1
JEAN VALJEAN
THAT VERY DAY, towards four o‘clock in the afternoon, Jean Valjean was sitting alone upon the reverse of one of the most solitary embankments of the Champ de Mars. Whether from prudence, or from a desire for meditation, or simply as a result of one of those insensible changes of habits which creep little by little into all lives, he now rarely went out with Cosette. He wore his working-man’s waistcoat, brown linen trousers, and his cap with the long visor hid his face. He was now calm and happy in regard to Cosette; what had for some time alarmed and disturbed him was dissipated; but within a week or two anxieties of a different nature had come upon him. One day, when walking on the boulevard, he had seen Thénardier; thanks to his disguise, Thénardier had not recognised him; but since then Jean Valjean had seen him again several times, and he was now certain that Thénardier was prowling about the neighbourhood. This was sufficient to make him take a serious step. Thénardier there! this was all dangers at once. Moreover, Paris was not quiet: the political troubles had this inconvenience for him who had anything in his life to conceal, that the police had become very active, and very secret, and that in seeking to track out a man like Pépin or Morey, they would be very likely to discover a man like Jean Valjean. Jean Valjean had decided to leave Paris, and even France, and to pass over to England. He had told Cosette. In less than a week he wished to be gone. He was sitting on the embankment in the Champ de Mars, revolving all manner of thoughts in his mind, Thenardier, the police, the journey, and the difficulty of procuring a passport.
On all these points he was anxious.
Finally, an inexplicable circumstance which had just burst upon him, and with which he was still warm, had added to his alarm. On the morning of that very day, being the only one up in the house, and walking in the garden before Cosette’s shutters were open, he had suddenly come upon this line scratched upon the wall, probably with a nail.
16, Rue de la Verrerie.
It was quite recent, the lines were white in the old black mortar, a tuft of nettles at the foot of the wall was powdered with fresh fine plaster. It had probably been written during the night. What was it? an address? a signal for others? a warning for him? At all events, it was evident that the garden had been violated, and that some persons unknown had penetrated into it. He recalled the strange incidents which had already alarmed the house. His mind worked upon this canvass. He took good care not to speak to Cosette of the line written on the wall, for fear of frightening her.
In the midst of these meditations, he perceived, by a shadow which the sun had projected, that somebody had just stopped upon the crest of the embankment immediately behind him. He was about to turn round, when a folded paper fell upon his knees, as if a hand had dropped it from above his head. He took the paper, unfolded it, and read on it this word, written in large letters with a pencil:
MOVE OUT.
Jean Valjean rose hastily, there was no longer anybody on the embankment; he looked about him, and perceived a species of being larger than a child, smaller than a man, dressed in a grey smock and trousers of dirt-coloured cotton velvet, which jumped over the parapet and let itself slide into the ditch of the Champ de Mars.
Jean Valjean returned home immediately, full of thought.