Chapter 2
| 2.1: | Variations V (1965). John Cage, David Tudor, Gordon Mumma (foreground); Carolyn Brown, Merce Cunningham, Barbara Dilley (background). Photographer: Hérve Gloaguen. Courtesy of John Cage Trust. |
| 2.2: | Studies in Perception I, 5’ x 12’, 1966. Courtesy of Leon Harmon and Ken Knowlton. |
| 2.3: | Courtesy of ADAGP. |
| 2.4: | © Cybernetic Serendipity. |
| 2.5: | © Cybernetic Serendipity. |
Chapter 3
| 3.1: | De Agostini/Getty Images. |
| 3.2: | Copyright © 1965 A. Michael Noll. Created in 1964. |
| 3.3: | Cellulose on glass, wood. Collection of the artist. Courtesy of the artist. |
| 3.4: | Courtesy of the artist. |
| 3.5: | Paul Brown, Swimming Pool, 1997. Giclée print, 75 x 50 cm. Courtesy of the artist. |
| 3.6: | Seascape, Folkestone, 25th October 2008 at 11:41 am. © Susan Collins. |
Chapter 4
| 4.1: | Plotter drawing on paper, 30.5 x 30.5 cm. Courtesy of the artist. |
| 4.2: | In collaboration with Prof. W. Craig Carter (MIT) and Stratasys. Prototype for a Chaise Lounge 2008–10, acrylic composites. Museum of Science, Boston. Neri Oxman, architect and designer. |
| 4.3: | Courtesy of Joseph Paradiso. |
| 4.4: | Photograph © Peter Weibel. |
| 4.5: | Courtesy of Tobie Kerridge, Nikki Stott, and Ian Thompson. |
Chapter 5
| 5.1: | Courtesy of the artist. Steel, 100” x 44” x 20” (2.50 x 1.10 x 0.50 m). Location: City of Moses, WA. |
| 5.2: | Photograph © Dmitry Gelfand. Acoustically induced light emissions in xenon-saturated sulphuric acid. |
| 5.3 (a): | Nathan Cohen. |
| 5.3 (b): | Nathan Cohen. |
| 5.4: | © Tim Roth. |
| 5.5: | Courtesy of the artist. A project by Vanessa Harden and Dr. Dominic Southgate in collaboration with Dr. Roberto Trotta, Dr. David Clements, and Dr. Andrew Jaffe from the Imperial College Astrophysics Group. Photo Credit—Kevin Hill. |
| 5.6: | © Josiah McElheny. Courtesy Andrea Rosen Gallery, New York. Photo by Tom Powel. Chrome-plated aluminum, electric lighting, hand blown glass, steel cable and rigging 16 feet diameter. |
| 5.7: | Courtesy of the artist. Installation. Material: Stainless steel wire. |
| 5.8: | Courtesy of the artist. |
| 5.9: | Courtesy of the artist. |
| 5.10: | Courtesy of the artist and Alexander Levy, Berlin. |
| 5.11: | Collection Paul Brennan, New York. |
| 5.12: | Antony Gormley. Feeling Material XXXIV, 2008. 5mm square section mild steel bar, 155 x 244 x 153 cm. Collection of CERN, Geneva, Switzerland. Photograph by Stephen White, London. © the artist. |
| 5.13: | Courtesy of the artist. |
Chapter 7
| 7.1: | Courtesy of the artist and GV Art gallery, London. |
| 7.2: | Courtesy of the artist and GV Art gallery, London. |
| 7.3: | Courtesy of the artist and GV Art gallery, London. |
| 7.4: | Courtesy of the artist and GV Art gallery, London. 20 giclée prints, 175 x 140 cm. |
| 7.5: | Courtesy of the Artist and GV Art gallery, London. In collaboration with Professor Morton L. Kringelbach. |
| 7.6: | Courtesy of the Artist and GV Art gallery, London. In collaboration with Dr. Matthew Sellars. |
| 7.7: | Courtesy of the Artist, Dominik Mersch Gallery, Sydney, and GV Art gallery, London. |
| 7.8: | Courtesy of Scott Livesy Galleries, Melbourne. |
| 7.9: | Courtesy of the artist. |
| 7.10: | Live Butterflies with modified wing patterns. Courtesy Marta de Menezes. |
| 7.11: | Courtesy of the artist. |
| 7.12: | Courtesy of the artist. |
| 7.13: | Courtesy of the artist. |
| 7.14: | Courtesy of the artist. Performance by Art Orienté (Laval-Jeantet and Mangin), Kapelica Gallery, Ljubljana, February 22, 2011. Image by Miha Fras. |
