SELECT BIBLIOGRAPHY

 Works by Ford (whether as ‘Hueffer’ or ‘Ford’)

Ancient Lights and Certain New Reflections: Being the Memories of a Young Man (London: Chapman & Hall, 1911); published as Memories and Impressions (New York: Harper, 1911)

The Benefactor (London: Brown, Langham, 1905)

A Call (London: Chatto and Windus, 1910)

The Cinque Ports (Edinburgh and London: William Blackwood and Sons, 1900)

The Correspondence of Ford Madox Ford and Stella Bowen, ed. Sondra Stang and Karen Cochran (Bloomington and Indianapolis: Indiana University Press, 1994)

The Critical Attitude (London: Duckworth, 1911)

Critical Essays, ed. Max Saunders and Richard Stang (Manchester: Carcanet, 2002)

England and the English, ed. Sara Haslam (Manchester: Carcanet, 2003) (collecting Ford’s trilogy on Englishness: The Soul of London, The Heart of the Country and The Spirit of the People)

The Fifth Queen (London: Alston Rivers, 1906)

The Fifth Queen Crowned (Eveleigh Nash, 1908)

The Ford Madox Ford Reader, with Foreword by Graham Greene; ed. Sondra J. Stang (Manchester: Carcanet, 1986)

The Good Soldier, ed. Martin Stannard (Norton Critical Edition; New York and London: W. W. Norton & Company, 1995)

The Heart of the Country (London: Alston Rivers, 1906)

It Was the Nightingale (1933), ed. John Coyle (Manchester: Carcanet, 2007)

Joseph Conrad: A Personal Remembrance (London: Duckworth, 1924; Boston: Little, Brown, 1924)

Last Post (London: Duckworth, 1928) – the fourth and final novel of Parade’s End

Letters of Ford Madox Ford, ed. Richard M. Ludwig (Princeton, NJ: Princeton University Press, 1965)

A Man Could Stand Up (London: Duckworth, 1926) – the third novel of Parade’s End

The March of Literature (London: Allen & Unwin, 1939)

The Marsden Case (London: Duckworth, 1923)

Mightier Than the Sword (London: Allen & Unwin, 1938)

Mister Bosphorus and the Muses or a Short History of Poetry in Britain. Variety Entertainment in Four Acts… with Harlequinade, Transformation Scene, Cinematograph Effects, and Many Other Novelties, as well as Old and Tried Favourites, illustrated by Paul Nash (London: Duckworth, 1923)

No More Parades (London: Duckworth, 1925) – the second novel of Parade’s End

No Enemy (1929), ed. Paul Skinner (Manchester: Carcanet, 2002)

Pound/Ford: the Story of a Literary Friendship: the Correspondence between Ezra Pound and Ford Madox Ford and Their Writings About Each Other, ed. Brita Lindberg-Seyersted (London: Faber & Faber, 1982)

Privy Seal (London: Alston Rivers, 1907)

Provence (1935), ed. John Coyle (Manchester: Carcanet, 2009)

Return to Yesterday (1931), ed. Bill Hutchings (Manchester: Carcanet, 1999)

Some Do Not … (London: Duckworth, 1924)

The Spirit of the People (London: Alston Rivers, 1907)

Thus to Revisit (London: Chapman and Hall, 1921)

War Prose, ed. Max Saunders (Manchester: Carcanet, 1999)

When Blood is Their Argument (London: Hodder & Stoughton, 1915)

Other Works

Harvey, David Dow, Ford Madox Ford: 1873–1939: A Bibliography of Works and Criticism (Princeton, NJ: Princeton University Press, 1962)

Saunders, Max, Ford Madox Ford: A Dual Life, 2 vols (Oxford: Oxford University Press, 1996)

Stang, Sondra J., ed., The Presence of Ford Madox Ford (Philadelphia: University of Pennsylvania Press, 1981)

Further Critical Reading on Parade’s End

Armstrong, Paul, The Challenge of Bewilderment: Understanding and Representation in James, Conrad, and Ford (Ithaca, NY, and London: Cornell University Press, 1987)

Attridge, John, ‘“I Don’t Read Novels … I Know What’s in ’em”: Impersonality, Impressionism and Responsibility in Parade’s End’, in Impersonality and Emotion in Twentieth-Century British Literature, ed. Christine Reynier and Jean-Michel Ganteau (Montpellier: Université Montpellier III, 2005)

