Bibliography

Abernethy, Graeme. The Iconography of Malcolm X. Lawrence: UP of Kansas, 2013.

Acosta, Oscar Zeta. Oscar Zeta Acosta: The Uncollected Writings. Ed. Ilan Stavans. Houston: Arte Público P, 1996.

Agee, James, and Walker Evans. Let Us Now Praise Famous Men. Boston: Mariner, 2001.

Almeida, Paul. Waves of Protest: Popular Struggle in El Salvador, 1925–2005. Minneapolis: U of Minnesota P, 2008.

Altman, Anna, and Katia Bachko. “‘Random Family’ Ten Years On: An Interview with Adrian Nicole LeBlanc.” New Yorker (26 July 2013).

Ascher, Ivan. Portfolio Society: On the Capitalist Mode of Prediction. Brooklyn: Zone, 2016.

Balestrini, Nassim. “Strategic Visuals in Hip-Hop Life Writing.” Popular Music and Society 38.2 (2015): 224–42.

Balk, Alfred, and Alex Haley. “Black Merchants of Hate.” Saturday Evening Post (26 Jan. 1963).

Balsom, Erika, and Hila Peleg. “Introduction: The Documentary Attitude.” Documentary Across Disciplines. Ed. Erika Balsom and Hila Peleg. Cambridge: MIT P, 2016. 10–19.

Bartley, Aryn. “The Hateful Self: Substitution and the Ethics of Representing War.” Modern Fiction Studies 54.1 (Spring 2008): 50–71.

Beattie, Keith. Dont Look Back. New York: BFI/Palgrave, 2016.

Bechdel, Alison. Fun Home: A Family Tragicomic. New York: Mariner, 2007.

Benjamin, Walter. “The Author as Producer.” Trans. Edmund Jephcott. Selected Writings, Vol. 2: 1927–1934. Ed. Michael W. Jennings, Howard Eiland, and Gary Smith. Cambridge: Harvard UP, 1999. 768–82.

Berlant, Lauren. Cruel Optimism. Durham: Duke UP, 2011.

Bradley, Adam. Book of Rhymes: The Poetics of Hip Hop. New York: Basic, 2009.

Brouillette, Sarah. Literature and the Creative Economy. Stanford: Stanford UP, 2014.

Brown, Danny. “Side B (Dope Song).” Old. Fool’s Gold Records, 2013.

Brown, Wendy. “The End of Educated Democracy.” Representations 116.1 (2011): 19–41.

Bryan, Michael. “The Great Inflation: 1965–1982.” Federal Reserve History (22 Nov. 2013).

Buchloh, Benjamin. “Hans Haacke: From Factographic Sculpture to Counter-Monument.” Hans Haacke: For Real, Works 1959–2006. Ed. Matthias Flügge and Robert Fleck. Düsseldorf: Richter, 2006. 42–59.

Buell, Lawrence. “Toxic Discourse.” Critical Inquiry 24.3 (Spring 1998): 639–65.

Buffett, Warren E. Letter to the shareholders of Berkshire Hathaway Inc. (21 Feb. 2003). http://www.berkshirehathaway.com/letters/2002pdf.pdf.

Bugliosi, Vincent, with Curt Gentry. Helter Skelter: The True Story of the Manson Murders. New York: Norton, 1994.

Cafaro, Philip. “Rachel Carson’s Environmental Ethics.” Rachel Carson: Legacy and Challenge. Ed. Lisa H. Sideris and Kathleen Dean Moore. Albany: SUNY P, 2008.

California Legislative Black Caucus. The State of Black California. 2007.

Campt, Tina M. Listening to Images. Durham: Duke UP, 2017.

Canavan, Gerry, and Kim Stanley Robinson, eds. Green Planets: Ecology and Science Fiction. Middletown: Wesleyan UP, 2014.

Capote, Truman. In Cold Blood: A True Account of a Multiple Murder and Its Consequences. New York: Random House, 1966.

