Bibliography

Airoldi, Massimo, Davide Beraldo, and Alessandro Gandini. “Follow the Algorithm: An Exploratory Investigation of Music on YouTube.” Poetics 57 (2016): 1–13. doi:10.1016/j.poetic.2016.05.001.

Åker, Patrik. “Spotify as the Soundtrack to Your Life: Encountering Music in the Customized Archive.” In Streaming Music: Practices, Media, Cultures, edited by Sofia Johansson, Ann Werner, Patrik Åker, and Gregory Goldenzwaig, 81–104. London: Routledge, 2017.

Anderson, Chris. Free: The Future of a Radical Price. London: Random House, 2009.

Anderson, Paul Allen. “Neo-Muzak and the Business of Mood.” Critical Inquiry 41, no. 4 (2015): 811–840. doi:10.1086/681787.

Anderson, Tim J. Popular Music in a Digital Music Economy: Problems and Practices for an Emerging Service Industry. New York: Routledge, 2011.

Andersson, Jonas, and Pelle Snickars, eds. Efter the Pirate Bay. [After the Pirate Bay.] Stockholm: Kungliga biblioteket, 2010.

Andersson Schwarz, Jonas. Online File Sharing: Innovations in Media Consumption. London: Routledge, 2013.

Andersson Schwarz, Jonas, and Johan Hammarlund. “Kontextförlust och kontextkollaps: Metodproblem vid innehållsanalys av sociala medier.” [Contextual loss and collapse: Methodological problems in content analysis of social media.] Nordicom-Information 38, no. 3 (2016): 41–55.

Ankerson, Megan Sapnar. “Historicizing Web Design: Software, Style, and the Look of the Web.” In Convergence Media History, edited by Janet Staiger and Sabine Hake, 192–203. New York: Routledge, 2009.

Appadurai, Arjun, ed. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press, 1986.

Aspers, Patrik. Markets. Cambridge: Polity Press, 2011.

Aspers, Patrik, Nigel Dodd, and Ellinor Anderberg. Introduction to Re-imagining Economic Sociology, edited by Patrik Aspers and Nigel Dodd, 1–33. Oxford: Oxford University Press, 2015.

Auer, Dirk, and Nicolas Petit. “Two-Sided Markets and the Challenge of Turning Economic Theory into Antitrust Policy.” Antitrust Bulletin 60, no. 4 (2015): 426–461. doi:10.1177/0003603X15607155.

Bakos, Yannis, Florencia Marotta-Wurgler, and David R. Trossen. “Does Anyone Read the Fine Print? Consumer Attention to Standard-Form Contracts.” Journal of Legal Studies 43 (1) (2014): 1–35. doi:10.1086/674424.

Barbrook, Richard. Imaginary Futures: From Thinking Machines to the Global Village. London: Pluto Press, 2007.

Barna, Emília. “‘The Perfect Guide in a Crowded Musical Landscape’: Online Music Platforms and Curatorship.” First Monday 22, no. 4 (2017). doi:10.5210/fm.v22i14.6914.

Beaulieu, Anne. “Vectors for Fieldwork: Computational Thinking and New Modes of Ethnography.” In The Routledge Companion to Digital Ethnography, edited by Larissa Hjorth, Heather Horst, Anne Galloway, and Genevieve Bell, 30–39. London: Routledge, 2017.

Beckert, Jens. “Imagined Futures: Fictional Expectations in the Economy.” Theory and Society 42 (3) (2013): 219–240. doi:10.1007/s11186-013-9191-2.

Beer, David. Popular Culture and New Media: The Politics of Circulation. New York: Palgrave Macmillan, 2013.

Benkler, Yochai. The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven, CT: Yale University Press, 2006.

Berlant, Lauren. Cruel Optimism. Durham, NC: Duke University Press, 2011.

Berry, David M. “The Computational Turn: Thinking about the Digital Humanities.” Culture Machine 12 (2011). http://www.culturemachine.net/index.php/cm/article/view/440/470.

Beunza, Daniel, and David Stark. “Tools of the Trade: The Socio-technology of Arbitrage in a Wall Street Trading Room.” Industrial and Corporate Change 13, no. 2 (2004): 369–400. doi:10.1093/icc/dth015.

Bhandari, Esha, and Rachel Goodman. “Data Journalism and the Computer Fraud and Abuse Act: Tips for Moving Forward in an Uncertain Landscape.” Paper presented at the Computation + Journalism Symposium 2017, Northwestern University, Evanston, IL, October 13–14, 2017. https://northwestern.box.com/s/mnyympjp2a7iqau9o73v4f9mrt1satoc.

Binkley, Sam. “Happiness, Positive Psychology and the Program of Neoliberal Governmentality.” Subjectivity 4, no. 4 (2011): 371–394. doi:10.1057/sub.2011.16.

Birkinbine, Benjamin J., Rodrigo Gómez, and Janet Wasko, eds. Global Media Giants. London: Routledge, 2017.

Bivens, Rena. “The Gender Binary Will Not Be Deprogrammed: Ten Years of Coding Gender on Facebook.” New Media & Society 19, no. 6 (2017): 880–898. doi:10.1177/1461444815621527.

Bivens, Rena, and Oliver L. Haimson. “Baking Gender into Social Media Design: How Platforms Shape Categories for Users and Advertisers.” Social Media + Society 2, no. 4 (2016). doi:10.1177/2056305116672486.

Block, Joern, and Philipp Sandner. “What Is the Effect of the Financial Crisis on Venture Capital Financing? Empirical Evidence from US Internet Start-Ups.” Venture Capital 11, no. 4 (2009): 295–309. doi:10.1080/13691060903184803.

Blok, Anders, Moe Nakazora, and Brit Ross Winthereik. “Infrastructuring Environments.” Science as Culture 25, no. 1 (2016): 1–22. doi:10.1080/09505431.2015.1081500.

Bogost, Ian, and Nick Montfort. “Platform Studies: Frequently Questioned Answers.” Paper presented at the Digital Arts and Culture Conference, Irvine, California, December 12–15, 2009. http://pdf.textfiles.com/academics/bogost_montfort_dac_2009.pdf.

