PERCY BYSSHE SHELLEY from Julian and Maddalo. A Conversation

The meadows with fresh streams, the bees with thyme,

The goats with the green leaves of budding spring,

Are saturated not – nor Love with tears.

VIRGIL’s Gallus.

I rode one evening with Count Maddalo

Upon the bank of land which breaks the flow

Of Adria towards Venice: – a bare strand

Of hillocks, heaped from ever-shifting sand,

Matted with thistles and amphibious weeds,

Such as from earth’s embrace the salt ooze breeds,

Is this; – an uninhabitable sea-side

Which the lone fisher, when his nets are dried,

Abandons; and no other object breaks

The waste, but one dwarf tree and some few stakes

Broken and unrepaired, and the tide makes

A narrow space of level sand thereon, –

Where ’twas our wont to ride while day went down.

This ride was my delight. – I love all waste

And solitary places; where we taste

The pleasure of believing what we see

Is boundless, as we wish our souls to be:

And such was this wide ocean, and this shore

More barren than its billows; – and yet more

Than all, with a remembered friend I love

To ride as then I rode; – for the winds drove

The living spray along the sunny air

Into our faces; the blue heavens were bare,

Stripped to their depths by the awakening North;

And, from the waves, sound like delight broke forth

Harmonizing with solitude, and sent

Into our hearts aerial merriment…

So, as we rode, we talked; and the swift thought,

Winging itself with laughter, lingered not,

But flew from brain to brain, – such glee was ours –

Charged with light memories of remembered hours,

None slow enough for sadness: till we came

Homeward, which always makes the spirit tame.

This day had been cheerful but cold, and now

The sun was sinking, and the wind also.

Our talk grew somewhat serious, as may be

Talk interrupted with such raillery

As mocks itself, because it cannot scorn

The thoughts it would extinguish: – ’twas forlorn

Yet pleasing, such as once, so poets tell,

The devils held within the dales of Hell

Concerning God, freewill and destiny:

Of all that earth has been or yet may be,

All that vain men imagine or believe,

Or hope can paint or suffering may atchieve,

We descanted, and I (for ever still

Is it not wise to make the best of ill?)

Argued against despondency, but pride

Made my companion take the darker side.

The sense that he was greater than his kind

Had struck, methinks, his eagle spirit blind

By gazing on its own exceeding light.

– Meanwhile the sun paused ere it should alight,

Over the horizon of the mountains; – Oh,

How beautiful is sunset, when the glow

Of Heaven descends upon a land like thee,

Thou Paradise of exiles, Italy!

Thy mountains, seas and vineyards and the towers

Of cities they encircle! – it was ours

To stand on thee, beholding it; and then

Just where we had dismounted, the Count’s men

Were waiting for us with the gondola. –

As those who pause on some delightful way

Though bent on pleasant pilgrimage, we stood

Looking upon the evening and the flood

Which lay between the city and the shore

Paved with the image of the sky… the hoar

And aery Alps towards the North appeared

Through mist, an heaven-sustaining bulwark reared

Between the East and West; and half the sky

Was roofed with clouds of rich emblazonry

Dark purple at the zenith, which still grew

Down the steep West into a wondrous hue

Brighter than burning gold, even to the rent

Where the swift sun yet paused in his descent

Among the many folded hills: they were

Those famous Euganean hills, which bear

As seen from Lido through the harbour piles

The likeness of a clump of peaked isles –

And then – as if the Earth and Sea had been

Dissolved into one lake of fire, were seen

Those mountains towering as from waves of flame

Around the vaporous sun, from which there came

The inmost purple spirit of light, and made

Their very peaks transparent. ‘Ere it fade,’

Said my Companion, ‘I will shew you soon

A better station’ – so, o’er the lagune

We glided, and from that funereal bark

I leaned, and saw the City, and could mark

How from their many isles, in evening’s gleam,

Its temples and its palaces did seem

Like fabrics of enchantment piled to Heaven.

I was about to speak, when – ‘We are even

Now at the point I meant,’ said Maddalo,

And bade the gondolieri cease to row.

‘Look, Julian, on the West, and listen well

If you hear not a deep and heavy bell.’

I looked, and saw between us and the sun

A building on an island; such a one

As age to age might add, for uses vile,

A windowless, deformed and dreary pile;

And on the top an open tower, where hung

A bell, which in the radiance swayed and swung;

We could just hear its hoarse and iron tongue:

The broad sun sunk behind it, and it tolled

In strong and black relief. – ‘What we behold

Shall be the madhouse and its belfry tower,’

Said Maddalo, ‘and ever at this hour

Those who may cross the water, hear that bell

Which calls the maniacs each one from his cell

To vespers.’ – ‘As much skill as need to pray

In thanks or hope for their dark lot have they

To their stern maker,’ I replied. ‘O ho!

You talk as in years past,’ said Maddalo.

“Tis strange men change not. You were ever still

Among Christ’s flock a perilous infidel,

A wolf for the meek lambs – if you can’t swim

Beware of Providence.’ I looked on him,

But the gay smile had faded in his eye.

