I KNOW YOU ARE YOU, AND REAL

One year after my sister is dragged to the Farmhouse

I place an ad in the newspaper that says Let’s Go Swimming

The woman I later meet at the edge of the lake is perhaps

three times my age and so thin

I laugh as I imagine her scanty dinners

A bowl of brown rice

A single steamed green vegetable

The simmered stem of some ascetic flower

She is disgusted by my smoking

My matted hair

She snatches the cigarette out of my mouth and slaps me

across the face and my tears

Which have been so long absent

Are suddenly there and my vision is bright and clean

Beside us

The lake steams

Apple cores and beer cans float around its rim

She strips to boxers and then she takes off my clothes too

The trees are so thickly green

I don’t worry about my nudity—the Town is a mile away

And I know I’ll seem to be part of the greater landscape

As in a bad painting

When she kneels and starts working on my shoes

I close my eyes and place my hand upon her head

I want to test the water with a finger or foot but watching

her dive

Makes me ashamed of my hesitancy

So I climb an overhanging tree

And sit for a moment in the fragrant creaking alien arms

And then I drop into the lake from that height

Not knowing if there will be rocks below

In the moments before I hit the water

I love her more than I’ve ever loved anyone

The lake is so silty and fetid

It feels like when I was a child

And forced to use my sister’s old bathwater

After she had been lifted out and towelled dry

Now

What wouldn’t I give to swim in my sister’s dirt?

There is nothing

There’s nothing I would not give

How could our parents have thought that water fit for

another person

After they had washed her thin oily hair in it

After they’d cleaned the dirt from her toes

This water is as warm as saliva and the bottom is covered in

strange lumps

My companion is miles ahead already

A muddy blur

I want to ingratiate myself to her

I want to receive the full measure of her attention

Without doing anything to provoke it

And certainly without revealing

That her attention matters to me in any way

In other words

I am ordinary

I want to tell her

I know how to suffer

With my swallowing and my injecting

With my snowbanks and my hangovers

With the terror that turns

My organs black and sour

She insists we follow the river that feeds the lake

We swim against a ruthless current until we can go no further

Until we are swept back cursing

Still she says nothing

Still I learn nothing

I await what I know will never arrive

I await what I wouldn’t recognize if it did

(My suffering acquires a mock-spiritual cast)

We reach the bank

I want to thank her then break her

Gently apart at the joints like a chicken

But there on the bank in front of my eyes

She dissolves like sugar whisked into water

In a very short time, I lost everything. The way forward is hidden from me, as is the way back. And I cannot remain here, of course.

I emerge from the lake less clean than when I entered

Our Town’s nightwatchman circles the water

Even though it is nowhere near evening

He wears huge black goggles and reinforced rubber boots

He taps his way forward with the aid of a walking stick

I lie back in my round iridescent-pink sunglasses

I think pink is the most influential colour in the world

People motor by in a boat

They’re laughing and passing around a baby

I feel my usual revulsion at laughter and babies and groups

I look into the opal on my finger and if I unfocus my eyes

I can see my sister swimming inside the fiery lake at its core

Lately I cannot decide

What I believe

Do I believe in release

Do I deserve release

Will I be released