Bibliography

Adhikari, Madhumalati. “History and Story: Unconventional History in Michael Ondaatje’s The English Patient and James A. Michener’s Tales of the South Pacific.” History and Theory 41 (2002): 43–55.

Aitken, Ian. Film and Reform: John Grierson and the Documentary Film Movement. London: Routledge, 1990.

Alford, Matthew. Reel Power: Hollywood Cinema and American Supremacy. London: Pluto Press, 2010.

Allen, Barry. Truth in Philosophy. Cambridge MA: Harvard University Press, 1993.

Allin, Dana H. NATO’s Balkan Interventions. Adelphi Paper 347. Oxford: Oxford University Press, 2002.

Altheide, David. L. Media Edge: Media Logic and Social Reality. New York: Peter Lang, 2014.

Ames, Eric. “Herzog, Landscape, and Documentary.” Cinema Journal 48, no. 2 (2009): 49–69. http://www.jstor.org/stable/20484448.

Antonijević, Predrag, dir. Savior. Santa Monica CA: Lionsgate, 1998.

Arnold, Kyle. “Reik’s Theory of Psychoanalytic Listening.” Psychoanalytic Psychology 23, no. 4 (2000): 754–65.

Ayer, David, dir. Fury. Culver City CA: Columbia Pictures, 2014.

Bacevich, Andrew J. The New American Militarism: How Americans Are Seduced by War. Updated edition. Oxford: Oxford University Press, 2013.

Bann, Stephen. The Inventions of History: Essays on the Representation of the Past. Manchester, UK: Manchester University Press, 1990.

Barthes, Roland. “Myth Today.” In Mythologies. Translated by Annette Lavers. New York: Hill and Wang, 1984. http://www.turksheadreview.com/library/barthes-mythtoday.pdf.

Baudrillard, Jean. The Gulf War Did Not Take Place. Translated by Paul Patton. Bloomington: Indiana University Press, 1995.

—. Simulacra and Simulation. Translated by Sheila Faria Glaser. Ann Arbor: University of Michigan Press, 1999.

Bâli, Aslı Ü. “Legality and Legitimacy in the Global Order: The Changing Landscape of Nuclear Non-Proliferation.” In Legality and Legitimacy in Global Affairs, edited by Richard Falk, Mark Juergensmeyer, and Vesselin Popovski, 291–362. Oxford: Oxford University Press, 2012.

BBC News. “Iraq Estimates War-Related Deaths at 461,000.” October 16, 2013. http://www.bbc.com/news/world-middle-east-24547256.

Benson-Allott, Caetlin. “Undoing Violence: Politics, Genre, and Duration in Kathryn Bigelow’s Cinema.” Film Quarterly 64, no. 2 (2010): 33–43. http://www.jstor.org/stable/10.1525/fq.2010.64.2.33.

Berg, Peter, dir. Lone Survivor. Universal City CA: Universal Pictures, 2013.

—, dir. The Kingdom. Universal City CA: Universal Pictures, 2007.

Bert, Wayne. American Military Intervention in Unconventional War: From the Philippines to Iraq. New York: Palgrave Macmillan, 2011.

Bigelow, Kathryn, dir. The Hurt Locker. Santa Monica CA: Summit Entertainment, 2008.

—, dir. Zero Dark Thirty. Culver City CA: Columbia Pictures, 2012.

Blumenfeld, Laura. “The Sole Survivor.” Washington Post. June 11, 2007. http://www.washingtonpost.com/wp-dyn/content/article/2007/06/10/AR2007061001492.html.

Bonner, Frances. “Recording Reality: Documentary Film and Television.” In Representation, 2nd edition, edited by Stuart Hall, Jessica Evans, and Sean Nixon, 60–119. London: Sage, 2013.

Bremmer, Ian. Superpower: Three Choices for America’s Role in the World. London: Portfolio Penguin, 2015.

Brooke, Christopher. Jane Austen: Illusion and Reality. Cambridge, UK: D. S. Brewer, 1999.

Brooks, Stephen G., and William C. Wohlforth. World Out of Balance: International Relations and the Challenge of American Primacy. Princeton NJ: Princeton University Press, 2008.

Bruzzi, Stella. New Documentary. 2nd edition. London: Routledge, 2006.

Burbank, Jane, and Frederick Cooper. Empires in World History: Power and the Politics of Difference. Princeton NJ: Princeton University Press, 2010. Print.

Bush, George H. W. “Address before a Joint Session of the Congress on the State of the Union.” January 29, 1991. In Public Papers of the Presidents of the United States, 74–80. Washington DC: U.S. Government Publishing Office, 1991. https://www.gpo.gov/fdsys/pkg/PPP-1991-book1/pdf/PPP-1991-book1-doc-pg74.pdf.