‘And such,’ – he cried, ‘is our mortality

And this must be the emblem and the sign

Of what should be eternal and divine! –

And like that black and dreary bell, the soul,

Hung in a heaven-illumined tower, must toll

Our thoughts and our desires to meet below

Round the rent heart and pray – as madmen do

For what? they know not, – till the night of death

As sunset that strange vision, severeth

Our memory from itself, and us from all

We sought and yet were baffled!’ I recall

The sense of what he said, although I mar

The force of his expressions. The broad star

Of day meanwhile had sunk behind the hill

And the black bell became invisible

And the red tower looked grey, and all between

The churches, ships and palaces were seen

Huddled in gloom; – into the purple sea

The orange hues of heaven sunk silently.

We hardly spoke, and soon the gondola

Conveyed me to my lodging by the way.

PERCY BYSSHE SHELLEY from The Triumph of Life

As in that trance of wondrous thought I lay

This was the tenour of my waking dream.

Methought I sate beside a public way

Thick strewn with summer dust, and a great stream

Of people there was hurrying to and fro

Numerous as gnats upon the evening gleam,

All hastening onward, yet none seemed to know

Whither he went, or whence he came, or why

He made one of the multitude, yet so

Was borne amid the crowd as through the sky

One of the million leaves of summer’s bier. –

Old age and youth, manhood and infancy,

Mixed in one mighty torrent did appear,

Some flying from the thing they feared and some

Seeking the object of another’s fear,

And others as with steps towards the tomb

Pored on the trodden worms that crawled beneath,

And others mournfully within the gloom

Of their own shadow walked, and called it death…

And some fled from it as it were a ghost,

Half fainting in the affliction of vain breath.

But more with motions which each other crost

Pursued or shunned the shadows the clouds threw

Or birds within the noonday ether lost,

Upon that path where flowers never grew;

And weary with vain toil and faint for thirst

Heard not the fountains whose melodious dew

Out of their mossy cells forever burst

Nor felt the breeze which from the forest told

Of grassy paths, and wood lawns interspersed

With overarching elms and caverns cold,

And violet banks where sweet dreams brood, but they

Pursued their serious folly as of old….

And as I gazed methought that in the way

The throng grew wilder, as the woods of June

When the South wind shakes the extinguished day. –

And a cold glare, intenser than the noon

But icy cold, obscured with light

The Sun as he the stars. Like the young Moon

When on the sunlit limits of the night

Her white shell trembles amid crimson air

And whilst the sleeping tempest gathers might

Doth, as a herald of its coming, bear

The ghost of her dead Mother, whose dim form

Bends in dark ether from her infant’s chair,

So came a chariot on the silent storm

Of its own rushing splendour, and a Shape

So sate within as one whom years deform

Beneath a dusky hood and double cape

Crouching within the shadow of a tomb,

And o’er what seemed the head a cloud like crape

Was bent, a dun and faint etherial gloom

Tempering the light; upon the chariot’s beam

A Janus-visaged Shadow did assume

The guidance of that wonder-winged team.

The Shapes which drew it in thick lightnings

Were lost: I heard alone on the air’s soft stream

The music of their ever moving wings.

All the four faces of that charioteer

Had their eyes banded… little profit brings

Speed in the van and blindness in the rear,

Nor then avail the beams that quench the Sun

Or that these banded eyes could pierce the sphere

Of all that is, has been, or will be done. –

So ill was the car guided, but it past

With solemn speed majestically on…

The crowd gave way, and I arose aghast,

Or seemed to rise, so mighty was the trance,

And saw like clouds upon the thunder blast

The million with fierce song and maniac dance

Raging around; such seemed the jubilee

As when to greet some conqueror’s advance

Imperial Rome poured forth her living sea

From senatehouse and prison and theatre

When Freedom left those who upon the free

Had bound a yoke which soon they stooped to bear.

Nor wanted here the just similitude

Of a triumphal pageant, for where’er

The chariot rolled a captive multitude

Was driven; all those who had grown old in power

Or misery, – all who have their age subdued,

By action or by suffering, and whose hour

Was drained to its last sand in weal or woe,

So that the trunk survived both fruit and flower;

All those whose fame or infamy must grow

Till the great winter lay the form and name

Of their own earth with them forever low –

All but the sacred few who could not tame

Their spirits to the Conqueror, but as soon

As they had touched the world with living flame

Fled back like eagles to their native noon,

Or those who put aside the diadem

Of earthly thrones or gems, till the last one

Were there; for they of Athens and Jerusalem

Were neither mid the mighty captives seen

Nor mid the ribald crowd that followed them

Or fled before…. Swift, fierce and obscene

The wild dance maddens in the van, and those

Who lead it, fleet as shadows on the green,

Outspeed the chariot and without repose

Mix with each other in tempestuous measure

To savage music…. Wilder as it grows,

They, tortured by the agonizing pleasure,

Convulsed and on the rapid whirlwinds spun

Of that fierce spirit, whose unholy leisure

Was soothed by mischief since the world begun,

Throw back their heads and loose their streaming hair,

And in their dance round her who dims the Sun

Maidens and youths fling their wild arms in air

As their feet twinkle; now recede and now

Bending within each other’s atmosphere

Kindle invisibly; and as they glow

Like moths by light attracted and repelled,

Oft to new bright destruction come and go,

Till like two clouds into one vale impelled

That shake the mountains when their lightnings mingle

And die in rain, – the fiery band which held

Their natures, snaps… ere the shock cease to tingle

One falls and then another in the path

Senseless, nor is the desolation single,

Yet ere I can say where the chariot hath

Past over them; nor other trace I find

But as of foam after the Ocean’s wrath

Is spent upon the desert shore. – Behind,

Old men, and women foully disarrayed

Shake their grey hair in the insulting wind,

Limp in the dance and strain with limbs decayed

To reach the car of light which leaves them still

Farther behind and deeper in the shade.

