1737 | MATTHEW GREEN from The Spleen |
To cure the mind’s wrong biass, spleen, | |
Some recommend the bowling-green; | |
Some, hilly walks; all, exercise; | |
Fling but a stone, the giant dies; | |
Laugh and be well; monkeys have been | |
Extreme good doctors for the spleen; | |
And kitten, if the humour hit, | |
Has harlequin’d away the fit. | |
(… ) | |
Sometimes I dress, with women sit, | |
And chat away the gloomy fit, | |
Quit the stiff garb of serious sense, | |
And wear a gay impertinence, | |
Nor think, nor speak with any pains, | |
But lay on fancy’s neck the reins; | |
Talk of unusual swell of waist | |
In maid of honour loosely lac’d, | |
And beauty borr’wing Spanish red, | |
And loving pair with sep’rate bed, | |
And jewels pawn’d for loss of game, | |
And then redeem’d by loss of fame, | |
Of Kitty (aunt left in the lurch | |
By grave pretence to go to church) | |
Perceiv’d in hack with lover fine, | |
Like Will and Mary on the coin: | |
And thus in modish manner we | |
In aid of sugar sweeten tea. | |
Permit, ye fair, your idol form, | |
Which e’en the coldest heart can warm, | |
May with its beauties grace my line, | |
While I bow down before it’s shrine, | |
And your throng’d altars with my lays | |
Perfume, and get by giving praise. | |
With speech so sweet, so sweet a mien | |
You excommunicate the spleen. | |
1738 | SAMUEL JOHNSON from London: A Poem in Imitation of the Third Satire of Juvenal |
Tho’ grief and fondness in my breast rebel, | |
When injur’d THALES bids the town farewell, | |
Yet still my calmer thoughts his choice commend, | |
I praise the hermit, but regret the friend, | |
Resolved at length, from vice and LONDON far, | |
To breathe in distant fields a purer air, | |
And, fix’d on Cambria’s solitary shore, | |
Give to St David one true Briton more. | |
For who would leave, unbrib’d, Hibernia’s land, | |
Or change the rocks of Scotland for the Strand? | |
There none are swept by sudden fate away, | |
But all whom hunger spares, with age decay: | |
Here malice, rapine, accident, conspire, | |
And now a rabble rages, now a fire; | |
Their ambush here relentless ruffians lay, | |
And here the fell attorney prowls for prey; | |
Here falling houses thunder on your head, | |
And here a female atheist talks you dead. | |
(… ) | |
By numbers here from shame or censure free, | |
All crimes are safe, but hated poverty. | |
This, only this, the rigid law pursues, | |
This, only this, provokes the snarling muse. | |
The sober trader at a tatter’d cloak, | |
Wakes from his dream, and labours for a joke; | |
With brisker air the silken courtiers gaze, | |
And turn the varied taunt a thousand ways. | |
Of all the griefs that harrass the distress’d, | |
Sure the most bitter is a scornful jest; | |
Fate never wounds more deep the gen’rous heart, | |
Than when a blockhead’s insult points the dart. | |
Has heaven reserv’d, in pity to the poor, | |
No pathless waste, or undiscover’d shore; | |
No secret island in the boundless main? | |
No peaceful desart yet unclaim’d by SPAIN? | |
Quick let us rise, the happy seats explore, | |
And bear oppression’s insolence no more. | |
This mournful truth is ev’ry where confess’d, | |
SLOW RISES WORTH, BY POVERTY DEPRESS’D: | |
But here more slow, where all are slaves to gold, | |
Where looks are merchandise, and smiles are sold; | |
Where won by bribes, by flatteries implor’d, | |
The groom retails the favours of his lord. | |
ALEXANDER POPE from Epilogue to the Satires | |
from Dialogue I | |
Virtue may chuse the high or low Degree, | |
’Tis just alike to Virtue, and to me; | |
Dwell in a Monk, or light upon a King, | |
She’s still the same, belov’d, contented thing. | |
Vice is undone, if she forgets her Birth, | |
And stoops from Angels to the Dregs of Earth: | |
But ’tis the Fall degrades her to a Whore; | |
Let Greatness own her, and she’s mean no more: | |
Her Birth, her Beauty, Crowds and Courts confess, | |