—. “Radio Address to the Nation on the Persian Gulf Crisis.” January 5, 1991. In Public Papers of the Presidents of the United States, 10–11. Washington DC: U.S. Government Publishing Office, 1991. https://www.gpo.gov/fdsys/pkg/PPP-1991-book1/pdf/PPP-1991-book1-doc-pg10.pdf.

—. “Remarks at the Community Welcome for Returning Troops in Sumter, South Carolina.” March 17, 1991. In Public Papers of the Presidents of the United States, 279–81. Washington DC: U.S. Government Publishing Office, 1991. https://www.gpo.gov/fdsys/pkg/PPP-1991-book1/pdf/PPP-1991-book1-doc-pg279.pdf.

Carr, Matt. “Slouching towards Dystopia: The New Military Futurism.” Race & Class 51, no. 3 (2010): 13–32.

Carroll, Noël. “Nonfiction Film and Postmodernist Skepticism.” In Post-Theory: Reconstructing Film Studies, edited by David Bordwell and Noël Carroll, 283–306. Madison: University of Wisconsin Press, 1996.

Cavanaugh, Douglas. Into Hell’s Fire. Davenport IA: Kirostar, 2007.

Chandler, David. From Kosovo to Kabul and Beyond: Human Rights and International Intervention. 2nd edition. London: Pluto Press, 2006.

Chute, Hillary L. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge MA: Belknap Press of Harvard University Press, 2016.

Clover, Joshua. “Allegory Bomb.” Film Quarterly 63, no. 2 (2009): 8–9. http://www.jstor.org/stable/10.1525/fq.2009.63.2.8.

Coixet, Isabel, dir. The Secret Life of Words. Zurich: Monopole Pathé, 2005.

Corbin, Amy. “No Man’s Land (Nikogarŝnja zemlja).” Film Quarterly 60, no. 1 (2006): 46–50. http://www.jstor.org/stable/10.1525/fq.2006.60.1.46.

Creekmur, Corey K. “The American Western Film.” In A Companion to the Literature and Culture of the American West, edited by Nicolas S. Witschi, 395–408. Malden MA: Wiley-Blackwell, 2011.

Cru, Jean Norton. War Books: A Study in Historical Criticism. Edited and translated by Stanley J. Pincetl Jr. and Ernest Marchand. San Diego CA: San Diego State University Press, 1976.

Currie, Gregory. “Film, Reality, and Illusion.” In Post-Theory: Reconstructing Film Studies, edited by David Bordwell and Noël Carroll, 325–44. Madison: University of Wisconsin Press, 1996.

—. “Unreliability Refigured: Narrative in Literature and Film.” Journal of Aesthetics and Art Criticism 53, no. 1 (1995): 19–29. http://www.jstor.org/stable/431733.

Datta, Monti Narayan. Anti-Americanism and the Rise of World Opinion: Consequences for the US National Interest. New York: Cambridge University Press, 2014.

Däwes, Birgit. Ground Zero Fiction: History, Memory, and Representation in the American 9/11 Novel. Heidelberg: Winter, 2011.

Dawkins, Richard. The Magic of Reality: How We Know What’s Really True. New York: Free Press, 2011.

De Palma, Brian, dir. Redacted. Dallas TX: Magnolia Pictures, 2007.

Dennis, Danfung, dir. Hell and Back Again. New York: New Video, 2011.

Derrida, Jacques, Willis Domingo, James Hulbert, Moshe Ron, and M.-R. L. “The Purveyor of Truth.” In “Graphesis: Perspectives in Literature and Philosophy.” Special issue, Yale French Studies 52 (1975): 31–113. http://www.jstor.org/stable/2929747.

Derrida, Jacques, and Eric Prenowitz. “Archive Fever: A Freudian Impression.” Diacritics 25, no. 2 (1995): 9–63. http://www.jstor.org/stable/465144.

Dickenson, Ben. Hollywood’s New Radicalism: War, Globalisation and the Movies from Reagan to George W. Bush. London: I. B. Tauris, 2006.

Dodge, Toby. “US Foreign Policy in the Middle East.” In US Foreign Policy, edited by Michael Cox and Doug Stokes, 213–35. Oxford: Oxford University Press, 2008.

Druick, Zoë, and Deane Williams. Introduction to The Grierson Effect: Tracing Documentary’s International Movement, edited by Zoë Druick and Deane Williams, 1–11. London: Palgrave Macmillan, 2014.