Bolin, Göran, and Jonas Andersson Schwarz. “Heuristics of the Algorithm: Big Data, User Interpretation and Institutional Translation.” Big Data & Society, 2, no. 2 (2015). doi:10.1177/2053951715608406.

Born, Georgina, and Christopher Haworth. “Mixing It: Digital Ethnography and Online Research Methods—A Tale of Two Global Digital Music Genres.” In The Routledge Companion to Digital Ethnography, edited by Larissa Hjorth, Heather Horst, Anne Galloway, and Genevieve Bell, 70–86. New York: Routledge, 2017.

boyd, danah, and Kate Crawford. “Critical Questions for Big Data.” Information, Communication & Society 15, no. 5 (2012): 662–679. doi:10.1080/1369118X.2012.678878.

Bratton, Benjamin H. The Stack: On Software and Sovereignty. Cambridge, MA: MIT Press, 2015.

Brinkman, Bo. “Ethics and Pervasive Augmented Reality: Some Challenges and Approaches.” In Emerging Pervasive Information and Communication Technologies (PICT): Ethical Challenges, Opportunities and Safeguards, edited by Kenneth D. Pimple, 149–175. London: Springer, 2014.

Broersma, Marcel, and Todd Graham. “Social Media as Beat: Tweets as a News Source during the 2010 British and Dutch Elections.” Journalism Practice 6 (3) (2012): 403–419. doi:10.1080/17512786.2012.663626.

Bruns, Axel. “Faster than the Speed of Print: Reconciling ‘Big Data’ Social Media Analysis and Academic Scholarship.” First Monday 18, no. 10 (2013). doi:10.5210/fm.v18i10.4879.

Brynjolfsson, Erik, Felix Eggers, and Avinash Gannamaneni. “Using Massive Online Choice Experiments to Measure Changes in Well-Being.” NBER Working Paper No. 24514. National Bureau of Economic Research, April 2018. http://www.nber.org/papers/w24514

Bucher, Tania. “About a Bot: Hoax, Fake, Performance Art.” M/C Journal 17, no. 3 (2014). http://journal.media-culture.org.au/index.php/mcjournal/article/view/814.

Burgess, Jean. “From ‘Broadcast Yourself’ to ‘Follow Your Interests’: Making Over Social Media.” International Journal of Cultural Studies 18, no. 3 (2015): 281–285. doi:10.1177/1367877913513684.

Butz, David. Autoethnography as Sensibility. In The SAGE Handbook of Qualitative Geography, ed. Dydia DeLyser, Steve Herbert, Stuart Aitken, Mike Crang and Linda McDowell. 138–155. London: SAGE, 2010.

Caldwell, John Thornton. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Durham, NC: Duke University Press, 2008.

Callon, Michel. “An Essay on Framing and Overflowing: Economic Externalities Revisited by Sociology.” In “The Laws of Markets,” edited by Michel Callon. Supplement, Sociological Review 46, no. S1 (1998): 244–269. doi:10.1111/j.1467-954X.1998.tb03477.x.

Callon, Michel, and Bruno Latour. Unscrewing the Big Leviathan: How Actors Macro-structure Reality and How Sociologists Help Them to Do So. In Advances in Social Theory and Methodology: Toward an Integration of Micro- and Macro-sociologies, ed. Karen Knorr-Cetina and Aaron V. Cicourel. 277–303. Boston: Routledge & Kegan Paul, 1981.

Calvey, David. Covert Research: The Art, Politics and Ethics of Undercover Fieldwork. London: SAGE, 2017.

Cerwonka, Allaine, and Liisa H. Malkki. Improvising Theory: Process and Temporality in Ethnographic Fieldwork. Chicago: University of Chicago Press, 2007.

Chen, Ching-Wei, and Vidhya Murali. “Machine Learning & Big Data for Music Discovery.” PowerPoint presentation at Galvanize, New York, New York, March 9, 2017. https://www.slideshare.net/cweichen/machine-learning-and-big-data-for-music-discovery-at-spotify?qid=b7ca7727-0a01-4441-9107-14410ccf0e7d.

Chen, Le, Alan Mislove, and Christo Wilson. “Peeking beneath the Hood of Uber.” In Proceedings of the 2015 Internet Measurement Conference, 495–508. New York: ACM, 2015. doi:10.1145/2815675.2815681.

Cheney-Lippold, John. We Are Data: Algorithms and the Making of Our Digital Selves. New York: New York University Press, 2017.

Cheng, Yu, Yusheng Xie, Zhengzhang Chen, Ankit Agrawal, Alok Choudhary, and Songtao Guo. “JobMiner: A Real-Time System for Mining Job-Related Patterns from Social Media.” In Proceedings of the 19th ACM SIGKDD International Conference on Knowledge Discovery and Data Mining, edited by Rayid Ghani, Ted E. Senator, Paul Bradley, Rajesh Parekh, and Jingrui He, 1450–1453. New York: ACM, 2013.

Chun, Wendy Hui Kyong. Control and Freedom: Power and Paranoia in the Age of Fiber Optics. Cambridge, MA: MIT Press, 2006.

Chun, Wendy Hui Kyong. Programmed Visions: Software and Memory. Cambridge, MA: MIT Press, 2011.

Curran, James, Natalie Fenton, and Des Freedman. Misunderstanding the Internet. London: Routledge, 2012.

Curtin, Michael, Jennifer Holt, and Kevin Sanson, eds. Distribution Revolution: Conversations about the Digital Future of Film and Television. Oakland: University of California Press, 2014.

Curtin, Michael, and Kevin Sanson, eds. Precarious Creativity: Global Media, Local Labor. Berkeley: University of California Press, 2016.

Czarniawska, Barbara. Cyberfactories: How News Agencies Produce News. Cheltenham, UK: Edward Elgar, 2011.

Czarniawska, Barbara. “On Time, Space, and Action Nets.” Organization 11, no. 6 (2004): 773–791. doi:10.1177/1350508404047251.

