ARRANGED ACCORDING TO THE GALLERIES IN WHICH THEY HANG
The following abbreviations are used in this list. — S. = signed, C. = canvas, P. = panel.
Where a number is given, thus [No. 6], it is the number of the Catalogue of the Gallery. The dates given must in some cases be accepted as approximate only.
AUSTRIA-HUNGARY
BUDA-PESTH, ACADEMY.
Portrait of an Old Man with a white beard. S. 1640. P. 28⅖ × 21⅘. [No. 235.]
Repose of the Holy Family. 1655.
COLLECTION OF COUNT J. ANDRASSY.
Portrait of Himself. S. 1630. P. 19⅗ × 15⅕.
COLLECTION OF MR GEORGE VON RATH.
Mountain Landscape. S. 1638. P. 22 × 28⅗.
Slaughtered Ox. S. 1639. P. 21⅕ × 17⅕.
Portrait of a Woman. S. 1660. P. 29⅖ × 20⅖.
CRACOW, CZARTORYSKI MUSEUM.
Landscape. S. 1638. P. 17¾ × 25¼.
INNSBRUCK, FERDINANDEUM.
Head of an Old Man. S. 1630. P. 8⅘ × 6⅘.
PRAGUE. COUNT NOSTITZ.
An Old Man. S. 1634. C. 58 × 54. [No. 269.]
TARNOWITZ, GALICIA. COUNT TARNOWSKI.
Polish Horseman. 1655. C. 46 × 53⅖.
VIENNA, ACADEMY.
Portrait of a Young Woman. S. 1632. C. 39⅕ × 28⅘.
COUNT KÖNIGSWARTER.
Portrait of Rembrandt. S. 1640. C. 23 × 17½.
PRINCE LIECHTENSTEIN.
Portrait of Saskia. S. 1632. P. 23⅗ × 17⅗.
Young Girl at her Toilet, called the Jewish fiancée. S. 1632. C. 43⅕ × 37⅕.
Portrait of Rembrandt. S. 1635. C. 36⅘ × 28⅘.
Portrait of a Man. S. 1636.
Portrait of a Woman. Companion to above. S. 1636.
PRINCE LUBOMIRSKI.
Study of Rembrandt with his Mouth open. 1629. P. 17⅗ × 13⅕.
FRANZ XAVIER MEYER.
A Philosopher reading by Candlelight. 1627. Copper, 5⅗ × 5⅗. A very doubtful picture.
IMPERIAL MUSEUM.
Portrait of a Man. 1630. P. 36⅖ × 28. [No. 1139.]
Portrait of a Woman. P. 36⅖ × 28. [No. 1140.]
St Paul. 1636. C. 50⅖ × 44.
Portrait of Rembrandt’s Mother. S. 1639. P. 32 × 24⅘. [No. 1141.]
Portrait of Himself. 1658. C. 45⅕ × 32⅖. [No. 1142.]
Young Man Singing. 1658. C. 28⅖ × 28⅘. [No. 1144.]
Portrait of Himself. S. 1668. P. 20 × 16⅖. [No. 1143.]
COUNT SCHÖNBORN-BUCHHEIM.
Samson captured by the Philistines. S. 1636. C. 95⅕ × 114⅘.
A. STRASSER.
Study of an Angel. 1655. P. 10⅖ × 9⅖.
BELGIUM
ANTWERP, MUSEUM.
Portrait of Henry Swalm, known as “Portrait of a Burgomaster.” S. 1637. C. 55⅗ × 43⅗. [No. 705.]
The Young Fisher. S. 1659. P. 9⅓ × 7⅕ [No. 294.]
Saskia. C. 44⅘ × 33⅗. [No. 293.]
Portrait of an Old Jew. P. 9⅓ × 7⅗. [No. 295.]
BRUSSELS, DUC D’ARENBERG.
Tobias curing his Father’s Blindness. S. 163 — . P. 19⅕ × 15⅗.
COUNT MERODE-WESTERLOO.
St Peter repenting in Prison. S. 1631. P. 23⅖ × 19⅕.
MUSEUM.
Portrait of a Man. S. 1641. C. 42 × 33⅕. [No. 397.]
Portrait of an Old Woman. S. 1654. P. 27⅗ × 28. [No. 397a.]
BRITISH ISLES
LONDON. NATIONAL GALLERY.
Portrait of an Old Woman. S. 1634. P. 27 × 21. [No. 775.]
Portrait of a Man. S. 1635. C. 30⅛ × 22½. [No. 850.]
Ecce Homo. Grisaille. 1636. C. 21⅜ × 17¾. [No. 1400.]
Portrait of Rembrandt. S. 1640. C. 39 × 31½. [No. 672.]
The Woman taken in Adultery. S. 1644. P. 32½ × 25½. [No. 45.]
Adoration of the Shepherds. S. 1646. C. 25 × 22. [No. 47.]
A Woman Bathing. S. 1654. P. 24 × 18¼. [No. 54.]
Portrait of a Rabbi. S. 1657(?). C. 30 × 26. [No. 190.]
Portrait of an Old Man. S. 1659. C. 39 × 32¾. [No. 243.]
Portrait of a Monk. 1660. C. 34½ × 25½. [No. 166.]
Portrait of Rembrandt. 1664. C. 33 × 27½. [No. 221.]
Portrait of a Woman. S. 1666. C. 26¼ × 23¼. [No. 237.]
Portrait of a Jew Merchant. C. 53 × 41. [No. 51.]
Landscape. P. 22 × 34. [No. 72.]
Christ taken down from the Cross. P. 13 × 11. [No. 43.]
Portrait of a Burgomaster. C. 50½ × 38. [No. 1674.]
Portrait of an Old Lady. C. 50½ × 38. [No. 1675.]
HERTFORD HOUSE COLLECTION.
Portrait of Burgomaster Pellicorne and his Son Caspar. S. 1632. C. 61 × 48.
Suzanna van Collen, Wife of Pellicorne, and her Daughter. S. 1632. C. 61 × 48¼.
The Good Samaritan. 1632. P. 9¾ × 8.
Portrait of a Boy. S. 1633. Copper, 8 × 6¾.
Portrait of Himself. S. 1633-1635. P. 26 × 20.
Portrait of a Young Negro, known as the Black Archer. Oval. 1640. P. 26 × 20.
Landscape. 1640. P. 18 × 25.
Portrait of Himself. S. 1640. P. 25 × 19¼.
Portrait of Himself. 1660. 8½ × 6.
Portrait of Titus. 1658. C. 26½ × 22.
The Unmerciful Servant. 1664. C. 70½ × 86¼.
BUCKINGHAM PALACE.
The Shipbuilder and his Wife. S. 1633. C. 44 × 65. [No. 16.]
The Burgomaster Pancras and his Wife. Called Rembrandt and Saskia. S. 1635. C. 60 × 77. [No. 30.]
Christ and Mary Magdalene at the Tomb. S. 1638. P. 23½ × 19½. [No. 41.]
Portrait of a Lady. S. 1641. C. 41 × 33. [No. 162.]