Eckes, Alfred E., Jr., and Thomas W. Zeiler. Globalization and the American Century. New York: Cambridge University Press, 2003.

Eastwood, Clint, dir. American Sniper. Burbank CA: Warner Bros., 2014.

Ernst, Wolfgang. “Distory: Cinema and Historical Discourse.” In “Historians and Movies: The State of the Art: Part 1.” Special issue, Journal of Contemporary History 18, no. 3 (1983): 397–409. http://www.jstor.org/stable/260544.

Ferguson, Kennan. “The Gift of Freedom.” In “The Ends of War.” Special issue, Social Text 91 25, no. 2 (2007): 39–52.

Ferro, Marc. “The Fiction Film and Historical Analysis.” In The Historian and Film, edited by Paul Smith, 80–94. Cambridge, UK: Cambridge University Press, 1976.

Field, Hartry. “Tarski’s Theory of Truth.” Journal of Philosophy 69, no. 13 (1972): 347–75. http://www.jstor.org/stable/2024879.

Foley, Tom. This Way to Heaven. New York: Forge, 2000.

Forsyth, Frederick. The Fist of God. New York: Bantam Books, 1994.

Foucault, Michel. “Truth and Power.” In The Nature of Truth: Classic and Contemporary Perspectives, edited by Michael P. Lynch, 317–30. Cambridge: Massachusetts Institute of Technology Press, 2001.

Foulkes, Paul. “Theories of Truth.” Proceedings of the Aristotelian Society, “New Series” 77 (1976–77): 63–72. http://www.jstor.org/stable/4544899.

Gallagher, Matt. Kaboom: Embracing the Suck in a Savage Little War. London: Gorgi Books, 2011.

Gambone, Michael D. Small Wars: Low-Intensity Threats and the American Response since Vietnam. Knoxville: University of Tennessee Press, 2012.

Gershman, Herbert S., and Kernan B. Whitworth. “Art, Truth, Morality and the Nineteenth-Century French Novel.” Modern Language Journal 43, no. 4 (1959): 188–93. http://www.jstor.org/stable/320456.

Gibson, Mel, dir. Hacksaw Ridge. Santa Monica CA: Summit Entertainment, 2017.

Glatter, Lesli Linka, et al., dirs. Homeland. Los Angeles: 20th Century Television, 2011–.

Godmilow, Jill, and Ann-Louise Shapiro. “How Real Is the Reality in Documentary Film.” In “Producing the Past: Making Histories inside and outside the Academy.” Special issue, History and Theory 36, no. 4 (1997): 80–101. http://www.jstor.org/stable/2505576.

Gooch, Joshua. “Beyond Panopticism: The Biopolitical Labor of Surveillance and War in Contemporary Film.” In The Philosophy of War Films, edited by David LaRocca, 155–78. Lexington: University Press of Kentucky, 2014.

Goodman, H. A. “4,486 American Soldiers Have Died in Iraq. President Obama Is Continuing a Pointless and Deadly Quagmire.” Huffington Post, November 17, 2014. http://www.huffingtonpost.com/h-a-goodman/4486-american-soldiers-ha_b_5834592.html.

Goolsby, Jesse. I’d Walk with My Friends If I Could Find Them. Boston: Houghton Mifflin Harcourt, 2015.

Greenbaum, Andrea. The Tropes of War: Visual Hyperbole and Spectacular Culture. New York: Palgrave Macmillan, 2015.

Gwyn, Aaron. Wynne’s War. Boston: Mariner Books, 2014.

Haass, Richard N. Intervention: The Use of American Military Force in the Post–Cold War World. Washington DC: Brookings Institution Press, 1999.

Haggis, Paul, dir. In the Valley of Elah. Burbank CA: Warner Bros., 2007.

Haig, Francesca. “Introduction: Holocaust Representations since 1975.” Modernism/Modernity 20, no. 1 (2013): 1–13. https://muse.jhu.edu/article/508638.

Hall, Stuart. “The Work of Representation.” In Representation, 2nd edition, edited by Stuart Hall, Jessica Evans, and Sean Nixon, 1–59. London: Sage, 2013.

Harrison, Colin. American Culture in the 1990s. Edinburgh: Edinburgh University Press, 2010.

Hart, Gary. “Enlightened Engagement in American Foreign Policy.” In American and Soviet Intervention: Effects on World Stability, edited by Karen A. Feste, 11–16. New York: Crane Russak, 1990.

Hawthorne, Nathaniel. Preface to The House of the Seven Gables (1851), 13–16. Boston: Riverside Press Cambridge, 1913.