Czarniawska, Barbara. Shadowing, and Other Techniques for Doing Fieldwork in Modern Societies. Malmö, Sweden: Liber, 2007.

Datta, Amit, Michael Carl Tschantz, and Anupam Datta. “Automated Experiments on Ad Privacy Settings: A Tale of Opacity, Choice, and Discrimination.” Proceedings on Privacy Enhancing Technologies, no. 1 (2015): 92–112. doi:10.1515/popets-2015-0007.

Davidsson, Pamela, and Olle Findahl. Svenskarna och internet 2017: Undersökning om svenskarnas internetvanor [Swedes and the Internet 2017: Report on Swedish Internet Habits], edited by Marianne Ahlgren, v. 1.1 (Stockholm: Internetstiftelsen i Sverige, 2017). https://www.iis.se/docs/Svenskarna_och_internet_2017.pdf.

Decherney, Peter. Hollywood’s Copyright Wars: From Edison to the Internet. New York: Columbia University Press, 2013.

DeNicola, Lane. “EULA, Codec, API: On the Opacity of Digital Culture.” In Moving Data: The iPhone and the Future of Media, edited by Pelle Snickars and Patrick Vonderau, 265–277. New York: Columbia University Press, 2012.

DeNora, Tia. Music in Everyday Life. Cambridge: Cambridge University Press, 2000.

Deuten, J. Jasper, and Arie Rip. “Narrative Infrastructure in Product Creation Processes.” Organization 7 (1) (2000): 69–93. doi:10.1177/135050840071005.

Dewsbury, J. D. “Performative, Non-representational, and Affect-Based Research: Seven Injunctions.” In The SAGE Handbook of Qualitative Geography, edited by Dydia DeLyser, Steve Herbert, Stuart Aitken, Mike Crang, and Linda McDowell, 321–334. London: Sage, 2010.

Dixon-Román, Ezekiel. “Algo-Ritmo: More-than-Human Performative Acts and the Racializing Assemblages of Algorithmic Architectures.” Cultural Studies Critical Methodologies 16, no. 5 (2016): 482–490. doi:10.1177/1532708616655769.

Draper, Nora. “Fail Fast: The Value of Studying Unsuccessful Technology Companies.” Media Industries Journal 4, no. 1 (2017). doi:10.3998/mij.15031809.0004.101.

Drew, Rob. “Mixed Blessings: The Commercial Mix and the Future of Music Aggregation.” Popular Music and Society 28, no. 4 (2005): 533–551. doi:10.1080/03007760500159088.

Drott, Eric. “The End(s) of Genre.” Journal of Music Therapy 57 (1) (2013): 1–45. doi:10.1215/00222909-2017097.

Drucker, Johanna. Graphesis: Visual Forms of Knowledge Production. Cambridge, MA: Harvard University Press, 2014.

Duffy, Brooke Erin. (Not) Getting Paid to Do What You Love: Gender, Social Media, and Aspirational Work. New Haven, CT: Yale University Press, 2017.

Edelman, Benjamin, Michael Luca, and Dan Svirsky. “Racial Discrimination in the Sharing Economy: Evidence from a Field Experiment.” American Economic Journal. Applied Economics 9 (2) (2017): 1–22. doi:10.1257/app.20160213.

Ehn, Andreas, Magnus Hult, Fredrik Niemelä, Ludvig Strigeus, and Gunnar Kreitz. “Peer-to-Peer Streaming of Media Content.” US Patent 8,316,146, filed July 13, 2007, and issued November 20, 2012. https://www.google.com/patents/US8316146.

Ehn, Andreas, Magnus Hult, Fredrik Niemelä, Ludvig Strigeus, and Gunnar Kreitz. “Peer-to-Peer-strömmning av medieinnehåll.” [Peer-to-peer streaming of media content], Swedish Patent SE 0701717–1, filed July 13, 2007, and issued November 10, 2009. http://was.prv.se/spd/patent?p1=2X63xqIWgOR7eM42P9NdVA&p2=MWN663OCkwI&hits=true&tab=1&content=SE+0701717-1.

Ehrenreich, Barbara. Smile or Die: How Positive Thinking Fooled America and the World. London: Granta, 2009.

Elberse, Anita. Blockbusters: Why Big Hits—and Big Risks—Are the Future of the Entertainment Business. London: Faber & Faber, 2014.

Eriksson, Maria. “Close Reading Big Data: The Echo Nest and the Production of (Rotten) Music Metadata.” First Monday 21, no. 7 (2016). doi:10.5210/fm.v21i7.6303.

Eriksson, Maria, and Anna Johansson. “‘Keep Smiling!’: Time, Functionality and Intimacy in Spotify’s Featured Playlists.” Cultural Analysis 16, no. 1 (2017): 67–82.

Eriksson, Maria, and Anna Johansson. “Tracking Gendered Streams.” Culture Unbound 9 (2) (2017): 163–183. doi:10.3384/cu.2000.1525.1792163.

Ernst, Wolfgang. Digital Media and the Archive. Edited and with an introduction by Jussi Parikka. Minneapolis: University of Minnesota Press, 2013.

Eslami, Motahhare, Kristen Vaccaro, Karrie Karahalios, and Kevin Hamilton. “‘Be Careful; Things Can Be Worse than They Appear’—Understanding Biased Algorithms and Users’ Behavior around Them in Rating Platforms.” In Proceedings of the Eleventh International Conference on Web and Social Media, 62–71. Palo Alto, CA: AAAI Press, 2017. https://aaai.org/ocs/index.php/ICWSM/ICWSM17/paper/view/15697.

Ess, Charles. Foreword: Ground Internet Research Ethics 3.0: A View from (the) AoIR. In Internet Research Ethics for the Social Age: New Challenges, Cases, and Contexts, ed. Michael Zimmer and Katharina Kinder-Kurlanda. ix–xv. New York: Peter Lang, 2017.

Evans, David S., and Richard Schmalensee. “The Industrial Organization of Markets with Two-Sided Platforms.” Competition Policy International 3 (1) (2007): 151–179.