Portrait of Rembrandt. S. 164 — . P. 27 × 23. [No. 174.]
The Adoration of the Magi. S. 1657. P. 48 × 40½. [No. 154.]
A Jewish Rabbi. C. 30 × 38⅞. [No. 131.]
HAMPTON COURT.
Portrait of a Rabbi. S. 1635. P. 28 × 24. [No. 381.]
EDINBURGH. NATIONAL GALLERY.
A Young Woman in Bed. S. 1650. P. 32 × 26½.
DUBLIN. NATIONAL GALLERY.
Portrait of a Young Man. Said to be Louis van der Linden. 1631. P. 27 × 21½.
Shepherds reposing at Night. S. 1647. P. 13½ × 19. [No. 115.]
Descent From the Cross. S. 1650. C. 70 × 77½. Lent by the Duke of Abercorn.
Portrait of an Old Man. S. P. 24 × 18. [No. 48.]
GLASGOW. CORPORATION GALLERIES.
The Slaughter-house. S. 16 — . P. 28 × 20. [No. 707.]
Tobias and the Angel. 1654. P. 29½ × 26. [No. 705.]
A Man in Armour. S. 1655. C. 53½ × 40½. [No. 706.]
The Painter’s Study. P. 20 × 24. [No. 709.]
Jeremiah mourning over the Destruction of Jerusalem. C. 15½ × 12. [No. 714.]
Study of an Old Man. P. 9 × 8. [No. 711.]
Portrait of Rembrandt. P. 26 × 20. [No. 710.]
HUNTERIAN MUSEUM.
Entombment. 1634. P. 12⅘ × 16.
CAMBRIDGE. FITZWILLIAM MUSEUM.
Portrait of Rembrandt. S. 1650. C. 54 × 46⅖. [No. 152.]
DULWICH COLLEGE.
A Young Man. S. 1632. P. 11¼ × 9. [No. 189.]
A Young Girl at a Window. S. 1645. C. 31 × 25. [No. 206.]
WINDSOR CASTLE.
A Young Man. S. 1631. P. 25 × 19.
An Old Woman, known as the Countess of Desmond. 1631. P. 23½ × 18.
ALTHORP PARK. THE EARL SPENCER, K.G.
A Boy, formerly called a portrait of William III. P. 1660. C. 24½ × 21.
Woman with Flowers. 1660. C. 38 × 35½.
The Circumcision. P. 1661. C. 21½ × 28½.
Rembrandt’s Mother. C. 56 × 39.
ASHRIDGE PARK. THE EARL BROWNLOW.
Portrait of a Jew. S. 1632. P. 27 × 23.
Portrait of a Man, said to be Peter Cornelius van Hooft, the poet. S. 1653. C. 55 × 52½.
Isaac and Esau. P. 22½ × 27.
Landscape. A very doubtful picture. P. 8 × 9½.
Portrait of an Old Woman. C. 29½ × 24½.
BASILDON PARK. CHARLES MORRISON.
Portrait of a Young Woman, called Rembrandt’s daughter. S. 1665. C. 39½ × 33.
BELVOIR CASTLE. DUKE OF RUTLAND.
A Young Man. S. 1660. C. 31 × 26½.
BOWOOD. MARQUESS OF LANSDOWNE.
The Mill. 1654. C. 34 × 40½.
BRIGHTON. WILLIAM CHAMBERLIN.
Portrait of a Man-at-Arms. S. P. 26 × 20.
BROOM HALL, DUNFERMLINE. LORD ELGIN.
Portrait of Saskia. S. 1633. P. 26 × 19⅕.
CANFORD MANOR, WIMBORNE. LORD WIMBORNE.
St Paul. S. 1658.
Portrait of a Man. 1660.
CASTLE HOWARD. THE EARL OF CARLISLE.
Portrait of a Young Artist drawing. S. 164 — . Life-size. 1648.
CHATSWORTH. DUKE OF DEVONSHIRE, K.G.
Portrait of a Rabbi. S. 1635. P. 40 × 31½.
DOWNTON CASTLE. A. R. BOUGHTON KNIGHT.
The Cradle. 1643-1645. P. 24 × 30½.
Portrait of a Man, known as “Rembrandt’s Cook.” S. 1661. C. 34 × 29½.
The Holy Family. P. 30 × 25.
DRAYTON MANOR. SIR ROBERT PEEL.
The Finding of Moses. 1635. C. oval, 18⅘ × 23⅗.
DUNCOMBE PARK. THE EARL OF FEVERSHAM.
A Merchant. S. 1659. C. 45 × 38.
EDINBURGH. ARTHUR SANDERSON.
His Mother in a Hood. 1630. P. 14⅖ × 12⅕.
Portrait of an Old Woman. S. 1635. C. 51⅗ × 39⅗.
RICHARD SAUNDERSON (in 1836).
Abraham receiving the Angels.
GLASGOW. WILLIAM BEATTIE.
Study of Himself. 1629. P. 10⅕ × 8⅗.
GOSFORD HOUSE. EARL OF WEMYSS AND MARCH.
A Monk reading. S. 1660. C. 29 × 24.
THE GRANGE, ALRESFORD. LORD ASHBURTON.
Portrait of a Man. 1635. P. 30 × 25.
Portrait of an Old Man. 1637. C. 48 × 37½.
Portrait of Lieven Willemsz van Coppenol. About 1650. P. 14 × 11.
Portrait of Rembrandt. About 1658. C. 30 × 25½.
Portrait of a Man, said to be Cornelius Jansenius. P. 32 × 26.
GRITTLETON. SIR A. D. NEELD, Bart.
Portrait of Rembrandt. S. 1660. C. 23½ × 20.
Portrait of a Burgomaster. S. P. 15 × 12.
HINTON ST GEORGE. THE EARL POULETT.
Portrait of a Boy. S. 1628.
KEDDLESTON HALL. REV. LORD SCARSDALE.
Portrait of an Old Man. S. 1645. C. 34 × 27.
KNOWSLEY HALL. THE EARL OF DERBY, K.G.
The Feast of Belshazzar. 1636. Doubtful Rembrandt. C. 65 × 81½.
LONDON. W. C. ALEXANDER.
Rembrandt’s Mother. 1628. P. 8¾ × 6¾.
The Painter’s Sister. Doubtful. C. 27 × 20½.
WENTWORTH B. BEAUMONT.
The Tribute Money. S. 1645. C. 25 × 33½.
ALFRED BEIT.
St Francis Praying. S. 1637. P. 23⅕ × 18⅘.
Portrait of a Young Man. 1660. C. 40 × 32½.
R. B. BERENS.
Portrait of the Painter. An early work. P. 24 × 18
BRIDGEWATER HOUSE. EARL OF ELLESMERE.
A Young Woman, aged 18. S. 1634. P. 27½ × 21.
A Young Woman. Oval. 1635.
Portrait of a Burgomaster, or, a Minister. S. 1637. C. 52 × 38.