Hehir, Aidan. Humanitarian Intervention: An Introduction. Basingstoke, UK: Palgrave Macmillan, 2010.

Hehir, J. Bryan. “Strategy and Ethics in World Politics.” In At the End of the American Century: America’s Role in the Post–Cold War World, edited by Robert L. Hutchings, 110–28. Washington DC: Woodrow Wilson Center Press, 1998.

Helsby, Wendy. “Representation and Theories.” In Understanding Representation, edited by Wendy Helsby, 3–25. London: British Film Institute, 2005.

Herzog, Werner, dir. Lessons of Darkness. Munich: Werner Herzog Filmproduktion, 1992.

—. “On the Absolute, the Sublime, and Ecstatic Truth.” Milano, Italy. Speech before screening Lessons of Darkness. Translated by Moira Weigel. Arion, 3rd series, 17, no. 3 (2010): 1–12. http://www.jstor.org/stable/40645998.

Hetherington, Tim, and Sebastian Junger, dirs. Restrepo. Washington DC: National Geographic Entertainment, 2010.

Hirsch, Joshua. After Image: Film, Trauma, and the Holocaust. Philadelphia: Temple University Press, 2004.

Holbrooke, Richard. To End a War. New York: Modern Library, 1999.

Holzgrefe, J. L. “The Humanitarian Intervention Debate.” In Humanitarian Intervention: Ethical, Legal, and Political Dilemmas, edited by J. L. Holzgrefe and Robert O. Keohane, 15–53. Cambridge, UK: Cambridge University Press, 2003.

Horsley, Jake. Dogville vs. Hollywood. London: Marion Boyars, 2005.

Horton, Andrew. “No Man’s Land by Marc Baschet; Danis Tanovic.” Cinéaste 27, no. 2 (2002): 38–39. http://www.jstor.org/stable/41690133.

Hudson, Gabe. Dear Mr. President. New York: Vintage Books, 2003.

IMDb. Synopsis for Rambo III (1988). http://www.imdb.com/title/tt0095956/plotsummary#synopsis.

Iordanova, Dina. Cinema of Flames: Balkan Film, Culture and the Media. London: British Film Institute, 2001.

James, William. Essays and Lectures. New York: Routledge, 2007.

Johnson, Sarah. “Defining the Genre: What Are the Rules for Historical Fiction?” Historical Novel Society. Accessed April 30, 2017. https://historicalnovelsociety.org/guides/defining-the-genre/defining-the-genre-what-are-the-rules-for-historical-fiction/.

Jolie, Angelina, dir. Unbroken. Universal City CA: Universal Pictures, 2014.

Jones, Julie. “Interpreting Reality: Los olvidados and the Documentary Mode.” Journal of Film and Video 57, no. 4 (2005): 18–31. http://www.jstor.org/stable/20688502.

Jones, Toby Craig. “America, Oil, and War in the Middle East.” Journal of American History 99, no. 1 (2012): 208–18. https://mereliberty.com/wp-content/uploads/2015/11/Journal-of-American-History-2012-Jones-208-18.pdf.

Klay, Phil. Redeployment. New York: Penguin Books, 2014.

Knott, Stephen. “George H. W. Bush: Foreign Affairs.” U.S. Presidents: George H. W. Bush. Miller Center, University of Virginia. Accessed April 30, 2017. https://millercenter.org/president/bush/foreign-affairs.

Kondracki, Larysa, dir. The Whistleblower. Culver City CA: Samuel Goldwyn, 2010.

Kozol, Wendy. Distant Wars Visible: The Ambivalence of Witnessing. Minneapolis: University of Minnesota Press, 2014.

Kramer, Lloyd S. “America’s Lafayette and Lafayette’s America: A European and the American Revolution.” William and Mary Quarterly 38, no. 2 (1981): 228–41. http://www.jstor.org/stable/1918776.

Kratochwil, Friedrich. “Leaving Sovereignty Behind? An Inquiry into the Politics of Post-modernity.” In Legality and Legitimacy in Global Affairs, edited by Richard Falk, Mark Juergensmeyer, and Vesselin Popovski, 127–48. Oxford: Oxford University Press, 2012.

Lacan, Jacques. Écrits. Translated by Bruce Fink. New York: Norton, 2006.

LaCapra, Dominick. “Representing the Holocaust: Reflections on the Historian’s Debate.” In Probing the Limits of Representation: Nazism and the “Final Solution,” edited by Saul Friedlander, 108–27. Cambridge MA: Harvard University Press, 1992.

Lacey, Nick. Image and Representation: Key Concepts in Media Studies. 2nd edition. Basingstoke, UK: Palgrave Macmillan, 2009.