Chaste Matrons praise her, and grave Bishops bless: | |
In golden Chains the willing World she draws, | |
And hers the Gospel is, and hers the Laws: | |
Mounts the Tribunal, lifts her scarlet head, | |
And sees pale Virtue carted in her stead! | |
Lo! at the Wheels of her Triumphal Car, | |
Old England’s Genius, rough with many a Scar, | |
Dragg’d in the Dust! his Arms hang idly round, | |
His Flag inverted trails along the ground! | |
Our Youth, all liv’ry’d o’er with foreign Gold, | |
Before her dance; behind her crawl the Old! | |
See thronging Millions to the Pagod run, | |
And offer Country, Parent, Wife, or Son! | |
Hear her black Trumpet thro’ the Land proclaim, | |
That ‘Not to be corrupted is the Shame.’ | |
In Soldier, Churchman, Patriot, Man in Pow’r, | |
’Tis Av’rice all, Ambition is no more! | |
See, all our Nobles begging to be Slaves! | |
See, all our Fools aspiring to be Knaves! | |
The Wit of Cheats, the Courage of a Whore, | |
Are what ten thousand envy and adore. | |
All, all look up, with reverential Awe, | |
On Crimes that scape, or triumph o’er the Law: | |
While Truth, Worth, Wisdom, daily they decry – | |
‘Nothing is Sacred now but Villany.’ | |
ALEXANDER POPE Epitaph for One Who Would Not Be Buried in Westminster Abbey. | |
Heroes, and Kings! your distance keep: | |
In peace let one poor Poet sleep, | |
Who never flatter’d Folks like you: | |
Let Horace blush, and Virgil too. | |
1739 | JONATHAN SWIFT from Verses on the Death of Dr. Swift |
The Time is not remote, when I | |
Must by the Course of Nature dye: | |
When I foresee my special Friends, | |
Will try to find their private Ends: | |
Tho’ it is hardly understood, | |
Which way my Death can do them good; | |
Yet, thus methinks, I hear ’em speak; | |
See, how the Dean begins to break: | |
Poor Gentleman, he droops apace, | |
You plainly find it in his Face: | |
That old Vertigo in his Head, | |
Will never leave him, till he’s dead: | |
Besides, his Memory decays, | |
He recollects not what he says; | |
He cannot call his Friends to Mind; | |
Forgets the Place where last he din’d: | |
Plyes you with Stories o’er and o’er, | |
He told them fifty Times before. | |
How does he fancy we can sit, | |
To hear his out-of-fashion’d Wit? | |
But he takes up with younger Fokes, | |
Who for his Wine will bear his Jokes: | |
Faith, he must make his Stories shorter, | |
Or change his Comrades once a Quarter: | |
In half the Time, he talks them round; | |
There must another Sett be found. | |
For Poetry, he’s past his Prime, | |
He takes an Hour to find a Rhime: | |
His Fire is out, his Wit decay’d, | |
His Fancy sunk, his Muse a Jade. | |
I’d have him throw away his Pen; | |
But there’s no talking to some Men. | |
And, then their Tenderness appears, | |
By adding largely to my Years: | |
‘He’s older than he would be reckon’d, | |
‘And well remembers Charles the Second. | |
‘He hardly drinks a Pint of Wine; | |
‘And that, I doubt, is no good Sign. | |
‘His Stomach too begins to fail: | |
‘Last Year we thought him strong and hale; | |
‘But now, he’s quite another Thing; | |
‘I wish he may hold out till Spring.’ | |
Then hug themselves, and reason thus; | |
‘It is not yet so bad with us.’ | |
In such a Case they talk in Tropes, | |
And, by their Fears express their Hopes: | |
Some great Misfortune to portend, | |
No Enemy can match a Friend; | |
With all the Kindness they profess, | |
The Merit of a lucky Guess, | |
(When daily Howd’y’s come of Course, | |
And Servants answer; Worse and Worse) | |
Wou’d please ’em better than to tell, | |
That, GOD be prais’d, the Dean is well. | |
Then he who prophecy’d the best, | |
Approves his Foresight to the rest: | |
‘You know, I always fear’d the worst, | |
‘And often told you so at first:’ | |
He’d rather chuse that I should dye, | |
Than his Prediction prove a Lye. | |
Not one foretels I shall recover; | |
But, all agree, to give me over. | |