Auden, W. H., ‘Il Faut Payer’, Mid-Century, 22 (Feb. 1961), 3–10

Becquet, Alexandra, ‘Modernity, Shock and Cinema: The Visual Aesthetics of Ford Madox Ford’s Parade’s End’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino, International Ford Madox Ford Studies, 8 (Amsterdam and New York: Rodopi, 2009), 191–204

Bergonzi, Bernard, Heroes’ Twilight: A Study of the Literature of the Great War (Manchester: Carcanet, 3rd edn, 1996)

Bradbury, Malcolm, ‘The Denuded Place: War and Ford in Parade’s End and U. S. A.’, in The First World War in Fiction, ed. Holger Klein (London and Basingstoke: Macmillan, rev. edn, 1978), 193–209 ––‘Introduction’, Parade’s End (London: Everyman’s Library, 1992)

Brasme, Isabelle, ‘Between Impressionism and Modernism: Some Do Not …, a poetics of the Entre-deux’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore, International Ford Madox Ford Studies, 7 (Amsterdam and New York: Rodopi, 2008), 189–99

Brown, Dennis, ‘Remains of the Day: Tietjens the Englishman’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders, International Ford Madox Ford Studies, 2 (Amsterdam and Atlanta, GA: Rodopi, 2003), 161–74

Brown, Nicholas, Utopian Generations: The Political Horizon of Twentieth-Century Literature (Princeton, NJ: Princeton University Press, 2005)

Buitenhuis, Peter, The Great War of Words: British, American and Canadian Propaganda and Fiction, 1914–1933 (Vancouver: University of British Columbia Press, 1987)

Calderaro, Michela A., A Silent New World: Ford Madox Ford’s Parade’s End (Bologna: Editrice CLUEB [Cooperativa Libraria Universitaria, Editrice Bologna], 1993)

Caserio, Robert L., ‘Ford’s and Kipling’s Modernist Imagination of Public Virtue’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders, International Ford Madox Ford Studies, 2 (Amsterdam and Atlanta, GA: Rodopi, 2003), 175–90

Cassell, Richard A., Ford Madox Ford: A Study of his Novels (Baltimore: Johns Hopkins University Press, 1962)

––Ford Madox Ford: Modern Judgements (London: Macmillan, 1972)

––Critical Essays on Ford Madox Ford (Boston: G. K. Hall, 1987)

Colombino, Laura, Ford Madox Ford: Vision, Visuality and Writing (Oxford: Peter Lang, 2008)

Conroy, Mark, ‘A Map of Tory Misreading in Parade’s End’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino, International Ford Madox Ford Studies, 8 (Amsterdam and New York: Rodopi, 2009), 175–90.

Cook, Cornelia, ‘Last Post’, Agenda, 27:4–28:1, Ford Madox Ford special double issue (winter 1989–spring 1990), 23–30

Davis, Philip, ‘The Saving Remnant’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow, International Ford Madox Ford Studies, 5 (Amsterdam and New York: Rodopi, 2006), 21–35

Deer, Patrick, Culture in Camouflage: War, Empire, and Modern British Literature (Oxford: Oxford University Press, 2009)

DeKoven, Marianne, ‘Valentine Wannop and Thematic Structure in Ford Madox Ford’s Parade’s End’, English Literature in Transition (1880–1920), 20:2 (1977), 56–68

Erskine-Hill, Howard, ‘Ford’s Novel Sequence: An Essay in Retrospection’, Agenda, 27:4–28:1, Ford Madox Ford special double issue (winter 1989–spring 1990), 46–55

Frayn, Andrew, ‘“This Battle Was not Over”: Parade’s End as a Transitional Text in the Development of “Disenchanted” First World War Literature’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore, International Ford Madox Ford Studies, 7 (Amsterdam and New York: Rodopi, 2008), 201–16

Gasiorek, Andrzej, ‘The Politics of Cultural Nostalgia: History and Tradition in Ford Madox Ford’s Parade’s End’, Literature & History, 11:2 (third series) (autumn 2002), 52–77

Gordon, Ambrose, Jr, The Invisible Tent: The War Novels of Ford Madox Ford (Austin, TX: University of Texas Press, 1964)

Green, Robert, Ford Madox Ford: Prose and Politics (Cambridge: Cambridge University Press, 1981)

Haslam, Sara, Fragmenting Modernism: Ford Madox Ford, the Novel, and the Great War (Manchester: Manchester University Press, 2002)

Heldman, J. M., ‘The Last Victorian Novel: Technique and Theme in Parade’s End’, Twentieth Century Literature, 18 (Oct. 1972), 271–84