Lacy, Mark J. “War, Cinema, and Moral Anxiety.” Alternatives: Global, Local, Political 28, no. 5 (2003): 611–36. http://journals.sagepub.com/doi/pdf/10.1177/030437540302800504.

Lang, Berel. “Representations of Limits.” In Probing the Limits of Representation: Nazism and the “Final Solution,” edited by Saul Friedlander, 300–317. Cambridge MA: Harvard University Press, 1992.

LaRocca, David. “Introduction: War Films and the Ineffability of War.” In The Philosophy of War Films, edited by David LaRocca, 1–77. Lexington: University Press of Kentucky, 2014.

Leder, Mimi, dir. The Peacemaker. Universal City CA: DreamWorks Pictures, 1997.

Lee, Jeong. “SWJ Film Review: Lone Survivor.” Small Wars Journal, January 6, 2014. http://smallwarsjournal.com/jrnl/art/swj-film-review-lone-survivor.

Lee, Richard. “Defining the Genre.” Historical Novel Society. Accessed April 30, 2017. https://historicalnovelsociety.org/guides/defining-the-genre/.

Levinson, Barry, dir. Wag the Dog. Burbank CA: New Line Cinema, 1997.

Lewis, Jeff. Cultural Studies: The Basics. 2nd edition. London: Sage, 2008.

Lipkin, Steven N., Derek Paget, and Jane Roscoe. “Docudrama and Mock-Documentary: Defining Terms, Proposing Canons.” In Docufictions: Essays on the Intersection of Documentary and Fictional Filmmaking, edited by Gary D. Rhodes and John Parris Springer, 11–26. Jefferson NC: McFarland, 2006.

Livingston, Paisley. “Characterization and Fictional Truth in the Cinema.” In Post-Theory: Reconstructing Film Studies, edited by David Bordwell and Noël Carroll, 149–74. Madison: University of Wisconsin Press, 1996.

Longley, James, dir. Iraq in Fragments. New York: HBO Documentary Films, 2006.

Lowi, Theodore J., Benjamin Ginsberg, Kenneth A. Shepsle, and Stephen Ansolabehere. American Government: Power and Purpose. Brief 12th edition. New York: Norton, 2012.

Lynch, Michael P. “Realism and the Correspondence Theory: Introduction.” In The Nature of Truth: Classic and Contemporary Perspectives, edited by Michael P. Lynch, 9–15. Cambridge MA: MIT Press, 2001.

Macdonald, Kevin, and Mark Cousins. Imagining Reality: The Faber Book of the Documentary. London: Faber and Faber, 1996.

MacDonald, Peter, dir. Rambo III. Culver City CA: TriStar Pictures, 1988.

Madsen, Deborah L. American Exceptionalism. Jackson: University Press of Mississippi, 1998.

Malagurski, Boris, dir. The Weight of Chains. New York: Journeyman Pictures, 2010.

Markle, Peter, dir. Saving Jessica Lynch. 2003. NBC.

Martinez, Elizabeth E. “The 1991 Iraq Invasion in Cinematic Perspective: Jarhead and Three Kings.” In Cinematic Sociology: Social Life in Film, edited by Jean-Anne Sutherland and Kathryn Feltey, 347–61. 2nd edition. Los Angeles: Sage, 2013.

May, Earnest R. From Imperialism to Isolationism, 1898–1919. New York: Macmillan, 1964.

McEvoy-Levy, Siobhán. American Exceptionalism and US Foreign Policy: Public Diplomacy at the End of the Cold War. Basingstoke, UK: Palgrave, 2001.

McSweeney, Terence. The “War on Terror” and American Film: 9/11 Frames per Second. Edinburgh: Edinburgh University Press, 2014.

Mendelsohn, Barak. Combating Jihadism: American Hegemony and Interstate Cooperation in the War on Terrorism. Chicago: University of Chicago Press, 2009.

Mendes, Sam, dir. Jarhead. Universal City CA: Universal Pictures, 2005.

Merry, Robert W. Sands of Empire: Missionary Zeal, American Foreign Policy, and the Hazards of Global Ambition. New York: Simon & Schuster, 2005.

Moore, John, dir. Behind Enemy Lines. Los Angeles: 20th Century Fox, 2001.

Moran, Luke, dir. Boys of Abu Ghraib. Santa Monica CA: Vertical Entertainment, 2014.

Morris, Nicholas. “Humanitarian Intervention in the Balkans.” In Humanitarian Intervention and International Relations, edited by Jennifer M. Welsh, 98–119. Oxford: Oxford University Press, 2004.