But not the less with impotence of will

They wheel, though ghastly shadows interpose

Round them and round each other, and fulfill

Their work and to the dust whence they arose

Sink and corruption veils them as they lie –

And frost in these performs what fire in those.

CAROLINE OLIPHANT, BARONESS NAIRNE The Laird o’ Cockpen

The laird o’Cockpen, he’s proud and he’s great

His mind is ta’en up wi’ the things o’ the State;

He wanted a wife, his braw house to keep,

But favour wi’ wooin’ was fashious to seek.

Down by the dyke-side a lady did dwell,

At his table head he thought she’d look well,

McClish’s ae daughter o’ Clavers-ha’ Lee,

A penniless lass wi’ a lang pedigree.

His wig was weel pouther’d and as gude as new,

His waistcoat was white, his coat it was blue;

He put on a ring, a sword, and cock’d hat,

And wha could refuse the laird wi’ a’ that?

He took his grey mare and he rade cannily,

An’ rapp’d at the yett o’ Clavers-ha’ Lee;

‘Gae tell Mistress Jean to come speedily ben, –

She’s wanted to speak to the Laird o’ Cockpen’.

Mistress Jean was makin’ the elderflower wine;

‘An’ what brings the laird at sic a like time?’

She put aff her apron, and on her silk gown,

Her mutch wi’ red ribbons, and gaed awa’ down.

An’ when she cam’ ben he bowed fu’ low,

An’ what was his errand he soon let her know;

Amazed was the laird when the lady said ‘Na’,

And wi’ a laigh curtsie she turned awa’.

Dumfounder’d was he, nae sigh did he gie,

He mounted his mare – he rade cannily;

An’ aften he thought, as he gaed through the glen,

She’s daft to refuse the laird o’ Cockpen.

CAROLINE OLIPHANT, BARONESS NAIRNE The Land o’ the Leal

I’m wearin’ awa’, John,

Like snaw-wreaths in thaw, John,

I’m wearin’ awa’

To the land o’ the leal.

There’s nae sorrow there, John,

There’s neither cauld nor care, John,

The day’s aye fair

In the land o’ the leal.

Our bonnie bairn’s there, John,

She was baith gude and fair, John,

And oh! we grudged her sair

To the land o’ the leal.

But sorrow’s sel’ wears past, John,

And joy’s a-comin’ fast, John,

The joy that’s aye to last,

In the land o’ the leal.

Sae dear’s that joy was bought, John,

Sae free the battle fought, John,

That sinfu’ man e’er brought

To the land o’ the leal.

Oh! dry your glist’ning e’e, John,

My saul langs to be free, John,

And angels beckon me

To the land o’ the leal.

Oh! haud ye leal and true, John,

Your day it’s wearin’ through, John,

And I’ll welcome you

To the land o’ the leal.

Now fare-ye-weel, my ain John,

This warld’s cares are vain, John,

We’ll meet, and we’ll be fain,

In the land o’ the leal.

1826 ANONYMOUS [A Metrical Adage]

The Robin and the Wren

Are God’s cock and hen,

The Martin and the Swallow,

Are God’s mate and marrow.

ANONYMOUS Tweed and Till

Says Tweed to Till,

What gars ye rin sae still?

Says Till to Tweed,

Though ye rin wi’ speed

5

And I rin slaw,

For ae man that ye droun

I droun twa.

ANONYMOUS A Rhyme from Lincolnshire

Sad is the burying in the sunshine,

But bless’d is the corpse that goeth home in rain.

WINTHROP MACKWORTH PRAED Good-night to the Season 1827

Thus runs the world away.

HAMLET

 

Good-night to the Season! ’tis over!

Gay dwellings no longer are gay;

The courtier, the gambler, the lover,

Are scatter’d like swallows away:

There’s nobody left to invite one,

Except my good uncle and spouse;

My mistress is bathing at Brighton,

My patron is sailing at Cowes:

For want of a better employment,

Till Ponto and Don can get out,

I’ll cultivate rural enjoyment,

And angle immensely for trout.

Good-night to the Season! – the lobbies,

Their changes, and rumours of change,

Which startled the rustic Sir Bobbies,

And made all the Bishops look strange:

The breaches, and battles, and blunders,

Perform’d by the Commons and Peers;

The Marquis’s eloquent thunders,

The Baronet’s eloquent ears:

Denouncings of Papists and treasons,

Of foreign dominion and oats;

Misrepresentations of reasons,

And misunderstandings of notes.

Good-night to the Season! – the buildings

Enough to make Inigo sick;

The paintings, and plasterings, and gildings

Of stucco, and marble, and brick;

The orders deliciously blended,

From love of effect, into one;

The club-houses only intended,

The palaces only begun;

The hell where the fiend, in his glory,

Sits staring at putty and stones,

And scrambles from story to story,

To rattle at midnight his bones.

