel. Paris: Corti.
Rutebeuf [no first name]. 1951. Le Miracle de Théophile. In Jeux et sapience du moyen âge, ed. Albert Pauphilet, 135–58. Paris: Pléïade.
Saint-Point, Valentine de. 1973. “Futurist Manifesto of Lust 1913.” In Futurist Manifestos, ed. Umbro Apollonio, trans. J.C. Higgitt, 70–74. New York: Viking.
Saint-Réal, César Richard de. Dom Carlos.
Sartre, Jean-Paul. La Nausée.
Scaliger, Julius Caesar. Poetices.
Scarron, Paul. Le Roman comique.
Schapiro, Meyer. 1977. Romanesque Art. New York: George Braziller.
Scholes, Robert, and Robert Kellogg. 1966. The Nature of Narrative. Oxford: Oxford University Press.
Scholes, Robert, Robert Kellogg, and James Phelan. 2006. The Nature of Narrative. 2nd ed. Oxford: Oxford University Press.
Schwartz, Daniel R. 1994. “Joseph Conrad.” In Columbia History of the British Novel, ed. John Richetti, 685–714. New York: Columbia University Press.
Scott, Walter. Waverly.
Scudéry, Madeleine de. Le Grand Cyrus.
Severini, Gino. 1973. “The Plastic Analogies of Dynamism: Futurist Manifesto 1913.” In Futurist Manifestos, ed. Umbro Apollonio, trans. J.C. Higgitt, 118–25. New York: Viking.
Shakespeare, William. King Lear.
Shelley, Mary. Frankenstein.
Sheppard, J.T. 1969. The Pattern of the Iliad. New York: Barnes and Noble.
Shklovsky (Chklovski), Victor. 1973. “Comment est fait Don Quichotte.” Trans. Guy Verret. In Sur la théorie de la prose, 107–45. Paris: Éditions l’Âge d’homme.
Simenon, Georges. Le Commissaire Maigret.
Sir Gawain and the Green Knight. 1974. Ed. W. R. J. Barron. Manchester: Manchester University Press.
Smith, Barbara Herrnstein. 1981. “Narrative Versions, Narrative Theories.” In On Narrative, ed. W. J. T. Mitchell, 209–32. Chicago: University of Chicago Press.
The Song of Roland. 1978. Ed. Gerard J. Brault. 2 vols. University Park: Pennsylvania State University Press.
Spenser, Edmund. The Faerie Queene.
Spillane, Mickey. I, the Jury.
Stendhal (Henri Beyle). Armance.
——. La Chartreuse de Parme (The Charterhouse of Parma).
——. Le Rouge et le noir (The Red and the Black).
Stevenson, Robert Louis. The Strange Case of Dr. Jekyll and Mr. Hyde.
Stierle, Karlheinz. 1972. “L’Histoire comme exemple, l’exemple comme histoire.” Poétique 10: 176–98.
Sue, Eugène. 1963. Les Mystères de Paris. Paris: Jean-Jacques Pauvert.
Sulpicius Severus. Life of Saint Martin.
Svevo, Italo. La Coscienza di Zeno.
Swift, Jonathan. Battle of the Books.
——. Gulliver’s Travels.
Tacitus. History.
Tasso, Torquato. Discorsi del poema eroico.
——. Gerusalemme liberata.
Thackeray, William Makepeace. History of Pendennis.
Thomas à Kempis. Imitation of Christ.
Thoreau, Henry David. Civil Disobedience.
Thucydides. 1954. History of the Peloponnesian War. Trans. Rex Warner. London: Penguin.
Todorov, Tzvetan. 1971. “The Two Principles of Narrative.” Diacritics 1, no. 1: 37–44.
Tolstoy, Leo. 1966. War and Peace. Ed. George Gibian. Trans. Louise and Aylmer Maude. New York: Norton.
Tomachevski, Boris. 1965. “Thématique.” In Théorie de la littérature, ed. Tzvetan Todorov, 263–307. Paris: Seuil.
Toolen, Michael J. 1988. Narrative: A Critical Linguistic Introduction. London: Routledge.
Tristan and Iseult.
Trollope, Anthony. The Last Chronicle of Barset.
Turner, Paul. 1968. “Novels, Ancient and Modern.” Novel: A Forum on Fiction 2, no. 1: 15–24.
Uitti, Karl. 1973. Story, Myth, and Celebration in Old French Narrative Poetry, 1050–1200. Princeton: Princeton University Press.
Urfé, Honoré d’. L’Astrée.
Valincour, Jean-Baptiste-Henry du Trousset de. 1678. Lettres à Madame la Marquise sur le sujet de la Princesse de Clèves. Paris: Chez Sébastien Mabre-Cramoisy.
Vance, Eugene. 1970. Reading The Song of Roland. Englewood Cliffs, N.J.: Prentice Hall.
Van Peer, Willie, and Seymour Chatman, eds. 2001. New Perspectives on Narrative Perspective. Albany: State University of New York Press.
Vergil (Publius Vergilius Maro). The Aeneid.