Mortensen, Mette. “The Camera at War: When Soldiers Become War Photographers.” In War Isn’t Hell, It’s Entertainment: Essays on Visual Media and the Representation of Conflict, edited by Rikke Schubart, Fabian Virchow, Debra White-Stanley, and Tanja Thomas, 44–60. Jefferson NC: McFarland, 2009.

Murray, Robin L., and Joseph K. Heumann. “The First Eco-Disaster Film?” Film Quarterly 59, no. 3 (2006): 44–51. http://www.jstor.org/stable/10.1525/fq.2006.59.3.44.

Naremore, James. “Films of the Year, 2009.” Film Quarterly 63, no. 4 (2010): 18–32. http://www.jstor.org/stable/10.1525/fq.2010.63.4.18.

Nesher, Dan. On Truth and the Representation of Reality: A Collection of Inquiries from a Pragmatist Point of View. Lanham MD: University Press of America, 2002.

Nichols, Mike, dir. Charlie Wilson’s War. Universal City CA: Universal Pictures, 2007.

Nola, Robert. “Nietzsche’s Theory of Truth and Belief.” Philosophy and Phenomenological Research 47, no. 4 (1987): 525–62. http://www.jstor.org/stable/2107228.

Orford, Anne. “What Can We Do to Stop People Harming Others?” In Global Politics: A New Introduction, edited by Jenny Edkins and Maja Zehfuss, 427–53. London: Routledge, 2009.

Orrells, Daniel. “Derrida’s Impression of Gradiva: Archive Fever and Antiquity.” In Derrida and Antiquity, edited by Miriam Leonard, 159–84. Oxford: Oxford University Press, 2010.

Paine, Tom. The Pearl of Kuwait. Orlando FL: Harcourt, 2003.

Paris, Bernard J. “Form, Theme, and Imitation in Realistic Fiction.” Novel: A Forum on Fiction 1, no. 2 (1968): 140–49. http://www.jstor.org/stable/1345264.

Parish, Matthew. A Free City in the Balkans: Reconstructing a Divided Society in Bosnia. London: I. B. Tauris, 2010.

Pattison, James. Humanitarian Intervention and the Responsibility to Protect: Who Should Intervene? New York: Oxford University Press, 2010.

Pease, Donald E. The New American Exceptionalism. Minneapolis: University of Minnesota Press, 2009.

Peebles, Stacey. “Lenses into War: Digital Vérité in Iraq War Films.” In The Philosophy of War Films, edited by David LaRocca, 133–54. Lexington: University Press of Kentucky, 2014.

Peirce, Kimberly, dir. Stop-Loss. Hollywood CA: Paramount Pictures, 2008.

Peterson, James W. American Foreign Policy: Alliance Politics in a Century of War, 1914–2014. London: Bloomsbury, 2014.

Platinga, Carl. “‘I’ll Believe It When I Trust the Source’: Documentary Images and Visual Evidence.” In The Documentary Film Book, edited by Brian Winston, 40–47. London: Palgrave Macmillan, 2013.

—. “Moving Pictures and the Rhetoric of Nonfiction: Two Approaches.” In Post-Theory: Reconstructing Film Studies, edited by David Bordwell and Noël Carroll, 307–24. Madison: University of Wisconsin Press, 1996.

Power, Samantha. “A Problem from Hell”: America and the Age of Genocide. New York: HarperCollins, 2002.

Powers, Kevin. The Yellow Birds. London: Sceptre, 2012.

Prince, Stephen. Firestorm: American Film in the Age of Terrorism. New York: Columbia University Press, 2009.

Ramsey, Frank Plumpton. “The Nature of Truth.” In The Nature of Truth: Classic and Contemporary Perspectives, edited by Michael P. Lynch, 433–45. Cambridge MA: MIT Press, 2001.

Redford, Robert, dir. Lions for Lambs. Beverly Hills CA: Metro-Goldwyn-Mayer, 2007.

Renov, Michael. “The Truth about Non-Fiction.” In Theorizing Documentary, edited by Michael Renov, 1–11. New York: Routledge, 1993.

Robb, David L. Operation Hollywood: How the Pentagon Shapes and Censors the Movies. Amherst NY: Prometheus Books, 2004.

Roberts, Adam. Humanitarian Action in War: Aid, Protection and Impartiality in a Policy Vacuum. New York: Oxford University Press, 1996.

Rodwell, Grant. Whose History? Engaging History Students through Historical Fiction. Adelaide: University of Adelaide Press, 2013.

Rosen, Philip. “Document and Documentary: On the Persistence of Historical Concepts.” In Theorizing Documentary, edited by Michael Renov, 58–89. New York: Routledge, 1993.