Hannah hearing the Young Samuel repeat his Prayers. S. 1648. P. 16 × 18.
Study of an Old Man. 1655.
Portrait of Rembrandt. S. 165 — . C. 26½ × 20¾.
MONTAGUE HOUSE. DUKE OF BUCCLEUCH, K.G.
Portrait of Saskia. S. 1633. C. 48½ × 38½.
Portrait of an Old Woman. S. 1655. C. 31½ × 26.
Portrait of Rembrandt. S. 1659. C. 31 × 25½.
BARONESS BURDETT-COUTTS.
A Forest Scene. P. 16 × 14.
W. C. CARTWRIGHT.
Dead Peacocks. S. 1640. C. 54 × 50½.
THE EARL OF CRAWFORD, K.G.
Portrait of Titus. S. 1655. C. 29½ × 24½.
THE EARL OF DERBY, K.G.
A Rabbi. S. 1635. P. 28 × 21.
Joseph’s Coat. 1647. C. 48 × 38.
DEVONSHIRE HOUSE. THE DUKE OF DEVONSHIRE, K.G.
An Old Man. S. 1651. C. 28½ × 25.
An Old Man. S. 1652. C. 43 × 34.
GEORGE C. W. FITZWILLIAM.
Portrait of a Man. 1632. P. 22½ × 18½.
F. FLEISCHMANN.
Rembrandt’s Father. S. 1631. P. 23 × 19½.
ALEXANDER HENDERSON.
Burgomaster Six. 1655. C. 36½ × 29.
Portrait of his Wife, Margaretha, Daughter of Dr. Tulp. S. 1655. P. 36½ × 29.
CAPTAIN HEYWOOD-LONSDALE.
Portrait of Rembrandt. S. 1635 or 8. P. 25 × 20.
DORCHESTER HOUSE. CAPTAIN G. L. HOLFORD.
Martin Looten. S. 1632. P. 36 × 29½.
A Man with a Sword. S. 1644. C. 39 × 34.
Portrait of a Lady, incorrectly called the wife of Jan Sylvius. 1645. C. 49 × 40.
Portrait of Titus. S. 1660. C. 29 × 24½.
LORD FRANCIS PELHAM HOPE. (Collection sold in 1898.)
A Lady and Gentleman. S. 1633. C. 51 × 42.
The Ship of St Peter. S. 1635. C. 63 × 50.
THE EARL OF HOPETOUN.
Rembrandt’s Mother. Oval. P. 27 × 21.
R. W. HUDSON.
An Old Man. S. 1635. P. 26⅘ × 21⅗.
THE EARL OF ILCHESTER.
Portrait of Rembrandt. S. 1658. C. 51½ × 40.
VICTORIA AND ALBERT MUSEUM.
Abraham dismissing Hagar and Ishmael. S. 1640. P. 15 × 20½.
LORD IVEAGH.
Portrait of a Woman. S. 1642. C. 42 × 36.
Portrait of Rembrandt. 1663. C. 45 × 37½.
MRS JOSEPH.
Portrait of Saskia. S. 1636. P. 26 × 20½.
LESSER (1893).
Portrait of an Old Woman. S. 1635. C.
COLONEL LINDSAY (1893).
Portrait of a Very Old Woman. S. 1660. C. 30 × 25⅖.
MRS ALFRED MORRISON.
Portrait of Dr Bonus. S. 1642. C. 41 × 30.
DUKE OF NEWCASTLE.
Portrait of an Orator. C. 37½ × 29½.
THE EARL OF NORTHBROOK.
Landscape. 1640. P. 8½ × 11.
Portrait of an Old Man. S. 1667. C. 27 × 22½.
LORD PENRHYN.
Portrait of Catrina Hoogh. S. 1657. C. 49½ × 38½.
JAMES REISS
Landscape. P. 11½ × 16.
MRS OWEN ROE.
Portrait of a Man. C. 40 × 33.
LADY DE ROTHSCHILD.
Portrait of Rembrandt. S. 1656. C. 35 × 28.
EDWARD H. SCOTT.
Rembrandt’s Father’s Mill. C. 32½ × 42.
COLONEL STERLING.
Portrait of a Man. C. 23 × 17.
STEPHEN TUCKER.
The Angel departing from Tobit. P. 25½ × 19½.
SIR CHARLES TURNER.
Portrait of a Girl. 1650. P. 8⅖ × 7⅕.
LORD WANTAGE.
Portrait of an Old Woman. S. 1661. C. 29½ × 25.
T. HUMPHRY WARD.
An Old Man. 1630 or 1658. C. 20 × 14¾.
A Young Man. S. 1646. C. 28 × 23.
The Dismissal of Hagar. P. 26 × 22½.
GROSVENOR HOUSE. DUKE OF WESTMINSTER, K.G.
The Salutation. [No. 33.] S. 1640. P. 22 × 18½.
Portrait of a Gentleman with a Hawk. [No. 14.] S. 1643. C. 44 × 37½.
A Lady with a Fan. [No. 15.] S. 1643. C. 44 × 37½.
Portrait of Nicholas Berchem. [NO. 19.] S. 1647. Cedar panel, 28½ × 25½.
Portrait of his Wife. [No. 20], the daughter of Jan Wils. S. 1647. Cedar panel, 28½ × 25.
Portrait of Rembrandt. P. 15½ × 11½.
Landscape. [No. 83.] P. 39 × 61.
HENRY WILLETT.
Portrait of a Man. P. 20 × 17.
SIR MATTHEW WILSON.
Portrait of a Lady. Oval. P. 27 × 21.
THE EARL OF YARBOROUGH.
Portrait of an Old Lady. 1637. P. 40½ × 35.
NEW HALL, BODENHAM. ALFRED BUCKLEY.
Sketch of a Man’s Head. P. 9 × 7.
PANSHANGER. THE EARL COWPER, K.G.
Portrait of a Man. S. 1644. C. 44½ × 42.
Portrait of Marshal Turenne. 1649. C. 113 × 94.
Head of a Man. P. 12½ × 9½.
PETWORTH. LORD LECONFIELD.
Portrait of the Painter’s Sister. S. 1631. P. 25 × 18½.
Portrait of Rembrandt. S. 1632. Oval. P. 25 × 18½.
Portrait of a Lady. S. 1635. C. 49 × 39½.
Portrait of a Youth. S. 1666. C. 29 × 24.
Girl with a Rosebud. S. P. 32 × 25.
RICHMOND. THE EXECUTORS OF THE LATE SIR FRANCIS COOK.
The Painter’s Sister. S. 1632. Oval. P. 27 × 21.
Portrait of Alotte Adriaans, Wife of Elias Van Trip. S. 1639. P. 25½ × 22.
Tobit and His Wife. S. 1650. P. 16¼ × 21¼.
Study of an Old Man. P. 13½ × 10½.
The Prodigal Son. S. 1634. A very doubtful picture. C. 51 × 66.
ROSSIE PRIORY, INCHTURE, PERTHSHIRE. LORD KINNAIRD.
Portrait of a Young Woman. S. 1636.