Good-night to the Season! – the dances,

The fillings of hot little rooms,

The glancings of rapturous glances,

The fancyings of fancy costumes;

The pleasures which Fashion makes duties,

The praisings of fiddles and flutes,

The luxury of looking at beauties,

The tedium of talking to mutes;

The female diplomatists, planners

Of matches for Laura and Jane,

The ice of her Ladyship’s manners,

The ice of his Lordship’s champagne.

Good-night to the Season! – the rages

Led off by the chiefs of the throng,

The Lady Matilda’s new pages,

The Lady Eliza’s new song;

Miss Fennel’s macaw, which at Boodle’s

Is held to have something to say;

Mrs. Splenetic’s musical poodles,

Which bark ‘Batti Batti’ all day;

The pony Sir Araby sported,

As hot and as black as a coal,

And the Lion his mother imported,

In bearskins and grease, from the Pole.

Good-night to the Season! – the Toso,

So very majestic and tall;

Miss Ayton, whose singing was so-so,

And Pasta, divinest of all;

The labour in vain of the Ballet,

So sadly deficient in stars;

The foreigners thronging the Alley,

Exhaling the breath of cigars;

The ‘loge’ where some heiress, how killing,

Environ’d with Exquisites sits,

The lovely one out of her drilling,

The silly ones out of their wits.

Good-night to the Season! – the splendour

That beam’d in the Spanish Bazaar;

Where I purchased – my heart was so tender –

A card-case, – a pasteboard guitar, –

A bottle of perfume, – a girdle, –

A lithograph’d Riego full-grown,

Whom Bigotry drew on a hurdle

That artists might draw him on stone, –

A small panorama of Seville, –

A trap for demolishing flies, –

A caricature of the Devil, –

And a look from Miss Sheridan’s eyes.

Good-night to the Season! – the flowers

Of the grand horticultural fête,

When boudoirs were quitted for bowers,

And the fashion was not to be late;

When all who had money and leisure

Grew rural o’er ices and wines,

All pleasantly toiling for pleasure,

All hungrily pining for pines,

And making of beautiful speeches,

And marring of beautiful shows,

And feeding on delicate peaches,

And treading on delicate toes.

Good-night to the Season! – another

Will come with its trifles and toys,

And hurry away, like its brother,

In sunshine, and odour, and noise.

Will it come with a rose or a briar?

Will it come with a blessing or curse?

Will its bonnets be lower or higher?

Will its morals be better or worse?

Will it find me grown thinner or fatter,

Or fonder of wrong or of right,

Or married, – or buried? – no matter,

Good-night to the Season, Good-night!

1828 THOMAS HOOD Death in the Kitchen

‘Are we not here now?’ – continued the corporal (striking the end of his stick perpendicularly on the floor, so as to give an idea of health and stability) – ‘and are we not’ (dropping his hat upon the ground) ‘gone! – in a moment?’

TRISTRAM SHANDY

Trim, thou are right! – ’Tis sure that I,

And all who hear thee, are to die.

The stoutest lad and wench

Must lose their places at the will

Of Death, and go at last to fill

The sexton’s gloomy trench!

The dreary grave! – Oh, when I think

How close ye stand upon its brink,

My inward spirit groans!

My eyes are fill’d with dismal dreams

Of coffins, and this kitchen seems

A charnel full of bones!

Yes, jovial butler, thou must fail,

As sinks the froth on thine own ale;

Thy days will soon be done!

Alas! the common hours that strike

Are knells; for life keeps wasting, like

A cask upon the run.

Ay, hapless scullion! ’tis thy case:

Life travels at a scouring pace,

Far swifter than thy hand.

The fast decaying frame of man

Is but a kettle, or a pan,

Time wears away – with sand!

Thou needst not, mistress cook! be told,

The meat to-morrow will be cold

That now is fresh and hot:

E’en thus our flesh will, by the by,

Be cold as stone: – Cook, thou must die!

There’s death within the pot!

Susannah, too, my lady’s maid!

Thy pretty person once must aid

To swell the buried swarm!

The ‘glass of fashion’ thou wilt hold

No more, but grovel in the mould

That’s not the ‘mould of form’!

Yes, Jonathan, that drives the coach,

He too will feel the fiend’s approach –

The grave will pluck him down:

He must in dust and ashes lie,

And wear the churchyard livery,

Grass-green, turn’d up with brown.

How frail is our uncertain breath!

The laundress seems full hale, but Death

Shall her ‘last linen’ bring.

The groom will die, like all his kind;

And e’en the stable-boy will find

His life no stable thing.

Nay, see the household dog – e’en that

The earth shall take! – The very cat

Will share the common fall;

Although she hold (the proverb saith)

A ninefold life, one single death

Suffices for them all!

Cook, butler, Susan, Jonathan,

The girl that scours the pot and pan,

And those that tend the steeds –

All, all shall have another sort

Of service after this – in short,

The one the parson reads!

The dreary grave! – Oh, when I think

How close ye stand upon its brink,

My inward spirit groans!

My ears are fill’d with dismal dreams

Of coffins, and this kitchen seems

A charnel full of bones!

SAMUEL TAYLOR COLERIDGE Duty Surviving Self-Love

Unchanged within, to see all changed without,

Is a blank lot and hard to bear, no doubt.

Yet why at others’ wanings should’st thou fret?

Then only might’st thou feel a just regret,

Hadst thou withheld thy love or hid thy light

In selfish forethought of neglect and slight.