Russell, Bertrand. “Truth and Falsehood.” In The Nature of Truth: Classic and Contemporary Perspectives, edited by Michael P. Lynch, 17–24. Cambridge MA: MIT Press, 2001.

Russell, David O., dir. Three Kings. Burbank CA: Warner Bros. Pictures and Village Roadshow Pictures, 1999.

Said, Edward W. Culture and Imperialism. New York: Knopf, 1993.

Scott, Ridley, dir. Body of Lies. Burbank CA: Warner Bros., 2008.

Scranton, Deborah, dir. The War Tapes. 2006.

Sewell, Mike. “Humanitarian Intervention, Democracy, and Imperialism: The American War with Spain 1898, and After.” In Humanitarian Intervention: A History, edited by Brendan Simms and D. J. B. Trim, 303–22. Cambridge, UK: Cambridge University Press, 2011.

Seybolt, Taylor B. Humanitarian Military Intervention: The Conditions for Success and Failure. New York: Oxford University Press, 2007.

Sheridan, Jim, dir. Brothers. Santa Monica CA: Lionsgate and Relativity Media, 2009.

Simms, Brendan, and D. J. B. Trim. “Towards a History of Humanitarian Intervention.” In Humanitarian Intervention: A History, edited by Brendan Simms and D. J. B. Trim, 1–24. New York: Cambridge University Press, 2011.

Sklar, Robert. “Charlie Wilson’s War by Gary Goetzman; Tom Hanks; Mike Nichols; Aaron Sorkin.” Cinéaste 33, no. 2 (2008): 48–49. http://www.jstor.org/stable/41690631.

—. “The Hurt Locker by Kathryn Bigelow; Mark Boal; Nicolas Chartier; Greg Shapiro.” Cinéaste 35, no. 1 (2009): 55–56. http://www.jstor.org/stable/41690856.

Sobchack, Vivian. “The Charge of the Real: Embodied Knowledge and Cinematic Consciousness.” In Carnal Thoughts: Embodiment and Moving Image Culture, 258–85. Berkeley: University of California Press, 2004.

Sontag, Susan. On Photography. 1973. New York: Rosetta Books, 2005. http://www.lab404.com/3741/readings/sontag.pdf.

Spinoza, Benedict de. On the Improvement of Understanding. Translated by R. H. M. Elwes. Adelaide: eBooks@Adelaide, University of Adelaide Library, last updated December 17, 2014. https://ebooks.adelaide.edu.au/s/spinoza/benedict/understanding/complete.html.

Stendhal. The Red and the Black. 1830. Translated by C. K. Scott Moncrieff. eBooks@Adelaide, University of Adelaide Library. Last updated December 17, 2014, https://ebooks.adelaide.edu.au/s/stendhal/red/complete.html.

Stoehr, Taylor. Words and Deeds: Essays on the Realistic Imagination. New York: AMS Press, 1986.

Stokes, Gale. “Solving the Wars of Yugoslav Succession.” In Yugoslavia and Its Historians: Understanding the Balkan Wars of the 1990s, edited by Norman M. Naimark and Holly Case, 193–207. Stanford CA: Stanford University Press, 2003.

Strouse, James C., dir. Grace Is Gone. New York: Weinstein Company, 2007.

Tanović, Danis, dir. No Man’s Land. Asnières-sur-Seine, France: Océan Films, Rai Cinema, and United Artists, 2001.

Theodossopoulos, Dimitrios. “Laying Claim to Authenticity: Five Anthropological Dilemmas.” Anthropological Quarterly 86, no. 2 (2013): 337–60. https://muse.jhu.edu/article/508135.

Thornton, Richard C. “The US-Russian Struggle for World Oil 1979–2010.” In Le Pétrole et la Guerre/Oil and War, edited by Alain Beltran, 299–311. Brussels: Peter Lang, 2012.

Tillema, Herbert. “The Meaning and Restraint of Superpower Intervention.” In American and Soviet Intervention: Effects on World Stability, edited by Karen A. Feste, 23–28. New York: Crane Russak, 1990.

Trask, David F. The War with Spain in 1898. New York: Macmillan, 1981.

Trinh T. Minh-ha. “The Totalizing Quest of Meaning.” In Theorizing Documentary, edited by Michael Renov, 90–107. New York: Routledge, 1993.

U.S. Department of State, Office of the Historian. “American Isolationism in the 1930s.” https://history.state.gov/milestones/1937-1945/american-isolationism.