Portrait of Rembrandt. S. 1661. C. 36 × 30.
WELBECK ABBEY, NOTTS. DUKE OF PORTLAND.
Head of a Boy. S. 1634. P. 17 × 14.
WILTON HOUSE. THE EARL OF PEMBROKE.
An Old Woman Reading. S. 1631. C. 29 × 24.
WOBURN ABBEY. DUKE OF BEDFORD.
Portrait of an Old Man. 1632.
Portrait of Rembrandt. 1635. C. 34½ × 30½.
PRESENT OWNERS UNKNOWN.
Portrait of a Saint. S. 1635. C. 43 × 38.
Portrait of a Lady. P. 29½ × 23.
Landscape. C. 14 × 18½.
DENMARK.
COPENHAGEN. NEW CARLSBERG GLYPTOTEK.
Man Reading. 1645. C. 24½ × 28.
COUNT MOLTKE.
Portrait of an Old Woman. [NO. 32.] 1654. C.
COPENHAGEN. MUSEUM.
Christ at Emmaus. [No. 292.] S. 1648. C. 33½ × 42½.
Portrait of a Young Man. [No. 273.] S. 1656. C. 29 × 25.
Portrait of a Young Woman. [No. 274.] Companion to the last. S. 1656. C. 29 × 25.
FRANCE.
PARIS. THE LOUVRE.
A Philosopher in Meditation. [No. 2540, Grand Gallery.] S. 1633. P. 11⅗ × 13⅕.
A Philosopher in Meditation. [No. 2541, Grand Gallery.] 1633. P. 11⅕ × 9⅕.
Portrait of Rembrandt. [No. 2552, Salle XV.] S. 1633. C. 23⅕ × 18.
Portrait of Rembrandt. [No. 2553, Grand Gallery.] S. 1634. P. 27⅕ × 21⅕.
The Angel Raphael leaving Tobit. [No. 2536, Grand Gallery.] S. 1637. P. 27⅕ × 20⅘.
Portrait of Rembrandt. [No. 2554, Grand Gallery.] S. 1637. P. 32 × 24⅘.
Portrait of an Old Man. [No. 2544, Grand Gallery.] S. 1638. Oval. P. 36 × 22⅖.
The Carpenter’s Home. [No. 2542, Salon Carré.] S. 1640. P. 16⅖ × 13⅗.
A Woman Bathing. [No. 2550, Salle Lacaze.] 1647. P. 24⅘ × 19⅕.
Christ at Emmaus. [No. 2539, Salon Carré.] S. 1648. P. 27⅕ × 26.
The Good Samaritan. [No. 2537, Grand Gallery.] S. 1648. P. 45⅗ × 54.
Portrait of a Man. [No. 2551, Salle Lacaze.] S. 1651. C. 33⅕ × 26⅖.
Portrait of Hendrickje Stoffels. [No. 2547, Salon Carré.] P. about 1652. C. 28⅘ × 24.
Bathsheba, or a Woman bathing. [No. 2549, Salle Lacaze.] S. 1654. C. 56⅘ × 56⅘.
Portrait of a Man. [No. 2546, Grand Gallery.] 1655. P. 10⅖ × 7⅗.
The Slaughter-house. [No. 2548, Grand Gallery.] S. 1655. P. 37⅗ × 27⅗.
Portrait of a Young Man. [No. 2545, Salon Carré.] S. 1658. C. 29⅕ × 24⅖.
Portrait of Rembrandt. [No. 2555, Salon Carré.] S. 1660. C. 44⅖ × 34.
Saint Matthew. [No. 2538, Grand Gallery.] S. 1661. C. 38⅖ × 32⅖.
Venus and Cupid. [No. 2543, Grand Gallery.] 1661. C. 44 × 35⅕.
ÉPINAL. MUSEUM.
Portrait of an Old Woman. [No. 101.] S. 1661. C. 45⅗ × 32.
NANTES. MUSEUM.
Portrait of Rembrandt’s Father. [No. 522, attributed to van Vliet.] 1628. P. 7 × 5⅖.
PARIS. MME. ANDRÉ-JACQUEMART.
Christ at Emmaus. S. R.H. 1629. Paper on panel 15⅗ × 16⅘.
Portrait of Lysbeth van Rijn. S. 1632. C. 26 × 20⅖.
Portrait of Arnold Tholinx. S. 1656. C. 30⅖ × 25⅕.
LÉON BONNAT.
Petitioners To a Biblical King. 1633. P. 11⅖ × 10⅗.
Jean Six at a Window. Very doubtful. P. 10 × 8.
Figure of Susannah. Oval. 1647. P. 8⅘ × 7.
Tasters in a Cellar. 1650. P. 19⅘ × 25⅕.
Portrait of an Old Man. 1650. P. 22 × 17⅗.
Portrait of a Rabbi. 1655. P. 8⁄25 × 9⁄50.
Head of an Old Man. 1660. P. 10 × 8⅘.
MARQUIS BONI DE CASTELLANE.
Portrait of Nicholas Ruts. S. 1631. P. 46 × 34½.
PRINCE DE CHALAIS.
Portrait of a Man.
LÉON GAUCHEZ.
Lucretia. S. 1664. C. 46⅖ × 39⅕.
LEOPOLD GOLDSCHMIDT.
Portrait of a Woman. Called Rembrandt’s cook. 1655. C. 29⅘ × 24⅗.
HARJES.
Old Man With a White Beard. C. 25⅕ × 23⅕.
BARONESS HIRSCH-GEREUTH (THE LATE).
Portrait of his Sister, or Saskia. Oval. S. 1633. P. 23 × 17⅗.
MAURICE KANN.
Head of Christ. 1660. C. 18⅗ × 14⅘.
A Man in a Red Cloak. S. 1659. P. 15⅖ × 12⅖.
Portrait of a Man. P. between 1666 and 1668. C. 36⅖ × 29⅘.
RODOLPHE KANN.
Head of Christ. 1652. P. 10⅖ × 8.
Portrait of Titus. S. 1655. C. 31⅗ × 23⅗.
Portrait of a Rabbi. 1655. P. 10 × 7⅘.
Portrait of an Old Woman. S. 1657. P. 8⅘ × 7⅕.
Old Woman cutting her Nails. S. 1658. C. 50⅖ × 40.
Portrait of a Young Woman. 1668. C. 37⅕ × 29⅕.
MME. LACROIX.
Landscape, with Swans. 1645. C. 25⅗ × 17⅕.
ALBERT LEHMANN.
Zachariah receiving the Prophecy of the Birth of John the Baptist. S. 1632. P. 22⅖ × 19⅕.
PAUL MATHEY.
Head of an Old Man. P. 20 × 24.
HENRY PEREIRE.
Portrait of a Man. S. 1632. P. 24 × 18⅘.
Portrait of Cornelia Pronck. Wife of the man. S. 1633. P. 24 × 18⅘.
JULES PORGÈS.
The Good Samaritan. S. 1639. C. 38⅕ × 50.
Portrait of a Rabbi. S. 1642. P. 30 × 24⅖.
