E. W. Bohannon, My Grandmother, and Me

E. W. Bohannon rests upright under glass,

blind blue gaze dignified and detached, calmly

afloat on a pale sea, enigmatic doldrums

of cured oil beiges contoured

on a flat stretched canvas.

More often than I should I pause here,

my rushed steps down this tiled, wax-dusted hall

slowed, drawn to the painterly portrait

of this long-dead educator

and my own superimposed reflection,

shadowed palimpsest that traces a third face

silent planes of my own grandmother’s

whose years (and her children’s)

at boarding schools

Red Lake Mission

Tomah

Hayward

Vermilion Lake

Red Lake Government

Pipestone

coincided with E.W.’s tenure and now

collide in the layering of countenances

pondering his academic gown hood demeanor

and his civilized world of books and order

preserved in oils now dry

and fragile as his flesh and bones

long moldered to powder underground

in darkness to dust.

The brass plate at the bottom of the portrait

Eugene William Bohannon

President, Duluth State Teachers College

1901–1938

is a small grave marker in a toy cemetery,

a headstone at the foot of a canvas imitation

of life forgotten for a half-century

while the world beyond the storage vault

reinvented itself history repeating history,

the robed and seated scholar shrouded

indefinitely in brown paper secured by twine

while he waited as Wells’s time traveler

for the machine to halt and tip him sideways

back into the endless argument over what is light

and what is dark, what is Eloi and what is Morlock.

Since his resurrection, E.W. has seen the light

of day only in the building that bears his name

in this dreamlike portrait painted

in what looks like the most civilized of times.

From behind glass he blinks, slowly,

through the reflection of my grandmother’s eyes

at this loiterer that I am,

who pauses more often than she should at this case

to wonder, to ponder the parallel worlds

between his existence, her grandmother’s, and her own,

attempting and failing to reconcile the present with the past.

Fearlessly—I hope—we stare him down,

my grandmother’s shadow and I.

Without expression we blink slowly back

at E. W. Bohannon, upright under glass.