Carpenter, Lucas. “‘It Don’t Mean Nothin’’: Vietnam War Fiction and Postmodernism.” College Literature 30.2 (Spring 2003): 30–50.

Carson, Rachel. The Sea Around Us. New York: Oxford UP, 1991.

———. Silent Spring. New York: Houghton Mifflin, 2002.

———. Under the Sea-Wind. New York: Penguin, 2007.

Chakrabarty, Dipesh. “The Climate of History: Four Theses.” Critical Inquiry 35 (Winter 2009): 197–222.

Chaney, Michael, ed. Graphic Subjects: Critical Essays on Autobiography and Graphic Novels. Madison: U of Wisconsin P, 2011.

Chang, Jeff. Can’t Stop, Won’t Stop: A History of the Hip-Hop Generation. New York: Picador, 2005.

Chile, Obstinate Memory. Dir. Patricio Guzmán. In The Battle of Chile. Icarus Films, 1998.

Chute, Hillary. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard UP, 2016.

———. Graphic Women: Life Narrative and Contemporary Comics. New York: Columbia UP, 2010.

Clover, Joshua. “Baltimore Riot. Baltimore Commune?” Verso Books blog (25 April 2016). https://www.versobooks.com/blogs/2614-baltimore-riot-baltimore-commune.

———. 1989: Bob Dylan Didn’t Have This to Sing About. Berkeley: U of California P, 2009.

———. Riot Strike Riot: The New Era of Uprisings. New York: Verso, 2016.

Clune, Michael W. American Literature and the Free Market, 1945–2000. New York: Cambridge UP, 2009.

Codinha, Alessandra. “Céline Unveils Its Latest Poster Girl: Joan Didion.” Vogue (6 Jan. 2015).

Coles, Robert. Doing Documentary Work. New York: Oxford UP, 1997.

Cooper, Melinda. Family Values: Between Neoliberalism and the New Social Conservatism. Brooklyn: Zone, 2017.

Crary, Jonathan. 24/7: Late Capitalism and the Ends of Sleep. New York: Verso, 2013.

Crimp, Douglas. “The Photographic Activity of Postmodernism.” October 15 (Winter 1980): 91–101.

Dávila, Arlene. Culture Works: Space, Value, and Mobility across the Neoliberal Americas. New York: New York UP, 2012.

Dekoven, Marianne. Utopia Limited: The Sixties and the Emergence of the Postmodern. Durham: Duke UP, 2004.

de Saussure, Ferdinand. Course in General Linguistics. Trans. Wade Baskin. Ed. Perry Meisel and Haun Saussy. New York: Columbia UP, 2011.

Deutsche, Rosalind. “Property Values: Hans Haacke, Real Estate, and the Museum.” Hans Haacke. Ed. Rachel Churner. Cambridge: MIT P, 2015. 137–62.

Didion, Joan. Blue Nights. New York: Knopf, 2011.

———. Political Fictions. New York: Knopf, 2001.

———. Salvador. New York: Vintage, 1994.

———. Slouching Towards Bethlehem. New York: Farrar, Straus and Giroux, 2008.

———. The White Album. New York: Farrar, Straus and Giroux, 1990.

———. The Year of Magical Thinking. New York: Knopf, 2005.

Dont Look Back. Dir. D. A. Pennebaker. Criterion Collection, 2015.

Duggan, Lisa. The Twilight of Equality?: Neoliberalism, Cultural Politics, and the Attack on Democracy. Boston: Beacon, 2003.

Dunaway, Finis. Seeing Green: The Use and Abuse of American Environmental Images. Chicago: U of Chicago P, 2015.

Eggers, Dave. A Hologram for the King. San Francisco: McSweeney’s, 2012.

———. What Is the What. San Francisco: McSweeney’s, 2006.

———. Zeitoun. San Francisco: McSweeney’s, 2009.