An Old Woman meditating over a Book. 1649. C. 39⅕ × 31⅕.
Portrait of Rembrandt’s Brother. 1650. P. 22⅖ × 17⅕.
Portrait of a Woman holding a Book. 1650. P. 22⅖ × 17⅕.
COUNTESS EDMOND DE POURTALÈS.
Portrait of a Young Man rising from a Chair. S. 1633. C. 50 × 40.
BARON ALPHONSE DE ROTHSCHILD.
Portrait of an Old Woman. S. 1632. P. 30⅗ × 23.
BARON GUSTAVE DE ROTHSCHILD.
Portrait of Martin Daey. S. 1634. C. 82⅘ × 52⅘.
Portrait of Machteld van Doorn, Wife of Martin Daey. C. 82⅘ × 52⅘.
The Standard-Bearer. S. 1636. C. 50 × 42.
BARONESS NATHANIEL DE ROTHSCHILD.
Portrait of a Boy. S. 1633. P. 17⅗ × 13⅕.
BARON N. DE ROTHSCHILD.
Portrait of Anthoni Copal. S. 1635. P. 33⅕ × 26⅘.
DURAND RUEL.
David playing before Saul. 1663. C. 52⅕ × 65⅗.
BARON ARTHUR DE SCHICKLER.
Judas with the Price of the Betrayal. 1629. C. 31⅗ × 41⅕.
A. SCHLOSS.
Portrait of Saskia. Oval. 1634. P. 26⅘ × 21.
Old Man. S. 1643. P. 10 × 7⅗.
HENRI SCHNEIDER.
Hans Alenson. S. 1634. C. 71⅕ × 52⅘.
The Wife of Alenson. S. 1634. C. 71⅕ × 52⅘.
CHARLES SEDELMEYER.
Pilate washing his Hands. 1656. C. 51⅕ × 72.
CHARLES WALTNER.
An Old Rabbi. 1654-56. C. 32⅘ × 26.
E. WARNECK.
Diana bathing. 1631. P. 7⅕ × 6⅘.
Rembrandt laughing. S. 1633. P. 8⅕ × 7.
Study of a Rabbi. 1650 To 1655. P. 8⅘ × 7⅖.
Study of a Young Boy. 1654. P. 9⅕ × 7⅘.
DR MELVIL WASSERMANN.
Study of his Father. 1630. P. 11⅖ × 9⅕.
Portrait of an Old Man. 1633. P. 10⅖ × 8⅖.
ROUEN. M. DUTUIT.
Portrait of Rembrandt. S. 1631. P. 32⅖ × 21⅗.
TOURS. MUSEUM.
Portrait of His Father. [No. 437.] A copy of the one in the Museum at Nantes. 1628. P. 6 × 4.
GERMANY.
BERLIN GALLERY. ROYAL MUSEUM.
The Money-Changer. [No. 828 D.] S. 1627. P. 12⅕ × 16⅘.
Judith, or Minerva. [No. 828 C.] 1631. P. 23⅗ × 19⅕.
The Rape of Proserpina. [No. 823.] 1632. P. 33⅕ × 31⅕.
Rembrandt. [No. 810.] S. 1634. P. 22⅘ × 18⅘.
Rembrandt. [No. 808.] 1634. P. 22 × 18⅖.
Samson threatening his Father-in-law [No. 802], formerly called The Duke of Gueldres. S. 1635. C. 62⅖ × 51⅗.
Portrait of the Minister Anslo consoling a Widow. S. 1641. C. 73⅗ × 89⅗.
Portrait of Saskia. [No. 812.] S. 1643. P. 28⅘ × 23⅕.
Portrait of a Rabbi. [No. 828 A.] S. 1645. C. 44 × 32⅘.
The Wife of Tobias with the Goat. [No. 805.] S. 1645. P. 8 × 10⅘.
Joseph’s Dream. [No. 806.] S. 1645. P. 8 × 10⅘.
Susannah and the Elders. [No. 828 E.] S. 1647. P. 30⅖ × 36⅖.
Daniel’s Vision. [No. 828 F.] 1650. C. 38⅖ × 46⅖.
Joseph accused by Potiphar’s Wife. [No. 828 H.] S. 1655. C. 41½ × 34.
Study of an Old Man. [No. 828 J.] 1655. C. 20⅖ × 14⅘.
John the Baptist preaching. [No. 828 K.] S. 1656. C. 25 × 31.
Jacob Wrestling with the Angel. [No. 828.] S. 1659. C. 54⅘ × 46⅖.
Moses breaking the Tables of the Law. [No. 811.] S. 1659. C. 66⅘ × 54.
Portrait of Hendrickje Stoffels. [No. 828 B.] 1662. C. 34⅘ × 26.
ALTFRANKEN. COUNT LUCKNER.
Portrait of Saskia. S. 1635. P. 39⅕ × 28.
ANHOLT. PRINCE OF SALM-SALM.
Diana, Actæon, and Callisto. S. 1635. C. 28⅘ × 38.
ASCHAFFENBOURG. ROYAL MUSEUM.
The Risen Christ. S. 1661. C. 32 × 25⅕.
BERLIN. VON CARSTANGEN.
Portrait of J. C. Sylvius. S. 1645. C. 52 × 44.
Christ at the Column. 1646. P. 13⅗ × 11⅕.
Portrait of Rembrandt. S. 1665. C. 32⅘ × 25⅕.
EMPEROR FREDERICK MUSEUM.
Rembrandt’s Brother. 1650. C. 26⅘ × 20⅗.
CARL HOLLITSCHER.
St Paul in Meditation. 1635. C. 47⅕ × 38.
Christ on the Cross. 1648. P. 14 × 9⅗.
ROBERT VON MENDELSSOHN.
Rembrandt. S. 1651. P. 26⅖ × 21⅕.
SANS-SOUCI.
The Capture of Samson. S. 1628. P. 24 × 19⅗.
JAMES SIMON.
Portrait of a Young Girl. S. 1634. P. 17⅗ × 14⅖.
BONN. PROFESSOR G. MARTIUS.
An Old Woman. 1640. P. 27⅕ × 22⅕.
BRUNSWICK. GRAND DUCAL MUSEUM.
An Unknown Man. [No. 232.] 1631. P. 25⅖ × 19⅕.
Portrait of a Woman. [No. 233.] S. 1633. P. 25⅖ × 19⅕.
Portrait of a Man. [No. 237.] S. 1638. P. 32⅘ × 27.
Stormy Landscape. [No. 236.] S. 1640. P. 20⅘ × 28⅘.
Noli Me Tangere. [No. 235.] S. 1651. C. 26 × 31⅗.
Portrait of a Family. [No. 238] S. 1668. C. 50⅖ × 66⅗.
CARLSRUHE. GRAND DUCAL MUSEUM.
Portrait of Himself. [No. 238.] S. 1645. P. 29⅗ × 23⅗.
CASSEL. MUSEUM.
Rembrandt. [No. 208.] 1627. P. 8 × 6⅖.