O wiselier then, from feeble yearnings freed,

While, and on whom, thou may’st – shine on! nor heed

Whether the object by reflected light

Return thy radiance or absorb it quite:

And though thou notest from thy safe recess

Old Friends burn dim, like lamps in noisome air,

Love them for what they are; nor love them less,

Because to thee they are not what they were.

1829 FELICIA DOROTHEA HEMANS Casabianca

Young Casabianca, a boy about thirteen years old, son to the admiral of the Orient, remained at his post (in the battle of the Nile), after the ship had taken fire, and all the guns had been abandoned; and perished in the explosion of the vessel, when the flames had reached the powder.

The boy stood on the burning deck,

Whence all but he had fled;

The flame that lit the battle’s wreck,

Shone round him o’er the dead.

Yet beautiful and bright he stood,

As born to rule the storm;

A creature of heroic blood,

A proud, though child-like form.

The flames roll’d on – he would not go,

Without his father’s word;

That father, faint in death below,

His voice no longer heard.

He call’d aloud – ‘Say, father, say

If yet my task is done?’

He knew not that the chieftain lay

Unconscious of his son.

‘Speak, Father!’ once again he cried,

‘If I may yet be gone!’

– And but the booming shots replied,

And fast the flames roll’d on.

Upon his brow he felt their breath

And in his waving hair;

And look’d from that lone post of death,

In still, yet brave despair.

And shouted but once more aloud,

‘My father! must I stay?’

While o’er him fast, through sail and shroud,

The wreathing fires made way.

They wrapt the ship in splendor wild,

They caught the flag on high,

And stream’d above the gallant child,

Like banners in the sky.

There came a burst of thunder sound –

The boy – oh! where was he?

– Ask of the winds that far around

With fragments strew’d the sea!

With mast, and helm, and pennon fair,

That well had borne their part –

But the noblest thing that perish’d there,

Was that young faithful heart.

DOROTHY WORDSWORTH Floating Island

Harmonious powers with nature work

On sky, earth, river, lake and sea

Sunshine and cloud, whirlwind and breeze,

All in one duteous task agree.

Once did I see a slip of earth

By throbbing waves long undermined,

Loosed from its hold – how, no one knew,

But all might see it float, obedient to the wind,

Might see it from the mossy shore

Dissevered, float upon the lake,

Float with its crest of trees adorned

On which the warbling birds their pastime take.

Food, shelter, safety, there they find;

There berries ripen, flowerets bloom;

There insects live their lives – and die:

A peopled world it is, in size a tiny room.

And thus through many seasons’ space

This little island may survive,

But nature (though we mark her not)

Will take away, may cease to give.

Perchance when you are wandering forth

Upon some vacant sunny day

Without an object, hope, or fear,

Thither your eyes may turn – the isle is passed away,

Buried beneath the glittering lake,

Its place no longer to be found.

Yet the lost fragments shall remain

To fertilize some other ground.

(1842)

LAETITIA ELIZABETH LANDON Lines of Life

Orphan in my first years, I early learnt

To make my heart suffice itself, and seek

Support and sympathy in its own depths.

Well, read my cheek, and watch my eye, –

Too strictly school’d are they,

One secret of my soul to show,

One hidden thought betray.

I never knew the time my heart

Look’d freely from my brow;

It once was check’d by timidness,

’Tis taught by caution now.

I live among the cold, the false,

And I must seem like them;

And such I am, for I am false

As those I most condemn.

I teach my lip its sweetest smile,

My tongue its softest tone;

I borrow others’ likeness, till

Almost I lose my own.

I pass through flattery’s gilded sieve,

Whatever I would say;

In social life, all, like the blind,

Must learn to feel their way.

I check my thoughts like curbed steeds

That struggle with the rein;

I bid my feelings sleep, like wrecks

In the unfathom’d main.

I hear them speak of love, the deep,

The true, and mock the name;

Mock at all high and early truth,

And I too do the same.

I hear them tell some touching tale,

I swallow down the tear;

I hear them name some generous deed,

And I have learnt to sneer.

I hear the spiritual, the kind,

The pure, but named in mirth;

Till all of good, ay, even hope,

Seems exiled from our earth.

And one fear, withering ridicule,

Is all that I can dread;

A sword hung by a single hair

For ever o’er the head.

We bow to a most servile faith,

In a most servile fear;

While none among us dares to say

What none will choose to hear.

And if we dream of loftier thoughts,

In weakness they are gone;

And indolence and vanity

Rivet our fetters on.

Surely I was not born for this!

I feel a loftier mood

Of generous impulse, high resolve,

Steal o’er my solitude!

I gaze upon the thousand stars

That fill the midnight sky;

And wish, so passionately wish,

A light like theirs on high.

I have such eagerness of hope

To benefit my kind;

And feel as if immortal power

Were given to my mind.

I think on that eternal fame,

The sun of earthly gloom,

Which makes the gloriousness of death,

The future of the tomb –

That earthly future, the faint sign

Of a more heavenly one;

– A step, a word, a voice, a look, –

Alas! my dream is done.

And earth, and earth’s debasing stain,

Again is on my soul;

And I am but a nameless part

Of a most worthless whole.

Why write I this? because my heart

Towards the future springs,

That future where it loves to soar

On more than eagle wings.

The present, it is but a speck

In that eternal time,

In which my lost hopes find a home,

My spirit knows its clime.