Elliot, Jane, and Gillian Harkins, eds. “Genres of Neoliberalism.” Special issue of Social Text 31.2 (2013).

Entin, Joseph B. “Working Photography: Labor Documentary and Documenting Labor in the Neoliberal Age.” Remaking Reality: U.S. Documentary Culture after 1945. Ed. Sara Blair, Joseph B. Entin, and Franny Nudelman. Chapel Hill: U of North Carolina P, 2018.

Ferguson, Roderick. The Reorder of Things: The University and Its Pedagogies of Minority Difference. Minneapolis: U of Minnesota P, 2012.

Fisher, Mark. Capitalist Realism: Is There No Alternative? Winchester, UK: Zero, 2009.

The Fog of War transcript. http://www.errolmorris.com/film/fow_transcript.html.

Forman, Murray, and Mark Anthony Neal, eds. That’s the Joint!: The Hip-Hop Studies Reader. 2nd ed. New York: Routledge, 2011.

Foucault, Michel. The Birth of Biopolitics: Lectures at the Collège de France, 1978–1979. Trans. Graham Burchell. Ed. Michel Senellart. New York: Palgrave Macmillan, 2008.

Fraser, Andrea. “From the Critique of Institutions to an Institution of Critique.” Artforum 44.1 (Sept. 2005): 278–83.

Fraterrigo, Elizabeth. Playboy and the Making of the Good Life in Modern America. New York: Oxford UP, 2011.

Fried, Michael. Why Photography Matters as Art as Never Before. New Haven: Yale UP, 2008.

Friedman, Milton, and Rose D. Friedman. Two Lucky People: Memoirs. Chicago: U of Chicago P, 1998.

Gabrillo, James. “The Rapper Is Present: Sound Art, Liveness, and the Negotiation of Identity in Jay Z’s ‘Picasso Baby.’” Journal of Popular Music Studies 29 (2017): 1–10.

Gates, Henry Louis, Jr., and Nellie Y. McKay, eds. The Norton Anthology of African American Literature. New York: Norton, 1997.

Geyh, Paula, Fred G. Leebron, and Andrew Levy, eds. Postmodern American Fiction: A Norton Anthology. New York: Norton, 1997.

Gilbert, Jeremy, ed. “Neoliberal Culture.” Special issue of New Formations 80–81 (2013).

Gilmore, Leigh. “American Neoconfessional: Memoir, Self-Help, and Redemption on Oprah’s Couch.” Biography 33.4 (Fall 2010): 657–79.

———. Tainted Witness: Why We Doubt What Women Say about Their Lives. New York: Columbia UP, 2017.

Gimme Shelter. Dir. David Maysles, Albert Maysles, and Charlotte Zwerin. Criterion Collection, 2000.

Gladstone, Jason, and Daniel Worden. “Introduction: Postmodernism, Then.” Twentieth-Century Literature 57.3–4 (Fall/Winter 2011): 291–308.

Glass, Loren. Counterculture Colophon: Grove Press, the Evergreen Review, and the Incorporation of the Avant Garde. Stanford: Stanford UP, 2013.

Glidden, Sarah. Rolling Blackouts: Dispatches from Turkey, Syria, and Iraq. Montreal: Drawn & Quarterly, 2016.

Gloeckner, Phoebe. The Diary of a Teenage Girl: An Account in Words and Pictures. Revised ed. Berkeley: North Atlantic, 2015.

Goldsmith, Kenneth. Uncreative Writing: Managing Language in the Digital Age. New York: Columbia UP, 2011.

Gore, Al. An Inconvenient Truth: The Planetary Emergency of Global Warming and What We Can Do about It. New York: Rodale, 2006.

Grierson, John. “The Documentary Producer.” Cinema Quarterly 2.1 (Autumn 1933): 7–9.

Haacke, Hans. “On Social Grease.” Art Journal 42.2 (Summer 1982): 137–43.