An Old Man. [No. 209.] S. 1630. P. 26⅖ × 22⅖.
An Old Man. [No. 210.] S. 1632. P. 20 × 15⅗.
An Old Man. [No. 211.] S. 1632. P. 23⅗ × 19⅗.
Portrait, said to be Coppenol. [No. 212.] S. 1632. C. 40 × 31⅕.
Jan Herman Krul. [No. 213.] S. 1633. C. 49⅕ × 37⅗.
Saskia. [No. 214.] 1634. P. 39⅕ × 30⅘.
Rembrandt. [No. 215.] S. 1634. P. 31⅗ × 25⅗.
A Young Woman. [No. 216.] 1635. P. 28⅘ × 23⅗.
A Man. [No. 217.] S. 1639. C. 79⅕ × 48⅖.
Holy Family. [No. 218.] Called “The Woodchopper.” S. 1646. P. 18 × 26⅘.
A Winter Landscape. [No. 219.] S. 1646. P. 6⅖ × 8⅘.
The Ruin. [No. 220.] S. 1650. P. 26⅖ × 34⅖.
Portrait of Bruyningh. [No. 221.] S. 1652. C. 42 × 36.
Man in Armour, known as “The Watch.” [No. 223.] S. 1655. C. 45⅕ × 36.
An Old Man. [No. 226.] 1655. P. 8 × 6.
An Old Man. [No. 225.] 1657. P. 8 × 6⅔.
An Architect, or Geometrician. [No. 224.] 1656. C. 48 × 36.
Jacob Blessing Joseph’s Sons. [No. 227.] S. 1656. C. 69⅗ × 80.
Portrait of Rembrandt. [No. 222.] S. 1659. C. 29⅕ × 23⅗.
COLOGNE. BARON A. VON OPPENHEIM.
A Young Girl. 1655. P. 8⅖ × 7.
DARMSTADT. GRAND-DUCAL GALLERY.
The Flagellation. [No. 347.] S. 1668. C. 37⅗ × 29⅕.
DRESDEN. ROYAL GALLERY.
Saskia. [No. 1556.] S. 1633. P. 21 × 17⅗.
A Man. [No. 1557.] Willem Burchgraeff. [No. 182.] S. 1633. P. 27 × 21.
The Capture of Ganymede. [No. 1558.] S. 1635. C. 68⅗ × 52.
Rembrandt and Saskia. [No. 1559.] S. 1635. C. 64 × 52⅘.
The Marriage of Samson. [No. 1560.] S. 1638. C. 50⅖ × 70⅖.
The Man with the Bittern. [No. 1661.] S. 1639. P. 48⅖ × 35⅗.
Saskia holding a Pink. [No. 1562.] S. 1641. P. 39⅕ × 32⅘.
The Sacrifice of Manoah. [No. 1563.] S. 1641. C. 96⅖ × 114.
Old Woman weighing Gold. [No. 1564.] C. 44⅘ × 39⅗.
A Young Man. [No. 1565.] S. 1643. C. 30⅘ × 26⅘.
An Old Man. [No. 1571.] 1645. C. 37⅗ × 30⅘.
The Entombment. [No. 1566.] S. 1653. C. 38⅘ × 27⅗.
An Old Man with a Beard. [No. 1567.] S. 1654. P. 40 × 30⅘.
Portrait of a Man. [No. 1568.] 1656. C. 35⅘ × 27⅖.
Rembrandt. [No. 1569.] S. 1657. C. 34⅕ × 26.
An Old Man. [No. 1570.] 1666. C. 32⅘ × 28⅖.
ELBERFELD. KARL VON DER HEYDT.
The Denial of St Peter. S. 1628. Copper, 8⅘ × 6⅘.
A Lady. S. 1635. P. 30⅘ × 25⅗.
FRANKFORT. STÆDEL ART INSTITUTE.
David playing before Saul. [No. 183.] P. 24⅘ × 20.
Portrait of Margaretha van Bilderbeecq. [No. 182.] Oval. S. 1633. P. 26⅘ × 22⅖.
Parable of the Labourers in the Vineyard. [No. 181.] S. 1656. C. 61⅕ × 54⅘.
GOTHA. MUSEUM.
Rembrandt. [No. 181.] S. 1629. P. 7⅕ × 5⅗.
HAMBURG. KUNST-HALLE.
Maurice Huygens. S. 1632. C. 52 × 44.
CONSUL WEBER.
Presentation in the Temple. S. 1630. P. 22 × 17⅗.
The Woman taken in Adultery. 1644. C. 45⅗ × 54.
A Pilgrim at Prayer. S. 1661. C. 36 × 31⅕.
LEIPZIG. JULIUS O. GOTTCHALD.
Study of an Old Man. 1630. P. 8⅕ × 6⅘.
MUSEUM.
Rembrandt. [No. 347.] 1654. P. 10⅖ × 8⅖.
ALFRED THIEME.
The Good Samaritan. 1640. C. 12⅖ × 15.
Portrait called the Constable of Bourbon. S. 1644. C. 36⅖ × 29⅗.
METZ. MUSEUM.
An Old Man. S. 1633. P. 23⅗ × 17⅗.
MUNICH. ROYAL GALLERY.
Holy Family. [No. 324.] S. 1631. C. 77⅕ × 52.
Portrait of a Turk. [No. 325.] S. 1633. P. 33⅗ × 25⅕.
The Descent from the Cross. [No. 326.] S. 1633. P. 35⅗ × 26.
The Elevation of the Cross. [No. 327.] 1633. C. 38⅖ × 28⅘.
The Ascension. [No. 328.] S. 1636. C. 36⅘ × 26⅘.
The Entombment. [No. 330.] 1638. C. 37⅕ × 27⅗.
The Resurrection. [No. 329.] S. 1639. C. 37⅗ × 28.
The Adoration of the Shepherds. [No. 331.] S. 1646. C. 38⅘ × 28⅘.
Rembrandt. [No. 333.] S. 1654. P. 32⅘ × 26⅘.
DR MARTIN SCHUBART.
An Old Man. 1632. P. 25 × 18⅗.
NORDKIRCHEN. COUNT ESTERHAZY.
A Young Man. S. 1629.
NUREMBERG. MUSEUM.
Rembrandt [No. 298], in armour. S. 1629. P. 15⅗ × 12⅘.
Saint Paul. 1629.
OLDENBURG. AUGUSTEUM.
The Prophetess Anna, or the painter’s mother. [No. 166.] S. 1631. C. 24 × 19⅕.
An Old Man. [No. 167.] S. 1632. C. 26⅗ × 20⅖.
Landscape. [No. 169.] 1645. P. 11⅗ × 16.
POSEN. COUNT EDWARD RACZYNSKI.
Christ. S. 1661. C. 39 × 32⅗.
SCHWERIN. GRAND DUCAL MUSEUM.
An Old Man. [No. 854.] S. 1630. P. 27⅕ × 20⅘.
An Old Man. [No. 855.] 1656. C. 22⅘ × 18⅘.
