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THE CLOACA AND ITS SURPRISES

IT WAS in the sewer of Paris that Jean Valjean found himself.

The transition was marvellous. From the very centre of the city, Jean Valjean had gone out of the city, and, in the twinkling of an eye, the time of lifting a cover and closing it again, he had passed from broad day to complete darkness, from noon to midnight, from uproar to silence, from the whirl of the thunder to the stagnation of the tomb, and, by a mutation much more prodigious still than that of the Rue Polonceau, from the most extreme peril to the most absolute security.

Only, the wounded man did not stir, and Jean Valjean did not know whether what he was carrying away in this grave were alive or dead.

His first sensation was blindness. Suddenly he saw nothing more. It seemed to him also that in one minute he had become deaf. He heard nothing more. The frenzied storm of murder which was raging a few feet above him only reached him, as we have said, thanks to the thickness of the earth which separated him from it, stifled and indistinct, and like a rumbling at a great depth. He felt that it was solid under his feet; that was all; but that was enough. He reached out one hand, then the other, and touched the wall on both sides, and realised that the passage was narrow; he slipped, and realised that the pavement was wet. He advanced one foot with precaution, fearing a hole, a pit, some gulf; he made sure that the pavement continued. A whiff of fetidness informed him where he was.

After a few moments, he ceased to be blind. A little light fell from the air-hole through which he had slipped in, and his eye became accustomed to this cave. He began to distinguish something. The passage in which he had gone to ground, no other word better expresses the condition, was walled up behind him. It was one of those cul-de-sacs technically called branchments. Before him, there was another wall, a wall of night. The light from the air-hole died out ten or twelve paces from the point at which Jean Valjean stood, and scarcely produced a pallid whiteness over a few yards of the damp wall of the sewer. Beyond, the opaqueness was massive; to penetrate it appeared horrible, and to enter it seemed like being engulfed. He could, however, force his way into that wall of mist, and he must do it. He must even hasten. Jean Valjean thought that that grating, noticed by him under the paving-stones, might also be noticed by the soldiers, and that all depended upon that chance. They also could descend into the well and explore it. There was not a minute to be lost. He had laid Marius upon the ground, he gathered him up, this is again the right word, replaced him upon his shoulders, and began his journey. He resolutely entered that darkness.

The truth is, that they were not so safe as Jean Valjean supposed. Perils of another kind, and not less great, awaited them perhaps. After the flashing whirl of the combat, the cavern of miasmas and pitfalls; after chaos, the cloaca. Jean Valjean had fallen from one circle of Hell to another.^go

At the end of fifty paces he was obliged to stop. A question presented itself The passage terminated in another which it met transversely. These two roads were offered. Which should he take? should he turn to the left or to the right? How guide himself in this black labyrinth? This labyrinth, as we have remarked, has a clue: its descent. To follow the descent is to go to the river.

Jean Valjean understood this at once.

He said to himself that he was probably in the sewer of the markets; that, if he should choose the left and follow the descent, he would come in less than a quarter of an hour to some mouth upon the Seine between the Pont au Change and the Pont Neuf, that is to say, he would reappear in broad day in the most populous portion of Paris. He might come out in some gathering of corner idlers. Amazement of the passers-by at seeing two bloody men come out of the ground under their feet. Arrival of sergent de ville, call to arms in the next guard-house. He would be seized before getting out. It was better to plunge into the labyrinth, to trust to this darkness, and to rely on Providence for the outcome.

He chose the right, and went up the ascent.

When he had turned the corner of the gallery, the distant gleam of the air-hole disappeared, the curtain of darkness fell back over him, and he again became blind. He went forward none the less, and as rapidly as he could. Marius’ arms were passed about his neck, and his feet hung behind him. He held both arms with one hand, and groped for the wall with the other. Marius’ cheek touched his and stuck to it, being bloody. He felt a warm stream, which came from Marius, flow over him and penetrate his clothing. Still, a moist warmth at his ear, which touched the wounded man’s mouth, indicated respiration, and consequently life. The passage through which Jean Valjean was now moving was not so narrow as the first. Jean Valjean walked in it with difficulty. The rains of the previous day had not yet run off, and made a little stream in the centre of the floor, and he was compelled to hug the wall, to keep his feet out of the water. Thus he went on in midnight. He resembled the creatures of night groping in the invisible, and lost underground in the veins of the darkness.

However, little by little, whether some distant air-holes sent a little floating light into this opaque mist, or that his eyes became accustomed to the dark, some dim vision came back to him, and he again began to receive a confused perception, now of the wall which he was touching, and now of the arch under which he was passing. The pupil dilates in the night, and at last finds day in it, even as the soul dilates in misfortune, and at last finds God in it.

To find his way was difficult.

He went forward, anxious but calm, seeing nothing, knowing nothing, plunged into chance, that is to say, swallowed up in Providence.

By degrees, we must say, some horror penetrated him. The shadow which enveloped him entered his mind. He was walking in an enigma. This aqueduct of the cloaca is formidable; it is dizzily intertangled. It is a dreary thing to be caught in this Paris of darkness. Jean Valjean was obliged to find and almost to invent his route without seeing it. In that unknown region, each step which he ventured might be the last. How should he get out? Should he find an outlet? Should he find it in time? Would this colossal subterranean sponge with cells of stone admit of being penetrated and pierced? Would he meet with some unlooked-for knot of obscurity? Would he encounter the inextricable and the insurmountable? Would Marius die of haemorrhage, and he of hunger? Would they both perish there at last, and make two skeletons in some niche of that night? He did not know. He asked himself all this, and he could not answer. The intestine of Paris is an abyss. Like the prophet, he was in the belly of the monster.

Suddenly he was surprised. At the most unexpected moment, and without having diverged from a straight line, he discovered that he was no longer rising; the water of the brook struck coming against his heels instead of upon the top of his feet. The sewer now descended. Why? would he then soon reach the Seine? This danger was great, but the peril of retreat was still greater. He continued to advance.

He had been walking for about half an hour, at least by his own calculation, and had not yet thought of resting; only he had changed the hand which supported Marius. The darkness was deeper than ever, but this depth reassured him.

All at once he saw his shadow before him. It was marked out on a feeble ruddiness almost indistinct, which vaguely empurpled the floor at his feet, and the arch over his head, and which glided along at his right and his left on the two slimy walls of the corridor. In amazement he turned round.

Behind him, in the portion of the passage through which he had passed, at a distance which appeared to him immense, flamed, throwing its rays into the dense darkness, a sort of horrible star which appeared to be looking at him.

It was the gloomy star of the police which was rising in the sewer.

Behind this star were moving without order eight or ten black forms, straight, indistinct, terrible.