Hoffmann, Charles G., Ford Madox Ford: Updated Edition (Boston: Twayne Publishers, 1990)

Holton, Robert. Jarring Witnesses: Modern Fiction and the Representation of History (Hemel Hempstead: Harvester Wheatsheaf, 1994)

Hynes, Samuel, ‘Ford Madox Ford: Three Dedicatory Letters to Parade’s End, with Commentary and Notes’, Modern Fiction Studies, 16:4 (1970), 515–28

––A War Imagined: The First World War and English Culture (London: The Bodley Head, 1990)

Judd, Alan, Ford Madox Ford (London: Collins, 1990)

Kashner, Rita, ‘Tietjens’ Education: Ford Madox Ford’s Tetralogy’, Critical Quarterly, 8 (1966), 150–63

MacShane, Frank, The Life and Work of Ford Madox Ford (New York: Horizon; London: Routledge & Kegan Paul, 1965)

–– ed., Ford Madox Ford: The Critical Heritage (London: Routledge, 1972)

Meixner, John A., Ford Madox Ford’s Novels: A Critical Study (Minneapolis: University of Minnesota Press; London: Oxford University Press, 1962)

Mizener, Arthur, The Saddest Story: A Biography of Ford Madox Ford (New York: World, 1971; London: The Bodley Head, 1972)

Monta, Anthony P., ‘Parade’s End in the Context of National Efficiency’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth, International Ford Madox Ford Studies, 3 (Amsterdam and New York: Rodopi, 2004), 41–51

Moore, Gene, ‘The Tory in a Time of Change: Social Aspects of Ford Madox Ford’s Parade’s End’, Twentieth Century Literature, 28:1 (spring 1982), 49–68

Moser, Thomas C., The Life in the Fiction of Ford Madox Ford (Princeton, NJ: Princeton University Press, 1980)

Munton, Alan, ‘The Insane Subject: Ford and Wyndham Lewis in the War and Post-War’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore, International Ford Madox Ford Studies, 7 (Amsterdam and New York: Rodopi, 2008), 105–30

Parfitt, George, Fiction of the First World War: A Study (London: Faber & Faber, 1988)

Radford, Andrew, ‘The Gentleman’s Estate in Ford’s Parade’s End’, Essays in Criticism 52:4 (Oct. 2002), 314–32

Saunders, Max, ‘Ford and European Modernism: War, Time, and Parade’s End’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: Editrice CLUEB [Cooperativa Libraria Universitaria, Editrice Bologna], 2002), 3–21

––‘Introduction’, Ford Madox Ford, Parade’s End (Harmondsworth: Penguin, 2002), vii–xvii

Seiden, Melvin, ‘Persecution and Paranoia in Parade’s End’, Criticism, 8:3 (summer 1966), 246–62

Skinner, Paul, ‘“Not the Stuff to Fill Graveyards”: Joseph Conrad and Parade’s End’, in Inter-relations: Conrad, James, Ford, and Others, ed. Keith Carabine and Max Saunders (Lublin: Columbia University Press, 2003), 161–76.

––‘The Painful Processes of Reconstruction: History in No Enemy and Last Post’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth, International Ford Madox Ford Studies, 3 (Amsterdam and New York: Rodopi, 2004), 65–75

Snitow, Ann Barr, Ford Madox Ford and the Voice of Uncertainty (Baton Rouge: Louisiana State University Press, 1984)

Sorum, Eve, ‘Mourning and Moving On: Life after War in Ford Madox Ford’s The Last Post’, in Modernism and Mourning, ed. Patricia Rae (Lewisburg, PA: Bucknell University Press, 2007), 154–67

Stang, Sondra J., Ford Madox Ford (New York: Ungar, 1977)

Tate, Trudi, ‘Rumour, Propaganda, and Parade’s End’, Essays in Criticism, 47:4 (Oct. 1997), 332–53

––Modernism, History and the First World War (Manchester: Manchester University Press, 1998)

Trotter David, ‘Ford Against Lewis and Joyce’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore, International Ford Madox Ford Studies, 7 (Amsterdam and New York: Rodopi, 2008), 131–49

Weiss, Timothy, Fairy Tale and Romance in Works of Ford Madox Ford (Lanham, MD: University Press of America, 1984)

Wiesenfarth, Joseph, Gothic Manners and the Classic English Novel (Madison: University of Wisconsin Press, 1988)

Wiley, Paul L., Novelist of Three Worlds: Ford Madox Ford (Syracuse, NY: Syracuse University Press, 1962)