Farchy, Joëlle. “The Internet: Culture for Free.” In A Handbook of Cultural Economics, edited by Ruth Towse, 245–253. 2nd ed. Cheltenham, UK: Edward Elgar, 2011.

Fayard, Anne-Laure, and John Van Maanen. “Making Culture Visible: Reflections on Corporate Ethnography.” Journal of Organizational Ethnography 4, no. 1 (2015): 4–27. doi:10.1108/JOE-12-2014-0040.

Fisman, Ray, and Tim Sullivan. The Inner Lives of Markets: How People Shape Them—and They Shape Us. London: John Murray, 2016.

Fleischer, Rasmus. Boken & biblioteket [The book & the library]. Stockholm: Ink bokförlag, 2011.

Fleischer, Rasmus. Det postdigitala manifestet [The postdigital manifesto]. Stockholm: Ink bokförlag, 2009.

Fleischer, Rasmus. “Från lagringskultur till streamingkultur: Om att skriva samtidens näthistoria” [From storage culture to streaming culture: Writing the story of contemporary times]. In Återkopplingar [Feedback], edited by Marie Cronqvist, Patrik Lundell, and Pelle Snickars, 219–234. Mediehistoriskt arkiv 28. Lund, Sweden: Lunds universitet, 2014.

Fleischer, Rasmus. “How Music Takes Place: Excerpts from ‘The Post-digital Manifesto.’” e-flux, no. 42 (2013). http://www.e-flux.com/journal/42/60255/how-music-takes-place-excerpts-from-the-post-digital-manifesto/.

Fleischer, Rasmus. “If the Song Has No Price, Is It Still a Commodity? Rethinking the Commodification of Digital Music.” Culture Unbound 9, no. 2 (2017): 146–162. doi:10.3384/cu.2000.1525.1792146.

Fleischer, Rasmus. “Protecting the Musicians and/or the Record Industry? On the History of ‘Neighbouring Rights’ and the Role of Fascist Italy.” Queen Mary Journal of Intellectual Property 5, no. 3 (2015): 327–343. doi:10.4337/qmjip.2015.03.05.

Fleischer, Rasmus. “Swedish Music Export: The Making of a Miracle.” In Made in Sweden: Studies in Popular Music, edited by Alf Björnberg and Thomas Bossius, 153–162. New York: Routledge, 2017.

Fleischer, Rasmus. “Towards a Postdigital Sensibility: How to Get Moved by Too Much Music.” Culture Unbound 7, no. 2 (2015): 255–269. doi:10.3384/cu.2000.1525.1572255.

Fleischer, Rasmus. “Nätutopier och nätdystopier: Om 2000-talets sökande efter internets väsen.” [Net utopia and dystopia: Searching for the soul of the internet during the early 2000s.] In Samtider: Perspektiv på 2000-talets idéhistoria [The Present: Perspectives on the History of Ideas during the Early 2000s], edited by Anders Burman and Lena Lennerhed, 261–303. Gothenburg, Sweden: Daidalos, 2017.

Fleischer, Rasmus, and Christopher Kullenberg. “The Political Significance of Spotify in Sweden—Analysing the #backaspotify Campaign Using Twitter Data.” Culture Unbound 11 (1) (2018).

Fortun, Mike, Kim Fortun, and George E. Marcus. “Computers in/and Anthropology: The Poetics and Politics of Digitization.” In The Routledge Companion to Digital Ethnography, edited by Larissa Hjorth, Heather Horst, Anne Galloway, and Genevieve Bell, 11–20. New York: Routledge, 2017.

Frabetti, Federica. “‘Does It Work?’: The Unforeseeable Consequences of Quasi-failing Technology.” Culture Machine 11 (2010): 107–135. http://www.culturemachine.net/index.php/cm/article/view/388/409.

Fuchs, Christian. Digital Labour and Karl Marx. London: Routledge, 2014.

Galuszka, Patryk. “Music Aggregators and Intermediation of the Digital Music Market.” International Journal of Communication 9 (2015): 254–273. http://hdl.handle.net/11089/7345

Garfinkel, Harold. Studies in Ethnomethodology. Englewood Cliffs, NJ: Prentice Hall, 1967.

Gawer, Annabelle. “Bridging Differing Perspectives on Technological Platforms: Toward an Integrative Framework.” Research Policy 43, no. 7 (2014): 1239–1249. doi:10.1016/j.respol.2014.03.006.

Gehl, Robert W. Reverse Engineering Social Media: Software, Culture, and Political Economy in New Media Capitalism. Philadelphia: Temple University Press, 2014.

Gerlitz, Carolin, and Anne Helmond. “The Like Economy: Social Buttons and the Data-Intensive Web.” New Media & Society 15, no. 8 (2013): 1348–1365. doi:10.1177/1461444812472322.

Gill, Rosalind. “Post-postfeminism? New Feminist Visibilities in Postfeminist Times.” Feminist Media Studies 16 (4) (2016): 610–630. doi:10.1080/14680777.2016.1193293.

Gill, Rosalind. “Unspeakable Inequalities: Post Feminism, Entrepreneurial Subjectivity, and the Repudiation of Sexism among Cultural Workers.” Social Politics 21, no. 4 (2014): 509–528. doi:10.1093/sp/jxu016.

Gillespie, Tarleton. “Platforms Intervene.” Social Media + Society 1, no. 1 (2015). doi:10.1177/2056305115580479.

Gillespie, Tarleton. “The Politics of ‘Platforms.’” New Media & Society 12, no. 3 (2010): 347–364. doi:10.1177/1461444809342738.

Gillespie, Tarleton. “The Relevance of Algorithms.” In Media Technologies: Essays on Communication, Materiality, and Society, edited by Tarleton Gillespie, Pablo J. Boczkowski, and Kirsten A. Foot, 167–194. Cambridge, MA: MIT Press, 2014.

Glynos, Jason. “Ideological Fantasy at Work.” Journal of Political Ideologies 13, no. 3 (2008): 275–296. doi:10.1080/13569310802376961.