STRASBURG. MUSEUM.
An Old Man, holding a scroll. 1650. C. 24⅖ × 18⅖.
STUTTGART. MUSEUM.
St Paul in Prison. [No. 225.] S. 1627. P. 28 × 23⅕.
WEIMAR. GRAND DUKE OF SAXE-WEIMAR.
Portrait of Rembrandt. S. 1643. C. 24⅖ × 19⅕.
HOLLAND.
THE HAGUE. MAURITSHUIS, ROYAL MUSEUM.
Rembrandt’s Mother. [No. 556, Room XIV.] 1628. P. 7 × 5.
Rembrandt’s Father. [No. 565, Room XIV.] 1628. P. 18⅘ × 15⅗.
Rembrandt. [No. 148, Room XIV.] 1629. P. 14⅘ × 11⅗.
A Man Laughing. [No. 598, Room XIV.] 1630. P. 6 × 4⅘.
A Young Girl. [No. 577, Room XIV.] S. 1630. P. 22 × 18.
The Presentation in the Temple. [No. 145, Room XIV.] S. 1631. P. 24 × 19⅕.
The Anatomy Lesson of Professor Pieterszoon Tulp. [No. 146, Room XIII.] S. 1632. C. 64⅘ × 86⅖.
Rembrandt As an Officer. [No. 149, Room XIV.] S. 1634. P. 24⅘ × 18⅘.
The Flight Into Egypt. [No. 579, Room XIV.] S. 1636. P. 15⅕ × 14.
A Woman at Her Toilet. [No. 552, Room XIV.] S. 1637. P. 29 × 25.
Susannah at the Bath. [No. 147, Room XIV.] S. 1637. P. 18⅘ × 15⅗.
Portrait Believed To Be Rembrandt’s Brother Adriaen. [No. 560, Room XIV.] S. 1650. C. 31⅕ × 26⅖.
Homer Reciting His Poems. [No. 584, Room XIV.] S. 1663. C. 43⅕ × 32⅘.
AMSTERDAM. RYKSMUSEUM.
Rembrandt’s Father. [No. 1248.] 1629. C. 21⅗ × 18⅖.
A Young Lady, Known As the Lady of Utrecht. S. 1639. P. 42⅖ × 32⅖.
Elizabeth Bas [No. 1249], Widow of Admiral Swartenhout. 1640. C. 46⅖ × 35⅕.
The Sortie of the Company of Captain Frans Banning Cocq [No. 1246], Called “the Night Watch.” S. 1642. C. 143⅗ × 174.
Mythological Subject. [No. 1251.] 1650. C. 34 × 26⅘.
The Anatomy Lesson of Dr Johannes Deyman. [No. 1250.] S. 1656. C. 40 × 52⅘.
The Syndics of the Drapers. [No. 1247.] S. 1661. C. 74 × 109⅗.
The Jewish Bride. [No. 1252.] S. 1665. C. 47⅕ × 65⅗.
DR C. HOFSTEDE DE GROOT.
Rembrandt’s Sister. 1630. P. 5¼ × 3¾.
SIX COLLECTION.
Joseph Interpreting His Dreams. S. 1630. Cardboard, 20 × 15⅕.
Anna Vymer. S. 1641. P. 40 × 32.
Portrait of Ephraim Bonus. 1647. P. 7⅗ × 6.
Burgomaster Six. 1660. C. 44 × 40.
THE HAGUE. DR BREDIUS.
A Woman Praying. 1654. P. 7¾ × 6.
PRINCE HENRI DES PAYS-BAS.
Rembrandt. S. 1643. C. 24⅔ × 19⅕.
D. F. SCHEURLEER.
Head of a Boy. 1629. 10⅖ × 8⅕.
STEENGRACHT COLLECTION.
The Toilet of Bathsheba. S. 1643. P. 20⅘ × 30⅖.
LEEUWARDEN. BARON VAN HARINXMA THOE SLOOTEN.
Portrait of an Old Man. S. 1644. P. 9⅖ × 8⅕.
ROTTERDAM. BOYMANS MUSEUM.
Portrait of Rembrandt’s Father. [No. 237, Room B.] S. 1630. Oval. P. 29⅕ × 22⅖.
The Peace of the Country. [No. 238, Room D.] S. 1640. P. 29⅗ × 40.
ITALY.
FLORENCE. PITTI PALACE.
Rembrandt. [No. 60, Room 5.] 1635. C. 24⅘ × 20⅘.
An Old Man. [No. 16, Room 6.] S. 1658. C. 40⅘ × 33⅕.
UFFIZI.
Portrait of Rembrandt. [No. 451, Room 13.] 1655. C. 28⅘ × 23⅕.
Portrait of Rembrandt. [No. 452, Room 13.] 1666. C. 28⅘ × 23⅕.
SIGNOR FABRI.
Study of an Old Man. P. 23⅗ × 18⅘.
MILAN. BRERA.
A Woman. [No. 449.] S. 1632. P. 22 × 19⅕.
ROUMANIA.
SINAIA. THE KING OF ROUMANIA.
Esther, Haman, and Ahasuerus. 1668. C. 94 × 76.
RUSSIA.
ST PETERSBURG. THE HERMITAGE.
Portrait of Rembrandt’s Father. [No. 814.] S. 1630. P. 14⅖ × 10⅖.
Portrait of a Man. [No. 808.] S. 1631. C. 45⅕ × 36⅘.
The Descent From the Cross. [No. 800.] S. 1634. C. 63⅕ × 46⅘.
The Incredulity of St Thomas. [No. 801.] S. 1634. P. 22 × 20⅖.
The Jewish Bride. [No. 812.] S. 1634. C. 50 × 40⅖.
A Young Man [No. 828]. S. 1634. P. 28 × 20⅘.
The Sacrifice of Isaac. [No. 792.] S. 1635. C. 77⅕ × 53⅕.
Portrait of an Oriental. [No. 813.] S. 1636. C. 39⅗ × 30⅖.
Danae. [No. 892.] S. 1636. C. 74 × 82.
Portrait of a Man, called Sobieski. [No. 811.] S. 1637. P. 38⅘ × 26⅗.
The Parable of the Master of the Vineyard. [No. 798.] S. 1637. P. 12⅖ × 16⅘.
An Old Woman. [No. 829.] S. 1643. P. 30⅖ × 22⅖.
The Reconciliation of David and Absalom. [No.1777.] S. 1642. P. 30 × 24⅗.
Rembrandt’s Mother. [No. 807.] S. 1643. P. 31⅗ × 24⅖.
The Holy Family. [No. 796.] S. 1645. C. 46⅘ × 36⅖.
Portrait of a Man, erroneously called Manasseh Ben Israel. [No. 820.] S. 1645. C. 51⅗ × 44⅘.
Abraham Receiving the Angels. [No. 791.] 1650. C. 48⅗ × 65.
The Sons of Jacob showing him Joseph’s Coat. [No. 793.] S. 1650. C. 61⅘ × 67⅕.