Oh! not myself, – for what am I? –

The worthless and the weak,

Whose every thought of self should raise

A blush to burn my cheek.

But song has touch’d my lips with fire,

And made my heart a shrine;

For what, although alloy’d, debased,

Is in itself divine.

I am myself but a vile link

Amid life’s weary chain;

But I have spoken hallow’d words,

Oh do not say in vain!

My first, my last, my only wish,

Say will my charmed chords

Wake to the morning light of fame,

And breathe again my words?

Will the young maiden, when her tears

Alone in moonlight shine –

Tears for the absent and the loved –

Murmur some song of mine?

Will the pale youth by his dim lamp,

Himself a dying flame,

From many an antique scroll beside,

Choose that which bears my name?

Let music make less terrible

The silence of the dead;

I care not, so my spirit last

Long after life has fled.

LAETITIA ELIZABETH LANDON Revenge

Ay, gaze upon her rose-wreathed hair,

And gaze upon her smile;

Seem as you drank the very air

Her breath perfumed the while:

And wake for her the gifted line,

That wild and witching lay,

And swear your heart is as a shrine,

That only owns her sway.

’Tis well: I am revenged at last, –

Mark you that scornful cheek, –

The eye averted as you pass’d,

Spoke more than words could speak.

Ay, now by all the bitter tears

That I have shed for thee, –

The racking doubts, the burning fears, –

Avenged they well may be –

By the nights pass’d in sleepless care,

The days of endless woe;

All that you taught my heart to bear,

All that yourself will know.

I would not wish to see you laid

Within an early tomb;

I should forget how you betray’d,

And only weep your doom:

But this is fitting punishment,

To live and love in vain, –

Oh my wrung heart, be thou content,

And feed upon his pain.

Go thou and watch her lightest sigh, –

Thine own it will not be;

And bask beneath her sunny eye, –

It will not turn on thee.

’Tis well: the rack, the chain, the wheel,

Far better had’st thou proved;

Ev’n I could almost pity feel,

For thou art not beloved.

THOMAS LOVE PEACOCK The War-Song of Dinas Vawr

The mountain sheep are sweeter,

But the valley sheep are fatter;

We therefore deem’d it meeter

To carry off the latter.

We made an expedition;

We met a host and quell’d it;

We forced a strong position,

And kill’d the men who held it.

On Dyfed’s richest valley,

Where herds of kine were browsing,

We made a mighty sally,

To furnish our carousing.

Fierce warriors rushed to meet us;

We met them, and o’erthrew them:

They struggled hard to beat us;

But we conquer’d them, and slew them.

As we drove our prize at leisure,

The king march’d forth to catch us:

His rage surpass’d all measure,

But his people could not match us.

He fled to his hall-pillars;

And, ere our force we led off,

Some sack’d his house and cellars,

While others cut his head off.

We there, in strife bewild’ring,

Spilt blood enough to swim in:

We orphan’d many children,

And widow’d many women.

The eagles and the ravens

We glutted with our foemen:

The heroes and the cravens,

The spearmen and the bowmen.

We brought away from battle,

And much their land bemoan’d them,

Two thousand head of cattle,

And the head of him who owned them:

Ednyfed, King of Dyfed,

His head was borne before us;

His wine and beasts supplied our feasts,

And his overthrow, our chorus.

WINTHROP MACKWORTH PRAED Arrivals at a Watering-Place

SCENEA Conversazione at Lady Crumpton’s. – Whist and weariness, Caricatures and Chinese Puzzle. – Young Ladies making tea, and Young Gentlemen making the agreeable. – The Stable-Boy handing rout-cakes. – Music expressive of there being nothing to do.

I play a spade: – Such strange new faces

Are flocking in from near and far:

Such frights – Miss Dobbs holds all the aces, –

One can’t imagine who they are!

The Lodgings at enormous prices,

New Donkeys, and another fly;

And Madame Bonbon out of ices,

Although we’re scarcely in July:

We’re quite as sociable as any,

But our old horse can scarcely crawl;

And really where there are so many,

We can’t tell where we ought to call.

Pray who has seen the odd old fellow

Who took the Doctor’s house last week? –

A pretty chariot, – livery yellow,

Almost as yellow as his cheek:

A widower, sixty-five, and surly,

And stiffer than a poplar-tree;

Drinks rum and water, gets up early

To dip his carcass in the sea:

He’s always in a monstrous hurry,

And always talking of Bengal;

They say his cook makes noble curry; –

I think, Louisa, we should call.

And so Miss Jones, the mantua-maker,

Has let her cottage on the hill? –

The drollest man, a sugar-baker, –

Last year imported from the till:

Prates of his ’orses and his ’oney,

Is quite in love with fields and farms;

A horrid Vandal, – but his money

Will buy a glorious coat of arms;

Old Clyster makes him take the waters;

Some say he means to give a ball;

And after all, with thirteen daughters,

I think, Sir Thomas, you might call.

That poor young man! – I’m sure and certain

Despair is making up his shroud:

He walks all night beneath the curtain

Of the dim sky and murky cloud:

Draws landscapes, – throws such mournful glances! –

Writes verses, – has such splendid eyes;

An ugly name, – but Laura fancies

He’s some great person in disguise! –

And since his dress is all the fashion,

And since he’s very dark and tall,

I think that, out of pure compassion,

I’ll get Papa to go and call.