Graham, Stephen, and Simon Marvin. Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. London: Routledge, 2001.

Greenberg, David M., Michal Kosinski, David J. Stillwell, Brian L. Monteiro, Daniel J. Levitin, and Peter J. Rentfrow. “The Song Is You: Preferences for Musical Attribute Dimensions Reflect Personality.” Social Psychology and Personality Science 7, no. 6 (2016): 597–605. doi:10.1177/1948550616641473.

Gregg, Melissa. “Inside the Data Spectacle.” Television & New Media 16, no. 1 (2015): 37–51. doi:10.1177/1527476414547774.

Gusterson, Hugh. “Studying Up Revisited.” PoLAR: Political and Anthropological Review 20 (1) (1997): 114–119. doi:10.1525/pol.1997.20.1.114.

Haiven, Max. Cultures of Financialization: Fictitious Capital in Popular Culture and Everyday Life. New York: Palgrave Macmillan, 2014.

Hardie, Iain, and Donald MacKenzie. “The Material Sociology of Arbitrage.” In The Oxford Handbook of the Sociology of Finance, edited by Karen Knorr Cetina and Alex Preda, 187–202. Oxford: Oxford University Press, 2012.

Helmond, Anne. “The Platformization of the Web: Making Web Data Platform Ready.” Social Media + Society 1, no. 2 (2015). doi:10.1177/2056305115603080.

Holt, Jennifer. “Regulating Connected Viewing: Media Pipelines and Cloud Policy.” In Connected Viewing: Selling, Streaming & Sharing Media in the Digital Era, edited by Jennifer Holt and Kevin Sanson, 19–39. London: Routledge, 2014.

Holt, J., and A. Perren, eds. Media Industries: History, Theory, and Method. Malden, MA: Blackwell, 2009.

Hsu, Wendy F. “Digital Ethnography toward Augmented Empiricism: A New Methodological Framework.” Journal of Digital Humanities 3, no. 1 (2014). http://journalofdigitalhumanities.org/3-1/digital-ethnography-toward-augmented-empiricism-by-wendy-hsu/.

Jensen, Klaus Bruhn. New Media, Old Methods—Internet Methodologies and the Online/Offline Divide. In The Handbook of Internet Studies, ed. Mia Consalvo and Charles Ess. 43–68. Chichester, UK: Wiley-Blackwell, 2011.

Johansson, Anna, and Anna Sofia Lundgren. Fantasies of Scientificity: Ethnographic Identity and the Use of QDA Software. In Research Methods for Reading Digital Data in the Digital Humanities, ed. Gabriele Griffin and Matt Hayler. 148–164. Edinburgh: Edinburgh University Press, 2016.

Johansson, Daniel. “From Products to Consumption—Changes on the Swedish Music Market as a Result of Streaming Technologies.” Working paper, Linnaeus University, 2013. http://docplayer.net/343175-From-products-to-consumption-changes-on-the-swedish-music-market-as-a-result-of-streaming-technologies.html.

Kassabian, Anahid. Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity. Los Angeles: University of California Press, 2013.

Kelen, András. The Gratis Economy: Privately Provided Public Goods. Budapest: Central European University Press, 2001.

Kelty, Christopher M. “Against Networks.” Spheres: Journal for Digital Cultures, no. 1 (2014). http://spheres-journal.org/against-networks/. Excerpted from an unpublished manuscript written in 2005 and revised in 2007, which is available at https://kelty.org/or/papers/unpublishable/Kelty.AgainstNetworks.2007.pdf.

Kirsch, Stuart. Mining Capitalism: The Relationship between Corporations and Their Critics. Oakland: University of California Press, 2014.

Kirschenbaum, Matthew G. Mechanisms: New Media and the Forensic Imagination. Cambridge, MA: MIT Press, 2008.

Kitchin, Rob. “Big Data, New Epistemologies and Paradigm Shifts.” Big Data & Society 1, no. 1 (2014). doi:10.1177/2053951714528481.

Kitchin, Rob. “Thinking Critically about and Researching Algorithms.” Information, Communication & Society 20, no. 1 (2017): 14–29. doi:10.1080/1369118X.2016.1154087.

Kreitz, Gunnar. “Spotify—Behind the Scenes: A Eulogy to P2P (?).” PowerPoint presentation at the KTH Royal Institute of Technology, Stockholm, Sweden, May 7, 2014. https://www.kth.se/social/upload/536a05d8f2765472d425ac0a/kreitzspotify_kth_kista14.pdf.

Kunda, Gideon. Engineering Culture: Control and Commitment in a High-Tech Corporation. Rev. ed. Philadelphia: Temple University Press, 2006.

Langlois, Ganaele, and Greg Elmer. “The Research Politics of Social Media Platforms.” Culture Machine 14 (2013). https://www.culturemachine.net/index.php/cm/article/view/505/531.

Larkin, Brian. “The Politics and Poetics of Infrastructure.” Annual Review of Anthropology 42 (2013): 327–343. doi:10.1146/annurev-anthro-092412-155522.

Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press, 2005.

Latour, Bruno, Pablo Jensen, Tommaso Venturini, Sébastian Grauwin, and Dominique Boullier. “‘The Whole Is Always Smaller than Its Parts’—A Digital Test of Gabriel Tardes’ Monads.” British Journal of Sociology 63 (4) (2012): 590–615. doi:10.1111/j.1468-4446.2012.01428.x.

Lindquist, Johan. “Brokers and Brokerage, Anthropology of.” In International Encyclopedia of the Social & Behavioral Sciences, edited by James D. Wright, 2:870–874. 2nd ed. Amsterdam: Elsevier, 2017.

Lobato, Ramon, and Julian Thomas. The Informal Media Economy. Cambridge: Polity Press, 2015.

Locke, John L. Eavesdropping: An Intimate History. Oxford: Oxford University Press, 2010.

Lorenz, Chris, and Berber Bevernage, eds. Breaking Up Time: Negotiating the Borders between Present, Past and Future. Göttingen, Germany: Vandenhoeck & Ruprecht, 2013.