The Disgrace of Haman. [No. 795.] S. 1650. C. 50⅘ × 46⅘.
Pallas. [No. 809.] 1650. C. 46⅘ × 36⅖.
Hannah Teaching the Infant Samuel to Read. [No. 822.] S. 1650. C. 46⅘ × 37⅗.
Girl with a Broom. [No. 826.] S. 1651. C. 43⅗ × 36⅘.
An Old Woman. [No. 804.] 1654. C. 53⅕ × 42⅘.
An Old Woman. [No. 805.] S. 1654. C. 43⅗ × 33⅗.
An Old Woman. [No. 806.] S. 1654. C. 29⅗ × 25⅕.
An Old Jew. [No. 810.] S. 1654. C. 43⅗ × 33⅗.
An Old Man. [No. 818.] 1654. C. 43⅕ × 34⅖.
An Old Man. [No. 823.] S. 1654. C. 35⅕ × 28⅘.
An Old Man. [No. 824.] S. 1654. C. 29⅗ × 25⅕.
Joseph Accused by Potiphar’s Wife. [No. 794.] S. 1655. C. 42 × 38⅘.
St Peter’s Denial. [No. 799.] S. 1656. C. 61⅕ × 67⅕.
A Young Woman. [No. 819.] S. 1656. C. 40⅘ × 34⅘.
Young Woman trying on an Earring. [No. 817.] S. 1657. P. 16 × 14⅕.
A Young Man. [No. 825.] 1660. C. 28⅘ × 22⅖.
Portrait of a Man. [No. 821.] S. 1661. C. 28⅖ × 24⅖.
Portrait of Jeremias de Decker, the Poet. [No. 827.] S. 1666. P. 28⅖ × 22⅖.
The Prodigal Son. [No. 797.] 1669. C. 104⅘ × 100.
An Old Jew. [No. 815.] S. P. 20⅖ × 16⅘.
PRINCE JOUSOUPOFF.
Head of a Young Boy. S. 1633. P. 7⁄25 × 6⁄25.
Susannah and the Elders. S. 1637.
A Young Man. 1660. C. 32⅘ × 39⅕.
A Lady With an Ostrich Feather. 1660. C. 33 × 39⅗.
PRINCE OF LEUCHTEMBERG.
Rembrandt. [No. 108]. 1643. P. 30 × 24⅘.
COUNT A. W. ORLOFF-DAVIDOFF.
Christ. 1660. C. 43⁄25 × 38⅘.
COUNT S. STROGANOFF.
A Philosopher in Meditation. S. 1630. P. 23⅖ × 18-2⅗0
A Young Monk. S. 1660. C. 32⅖ × 26⅘.
SPAIN.
MADRID. PRADO.
Queen Artemisia receiving the Ashes of Mausolus. [No. 1544.] Otherwise Known As Cleopatra at her toilet. S. 1634. C. 56⅘ × 61⅕.
SWEDEN.
STOCKHOLM. ROYAL MUSEUM.
A Young Girl. [No. 591.] 1630. P. 23⅗ × 24⅘.
St Anastasius. [No. 579.] S. 1631. P. 24 × 19⅕.
Saskia. [No. 583.] S. 1632. C. 28⅘ × 21⅗.
Study of an Old Man as St Peter. [No. 1349.] S. 1632. C. 32⅘ × 24⅘.
An Old Man. [No. 585.] S. 1633.
The Young Servant. S. 1654. C. 31⅕ × 25⅕.
An Old Man. [No. 581.] S. 1655. C. 35⅗ × 29⅕.
An Old Woman. [No. 582.] S. 1655. C. 35⅗ × 29⅕.
The Conspiracy of Claudius Civilis. [No. 578.] 1661. C. 78⅖ × 123⅗.
VANAS. COUNT AXEL DE WACHTMEISTER.
A Young Man. S. 1632. P. 25⅒ × 18⅖.
A Young Man. 1643. C. 42 × 36.
UNITED STATES OF AMERICA.
CHICAGO. ARMOUR.
Portrait of a Man. S. 1643. C. 33⅗ × 26⅘.
P. C. HANFORD.
An Accountant by a Table. C. 40⅘ × 32.
NEW YORK. W. H. BEERS.
Rembrandt’s Father. 1632. C. 30 × 24⅘.
ROBERT W. DE FOREST.
Head of a Young Man. 25½ × 19½.
H. O. HAVEMEYER.
Portrait of Christian Paul van Beersteyn, Burgomaster of Delft. S. 1632.
Portrait of Volkera Nicolai Knobbert, wife of Beersteyn. S. 1632.
Portrait of Paulus Doomer, called “The Gilder.” S. 1640. P. 29⅕ × 21⅗.
A Woman, aged 87. S. 1640 or 1646. C. 27⅗ × 24.
ROBERT HOE.
Young Gipsy holding a Medallion. 1650. C.
MORRIS K. JESSUP.
Portrait of a Young Man, erroneously called Six.
Portrait of his Wife.
METROPOLITAN MUSEUM.
A Man. [no. 277.] 1640. C. 30¾ × 24¾.
An Old Man. [no. 274.] S. 1665. C. 27⅝ × 24⅜.
The Mills. [no. 276.] C. 21½ × 26¼.
The Adoration of the Shepherds. [No. 278.] P. 24⅜ × 20⁄16.
J. PIERPONT MORGAN.
Portrait of Rembrandt. C. 43½ × 33½.
R. MORTIMER.
Portrait of a Young Man putting on His Armour. 1634. C. 40⅖ × 33⅗.
W. SCHAUS.
Portrait of an Admiral, erroneously called “Van Tromp.” 1658. P. 36 × 29¾.
CHARLES STEWART SMITH.
St John. Oval. S. 1632. P. 25 × 19.
C. T. YERKES.
The Raising of Lazarus. 1628. P. 16⅘ × 14.
Joris de Caulery. S. 1632.
Portrait of a Rabbi. 1635. P. 25 × 20⅘.
Philemon and Baucis. S. 1658. P. 21⅗ × 27⅗.
PHILADELPHIA. P. A. B. WIDENER.
Portrait of Saskia. 1633. P. 23⅗ × 18⅕.
PITTSBURGH. A. M. BYERS.
Portrait of Saskia. S. 1636. P. 31⅖ × 26⅖.
SAN FRANCISCO. WILLIAM H. CROCKER.
Portrait of a Young Boy. P. 16⅖ × 14.
UNKNOWN OWNERS.
A Young Man, Called Tulp. S. 1634. P. 28⅘ × 20⅖.
Portrait of a Young Woman. S. 1634. P. 28⅘ × 20⅖.
A Man, called Matthys Kalkoen. S. 1632. C. 44⅘ × 36.
Portrait of Saskia. S. 1634.
Portrait called “The Dutch Admiral.” S. 1643.
Portrait of a Lady. S. 1643.
An Orphan Girl of Amsterdam. S. 1645. C. 64 × 33⅗.
“The Standard-Bearer.” 1662. C. 56 × 58.
Portrait Called Six. S. C. 48 × 36⅘.