That people, even more than things, lost their boundaries and overflowed into shapelessness is what most frightened Lila in the course of her life. The loss of those boundaries in her brother, whom she loved more than anyone in her family, had frightened her, and the disintegration of Stefano in the passage from fiancé to husband terrified her. I learned only from her notebooks how much her wedding night had scarred her and how she feared the potential distortion of her husband’s body, his disfigurement by the internal impulses of desire and rage or, on the contrary, of subtle plans, base acts. Especially at night she was afraid of waking up and finding him formless in the bed, transformed into excrescences that burst out because of too much fluid, the flesh melted and dripping, and with it everything around, the furniture, the entire apartment and she herself, his wife, broken, sucked into that stream polluted by living matter.
When she closed the door behind her and, as if she were inside a white cloud of steam that made her invisible, took the metro to Campi Flegrei, Lila had the impression that she had left a soft space, inhabited by forms without definition, and was finally heading toward a structure that was capable of containing her fully, all of her, without her cracking or the figures around her cracking. She reached her destination along desolate streets. She dragged the suitcase to the third floor of a working-class apartment building, and into a shoddy, dark two-room apartment furnished with old, cheap furniture, a bathroom where there was only a toilet and sink. She had done it all herself, Nino had to prepare for his exams and he was also working on a new article for Il Mattino and on transforming the other into an essay that had been rejected by Cronache Meridionali, but that a journal called Nord e Sud said it was eager to publish. She had seen the apartment, had rented it, had given three payments in advance. Now, as soon as she entered, she felt enormously cheerful. She discovered with surprise the pleasure of having abandoned those she thought would have to be part of her forever. Pleasure, yes, she wrote just that. She didn’t feel in the least the loss of the new neighborhood’s comforts, she didn’t smell the odor of mold, didn’t see the stain of dampness in a corner of the bedroom, didn’t notice the gray light that struggled to enter through the window, wasn’t depressed by a place that immediately foretold a return to the poverty of her childhood. Instead, she felt as if she had magically disappeared from a place where she suffered, and had reappeared in a place that promised happiness. She was again fascinated, I think, by erasing herself: enough with everything she had been; enough with the stradone, shoes, groceries, husband, Solaras, Piazza dei Martiri; enough even with me, bride, wife, gone elsewhere, lost. All that remained of her self was the lover of Nino, who arrived that evening.
He was visibly overcome by emotion. He embraced her, kissed her, looked around disoriented. He barred doors and windows as if he feared sudden incursions. They made love, in a bed for the first time after the night in Forio. Then he got up, he started studying, he complained often about the weak light. She also got out of bed and helped him review. They went to sleep at three in the morning, after revising together the new article for Il Mattino, and they slept in an embrace. Lila felt safe, although it was raining outside, the windows shook, the house was alien to her. How new Nino’s body was, long, thin, so different from Stefano’s. How exciting his smell was. It seemed to her that she had come from a world of shadows and had arrived in a place where finally life was real. In the morning, as soon as she put her feet on the floor, she had to run to the toilet to throw up. She closed the door so that Nino wouldn’t hear.