Valentino, Benjamin A. “The True Costs of Humanitarian Intervention: The Hard Truth about a Noble Notion.” Foreign Affairs 90, no. 6 (2011): 60–73.

Van Peebles, Mario, dir. USS Indianapolis: Men of Courage. Los Angeles: Saban Films, 2016.

Vattimo, Gianni. Of Reality: The Purposes of Philosophy. New York: Columbia University Press, 2012.

Viotti, Paul R. American Foreign Policy. Cambridge, UK: Polity, 2010.

Walker, Ralph S. “Spinoza and the Coherence Theory of Truth.” Mind, new series, 94, no. 373 (1985): 1–18. http://www.jstor.org/stable/2254694.

Walker, Stephen G., and Akan Malici. U.S. Presidents and Foreign Policy Mistakes. Stanford CA: Stanford University Press, 2011.

Ward, Paul. Documentary: The Margins of Reality. London: Wallflower, 2005.

Weber, Cynthia. Imagining America at War: Morality, Politics, and Film. London: Routledge, 2006.

Westcott, Ben. “Afghanistan: 16 Years, Thousands Dead and No Clear End in Sight.” CNN, November 1, 2017. https://edition.cnn.com/2017/08/21/asia/afghanistan-war-explainer/index.html.

Westwell, Guy. “In Country: Mapping the Iraq War in Recent Hollywood Combat Movies.” In Screens of Terror: Representations of War and Terrorism in Film and Television since 9/11, edited by Philip Hammond, 19–35. Suffolk, UK: Abramis Academic, Arima, 2011.

—. War Cinema: Hollywood on the Front Line. London: Wallflower, 2006.

White, Hayden. “The Abiding Relevance of Croce’s Idea of History.” In The Fiction of Narrative: Essays on History, Literature, and Theory, 1957–2007, edited by Robert Doran, 50–67. Baltimore: Johns Hopkins University Press, 2010.

—. “The Burden of History.” In Tropics of Discourse: Essays in Cultural Criticism, 27–50. Baltimore: Johns Hopkins University Press, 1978.

—. “The Fictions of Factual Representation.” In Tropics of Discourse: Essays in Cultural Criticism, 121–34. Baltimore: Johns Hopkins University Press, 1978.

—. “Historical Emplotment and the Problem of Truth.” In Probing the Limits of Representation: Nazism and the “Final Solution,” edited by Saul Friedlander, 37–53. Cambridge MA: Harvard University Press, 1992.

—. “The Historical Text as Literary Artifact.” In Tropics of Discourse: Essays in Cultural Criticism, 81–100. Baltimore: Johns Hopkins University Press, 1978.

—. “Historicism, History, and the Figurative Imagination.” In Tropics of Discourse: Essays in Cultural Criticism, 101–20. Baltimore: Johns Hopkins University Press, 1978.

—. “Interpretation in History.” In Tropics of Discourse: Essays in Cultural Criticism, 51–80. Baltimore: Johns Hopkins University Press, 1978.

—. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press, 1973.

—. “The Problem of Style in Realistic Representation: Marx and Flaubert.” In The Fiction of Narrative: Essays on History, Literature, and Theory, 1957–2007, edited by Robert Doran, 167–86. Baltimore: Johns Hopkins University Press, 2010.

—. “The Structure of Historical Narrative.” In The Fiction of Narrative: Essays on History, Literature, and Theory, 1957–2007, edited by Robert Doran, 112–25. Baltimore: Johns Hopkins University Press, 2010.

—. “The Value of Narrativity in the Representation of Reality.” In “On Narrative.” Special issue, Critical Inquiry 7, no. 1 (1980): 5–27. http://www.jstor.org/stable/1343174.

White, Susanna, and Simon Cellan Jones, dirs. Generation Kill. 7 episodes. New York: HBO, 2008.

Williams, Ted. “Truth and Representation: The Confrontation of History and Mythology in ‘Omeros.’” Callaloo 24, no. 1 (2001): 276–86. http://www.jstor.org/stable/3300500.

Winston, Brian. Claiming the Real: The Griersonian Documentary and Its Legitimations. London: British Film Institute, 1995.

Wolper, David L. “The Documentary: Entertain and Inform, Not Just Inform.” In The Search for “Reality”: The Art of Documentary Filmmaking, edited by Michael Tobias, 285–87. Ann Arbor MI: Braun-Brumfield, 1998.

Zelizer, Barbie. “Every Once in a While: Schindler’s List and the Shaping of History.” In Spielberg’s Holocaust: Critical Perspectives on Schindler’s List, edited by Yosefa Loshitzky, 18–39. Bloomington: Indiana University Press, 1997.