In 2015 Cyndi Lauper came to Nashville with iconic music executive Seymour Stein to meet with producers who she might work with on a concept album that would include songs from the 1940s to 1960s.
Cyndi met with every producer in town who had experience working on a wide range of country songs, and when she settled on working with me, I was thrilled!
The album, called Detour, was not meant to garner hit radio singles but to be a critical achievement. It just had to be authentic and freaking good so that the critics wouldn’t think we were being slackers doing half-assed covers.
Cyndi’s longtime studio engineer, William Wittman, worked on the project with us and brought a lot to the table. From the first song we cut, I realized that Cyndi doing classic country covers was going to be a challenge, but in a good way. By that I mean that she’s a stylist with a very distinct pop sound. Nonetheless, it translated perfectly. Some people think of Cyndi as the chick with pink hair—and I found out she’s a woman with an amazing voice. Vocally, she really has no limits.
“I really wanted a partner I could co-produce with who I thought understood where I was going with this album, and Tony seemed the easiest to talk to.”
Cyndi Lauper