THE ARCHITECTURE OF MEMORY

Dear yellow backhoe, dear yellow grader, dear yellow bulldozer:

you decipher and dismember our dirt, clay red from iron oxide,

topsoil stripped by development. How did anyone bury their dead

here, when no spot yields to a shovel? Down the block

I’ve seen tiny walled-off clusters of headstones for families who sold

their farmland to make our tract homes, but it’s like chipping away

at stone to get past the first façade of our yard which cracks like

earthquake cement, holds water like a sealed basin. My son

loves to curl his hands into half moons and press them together

as a bowl, flatten them to a book. I’ve been reading the sefer zikoren,

the yizker-bikher that recount how survivors like my grandmother

searched their hometowns in vain after the war for familiar bones

to bury, and then for their peacetime dead, only to find the streets

paved with Hebrew inscriptions, gravestones face-up. Avenging ghosts.

Maybe you’re already there, grandmother, bulldozer. Rendered.

Surfaced with asphalt. The iron gate to the entrance where the cemetery

once stood.

Each morning in the car my son yells, Detour!, reminds me we’re taking

the new way since the road is broken. Orange yield sign, orange cone,

exhumed coffin of the soon-to-be playground, the promised pool;

heaps of gravel grow and vanish in minutes, and O the brick piles,