———. Shapolsky et al. Manhattan Real Estate Holdings, a Real-Time Social System, as of May 1, 1971. In Hans Haacke: Unfinished Business. New York and Cambridge: New Museum of Contemporary Art/MIT P, 1986. 92–97.

Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Trans. Thomas Burger. Cambridge: MIT Press, 1991.

Haley, Alex. Alex Haley: The Man Who Traced America’s Roots. New York: Reader’s Digest, 2007.

———. Alex Haley: The Playboy Interviews. Ed. Murray Fisher. New York: Ballantine, 1993.

Hall, Jeanne. “‘Don’t You Ever Just Watch?’: American Cinema Verité and Dont Look Back.” Documenting the Documentary: Close Readings of Documentary Film. Ed. Barry Keith Grant and Jeannette Sloniowski. Detroit: Wayne State UP, 2013. 237–53.

Harkins, Gillian. Everybody’s Family Romance: Reading Incest in Neoliberal America. Minneapolis: U of Minnesota P, 2009.

Hartsock, John C. A History of American Literary Journalism: The Emergence of a Modern Narrative Form. Amherst: U of Massachusetts P, 2000.

Harvey, David. A Brief History of Neoliberalism. New York: Oxford UP, 2005.

———. The New Imperialism. New York: Oxford UP, 2003.

———. Seven Contradictions and the End of Capitalism. New York: Oxford UP, 2014.

Hayek, Friedrich A. “The Use of Knowledge in Society.” American Economic Review 35.4 (Sept. 1945): 519–30.

Heise, Ursula K. “Martian Ecologies and the Future of Nature.” Twentieth-Century Literature 57.3–4 (Fall/Winter 2011): 447–71.

———. Sense of Place and Sense of Planet: The Environmental Imagination and the Global. New York: Oxford UP, 2008.

Hellman, John. Fables of Fact: The New Journalism as New Fiction. Urbana: U of Illinois P, 1981.

Herr, Michael. Dispatches. New York: Vintage, 1991.

Heti, Sheila. How Should a Person Be?: A Novel from Life. New York: Henry Holt, 2012.

Hollowell, John. Fact and Fiction: The New Journalism and the Nonfiction Novel. Chapel Hill: U of North Carolina P, 1977.

Huehls, Mitchum. After Critique: Twenty-First Century Fiction in a Neoliberal Age. New York: Oxford UP, 2016.

Hungerford, Amy. Making Literature Now. Stanford: Stanford UP, 2016.

Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge, 1988.

Irr, Caren. “Anti-Capitalism and Anti-Realism in William T. Vollmann’s Poor People.” Reading Capitalist Realism. Ed. Alison Shonkwiler and Leigh Clare Le Barge. Iowa City: U of Iowa P, 2014. 177–94.

Iyer, Pico. “Desert Pitch: ‘A Hologram for the King’ by Dave Eggers.” New York Times (19 July 2012).

Jacobs, Alexandra. “Joan Didion on the Céline Ad.” New York Times (7 Jan. 2015).

Jameson, Fredric. “Postmodernism, or, the Cultural Logic of Late Capitalism.” New Left Review 146 (July/August 1984): 53–92.

———. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke UP, 1991.

———. The Seeds of Time. New York: Columbia UP, 1994.

———. “Third-World Literature in the Era of Multinational Capitalism.” Social Text 15 (Autumn 1986): 65–88.

Jay-Z. Decoded. New York: Spiegel & Grau, 2011.

———. Picasso Baby: A Performance Art Film. Dir. Mark Romanek. 2013. http://lifeandtimes.com/jay-z-picasso-baby-a-performance-art-film.

The Jinx: The Life and Deaths of Robert Durst. Dir. Andrew Jarecki. HBO, 2015.

Jones, David Steadman. Masters of the Universe: Hayek, Friedman, and the Birth of Neoliberal Politics. Princeton: Princeton UP, 2012.

Joselit, David. After Art. Princeton: Princeton UP, 2013.