Lotz, Amanda D., and Timothy Havens. Understanding Media Industries. 2nd ed. Oxford: Oxford University Press, 2016.

Lovink, Geert. “Reflections on the MP3 Format: Interview with Jonathan Sterne.” Computational Culture, no. 4 (2014). http://computationalculture.net/article/reflections-on-the-mp3-format.

Lury, Celia, and Nina Wakeford. Introduction: A Perpetual Inventory. In Inventive Methods: The Happening of the Social, ed. Celia Lury and Nina Wakeford. 1–24. London: Routledge, 2012.

Lury, Celia, and Nina Wakeford, eds. Inventive Methods: The Happening of the Social. London: Routledge, 2012.

Ma, Wenjuan, and Steven S. Wildman. “Online Advertising Economics.” In Handbook on the Economics of the Internet, edited by Johannes M. Bauer and Michael Latzer, 426–442. Cheltenham, UK: Edward Elgar, 2016.

Machin, David. “Building the World’s Visual Language: The Increasing Global Importance of Image Banks in Corporate Media.” Visual Communication 3, no. 3 (2004): 316–336. doi:10.1177/1470357204045785.

Mackenzie, Adrian, Richard Mills, Stuart Sharples, Matthew Fuller, and Andrew Goffey. Digital Sociology in the Field of Devices. In Routledge International Handbook of the Sociology of Art and Culture, ed. Laurie Hanquinet and Mike Savage. 367–382. London: Routledge, 2016.

Mackenzie, Adrian, and Theo Vurdubakis. “Codes and Codings in Crisis: Signification, Performativity and Excess.” Theory, Culture & Society 28, no. 6 (2011): 3–23. doi:10.1177/0263276411424761.

MacKenzie, Donald, Fabian Muniesa, and Lucia Siu, eds. Do Economists Make Markets? On the Performativity of Economics. Princeton, NJ: Princeton University Press, 2007.

Mähler, Roger, and Patrick Vonderau. “Do Bots Have Human Friends? Experimental Methods for Studying Ad Tech Infrastructures.” Culture Unbound 9 (2) (2017): 212–221. http://www.cultureunbound.ep.liu.se/v9/a14/cu17v9a14.pdf.

Malinowski, Bronisław. Argonauts of the Western Pacific: An Account of Native Enterprise and Adventure in the Archipelagos of Melanesian New Guinea. London: Routledge & Kegan Paul, 1922.

Manovich, Lev. “Designing and Living Instagram Photography: Themes, Feeds, Sequences, Branding, Faces, Bodies.” In Instagram and Contemporary Image. Self-published, 2016. http://manovich.net/content/04-projects/097-designing-and-living-instagram-photography/instagram_book_part_4.pdf.

Marres, Noortje. Digital Sociology: The Reinvention of Social Research. Cambridge: Polity Press, 2017.

Marshall, Lee. “‘Let’s Keep Music Special. F—k Spotify’: On-Demand Streaming and the Controversy over Artist Royalties.” Creative Industries Journal 8, no. 2 (2015): 177–189. doi:10.1080/17510694.2015.1096618.

McGuigan, L., and V. Manzerolle, eds. The Audience Commodity in a Digital Age: Revisiting a Critical Theory of Commercial Media. New York: Peter Lang, 2014.

Michael, Mike. “Anecdote.” In Inventive Methods: The Happening of the Social, edited by Celia Lury and Nina Wakeford, 25–35. London: Routledge, 2012.

Mishra, Kinshuk. “Architectural Overhaul: Ad Serving @ Spotify Scale.” PowerPoint presentation at the QCon, London, UK, March 7, 2017. https://www.slideshare.net/kinshukm1/qcon-london-2017-architecture-overhaul-ad-serving-spotify-scale.

Montfort, Nick. “Continuous Paper: The Early Materiality and Workings of Electronic Literature.” Paper presented at the Modern Language Association Convention, Philadelphia, PA, December 27–30, 2004. http://nickm.com/writing/essays/continuous_paper_mla.html.

Morris, Jeremy Wade. “Curation by Code: Infomediaries and the Data Mining of Taste.” European Journal of Cultural Studies 18 (4–5) (2015): 446–463. doi:10.1177/1367549415577387.

Morris, Jeremy Wade. Selling Digital Music, Formatting Culture. Berkeley: University of California Press, 2015.

Morris, Jeremy Wade, and Devon Powers. “Control, Curation and Musical Experience in Streaming Music Services.” Creative Industries Journal 8, no. 2 (2015): 106–122. doi:10.1080/17510694.2015.1090222.

Nader, Laura. “Up the Anthropologist—Perspectives Gained from Studying Up.” In Reinventing Anthropology, edited by Dell Hymes, 284–311. New York: Vintage Books, 1974.

Nahon, Karine. “Toward a View of Platforms as Ecosystems.” Paper presented at “Digital Imaginaries,” the 16th Association of Internet Researchers Conference, Phoenix, AZ, October 21–24, 2015.

Nakamura, Lisa. Cybertypes: Race, Ethnicity, and Identity on the Internet. New York: Routledge, 2002.

Napoli, Philip, and Robyn Caplan. “Why Media Companies Insist They’re Not Media Companies, Why They’re Wrong, and Why It Matters.” First Monday 22, no. 5 (2017). doi:10.5210/fm.v22i15.7051.

Picot, Arnold, and Dominik K. Heger. “Does the Internet Need a New Competition Policy? A Global Problem from a German Point of View.” In E-Merging Media: Communication and the Media Economy of the Future, edited by Axel Zerdick, Arnold Picot, Klaus Schrape, Jean-Claude Burgelman, Roger Silverstone, Valerie Feldmann, Christian Wernick, and Carolin Wolff, 339–356. Berlin: Springer, 2005.

Plantin, Jean-Christophe, Carl Lagoze, Paul N. Edwards, and Christian Sandvig. “Infrastructure Studies Meet Platform Studies in the Age of Google and Facebook.” New Media & Society 20, no. 1 (2018): 293–310. doi:10.1177/1461444816661553.