So Lord St Ives is occupying

The whole of Mr Ford’s Hotel;

Last Saturday his man was trying

A little nag I want to sell.

He brought a lady in the carriage;

Blue eyes, – eighteen, or thereabouts; –

Of course, you know, we hope it’s marriage!

But yet the femme de chambre doubts.

She look’d so pensive when we met her;

Poor thing! and such a charming shawl! –

Well! till we understand it better,

It’s quite impossible to call!

Old Mr Fund, the London banker,

Arrived to-day at Premium Court;

I would not, for the world, cast anchor

In such a horrid dangerous port;

Such dust and rubbish, lath and plaster, –

(Contractors play the meanest tricks) –

The roof’s as crazy as its master,

And he was born in fifty-six:

Stairs creaking – cracks in every landing, –

The colonnade is sure to fall; –

We shan’t find post or pillar standing,

Unless we make great haste to call.

Who was that sweetest of sweet creatures,

Last Sunday, in the Rector’s seat?

The finest shape, – the loveliest features, –

I never saw such tiny feet.

My brother, – (this is quite between us)

Poor Arthur, – ’twas a sad affair!

Love at first sight, – she’s quite a Venus, –

But then she’s poorer far than fair:

And so my father and my mother

Agreed it would not do at all;

And so, – I’m sorry for my brother! –

It’s settled that we’re not to call.

And there’s an Author, full of knowledge;

And there’s a Captain on half-pay;

And there’s a Baronet from college,

Who keeps a boy, and rides a bay;

And sweet Sir Marcus from the Shannon,

Fine specimen of brogue and bone;

And Doctor Calipee, the canon,

Who weighs, I fancy, twenty stone:

A maiden Lady is adorning

The faded front of Lily Hall: –

Upon my word, the first fine morning,

We’ll make a round, my dear, and call.

Alas! disturb not, maid and matron,

The swallow in my humble thatch;

Your son may find a better patron,

Your niece may meet a richer match:

I can’t afford to give a dinner,

I never was on Almack’s list;

And since I seldom rise a winner,

I never like to play at whist:

Unknown to me the stocks are falling;

Unwatched by me the glass may fall;

Let all the world pursue its calling, –

I’m not at home if people call.

GEORGE GORDON, LORD BYRON 1830

So, we’ll go no more a roving

So late into the night,

Though the heart be still as loving,

And the moon be still as bright.

For the sword outwears its sheath,

And the soul wears out the breast,

And the heart must pause to breathe,

And love itself have rest.

Though the night was made for loving,

And the day returns too soon,

Yet we’ll go no more a roving

By the light of the moon.

(written 1817)

1831 WALTER SAVAGE LANDOR

Past ruin’d Ilion Helen lives,

Alcestis rises from the shades;

Verse calls them forth; ’tis verse that gives

Immortal youth to mortal maids.

Soon shall Oblivion’s deepening veil

Hide all the peopled hills you see,

The gay, the proud, while lovers hail

These many summers you and me.

WALTER SAVAGE LANDOR Dirce

Stand close around, ye Stygian set,

With Dirce in one boat conveyed!

Or Charon, seeing, may forget

That he is old and she a shade.

WALTER SAVAGE LANDOR On Seeing a Hair of Lucrezia Borgia

Borgia, thou once wert almost too august,

And high for adoration; – now thou’rt dust!

All that remains of thee these plaits infold –

Calm hair, meand’ring with pellucid gold!

1832 GEORGE GORDON, LORD BYRON Lines on Hearing That Lady Byron was Ill

And thou wert sad – yet I was not with thee;

And thou wert sick, and yet I was not near;

Methought that joy and health alone could be

Where I was not – and pain and sorrow here!

And is it thus? – it is as I foretold,

And shall be more so; for the mind recoils

Upon itself, and the wreck’d heart lies cold,

While heaviness collects the shatter’d spoils.

It is not in the storm nor in the strife

We feel benumb’d, and wish to be no more,

But in the after-silence on the shore,

When all is lost, except a little life.

I am too well avenged! – but ’twas my right;

Whate’er my sins might be, thou wert not sent

To be the Nemesis who should requite –

Nor did Heaven choose so near an instrument.

Mercy is for the merciful! – if thou

Hast been of such, ’twill be accorded now.

Thy nights are banish’d from the realms of sleep! –

Yes! they may flatter thee, but thou shalt feel

A hollow agony which will not heal,

For thou art pillow’d on a curse too deep;

Thou hast sown in my sorrow, and must reap

The bitter harvest in a woe as real!

I have had many foes, but none like thee;

For ’gainst the rest myself I could defend,

And be avenged, or turn them into friend;

But thou in safe implacability

Hadst nought to dread – in thy own weakness shielded,

And in my love, which hath but too much yielded,

And spared, for thy sake, some I should not spare –

And thus upon the World’s trust in thy truth –

And the wild fame of my ungovern’d youth –

On things that were not, and on things that are –

Even upon such a basis hast thou built

A monument, whose cement hath been guilt!

The moral Clytemnestra of thy lord,

And hew’d down, with an unsuspected sword,

Fame, peace, and hope – and all the better life

Which, but for this cold treason of thy heart,

Might still have risen from out the grave of strife,

And found a nobler duty than to part.

