This chapter introduces the pencils and pens necessary for inscribing lines, the instruments available for guiding the eye and hand while drawing, and the surfaces suitable for receiving the drawn lines. While digital technology continues to further augment and enhance this traditional drawing toolkit, the kinesthetic act of drawing with a hand-held pencil or pen remains the most direct and versatile means of learning the language of architectural graphics.
Pencils are relatively inexpensive, quite versatile, and uniquely responsive to pressure while drawing.
All three styles of pencils are capable of producing quality line drawings. As you try each type out, you will gradually develop a preference for the characteristic feel, weight, and balance of a particular instrument as you draw.
Technical pens are capable of producing precise, consistent ink lines without the application of pressure. As with lead holders and mechanical pencils, technical pens from different manufacturers vary in form and operation. The traditional technical pen uses an ink-flow-regulating wire within a tubular point, the size of which determines the width of the ink line.
There are nine point sizes available, from extremely fine
(0.13 mm) to very wide (2 mm). A starting pen set should include the four standard line widths— 0.25 mm, 0.35 mm, 0.5 mm, and 0.70 mm—specified by the International Organization for Standardization (ISO).
Since digital tools have reduced the need for manual drafting, a variety of less expensive, low-maintenance technical pens have been developed. Equipped with tubular tips and waterproof, pigment-based ink, these pens are suitable for writing, freehand drawing, as well as drafting with straightedges. They are available in point sizes that range from 0.03 mm to 1.0 mm. Some are refillable and have replaceable nibs.
Fountain pens typically consist of a reservoir—either a disposable cartridge or an internal piston—containing a water-based ink that is fed to a metal nib by capillary action. While not suitable for drafting, fountain pens are ideal for writing and freehand sketching because they offer ease in drawing fluid, incisive, often expressive lines with little or no pressure.
Fountain pen nibs come in extra-fine, fine, medium, and broad sizes; flat tipped nibs are also available for italic and oblique strokes. Some nibs are flexible enough that they respond to individual stroke direction and pressure.
Gel pens use a thick, opaque ink consisting of pigment suspended in a water-based gel while rollerball pens use a water-based liquid ink. Both offer similar qualities to fountain pens—they are capable of a consistent ink flow and laying down lines with less pressure than that required by regular ballpoint pens.
The digital equivalent of the pen and pencil is the stylus. Used with a digitizing tablet and appropriate software, it replaces the mouse and enables the user to draw in a freehand manner. Some models and software are able to detect and respond to the amount of hand pressure to mimic more realistically the effects of traditional media.
T-squares are straightedges that have a short crosspiece at one end. This head slides along the edge of a drawing board as a guide in establishing and drawing straight parallel lines. T-squares are relatively low in cost and portable but require a straight and true edge against which their heads can slide.
Parallel rules are equipped with a system of cables and pulleys that allows their straightedges to move across a drawing board only in a parallel manner. Parallel rules are more expensive and less portable than T-squares but enable one to draft with greater speed and accuracy.
Triangles are drafting aids used to guide the drawing of vertical lines and lines at specified angles. They have a right angle and either two 45° angles or one 30° and
one 60° angle.
Adjustable triangles have a movable leg that is held in place with a thumbscrew and a scale for measuring angles. These instruments are useful for drawing such inclined lines as the slope of a stair or the pitch of a roof.
The compass is essential for drawing large circles as well as circles of indeterminate radii.
Templates have cutouts to guide the drawing of predetermined shapes.
Analogous to traditional hand-drafting tools are the software capabilities of a 2D vector-based drawing program, which define lines—the quintessential element of architectural drawing—as mathematical vectors.
Drawing programs typically have commands to constrain the movement of points and lines to a precise horizontal, vertical, or diagonal direction. Grids and guidelines, along with snap-to commands, further aid the precise drawing of lines and shapes.
2D drawing and computer-aided drafting (CAD) programs include digital templates of geometric shapes, furnishings, fixtures, as well as user-defined elements. Whether a template is physical or digital, its purpose remains the same—to save time when drawing repetitive elements.
One of the advantages of drawing with a pencil is the ability to easily erase pencil marks. Always use the softest eraser compatible with the medium and the drawing surface. Avoid using abrasive ink erasers.
Erasing shields have cutouts of various shapes and sizes to confine the area of a drawing to be erased. These thin, stainless-steel shields are especially effective in protecting the drawing surface while using an electric eraser. Ones that have square-cut holes allow the erasure of precise areas of a drawing.
In drawing, “scale” refers to a proportion determining the relation of a representation to the full size of that which is represented. The term also applies to any of various instruments having one or more sets of precisely graduated and numbered spaces for measuring, reading, or transferring dimensions and distances in a drawing.
An architect's scale has graduations along its edges so that scale drawings can be measured directly in feet and inches.
An engineer's scale has one or more sets of graduated and numbered spaces, each set being divided into 10, 20, 30, 40, 50, or 60 parts to the inch.
Metric scales consist of one or more sets of graduated and numbered spaces, each set establishing a proportion of one millimeter to a specified number of millimeters.
In traditional drawing, we think in real-world units and use scale to reduce the drawing to a manageable size. In digital drawing, we actually input information in real-world units, but we should be careful to distinguish between the size of the image viewed on a monitor, which can be reduced and enlarged independent of its real-world size, and the scale of the output from a printer or plotter.
The transparency of tracing papers and films makes them effective for overlay work, allowing us to copy or work on a drawing while seeing through to an underlying drawing.
Tracing papers are characterized by transparency, whiteness, and tooth or surface grain. Fine-tooth papers are generally better for inking, whereas medium-tooth papers are more suitable for pencil work.
Inexpensive, lightweight tissue is available in white, cream, and yellow or buff colors in rolls 12", 18", 24", 30", and 36" wide. Lightweight trace is used for freehand sketching, overlays, and studies. Use only soft leads or markers; hard leads can tear the thin paper easily.
Vellum is available in rolls, pads, and individual sheets in 16, 20, and 24 lb. weights. While medium-weight 16 lb. vellum is used for general layouts and preliminary drawings, 20 lb. vellum with 100% rag content is a more stable and erasable paper used for finished drawings. Vellum is available with nonreproducible blue square grids, subdivided into 4 x 4, 5 x 5, 8 x 8, or 10 x 10 parts to the inch.
Drafting film is a clear polyester film that is durable, dimensionally stable, and translucent enough for clear reproductions and overlay work. The film is 3 to 4 mil thick and available in rolls or cut sheets. One or both sides may have a nonglare, matte finish suitable for pencil or ink. Only compatible leads, inks, and erasers should be used. Ink lines are removable with erasing fluid or a vinyl eraser saturated with erasing fluid.
CAD and 3D-modeling programs have the ability to organize sets of information in different layers. While these levels or categories can be thought of and used as the digital equivalent of tracing paper, they offer more possibilities for manipulating and editing the information they contain than do the physical layers of tracing paper. And once entered and stored, digital information is easier to copy, transfer, and share than traditional drawings.
Illustration boards have a paper facing laminated to a cardboard backing. Illustration boards are available in single (1/16" ) and double (3/32" ) thicknesses. 100% rag paper facings are recommended for final presentations.
Coldpress boards have a degree of texture for pencil work; hotpress boards have relatively smooth surfaces more suitable for inking.
Some brands of illustration boards have white facing papers bonded to a middle core of white stock. Cut edges are therefore consistently white in color, making them useful for constructing architectural models.