Poovey, Mary. “On ‘The Limits to Financialization.’” Dialogues in Human Geography 5, no. 2 (2015): 220–224. doi:10.1177/2043820615588159.

Rieder, Bernhard, and Guillaume Sire. “Conflicts of Interest and Incentives to Bias: A Microeconomic Critique of Google’s Tangled Position on the Web.” New Media & Society 16, no. 2 (2014): 195–211. doi:10.1177/1461444813481195.

Rochet, Jean-Charles, and Jean Tirole. “Platform Competition in Two-Sided Markets.” Journal of the European Economic Association 1, no. 4 (2003): 990–1029. doi:10.1162/154247603322493212.

Rogers, Richard. Digital Methods. Cambridge, MA: MIT Press, 2013.

Rossiter, Ned. Software, Infrastructure, Labor: A Media Theory of Logistical Nightmares. London: Routledge, 2016.

Roussel, Violaine. Representing Talent: Hollywood Agents and the Making of Movies. Chicago: University of Chicago Press, 2017.

Ruef, Annette, and Jochen Markard. “What Happens after a Hype? How Changing Expectations Affected Innovation Activities in the Case of Stationary Fuel Cells.” Technology Analysis and Strategic Management 22 (3) (2010): 317–338. doi:10.1080/09537321003647354.

Ruppert, Evelyn, John Law, and Mike Savage. “Reassembling Social Science Methods: The Challenge of Digital Devices.” Theory, Culture & Society 30, no. 4 (2013): 22–46. doi:10.1177/0263276413484941.

Salganik, Matthew J. Bit by Bit: Social Research in the Digital Age. Princeton, NJ: Princeton University Press, 2018.

Sandvig, Christian, and Eszter Hargittai. How to Think about Digital Research. In Digital Research Confidential: The Secrets of Studying Behavior Online, ed. Eszter Hargittai and Christian Sandvig. 1–28. Cambridge, MA: MIT Press, 2015.

Sandvig, Christian, Kevin Hamilton, Karrie Karahalios, and Cedric Langbort. “When the Algorithm Itself Is a Racist: Diagnosing Ethical Harm in the Basic Components of Software.” International Journal of Communication 10 (2016): 4972–4990. http://ijoc.org/index.php/ijoc/article/view/6182.

Santos, Ricardo Vice. “Spotify: P2P Music Streaming.” PowerPoint presentation at ISEL Tech 2011, Lisbon, Portugal, May 26, 2011. https://www.slideshare.net/ricardovice/spotify-p2p-music-streaming.

Sarrafi, Ali. “How ‘Data’ Drives Spotify.” PowerPoint presentation at the Stockholm School of Entrepreneurship, Stockholm, Sweden, August 10, 2016. https://www.slideshare.net/alisarrafi3/how-data-drives-spotify.

Schäfer, Mirko Tobias, and Karin van Es, eds. The Datafied Society: Studying Culture through Data. Amsterdam: Amsterdam University Press, 2017.

Scharff, Christina. “The Psychic Life of Neoliberalism: Mapping the Contours of Entrepreneurial Subjectivity.” Theory, Culture & Society 33, no. 6 (2016): 107–122. doi:10.1177/0263276415590164.

Seaver, Nick. “Algorithmic Recommendations and Synaptic Functions.” Limn, no. 2 (2012), https://limn.it/articles/algorithmic-recommendations-and-synaptic-functions/.

Seaver, Nick. “Computers and Sociocultural Anthropology.” Savage Minds: Notes and Queries in Anthropology (blog), May 19, 2014. https://savageminds.org/2014/05/19/computers-and-sociocultural-anthropology/.

Seaver, Nick. “Studying Up: The Ethnography of Technologists.” Ethnography Matters, March 10, 2014. https://ethnographymatters.net/blog/2014/03/10/studying-up/.

Setty, Vinay, Gunnar Kreitz, Roman Vitenberg, Maarten van Steen, Guido Urdaneta, and Staffan Gimåker. “The Hidden Pub/Sub of Spotify.” In Proceedings of the 7th ACM International Conference on Distributed Event-Based Systems (DEBS ’13), 231–240. New York: ACM, 2013. doi:10.1145/2488222.2488273.

Skågeby, Jörgen. “Slow and Fast Music Media: Comparing Values of Cassettes and Playlists.” Transformations, no. 20 (2011). http://www.transformationsjournal.org/wp-content/uploads/2016/12/Skageby_Trans20.pdf.

Skeggs, Beverley, and Simon Yuill. “Capital Experimentation with Person/a Formation: How Facebook’s Monetization Refigures the Relationship between Property, Personhood and Protest.” Information, Communication & Society 19, no. 3 (2016): 380–396. doi:10.1080/1369118X.2015.1111403.

Smith, Michael D., and Rahul Telang. Streaming, Sharing, Stealing: Big Data and the Future of Entertainment. Cambridge, MA: MIT Press, 2016.

Snickars, Pelle. “More Music Is Better Music.” In Business Innovation and Disruption in the Music Industry, edited by Patrik Wikström and Robert DeFillippi, 191–210. Cheltenham, UK: Edward Elgar, 2016.

Snickars, Pelle. “More of the Same—On Spotify Radio.” Culture Unbound 9, no. 2 (2017): 184–211. doi:10.3384/cu.2000.1525.1792184.

Snickars, Pelle, and Roger Mähler. “SpotiBot—Turing Testing Spotify.” Digital Humanities Quarterly 12, no. 2 (2018).

Srnicek, Nick. Platform Capitalism. Cambridge: Polity Press, 2017.

Starosielski, Nicole. “Fixed Flow: Undersea Cables as Media Infrastructures.” In Signal Traffic: Critical Studies of Media Infrastructures, edited by Lisa Parks and Nicole Starosielski, 53–70. Springfield: University of Illinois Press, 2015.

Sterne, Jonathan. MP3: The Meaning of a Format. Durham, NC: Duke University Press, 2012.