Yet shou’d some Neighbour feel a Pain, | |
Just in the Parts, where I complain; | |
How many a Message would he send? | |
What hearty Prayers that I should mend? | |
Enquire what Regimen I kept; | |
What gave me Ease, and how I slept? | |
And more lament, when I was dead, | |
Than all the Sniv’llers round my Bed. | |
My good Companions, never fear, | |
For though you may mistake a Year; | |
Though your Prognosticks run too fast, | |
They must be verify’d at last. | |
‘Behold the fatal Day arrive! | |
‘How is the Dean? He’s just alive. | |
‘Now the departing Prayer is read: | |
‘He hardly breathes. The Dean is dead. | |
‘Before the Passing-Bell begun, | |
‘The News thro’ half the Town has run. | |
‘O, may we all for Death prepare! | |
‘What has he left? And who’s his Heir? | |
‘I know no more than what the News is, | |
‘’Tis all bequeath’d to publick Uses. | |
‘To publick Use! A perfect Whim! | |
‘What had the Publick done for him! | |
‘Meer Envy, Avarice, and Pride! | |
‘He gave it all: – But first he dy’d. | |
‘And had the Dean, in all the Nation, | |
‘No worthy Friend, no poor Relation? | |
‘So ready to do Strangers good, | |
‘Forgetting his own Flesh and Blood?’ | |
Now Grub-Street Wits are all employ’d; | |
With Elegies, the Town is cloy’d: | |
Some Paragraph in ev’ry Paper, | |
To curse the Dean, or bless the Drapier. | |
The Doctors tender of their Fame, | |
Wisely on me lay all the Blame: | |
‘We must confess his Case was nice; | |
‘But he would never take Advice: | |
‘Had he been rul’d, for ought appears, | |
‘He might have liv’d these Twenty Years: | |
‘For when we open’d him we found, | |
‘That all his vital Parts were sound.’ | |
From Dublin soon to London spread, | |
’Tis told at Court, the Dean is dead. | |
Kind Lady Suffolk in the Spleen, | |
Runs laughing up to tell the Queen. | |
The Queen, so Gracious, Mild, and Good, | |
Cries, ‘Is he gone? ’Tis time he shou’d. | |
‘He’s dead you say; why let him rot; | |
‘I’m glad the Medals were forgot. | |
‘I promis’d them, I own; but when? | |
‘I only was the Princess then; | |
‘But now as Consort of the King, | |
‘You know ’tis quite a different Thing.’ | |
(… ) | |
Here shift the Scene, to represent | |
How those I love, my Death lament. | |
Poor POPE will grieve a Month; and GAY | |
A Week; and ARBUTHNOTT a Day. | |
ST JOHN himself will scarce forbear, | |
To bite his Pen, and drop a Tear. | |
The rest will give a Shrug and cry | |
I’m sorry; but we all must dye. | |
Indifference clad in Wisdom’s Guise, | |
All Fortitude of Mind supplies: | |
For how can stony Bowels melt, | |
In those who never Pity felt; | |
When We are lash’d, They kiss the Rod; | |
Resigning to the Will of God. | |
The Fools, my Juniors by a Year, | |
Are tortur’d with Suspence and Fear. | |
Who wisely thought my Age a Screen, | |
When Death approach’d, to stand between: | |
The Screen remov’d, their Hearts are trembling, | |
They mourn for me without dissembling. | |
My female Friends, whose tender Hearts | |
Have better learn’d to act their Parts. | |
Receive the News in doleful Dumps, | |
‘The Dean is dead, (and what is Trumps?) | |
‘Then Lord have Mercy on his Soul. | |
‘(Ladies I’ll venture for the Vole.) | |
‘Six Deans they say must bear the Pall. | |
‘(I wish I knew what King to call.) | |
‘Madam, your Husband will attend | |
‘The Funeral of so good a Friend. | |
‘No Madam, ’tis a shocking Sight, | |
‘And he’s engag’d To-morrow Night! | |
‘My Lady Club wou’d take it ill, | |
‘If he shou’d fail her at Quadrill. | |
‘He lov’d the Dean. (I lead a Heart.) | |
‘But dearest Friends, they say, must part. | |
‘His Time was come, he ran his Race; | |
‘We hope he’s in a better Place.’ | |
1740 | ALEXANDER POPE On Queen Caroline’s Death-bed |
Here lies wrapt up in forty thousand towels | |
The only proof that C* * * had bowels. | |
SAMUEL JOHNSON An Epitaph on Claudy Phillips, a Musician | |
Phillips! whose touch harmonious could remove | |