But of thy virtues didst thou make a vice,

Trafficking with them in a purpose cold,

For present anger, and for future gold –

And buying other’s grief at any price.

And thus once enter’d into crooked ways,

The early Truth, which was thy proper praise,

Did not still walk beside thee – but at times,

And with a breast unknowing its own crimes,

Deceit, averments incompatible,

Equivocations, and the thoughts which dwell

In Janus-spirits – the significant eye

Which learns to lie with silence – the pretext

Of Prudence, with advantages annex’d –

The acquiescence in all things which tend,

No matter how, to the desired end –

All found a place in thy philosophy.

The means were worthy, and the end is won –

I would not do by thee as thou hast done!

(written 1816)

1833 HARTLEY COLERIDGE

Long time a child, and still a child, when years

Had painted manhood on my cheek, was I;

For yet I lived like one not born to die;

A thriftless prodigal of smiles and tears,

No hope I needed, and I knew no fears.

But sleep, though sweet, is only sleep, and waking,

I waked to sleep no more, at once o’ertaking

The vanguard of my age, with all arrears

Of duty on my back. Nor child, nor man,

Nor youth, nor sage, I find my head is grey,

For I have lost the race I never ran,

A rathe December blights my lagging May;

And still I am a child, tho’ I be old,

Time is my debtor for my years untold.

1834 SAMUEL TAYLOR COLERIDGE The Knight’s Tomb

Where is the grave of Sir Arthur O’Kellyn?

Where may the grave of that good man be? –

By the side of a spring, on the breast of Helvellyn,

Under the twigs of a young birch tree!

The oak that in summer was sweet to hear,

And rustled its leaves in the fall of the year,

And whistled and roared in the winter alone,

Is gone, – and the birch in its stead is grown. –

The Knight’s bones are dust,

And his good sword rust; –

His soul is with the saints, I trust.

(written 1802)

JOHN CLARE The Nightingales Nest 1835

Up this green woodland ride lets softly rove

And list the nightingale – she dwelleth here

Hush let the wood gate softly clap – for fear

The noise may drive her from her home of love

For here Ive heard her many a merry year

At morn and eve nay all the live long day

As though she lived on song – this very spot

Just where that old mans beard all wildly trails

Rude arbours oer the road and stops the way

And where that child its blue bell flowers hath got

Laughing and creeping through the mossy rails

There have I hunted like a very boy

Creeping on hands and knees through matted thorns

To find her nest and see her feed her young

And vainly did I many hours employ

All seemed as hidden as a thought unborn

And where these crimping fern leaves ramp among

The hazels under boughs – Ive nestled down

And watched her while she sung – and her renown

Hath made me marvel that so famed a bird

Should have no better dress than russet brown

Her wings would tremble in her extacy

And feathers stand on end as twere with joy

And mouth wide open to release her heart

Of its out sobbing songs – the happiest part

Of summers fame she shared – for so to me

Did happy fancys shapen her employ

But if I touched a bush or scarcely stirred

All in a moment stopt – I watched in vain

The timid bird had left the hazel bush

And at a distance hid to sing again

Lost in a wilderness of listening leaves

Rich extacy would pour its luscious stain

Till envy spurred the emulating thrush

To start less wild and scarce inferior songs

For cares with him for half the year remain

To damp the ardour of his speckled breast

While nightingales to summers life belongs

And naked trees and winters nipping wrongs

Are strangers to her music and her rest

Her joys are evergreen her world is wide

– Hark there she is as usual lets be hush

For in this black thorn clump if rightly guest

Her curious house is hidden – part aside

These hazle branches in a gentle way

And stoop right cautious neath the rustling boughs

For we will have another search to day

And hunt this fern strown thorn clump round and round

And where this seeded wood grass idly bows

We’ll wade right through – it is a likely nook

In such like spots and often on the ground

Theyll build where rude boys never think to look

Aye as I live her secret nest is here

Upon this white thorn stulp – Ive searched about

For hours in vain – there put that bramble bye

Nay trample on its branshes and get near

How subtle is the bird she started out

And raised a plaintive note of danger nigh

Ere we were past the brambles and now near

Her nest she sudden stops – as choaking fear

That might betray her home so even now

Well leave it as we found it – safetys guard

Of pathless solitude shall keep it still

See there shes sitting on the old oak bough

Mute in her fears our presence doth retard

Her joys and doubt turns all her rapture chill

Sing on sweet bird may no worse hap befall

Thy visions then the fear that now decieves

We will not plunder music of its dower

Nor turn this spot of happiness to thrall

For melody seems hid in every flower

That blossoms near thy home – these harebells all

Seems bowing with the beautiful in song

And gaping cuckoo with its spotted leaves

Seems blushing of the singing it has heard

How curious is the nest no other bird

Uses such loose materials or weaves

Their dwellings in such spots – dead oaken leaves

Are placed without and velvet moss within

And little scraps of grass – and scant and spare

Of what seems scarce materials down and hair

For from mans haunts she seemeth nought to win

Yet nature is the builder and contrives

Homes for her childerns comfort even here

Where solitudes deciples spend their lives

Unseen save when a wanderer passes near

That loves such pleasant places – deep adown

The nest is made an hermits mossy cell

Snug lie her curious eggs in number five

Of deadend green or rather olive brown

And the old prickly thorn bush guards them well

And here well leave them still unknown to wrong

As the old woodlands legacy of song