XIV
The Inscription

Everything I recounted at the end of the last chapter happened in a moment. What happened next was even faster. I made a quick movement, and before she could rub them out, I read these two names, inscribed with the nail, and set out thus:

BENTO CAPITOLINA

I turned to face her; Capitu had her eyes on the ground. She soon lifted them, slowly, and we stood there looking at one another … Childhood confession, I could give two or three pages over to you, but I must be economical. The truth is, we said nothing; the wall said it all for us. We did not move, but our hands stretched out little by little, all four of them, taking hold of each other, clasping each other, melting into one another. I didn’t take down the exact time of the gesture. I should have done so; I regret not having a note written that same night, which I could reproduce here with all its spelling mistakes: though it would have none, such was the difference between the scholar and the adolescent. I knew all the rules of orthography, but had no suspicion of the rules of love; I had gone through orgies of Latin and was a virgin with women.

We did not unclasp our hands, nor did they drop of their own accord, out of weariness or inattention. Our eyes stared into one another, then looked away, strayed for a while, then came back to each other again … A future priest, I faced her as before an altar: one of her cheeks was the Epistle and the other the Gospel. Her mouth might have been the chalice, her lips the paten. All I needed to do was to say a new mass, according to a Latin that no one learns at school, and is the catholic language of mankind. Don’t think me sacrilegious, devout lady reader; the purity of the intention cleanses anything unorthodox in the style. We stood there with heaven within us. Our hands, their nerve ends touching, made two creatures one: a single, seraphic being. Our eyes went on saying infinite things, and the words did not even try to pass our lips: they went back to the heart as silently as they had come…