Chapter 8
| 8.1: | © Atelier Leitner. |
| 8.2: | Copyrights: Andreas Langen and bonn hoeren, 2012. |
| 8.3: | Courtesy of the artist. Photograph by Jana Chiellino. |
| 8.4: | Courtesy of the artist. Photograph by Stephen Kill FBIPP BSc, Chief Photographer, STFC Rutherford Appleton Laboratory, Harwell Science and Innovation Campus. |
| 8.5: | Courtesy of the artist. Paul Prudence performing Cyclotone in 2013. |
| 8.6: | Courtesy MIT Media Lab. |
| 8.7: | Courtesy Jonathan Williams. |
| 8.8: | Courtesy D. Yee. |
Chapter 9
| 9.1: | A Mote, 2009, microscope digital image, image courtesy of the artist. |
| 9.2: | AFM Mote, 2009, AFM digital image, image courtesy of the artist. |
| 9.3: | Software: Mutator, FormGrow, and Winsom. Produced at the IBM UK Scientific Centre. The image is copyright William Latham. |
| 9.4: | Credit line image: Studio NAND 2012. Credit line project: Moritz Stefaner, Drew Hemment, Studio NAND 2012. Courtesy of the artist. |
| 9.5: | Courtesy of the artist. Speculative Sea Level Explorer by Benedikt Gross. Data: “SRTM30 Plus” by Scripps Institution of Oceanography, San Diego. http://benedikt-gross.de/log/2013/04/speculative-sea-level-explorer/. |
| 9.6: | Courtesy of the artist. |
| 9.7: | Courtesy of Aaron Koblin and Chris Milk. |
Insert
Insert 1: Courtesy of the artist and Site Gallery, Sheffield. Installation, Site Gallery, Sheffield: two computers, data projectors, Perspex screens, and cameras.
Insert 2: Photograph by Oliver Strewe.
Insert 3: Courtesy of the artist. String Theory II is on permanent display at the Rasmuson Centre, Anchorage, Alaska. 6 meters tall, base 1.75 meters in diameter. Illumination high power video projector with artist’s computer-generated kinetic images.
Insert 4: © Keith Tyson. Mixed Media on Watercolor Paper. 157 cm x 126 cm.
Insert 5: Courtesy of Galerie Albert Benamou, Paris.
Insert 6: Courtesy of the artist and GV Art gallery, London. Pig Wings, 2000–2002 by the Tissue Culture & Art Project (Oron Catts, Ionat Zurr in collaboration with Guy Ben-Ary). Medium: Gold-coated pig bone marrow stem cells, differentiated into bone tissue, and degradable polymer scaffold. Size: approx 4 x 1 x 0.4 in cm, each set.
Insert 7: Courtesy of the artist and GV Art gallery. This project has been assisted by the Australian government through the Australia Council, its arts funding and advisory body.
Insert 8: Eduardo Kac, GFP Bunny, 2000, transgenic artwork. Alba, the fluorescent rabbit. Courtesy Black Box Gallery, Copenhagen.
Insert 9: Courtesy of the artist and Ronald Feldman Fine Arts, New York, NY. Photograph of cleared and stained multi-limbed Pacific tree frog from Aptos, California, in scientific collaboration with Stanley K. Sessions. Unique digital C-print on watercolor paper. 46 x 34 inches.
Insert 10: Courtesy of Joonjae Moon.
Insert 11: By Scott Draves and the Electric Sheep.
Insert 12: Courtesy of the artist.
Insert 13: Courtesy of W. Bradford Paley. Research and node layout by Kevin Boyack and Dick Klavans; data from Thompson ISI; information layering, graphics, and typography by W. Bradford Paley. Copyright © 2006–2008 W. Bradford Paley, all rights reserved.
Insert 14: Courtesy of W. Bradford Paley. Research and node layout by Kevin Boyack and Dick Klavans; data from Thompson ISI; information layering, graphics, and typography by W. Bradford Paley. Copyright © 2006–2008 W. Bradford Paley, all rights reserved.