Kael, Pauline. “Current Cinema.” New Yorker (19 Dec. 1970).

“Kahlil Joseph: Double Conscience.” Museum of Contemporary Art Los Angeles. http://www.moca.org/exhibition/kahlil-joseph-double-conscience.

Keyes, Cheryl L. Rap Music and Street Consciousness. Urbana-Champaign: U of Illinois P, 2002.

Khan-Cullors, Patrisse, and asha bandele. When They Call You a Terrorist: A Black Lives Matter Memoir. New York: St. Martin’s P, 2017.

Kinkela, David. “The Ecological Landscapes of Jane Jacobs and Rachel Carson.” American Quarterly 61.4 (Dec. 2009): 905–29.

Knafo, Safi, and Chris Kirkham. “For-Profit Prisons Are Big Winners of California’s Overcrowding Crisis.” Huffington Post (25 Oct. 2013). http://www.huffingtonpost.com/2013/10/25/california-private-prison_n_4157641.html.

Krauss, Rosalind. “Sculpture in the Expanded Field.” October 8 (Spring 1979): 30–44.

Kroll, Gary. “Rachel Carson’s The Sea Around Us, Ocean-Centrism, and a Nascent Ocean Ethic.” Rachel Carson: Legacy and Challenge. Ed. Lisa H. Sideris and Kathleen Dean Moore. Albany: SUNY P, 2008.

———. “The ‘Silent Springs’ of Rachel Carson: Mass Media and the Origins of Modern Environmentalism.” Public Understanding of Science 10 (2001): 403–20.

La Berge, Leigh Clare. Scandals and Abstraction: Financial Fiction of the Long 1980s. New York: Oxford UP, 2015.

Lamar, Kendrick. Good Kid, M.A.A.D. City. Top Dawg/Aftermath, 2012.

LeBlanc, Adrian Nicole. Random Family: Love, Drugs, Trouble, and Coming of Age in the Bronx. New York: Scribner, 2003.

Lehman, Daniel. Matters of Fact: Reading Nonfiction over the Edge. Columbus: Ohio State UP, 1997.

Lejeune, Philippe. On Autobiography. Trans. Katherine Leary. Ed. Paul John Eakin. Minneapolis: U of Minnesota P, 1989.

Lemke, Thomas. “‘The Birth of Bio-politics’: Michel Foucault’s Lecture at the Collège de France on Neo-liberal Governmentality.” Economy & Society 30.2 (2001): 190–207.

Leonard, John. “The Black Album.” New York Review of Books (20 Oct. 2005).

Leovy, Jill. Ghettoside: A True Story of Murder in America. New York: Spiegel & Grau, 2015.

Lessons of Darkness. Dir. Werner Herzog. Anchor Bay, 2004.

Lighter, Jonathan. “Michael Herr’s Lurp Tale.” War, Literature, and the Arts 28 (2016): 1–12.

Lin, Tao. Taipei. New York: Vintage, 2013.

Littler, Francis W. “Agricultural Spray Emulsion Concentrates and Their Method of Manufacture.” U.S. Patent 3,098,789. 23 July 1963.

Long, Gideon. “Chile Recognizes 9,800 More Victims of Pinochet’s Rule.” BBC News (18 Aug. 2011).

Lovell, Jessamyn. Dear Erin Hart. San Francisco: Cameraworks, 2015.

Mailer, Norman. Advertisements for Myself. Cambridge: Harvard UP, 1992.

———. “The Armies of the Night, Handwritten Draft.” 1967–68. Folder 2, Box 77, Norman Mailer Papers, Harry Ransom Center, University of Texas at Austin.

———. The Fight. New York: Random House, 2013.

———. “Modes and Mutations: Quick Comments on the American Novel.” Commentary (1 March 1966).

———. The Naked and the Dead. New York: Picador, 2000.

———. The Presidential Papers. New York: Putnam, 1963.

Malcolm, Janet. The Journalist and the Murderer. New York: Vintage, 1990.

