In 1989 years of planning and hard work came to fruition when the University of North Carolina Press joined the Center for the Study of Southern Culture at the University of Mississippi to publish the Encyclopedia of Southern Culture. While all those involved in writing, reviewing, editing, and producing the volume believed it would be received as a vital contribution to our understanding of the American South, no one could have anticipated fully the widespread acclaim it would receive from reviewers and other commentators. But the Encyclopedia was indeed celebrated, not only by scholars but also by popular audiences with a deep, abiding interest in the region. At a time when some people talked of the “vanishing South,” the book helped remind a national audience that the region was alive and well, and it has continued to shape national perceptions of the South through the work of its many users—journalists, scholars, teachers, students, and general readers.
As the introduction to the Encyclopedia noted, its conceptualization and organization reflected a cultural approach to the South. It highlighted such issues as the core zones and margins of southern culture, the boundaries where “the South” overlapped with other cultures, the role of history in contemporary culture, and the centrality of regional consciousness, symbolism, and mythology. By 1989 scholars had moved beyond the idea of cultures as real, tangible entities, viewing them instead as abstractions. The Encyclopedia’s editors and contributors thus included a full range of social indicators, trait groupings, literary concepts, and historical evidence typically used in regional studies, carefully working to address the distinctive and characteristic traits that made the American South a particular place. The introduction to the Encyclopedia concluded that the fundamental uniqueness of southern culture was reflected in the volume’s composite portrait of the South. We asked contributors to consider aspects that were unique to the region but also those that suggested its internal diversity. The volume was not a reference book of southern history, which explained something of the design of entries. There were fewer essays on colonial and antebellum history than on the postbellum and modern periods, befitting our conception of the volume as one trying not only to chart the cultural landscape of the South but also to illuminate the contemporary era.
When C. Vann Woodward reviewed the Encyclopedia in the New York Review of Books, he concluded his review by noting “the continued liveliness of interest in the South and its seeming inexhaustibility as a field of study.” Research on the South, he wrote, furnishes “proof of the value of the Encyclopedia as a scholarly undertaking as well as suggesting future needs for revision or supplement to keep up with ongoing scholarship.” The two decades since the publication of the Encyclopedia of Southern Culture have certainly suggested that Woodward was correct. The American South has undergone significant changes that make for a different context for the study of the region. The South has undergone social, economic, political, intellectual, and literary transformations, creating the need for a new edition of the Encyclopedia that will remain relevant to a changing region. Globalization has become a major issue, seen in the South through the appearance of Japanese automobile factories, Hispanic workers who have immigrated from Latin America or Cuba, and a new prominence for Asian and Middle Eastern religions that were hardly present in the 1980s South. The African American return migration to the South, which started in the 1970s, dramatically increased in the 1990s, as countless books simultaneously appeared asserting powerfully the claims of African Americans as formative influences on southern culture. Politically, southerners from both parties have played crucial leadership roles in national politics, and the Republican Party has dominated a near-solid South in national elections. Meanwhile, new forms of music, like hip-hop, have emerged with distinct southern expressions, and the term “dirty South” has taken on new musical meanings not thought of in 1989. New genres of writing by creative southerners, such as gay and lesbian literature and “white trash” writing, extend the southern literary tradition.
Meanwhile, as Woodward foresaw, scholars have continued their engagement with the history and culture of the South since the publication of the Encyclopedia, raising new scholarly issues and opening new areas of study. Historians have moved beyond their earlier preoccupation with social history to write new cultural history as well. They have used the categories of race, social class, and gender to illuminate the diversity of the South, rather than a unified “mind of the South.” Previously underexplored areas within the field of southern historical studies, such as the colonial era, are now seen as formative periods of the region’s character, with the South’s positioning within a larger Atlantic world a productive new area of study. Cultural memory has become a major topic in the exploration of how the social construction of “the South” benefited some social groups and exploited others. Scholars in many disciplines have made the southern identity a major topic, and they have used a variety of methodologies to suggest what that identity has meant to different social groups. Literary critics have adapted cultural theories to the South and have raised the issue of postsouthern literature to a major category of concern as well as exploring the links between the literature of the American South and that of the Caribbean. Anthropologists have used different theoretical formulations from literary critics, providing models for their fieldwork in southern communities. In the past 30 years anthropologists have set increasing numbers of their ethnographic studies in the South, with many of them now exploring topics specifically linked to southern cultural issues. Scholars now place the Native American story, from prehistory to the contemporary era, as a central part of southern history. Comparative and interdisciplinary approaches to the South have encouraged scholars to look at such issues as the borders and boundaries of the South, specific places and spaces with distinct identities within the American South, and the global and transnational Souths, linking the American South with many formerly colonial societies around the world.
The first edition of the Encyclopedia of Southern Culture anticipated many of these approaches and indeed stimulated the growth of Southern Studies as a distinct interdisciplinary field. The Center for the Study of Southern Culture has worked for more than three decades to encourage research and teaching about the American South. Its academic programs have produced graduates who have gone on to write interdisciplinary studies of the South, while others have staffed the cultural institutions of the region and in turn encouraged those institutions to document and present the South’s culture to broad public audiences. The center’s conferences and publications have continued its long tradition of promoting understanding of the history, literature, and music of the South, with new initiatives focused on southern foodways, the future of the South, and the global Souths, expressing the center’s mission to bring the best current scholarship to broad public audiences. Its documentary studies projects build oral and visual archives, and the New Directions in Southern Studies book series, published by the University of North Carolina Press, offers an important venue for innovative scholarship.