The pangs of guilty pow’r, and hapless love, | |
Rest here distrest by poverty no more, | |
Find here that calm thou gav’st so oft before; | |
Sleep undisturb’d within this peaceful shrine, | |
Till angels wake thee with a note like thine. | |
CHARLES WESLEY Morning Hymn | |
Christ, whose Glory fills the Skies, | |
CHRIST, the true, the only Light, | |
Sun of Righteousness, arise, | |
Triumph o’er the Shades of Night: | |
Day-spring from on High, be near: | |
Day-star, in my Heart appear. | |
Dark and Chearless is the Morn | |
Unaccompanied by Thee, | |
Joyless is the Day’s Return, | |
Till thy Mercy’s Beams I see; | |
Till they Inward Light impart, | |
Glad my Eyes, and warm my Heart. | |
Visit then this Soul of mine, | |
Pierce the Gloom of Sin, and Grief, | |
Fill me, Radiancy Divine, | |
Scatter all my Unbelief, | |
More and more Thyself display | |
Shining to the Perfect Day. | |
1742 | ALEXANDER POPE from The Dunciad |
[The Tribe of Fanciers] | |
Then thick as Locusts black’ning all the ground, | |
A tribe, with weeds and shells fantastic crown’d, | |
Each with some wond’rous gift approach’d the Pow’r, | |
A Nest, a Toad, a Fungus, or a Flow’r. | |
But far the foremost, two, with earnest zeal, | |
And aspect ardent to the Throne appeal. | |
The first thus open’d: ‘Hear thy suppliant’s call, | |
Great Queen, and common Mother of us all! | |
Fair from its humble bed I rear’d this Flow’r, | |
Suckled, and chear’d, with air, and sun, and show’r, | |
Soft on the paper ruff its leaves I spread, | |
Bright with the gilded button tipt its head, | |
Then thron’d in glass, and nam’d it CAROLINE: | |
Each Maid cry’d, charming! and each Youth, divine! | |
Did Nature’s pencil ever blend such rays, | |
Such vary’d light in one promiscuous blaze? | |
Now prostrate! dead! behold that Caroline: | |
No Maid cries, charming! and no Youth, divine! | |
And lo the wretch! whose vile, whose insect lust | |
Lay’d this gay daughter of the Spring in dust. | |
Oh punish him, or to th’ Elysian shades | |
Dismiss my soul, where no Carnation fades.’ | |
He ceas’d, and wept. With innocence of mien, | |
Th’ Accus’d stood forth, and thus address’d the Queen. | |
‘Of all th’ enamel’d race, whose silv’ry wing | |
Waves to the tepid Zephyrs of the spring, | |
Or swims along the fluid atmosphere, | |
Once brightest shin’d this child of Heat and Air. | |
I saw, and started from its vernal bow’r | |
The rising game, and chac’d from flow’r to flow’r. | |
It fled, I follow’d; now in hope, now pain; | |
It stopt, I stopt; it mov’d, I mov’d again. | |
At last it fix’d, ’twas on what plant it pleas’d, | |
And where it fix’d, the beauteous bird I seiz’d: | |
Rose or Carnation was below my care; | |
I meddle, Goddess! only in my sphere. | |
I tell the naked fact without disguise, | |
And, to excuse it, need but shew the prize; | |
Whose spoils this paper offers to your eye, | |
Fair ev’n in death! this peerless Butterfly.’ | |
‘My sons! (she answer’d) both have done your parts: | |
Live happy both, and long promote our arts. | |
But hear a Mother, when she recommends | |
To your fraternal care, our sleeping friends. | |
The common Soul, of Heav’n’s more frugal make, | |
Serves but to keep fools pert, and knaves awake: | |
A drowzy Watchman, that just gives a knock, | |
And breaks our rest, to tell us what’s a clock. | |
Yet by some object ev’ry brain is stirr’d; | |
The dull may waken to a Humming-bird; | |
The most recluse, discreetly open’d, find | |
Congenial matter in the Cockle-kind; | |
The mind, in Metaphysics at a loss, | |
May wander in a wilderness of Moss; | |
The head that turns at super-lunar things, | |
Poiz’d with a tail, may steer on Wilkins’ wings. | |
‘O! would the Sons of Men once think their Eyes | |
And Reason giv’n them but to study Flies! | |
See Nature in some partial narrow shape, | |
And let the Author of the Whole escape: | |
Learn but to trifle; or, who most observe, | |