Vidocq, François Eugène. Les Mémoires de Vidocq.
Vie de Saint Alexis. 2000. Geneva: Droz.
Vigny, Alfred de. Cinq-Mars.
Voltaire (François-Marie Arouet). “Micromégas.”
The Voyage of Brendan.
Wace. Roman de Brut.
Whitman, Cedric. 1958. Homer and the Heroic Tradition. Cambridge: Harvard University Press.
Wilder, Thornton. 1927. The Bridge of San Luis Rey. New York: Albert and Charles Boni.
Xenophon. 1953. An Ephesian Tale. In Three Greek Romances, ed. and trans. Moses Hadas, 71–126. Indianapolis: Bobbs-Merrill..
Young, Karl. 1933. The Drama of the Medieval Church. 2 vols. Oxford: Clarendon Press.
Zola, Émile. 1928. Oeuvres complètes. Ed. Maurice Le Blond. Paris: Bernouard.
——. 1967a. L’Assommoir. In Les Rougon-Macquart II, 371–796. Paris: Gallimard-Pléïade.
——. 1967b. La Terre. Paris: Fasquelle (Poche).
——. 1967c. “Notes générales sur la nature de l’oeuvre.” In Les Rougon-Macquart V, 1742–45. Paris: Gallimard-Pléïade.
——. La Faute de l ’abbé Mouret.
——. Germinal.
——. Nana.
——. Le Roman expérimental.
——. Son Excellence Eugène Rougon.
——. Thérèse Raquin.
——. Le Ventre de Paris (The Fat and the Thin).
Films
Antonioni, Michelangelo. Zabriskie Point (MGM, 1970).
Buñuel, Luis. Viridiana (José Esteban Alenda Distribución, 1961).
Cameron, James. Titanic (Twentieth Century Fox / Paramount, 1997).
Chaplin, Charles. The Great Dictator (United Artists, 1940).
Cooper, Merian C., and Ernest B. Schoedsack. King Kong (RKO, 1933).
Coppola, Francis Ford. The Rain People (Warner Bros, 1969).
Davies, Andrew. Pride and Prejudice (BBC, 1995).
De Mille, Cecil B. Unconquered (Paramount, 1947).
De Sica, Vittorio. The Garden of the Finzi-Contini (Central Cinema Company, 1970).
Douglas, Gordon. Them! (Warner Bros., 1954).
Eisenstein, Sergei. Battleship Potemkin (Goskino, 1925).
Fellini, Federico. La Dolce Vita (Cineriz, 1960).
——. I Vitelloni (ENIC, 1953).
Ford, John. She Wore a Yellow Ribbon (RKO, 1949).
——. Wagonmaster (Argosy, 1950).
Freeland, Thornton. Flying Down to Rio (RKO, 1933).
Fuller, Sam. The Big Red One (United Artists, 1980)
Garnett, Tay. Bataan (MGM, 1943).
Griffith, D. W. The Birth of a Nation (Epoch, 1915)
——. The Cricket on the Hearth (Biograph, 1909).
——. Enoch Arden (Biograph, 1911).
——. Intolerance (Triangle Corporation, 1916).
——. Judith of Bethulia (American Mutoscope & Biograph, 1913).
——. The Lonedale Operator (Biograph, 1911).
——. The Lonely Villa (Biograph, 1909).
——. Ramona (Biograph, 1910).
Guillermin, John. Death on the Nile (EMI, 1978).
——. The Towering Inferno (Twentieth Century Fox /Warner Bros., 1974).
Hitchcock, Alfred. Notorious (RKO, 1946).
Hopper, Dennis. Easy Rider (Columbia, 1969).
Julian, Rupert. The Phantom of the Opera (Universal, 1925).
Leonard, Robert Z. New Moon (MGM, 1940).
Ludwig, Edward. The Fighting Seabees (Republic, 1944)
Mamoulian, Rouben. Silk Stockings (MGM, 1957).
Meyer, Nicholas. The Day After (ABC, 1983).
Milestone, Lewis. All Quiet on the Western Front (Universal, 1930).
Minnelli, Vincente. An American in Paris (MGM, 1951).
——. The Band Wagon (MGM, 1953).
——. Gigi (MGM, 1958).
Penn, Arthur. Bonnie and Clyde (Warner Bros., 1967).
Renoir, Jean. La Grande Illusion (Cinédis, 1937).
——. La Règle du jeu (Rules of the Game) (Pathé, 1939).
Robson, Mark. Earthquake (Universal, 1974).
Seaton, George. Airport (Universal, 1970).
Spielberg, Steven. Saving Private Ryan (Paramount, 1999).
Truffaut, François. The Bride Wore Black (Les Artistes Associés (UA), 1968).
Van Dyke, W.S. Sweethearts (MGM, 1938). Werker, Alfred L. The Adventures of Sherlock Holmes (Twentieth Century Fox, 1939).
Wise, Robert. West Side Story (United Artists, 1961).
Wyler, William. The Best Years of Our Lives (RKO, 1946).
Zinnemann, Fred. Oklahoma! (Todd, 1955).