Since the Encyclopedia of Southern Culture appeared, the field of Southern Studies has dramatically developed, with an extensive network now of academic and research institutions whose projects focus specifically on the interdisciplinary study of the South. The Center for the Study of the American South at the University of North Carolina at Chapel Hill, led by Director Jocelyn Neal and Associate Director and Encyclopedia coeditor William Ferris, publishes the lively journal Southern Cultures and is now at the organizational center of many other Southern Studies projects. The Institute for Southern Studies at the University of South Carolina, the Southern Intellectual History Circle, the Society for the Study of Southern Literature, the Southern Studies Forum of the European American Studies Association, Emory University’s SouthernSpaces.org, and the South Atlantic Humanities Center (at the Virginia Foundation for the Humanities, the University of Virginia, and Virginia Polytechnic Institute and State University) express the recent expansion of interest in regional study.
Observers of the American South have had much to absorb, given the rapid pace of recent change. The institutional framework for studying the South is broader and deeper than ever, yet the relationship between the older verities of regional study and new realities remains unclear. Given the extent of changes in the American South and in Southern Studies since the publication of the Encyclopedia of Southern Culture, the need for a new edition of that work is clear. Therefore, the Center for the Study of Southern Culture has once again joined the University of North Carolina Press to produce The New Encyclopedia of Southern Culture. As readers of the original edition will quickly see, The New Encyclopedia follows many of the scholarly principles and editorial conventions established in the original, but with one key difference; rather than being published in a single hardback volume, The New Encyclopedia is presented in a series of shorter individual volumes that build on the 24 original subject categories used in the Encyclopedia and adapt them to new scholarly developments. Some earlier Encyclopedia categories have been reconceptualized in light of new academic interests. For example, the subject section originally titled “Women’s Life” is reconceived as a new volume, Gender, and the original “Black Life” section is more broadly interpreted as a volume on race. These changes reflect new analytical concerns that place the study of women and blacks in broader cultural systems, reflecting the emergence of, among other topics, the study of male culture and of whiteness. Both volumes draw as well from the rich recent scholarship on women’s life and black life. In addition, topics with some thematic coherence are combined in a volume, such as Law and Politics and Agriculture and Industry. One new topic, Foodways, is the basis of a separate volume, reflecting its new prominence in the interdisciplinary study of southern culture.
Numerous individual topical volumes together make up The New Encyclopedia of Southern Culture and extend the reach of the reference work to wider audiences. This approach should enhance the use of the Encyclopedia in academic courses and is intended to be convenient for readers with more focused interests within the larger context of southern culture. Readers will have handy access to one-volume, authoritative, and comprehensive scholarly treatments of the major areas of southern culture.
We have been fortunate that, in nearly all cases, subject consultants who offered crucial direction in shaping the topical sections for the original edition have agreed to join us in this new endeavor as volume editors. When new volume editors have been added, we have again looked for respected figures who can provide not only their own expertise but also strong networks of scholars to help develop relevant lists of topics and to serve as contributors in their areas. The reputations of all our volume editors as leading scholars in their areas encouraged the contributions of other scholars and added to The New Encyclopedia’s authority as a reference work.
The New Encyclopedia of Southern Culture builds on the strengths of articles in the original edition in several ways. For many existing articles, original authors agreed to update their contributions with new interpretations and theoretical perspectives, current statistics, new bibliographies, or simple factual developments that needed to be included. If the original contributor was unable to update an article, the editorial staff added new material or sent it to another scholar for assessment. In some cases, the general editor and volume editors selected a new contributor if an article seemed particularly dated and new work indicated the need for a fresh perspective. And importantly, where new developments have warranted treatment of topics not addressed in the original edition, volume editors have commissioned entirely new essays and articles that are published here for the first time.
The American South embodies a powerful historical and mythical presence, both a complex environmental and geographic landscape and a place of the imagination. Changes in the region’s contemporary socioeconomic realities and new developments in scholarship have been incorporated in the conceptualization and approach of The New Encyclopedia of Southern Culture. Anthropologist Clifford Geertz has spoken of culture as context, and this encyclopedia looks at the American South as a complex place that has served as the context for cultural expression. This volume provides information and perspective on the diversity of cultures in a geographic and imaginative place with a long history and distinctive character.
The Encyclopedia of Southern Culture was produced through major grants from the Program for Research Tools and Reference Works of the National Endowment for the Humanities, the Ford Foundation, the Atlantic-Richfield Foundation, and the Mary Doyle Trust. We are grateful as well to the College of Liberal Arts at the University of Mississippi for support and to the individual donors to the Center for the Study of Southern Culture who have directly or indirectly supported work on The New Encyclopedia of Southern Culture. We thank the volume editors for their ideas in reimagining their subjects and the contributors of articles for their work in extending the usefulness of the book in new ways. We acknowledge the support and contributions of the faculty and staff at the Center for the Study of Southern Culture. Finally, we want especially to honor the work of William Ferris and Mary Hart on the Encyclopedia of Southern Culture. Bill, the founding director of the Center for the Study of Southern Culture, was coeditor, and his good work recruiting authors, editing text, selecting images, and publicizing the volume among a wide network of people was, of course, invaluable. Despite the many changes in the new encyclopedia, Bill’s influence remains. Mary “Sue” Hart was also an invaluable member of the original encyclopedia team, bringing the careful and precise eye of the librarian, and an iconoclastic spirit, to our work.