Striphas, Ted. “Algorithmic Culture.” European Journal of Cultural Studies 18, nos. 4–5 (2015): 395–412. doi:10.1177/1367549415577392.

Terranova, Tiziana. Network Culture: Politics for the Information Age. Ann Arbor, MI: Pluto Press, 2004.

Terranova, Tiziana. “New Economy, Financialization and Social Production in the Web 2.0.” In Crisis in the Global Economy: Financial Markets, Social Struggles, and New Political Scenarios, edited by Andrea Fumagalli and Sandro Mezzadra, 153–170. Los Angeles: Semiotext(e), 2010.

Towse, Ruth. “Economics of Music Publishing: Copyright and the Market.” Journal of Cultural Economics 41, no. 4 (2016): 403–420. doi:10.1007/s10824-016-9268-7.

Towse, Ruth, and Christian Handke, eds. Handbook on the Digital Creative Economy. Cheltenham, UK: Edward Elgar, 2013.

Tseng, Emy, and Kyle Eischen. “The Geography of Cyberspace.” M/C Journal 6, no. 4 (2003). http://www.journal.media-culture.org.au/0308/03-geography.php.

Tsing, Anna Lowenhaupt. Friction: An Ethnography of Global Connection. Princeton, NJ: Princeton University Press, 2005.

Turing, Alan M. “Computing Machinery and Intelligence.” Mind 59, no. 236 (1950): 433–460. doi:10.1093/mind/LIX.236.433.

Turner, Fred. From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism. Chicago: University of Chicago Press, 2010.

Turow, Joseph. The Daily You: How the New Advertising Industry Is Defining Your Identity and Your Worth. New Haven, CT: Yale University Press, 2011.

Uricchio, William. Historicizing Media in Transition. In Rethinking Media Change: The Aesthetics of Transition, ed. David Thorburn and Henry Jenkins. 23–38. Cambridge, MA: MIT Press, 2004.

Van Dijck, José. The Culture of Connectivity: A Critical History of Social Media. New York: Oxford University Press, 2013.

Van Schie, Gerwin, Irene Westra, and Mirko Tobias Schäfer. Get Your Hands Dirty: Emerging Data Practices as Challenge for Research Integrity. In The Datafied Society: Studying Culture through Data, ed. Mirko Tobias Schäfer and Karin van Es. 183–200. Amsterdam: Amsterdam University Press, 2017.

Vonderau, Patrick. “‘Where Ideas Are Free’: Scientific Knowledge in the Algorithm Economy.” Media Fields Journal, no. 10 (2015). http://mediafieldsjournal.squarespace.com/where-ideas-are-free/.

Vonderau, Patrick. “The Politics of Content Aggregation.” Television & New Media 16, no. 8 (2015): 717–733. doi:10.1177/1527476414554402.

Vonderau, Patrick. “The Video Bubble: Multichannel Networks and the Transformation of YouTube.” Convergence 22, no. 4 (2016): 361–375. doi:10.1177/1354856516641882.

Vonderau, Patrick. “The Spotify Effect: Digital Distribution and Financial Growth.” Television & New Media. Published ahead of print, November 21, 2017. doi:10.1177/1527476417741200.

Vonderau, Patrick. “Technology and Language, or, How to Apply Media Industries Research?” In Applied Media Studies, edited by Kirsten Ostherr. New York: Routledge, 2018 (in press).

Vonderau, Patrick. “Access and Mistrust in Media Industries Research.” In Making Media: Production, Practices and Professions, edited by Mark Deuze and Mirjam Prenger. Amsterdam: Amsterdam University Press, 2018 (in press).

Waelbroeck, Patrick. “Digital Music.” In Handbook on the Digital Creative Economy, edited by Ruth Towse and Christian Handke, 389–399. Cheltenham, UK: Edward Elgar, 2013.

Weltevrede, Esther, Anne Helmond, and Carolin Gerlitz. “The Politics of Real-Time: A Device Perspective on Social Media Platforms and Search Engines.” Theory, Culture & Society 31, no. 6 (2014): 125–150. doi:10.1177/0263276414537318.

Werner, Ann. “Moving Forward: A Feminist Analysis of Mobile Music Streaming.” Culture Unbound 7, no. 2 (2015): 197–212. doi:10.3384/cu.2000.1525.1572197.

White, Harrison C. Markets from Networks: Socioeconomic Models of Production. Princeton, NJ: Princeton University Press, 2002.

Wikström, Patrik. The Music Industry: Music in the Cloud. Cambridge: Polity Press, 2009.

Wikström, Patrik, and Robert Burnett. “Same Songs, Different Wrapping: The Rise of the Compilation Album.” Popular Music and Society 32, no. 4 (2009): 507–522. doi:10.1080/03007760802327599.

Wikström, Patrik, and Robert DeFillippi, eds. Business Innovation and Disruption in the Music Industry. Cheltenham, UK: Edward Elgar, 2016.

Wolff, Michael. Television Is the New Television: The Unexpected Triumph of Old Media in the Digital Age. New York: Portfolio/Penguin, 2015.

Wyatt, Sally. “Danger! Metaphors at Work in Economics, Geophysiology, and the Internet.” Science, Technology & Human Values 29 (2) (2004): 242–261. doi:10.1177/0162243903261947.

Yanggratoke, Rerngvit, Gunnar Kreitz, Mikael Goldmann, Rolf Stadler, and Viktoria Fodor. “On the Performance of the Spotify Backend.” Journal of Network and Systems Management 23, no. 1 (2015): 210–237. doi:10.1007/s10922-013-9292-2.

Zimmer, M., and K. Kinder-Kurlanda, eds. Internet Research Ethics for the Social Age: New Challenges, Cases, and Contexts. New York: Peter Lang, 2017.

Zittrain, Jonathan. The Future of the Internet and How to Stop It. New Haven, CT: Yale University Press, 2008.

Zittrain, Jonathan L. “The Generative Internet.” Harvard Law Review 119, no. 7 (2006): 1974–2040. doi:10.1145/1435417.1435426.