To wonder at their Maker, not to serve.’ | |
(… ) | |
[The Triumph of Dullness] | |
Then blessing all, ‘Go Children of my care! | |
To Practice now from Theory repair. | |
All my commands are easy, short, and full: | |
My Sons! be proud, be selfish, and be dull. | |
Guard my Prerogative, assert my Throne: | |
This Nod confirms each Privilege your own. | |
The Cap and Switch be sacred to his Grace; | |
With Staff and Pumps the Marquis lead the Race; | |
From Stage to Stage the licens’d Earl may run, | |
Pair’d with his Fellow-Charioteer the Sun; | |
The learned Baron Butterflies design, | |
Or draw to silk Arachne’s subtile line; | |
The Judge to dance his brother Sergeant call; | |
The Senator at Cricket urge the Ball; | |
The Bishop stow (Pontific Luxury!) | |
An hundred Souls of Turkeys in a pye; | |
The sturdy Squire to Gallic masters stoop, | |
And drown his Lands and Manors in a Soupe. | |
Others import yet nobler arts from France, | |
Teach Kings to fiddle, and make Senates dance. | |
Perhaps more high some daring son may soar, | |
Proud to my list to add one Monarch more; | |
And nobly conscious, Princes are but things | |
Born for First Ministers, as Slaves for Kings, | |
Tyrant supreme! shall three Estates command, | |
And MAKE ONE MIGHTY DUNCIAD OF THE LAND!’ | |
More she had spoke, but yawn’d – All Nature nods: | |
What Mortal can resist the Yawn of Gods? | |
Churches and Chapels instantly it reach’d; | |
(St. James’s first, for leaden Gilbert preach’d) | |
Then catch’d the Schools; the Hall scarce kept awake; | |
The Convocation gap’d, but could not speak: | |
Lost was the Nation’s Sense, nor could be found, | |
While the long solemn Unison went round: | |
Wide, and more wide, it spread o’er all the realm; | |
Ev’n Palinurus nodded at the Helm: | |
The Vapour mild o’er each Committee crept; | |
Unfinish’d Treaties in each Office slept; | |
And Chiefless Armies doz’d out the Campaign; | |
And Navies yawn’d for Orders on the Main. | |
O Muse! relate (for you can tell alone, | |
Wits have short Memories, and Dunces none) | |
Relate, who first, who last resign’d to rest; | |
Whose Heads she partly, whose completely blest; | |
What Charms could Faction, what Ambition lull, | |
The Venal quiet, and intrance the Dull; | |
‘Till drown’d was Sense, and Shame, and Right, and Wrong – | |
O sing, and hush the Nations with thy Song! | |
* * * * * * | |
In vain, in vain, – the all-composing Hour | |
Resistless falls: The Muse obeys the Pow’r. | |
She comes! she comes! the sable Throne behold | |
Of Night Primæval, and of Chaos old! | |
Before her, Fancy’s gilded clouds decay, | |
And all its varying Rain-bows die away. | |
Wit shoots in vain its momentary fires, | |
The meteor drops, and in a flash expires. | |
As one by one, at dread Medea’s strain, | |
The sick’ning stars fade off th’ethereal plain; | |
As Argus’ eyes by Hermes’ wand opprest, | |
Clos’d one by one to everlasting rest; | |
Thus at her felt approach, and secret might, | |
Art after Art goes out, and all is Night. | |
See skulking Truth to her old Cavern fled, | |
Mountains of Casuistry heap’d o’er her head! | |
Philosophy, that lean’d on Heav’n before, | |
Shrinks to her second cause, and is no more. | |
Physic of Metaphysic begs defence, | |
And Metaphysic calls for aid on Sense! | |
See Mystery to Mathematics fly! | |
In vain! they gaze, turn giddy, rave, and die. | |
Religion blushing veils her sacred fires, | |
And unawares Morality expires. | |
Nor public Flame, nor private, dares to shine; | |
Nor human Spark is left, nor Glimpse divine! | |
Lo! thy dread Empire, CHAOS! is restor’d; | |
Light dies before thy uncreating word: | |
Thy hand, great Anarch! lets the curtain fall; | |
And Universal Darkness buries All. | |
(1728–42) | |
1744 | ANONYMOUS On the Death of Mr. Pope |
Seal up the Book, all Vision’s at an end, | |
For who durst now to Poetry pretend? | |
Since Pope is dead, it must be sure confessed | |
