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THE SECRET HOUSE
TOWARDS THE MIDDLE of the last century, a velvet-capped president of the Parlement of Paris having a mistress and concealing it, for in those days the great lords exhibited their mistress and the bourgeois concealed theirs, had “une petite maison” built in the Faubourg Saint Germain, in the deserted Rue de Blomet, now called the Rue Plumet, not far from the spot which then went by the name of the Combat des Animaux.
This was a summer-house of but two stories; two rooms on the ground floor, two rooms in the second story, a kitchen below, a boudoir above, a garret next the roof, the whole fronted by a garden with a large iron grated gate opening on the street. This garden contained about an acre. This was all that the passers-by could see; but in the rear of the house there was a small yard, at the further end of which there was a low building, two rooms only and a cellar, a convenience intended to conceal a child and nurse in case of need. This building communicated, from the rear, by a masked door opening secretly, with a long narrow passage, paved, winding, open to the sky, bordered by two high walls, and which, concealed with wonderful art, and as it were lost between the inclosures of the gardens and fields, all the corners and turnings of which it followed, came to an end at another door, also concealed, which opened a third of a mile away, almost in another neighbourhood, upon the unbuilt end of the Rue de Babylone.
The president came in this way, so that those even who might have watched and followed him, and those who might have observed that the president went somewhere mysteriously every day, could not have suspected that going to the Rue de Babylone was going to the Rue Blomet. By skilful purchases of land, the ingenious magistrate was enabled to have this secret route to his house made upon his own ground, and consequently without supervision. He had afterwards sold off the lots of ground bordering on the passage in little parcels for flower and vegetable gardens, and the proprietors of these lots of ground supposed on both sides that what they saw was a partition wall, and did not even suspect the existence of that long ribbon of pavement winding between two walls among their beds and fruit trees. The birds alone saw this curiosity. It is probable that the larks and the sparrows of the last century had a good deal of chattering about the president.
The house, built of stone in the Mansard style, wainscoted, and furnished in the Watteau style, rococo within, old-fashioned without, walled about with a triple hedge of flowers, had a discreet, coquettish, and solemn appearance about it, suitable to a caprice of love and of magistracy.
This house and this passage, which have since disappeared, were still in existence fifteen years ago. In ‘93, a coppersmith bought the house to pull it down, but not being able to pay the price for it, the nation sent him into bankruptcy. So that it was the house that pulled down the coppersmith. Thereafter the house remained empty, and fell slowly into ruin, like all dwellings to which the presence of man no longer communicates life. It remained, furnished with its old furniture, and always for sale or to let, and the ten or twelve persons who passed through the Rue Plumet in the course of a year were notified of this by a yellow and illegible piece of paper which had hung upon the railing of the garden since 1810.
Towards the end of the Restoration, these same passers-by might have noticed that the paper had disappeared, and that, also, the shutters of the upper story were open. The house was indeed occupied. The windows had “little curtains,” a sign that there was a woman there.
In the month of October, 1829, a man of a certain age had appeared and hired the house as it stood, including, of course, the building in the rear, and the passage which ran out to the Rue de Babylone. He had the secret openings of the two doors of this passage repaired. The house, as we have just said, was still nearly furnished with the president’s old furniture. The new tenant had ordered a few repairs, added here and there what was lacking, put in a few flags in the yard, a few bricks in the basement, a few steps in the staircase, a few tiles in the floors, a few panes in the windows, and finally came and installed himself with a young girl and an aged servant, without any noise, rather like somebody stealing in than like a man who enters his own house. The neighbours did not gossip about it, for the reason that there were no neighbours.
This tenant, to partial extent, was Jean Valjean; the young girl was Cosette. The servant was a spinster named Toussaint, whom Jean Valjean had saved from the poorhouse and misery, and who was old, stuttering, and a native of a province, three qualities which had determined Jean Valjean to take her with him. He hired the house under the name of Monsieur Fauchelevent, gentleman. In what has been related hitherto, the reader doubtless recognised Jean Valjean even before Thénardier did.
