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Articles

Barbieri Patrizio. 91–112. Vigevano: Comune di Vigevano, “Gli ingegnosi cembali e ‘violicembali' inventati da Juan Caramuel Lobkowitz per Ferdinando III (c. 1650): notizie inedite dal manoscritto Musica.”

Barbieri Patrizio. 145–168. “Juan Caramuel Lobkowitz (1606–1682): Über die musikalischen Logarithmen und das Problem der musikalischen Temperatur.” Musiktheorie, Volume 2,

Barbieri Patrizio. D. A. d'Alessandro and A. Ziino 167–216. Rome: Torre d'Orefeo, “La sambuca lincea di Fabio Colonna e il tricembalo di Scipione Stella,” in La musica a Napoli durante il Seicento,

Barbieri Patrizio. D. A. d'Alessandro and A. Ziino 5–27. “An Unknown Fifteenth-Century French Manuscript on Organ Building and Tuning.” Organ Yearbook, Volume 20,

Barbieri Patrizio. D. A. d'Alessandro and A. Ziino 69–88. “Violin Intonation: A Historical Survey.” Early Music, Volume 19,

Barnes John. 236–249. “Bach's Keyboard Temperament.” Early Music, Volume 7, No. 2,

Fenton James. 22–24, 26. “How Great Art Was Made.” New York Review of Books, Volume 45, No. 7,

Hayes Deborah. 17–31. “Christian Huygens and the Science of Music.” Musicology at the University of Colorado, Volume 1, No. 1,

Hooke Robert. London: Philosophical Transactions, “A Curious Dissertation.”

Kuttner Fritz A. 163–206. “Prince Chu Tsai-Yü's Life and Work, a Reevaluation of his Contribution to the Equal Temperament Theory.” Ethnomusicology, Volume 19, No. 2,

Lindley Mark. 167–203. “Mersenne on Keyboard Tuning.” Journal of Music Theory, Volume 24, No. 2,

Warren Charles W. 92–105. “Brunelleschi's Dome and Dufay's Motet.” Musical Quarterly, Volume 59,

Wells Robin Headlam. 514–528. “John Dowland and Elizabethan Melancholy.” Early Music, Volume 13, No. 4,

Wright Craig. 395–441. “Dufay's Nuper rosarum flores, King Solomon's Temple, and the Veneration of the Virgin.” Journal of the American Musicological Society, Volume 47,

Recordings

Blackwood Easley Chicago: Cedille Records CDR 90000 018, Microtonal.