The Muse’s sacred Inspiration’s ceased; | |
And we may only what is writ rehearse: | |
His Works are the Apocalypse of Verse. | |
| |
ANONYMOUS Cock Robbin | |
Who did kill Cock Robbin? | |
I, said the Sparrow, | |
With my bow and Arrow, | |
And I did kill Cock Robbin. | |
Who did see him die? | |
I, said the Fly, | |
With my little Eye, | |
And I did see him die. | |
And who did catch his blood? | |
I, said the Fish, | |
With my little Dish, | |
And I did catch his blood. | |
And who did make his shroud? | |
I, said the Beetle, | |
With my little Needle, | |
And I did make his shroud. | |
Who’ll dig his grave? | |
I, said the Owl, | |
With my pick and shovel, | |
I’ll dig his grave. | |
Who’ll be the parson? | |
I, said the Rook, | |
With my little book, | |
I’ll be the parson. | |
Who’ll be the clerk? | |
I, said the Lark, | |
If it’s not in the dark, | |
I’ll be the clerk. | |
Who’ll carry the link? | |
I, said the Linnet, | |
I’ll fetch it in a minute, | |
I’ll carry the link. | |
Who’ll be chief mourner? | |
I, said the Dove, | |
I mourn for my love, | |
I’ll be chief mourner. | |
Who’ll carry the coffin? | |
I, said the Kite, | |
If it’s not through the night, | |
I’ll carry the coffin. | |
Who’ll bear the pall? | |
We, said the Wren, | |
Both the cock and the hen, | |
We’ll bear the pall. | |
Who’ll sing a psalm? | |
I, said the Thrush, | |
As she sat on a bush, | |
I’ll sing a psalm. | |
Who’ll toll the bell? | |
I, said the Bull, | |
Because I can pull, | |
I’ll toll the bell. | |
All the birds of the air | |
Fell a-sighing and a-sobbing, | |
When they heard the bell toll | |
For poor Cock Robbin. | |
ANONYMOUS London Bridge | |
London Bridge is broken down, | |
Dance o’er my lady lee, | |
London Bridge is broken down, | |
With a gay lady. | |
How shall we build it up again? | |
Dance o’er my lady lee, | |
How shall we build it up again? | |
With a gay lady. | |
Build it up with silver and gold, | |
Dance o’er my lady lee, | |
Build it up with silver and gold, | |
With a gay lady. | |
Silver and gold will be stole away, | |
Dance o’er my lady lee, | |
Silver and gold will be stole away, | |
With a gay lady. | |
Build it up with iron and steel, | |
Dance o’er my lady lee, | |
Build it up with iron and steel, | |
With a gay lady. | |
Iron and steel will bend and bow, | |
Dance o’er my lady lee, | |
Iron and steel will bend and bow, | |
With a gay lady. | |
Build it up with wood and clay, | |
Dance o’er my lady lee, | |
Build it up with wood and clay, | |
With a gay lady. | |
Wood and clay will wash away, | |
Dance o’er my lady lee, | |
Wood and clay will wash away, | |
With a gay lady. | |
Build it up with stone so strong, | |
Dance o’er my lady lee, | |
Huzza! ’twill last for ages long, | |
With a gay lady. | |
1745 | CHARLES WESLEY |
Let Earth and Heaven combine, | |
Angels and Men agree | |
To praise in Songs divine | |
Th’Incarnate Deity, | |
Our GOD contracted to a Span, | |
Incomprehensibly made Man. | |
He laid his Glory by, | |
He wrap’d Him in our Clay, | |
Unmark’d by Human Eye | |
The latent Godhead lay; | |
Infant of Days He here became, | |
And bore the lov’d IMMANUEL’S Name. | |
See in that Infant’s Face | |
The Depths of Deity, | |
And labour while ye gaze | |
To sound the Mystery: | |
In vain; ye Angels gaze no more, | |
But fall, and silently adore. | |
Unsearchable the Love | |
That hath the Saviour brought, | |
The Grace is far above | |
Or Men or Angels Thought; | |
Suffice for Us, that GOD, we know, | |
Our GOD is manifest below. | |
He deigns in Flesh t’appear, | |
Widest Extremes to join, | |
To bring our Vileness near, | |
And make us All divine; | |
And we the Life of GOD shall know, | |
For GOD is manifest below. | |
Made perfect first in Love, | |
And sanctified by Grace, | |
We shall from Earth remove, | |
And see his glorious Face; | |
His Love shall then be fully shew’d, | |
And Man shall be lost in GOD. |