Why had Jean Valjean left the convent of the Petit Picpus? What had happened?
Nothing had happened.
As we remember, Jean Valjean was happy in the convent, so happy that his conscience at last began to be troubled. He saw Cosette every day, he felt paternity springing up and developing within him more and more, he brooded this child with his soul, he said to himself that she was his, that nothing could take her from him, that this would be so indefinitely, that certainly she would become a nun, being every day gently led on towards it, that thus the convent was henceforth the universe to her as well as to him, that he would grow old there and she would grow up there, that she would grow old there and he would die there; that finally, ravishing hope, no separation was possible. In reflecting upon this, he at last began to find difficulties. He questioned himself. He asked himself if all this happiness were really his own, if it were not made up of the happiness of another, of the happiness of this child whom he was appropriating and plundering, he, an old man; if this was not a robbery? He said to himself that this child had a right to know what life was before renouncing it; that to cut her off, in advance, and, in some sort, without consulting her, from all pleasure, under pretence of saving her from all trial, to take advantage of her ignorance and isolation to give her an artificial vocation, was to outrage a human creature and to lie to God. And who knows but, thinking over all this some day, and being a nun with regret, Cosette might come to hate him? a final thought, which was almost selfish and less heroic than the others, but which was unbearable to him. He resolved to leave the convent.
He resolved it, he recognised with despair that it must be done. As to objections, there were none. Five years of sojourn between those four walls, and of absence from among men, had necessarily destroyed or dispersed the elements of alarm. He might return tranquilly among men. He had grown old, and all had changed. Who would recognise him now? And then, to look at the worst, there was no danger save for himself, and he had no right to condemn Cosette to the cloister for the reason that he had been condemned to the galleys. What, moreover, is danger in presence of duty? Finally, nothing prevented him from being prudent, and taking proper precautions.
As to Cosette’s education, it was almost finished and complete.
His determination once formed, he awaited an opportunity. It was not slow to present itself. Old Fauchelevent died.
Jean Valjean asked an audience of the reverend prioress, and told her that having received a small inheritance on the death of his brother, which enabled him to live henceforth without labour, he would leave the service of the convent, and take away his daughter; but that, as it was not just that Cosette, not taking her vows, should have been educated gratuitously, he humbly begged the reverend prioress to allow him to offer the community, as indemnity for the five years which Cosette had passed there, the sum of five thousand francs.
Thus Jean Valjean left the convent of the Perpetual Adoration.
On leaving the convent, he took in his own hands, and would not entrust to any assistant, the little box, the key of which he always had about him. This box puzzled Cosette, on account of the odour of embalming which came from it.
Let us say at once, that henceforth this box never left him more. He always had it in his room. It was the first, and sometimes the only thing that he carried away in his changes of abode. Cosette laughed about it, and called this box the inseparable, saying: “I am jealous of it.”
Jean Valjean nevertheless did not appear again in the open city without deep anxiety.
He discovered the house in the Rue Plumet, and buried himself in it. He was henceforth in possession of the name of Ultimus Fauchelevent.
At the same time he hired two other lodgings in Paris, in order to attract less attention than if he always remained in the same neighbourhood, to be able to change his abode on occasion, at the slightest anxiety which he might feel, and finally, that he might not again find himself in such a strait as on the night when he had so miraculously escaped from Javert. These two lodgings were two very humble dwellings, and of a poor appearance, in two neighbourhoods widely distant from each other, one in the Rue de l‘Ouest, the other in the Rue de l’Homme Armé.
He went from time to time, now to the Rue de l‘Homme Armé and now to the Rue de l’Ouest, to spend a month or six weeks, with Cosette, without taking Toussaint. He was waited upon by the porters, and gave himself out for a man of some means of the suburbs, having a foothold in the city. This lofty virtue had three domiciles in Paris in order to escape from the police.