COLUMBIA THEMES IN PHILOSOPHY, SOCIAL CRITICISM, AND THE ARTS PRESENTS monographs, essay collections, and short books on philosophy and aesthetic theory. It aims to publish books that show the ability of the arts to stimulate critical reflection on modern and contemporary social, political, and cultural life. Art is not now, if it ever was, a realm of human activity independent of the complex realities of social organization and change, political authority and antagonism, cultural domination and resistance. The possibilities of critical thought embedded in the arts are most fruitfully expressed when addressed to readers across the various fields of social and humanistic inquiry. The idea of philosophy in the series’ title ought to be understood, therefore, to embrace forms of discussion that begin where mere academic expertise exhausts itself, where the rules of social, political, and cultural practice are both affirmed and challenged, and where new thinking takes place. The series does not privilege any particular art, nor does it ask for the arts to be mutually isolated. The series encourages writing from the many fields of thoughtful and critical inquiry.
Lydia Goehr and Daniel Herwitz, eds., The Don Giovanni Moment: Essays on the Legacy of an Opera
Robert Hullot-Kentor, Things Beyond Resemblance: Collected Essays on Theodor W. Adorno
John T. Hamilton, Music, Madness, and the Unworking of Language