Malcolm X and Alex Haley. The Autobiography of Malcolm X. New York: Ballantine, 1992.

———. “I’m Talking to You, White Man.” Saturday Evening Post (12 Sept. 1964).

Marable, Manning. Malcolm X: A Life of Reinvention. New York: Penguin, 2012.

Martin, Theodore. Contemporary Drift: Genre, Historicism, and the Problem of the Present. New York: Columbia UP, 2017.

Martinez, Manuel Luis. Countering the Counterculture: Rereading Postwar American Dissent from Jack Kerouac to Tomas Rivera. Madison: U of Wisconsin P, 2003.

McCarthy, Anna. “Reality Television: A Neoliberal Theater of Suffering.” Social Text 25.4 (Winter 2007): 17–41.

McGinnis, Joe. Fatal Vision. New York: Signet, 2012.

McGurl, Mark. “The Posthuman Comedy.” Critical Inquiry 38 (Spring 2012): 533–53.

———. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge: Harvard UP, 2009.

McLanahan, Annie. Dead Pledges: Debt, Crisis, and Twenty-First-Century Culture. Stanford: Stanford UP, 2016.

Michaels, Walter Benn. The Beauty of a Social Problem: Photography, Autonomy, Economy. Chicago: U of Chicago P, 2015.

———. “Going Boom.” Bookforum (February/March 2009).

———. “The Politics of a Good Picture: Race, Class, and Form in Jeff Wall’s Mimic.” PMLA 125.1 (January 2010): 177–84.

Miller, D. A. Jane Austen, or, the Secret of Style. New York: Columbia UP, 2003.

Mirowski, Philip. Never Let a Serious Crisis Go to Waste: How Neoliberalism Survived the Financial Meltdown. New York: Verso, 2013.

———. “Postface: Defining Neoliberalism.” The Road from Mont Pèlerin: The Making of the Neoliberal Thought Collective. Ed. Philip Mirowski and Dieter Plehwe. Cambridge: Harvard UP, 2015.

Misrach, Richard, and Kate Orff. Petrochemical America. New York: Aperture, 2014.

Monteyne, Kimberley Bercov. “The Sound of the South Bronx: Youth Culture, Genre, and Performance in Charlie Ahearn’s Wild Style.” Youth Culture in Global Cinema. Ed. Timothy Shary and Alexandra Seibel. Austin: U of Texas P, 2007. 87–105.

Moraru, Christian. Cosmodernism: Narrative, Late Globalization, and the New Cultural Imaginary. Ann Arbor: U of Michigan P, 2011.

Morris, Errol. A Wilderness of Error: The Trials of Jeffrey MacDonald. New York: Penguin 2012.

Morton, Timothy. Ecology without Nature: Rethinking Environmental Aesthetics. Cambridge: Harvard UP, 2007.

Nealon, Jeffrey T. Post-Postmodernism: or, The Cultural Logic of Just-in-Time Capitalism. Stanford: Stanford UP, 2012.

Nelson, Deborah. Tough Enough: Arbus, Arendt, Didion, McCarthy, Sontag, Weil. Chicago: U of Chicago P, 2017.

Nelson, Maggie. “All That Is the Case: Some Thoughts on Fact in Nonfiction and Documentary Poetry.” Lit from Within: Contemporary Masters on the Art and Craft of Writing. Ed. Kevin Haworth and Dinty W. Moore. Athens: Ohio UP, 2011.

———. Bluets. Seattle: Wave, 2009.

———. The Red Parts: A Memoir. New York: Free P, 2007.

Nichols, Bill. Speaking Truths with Film: Evidence, Ethics, Politics in Documentary. Berkeley: U of California P, 2016.

Nixon, Rob. “Rachel Carson’s Prescience.” Chronicle of Higher Education (3 Sept. 2012).

———. Slow Violence and the Environmentalism of the Poor. Cambridge: Harvard UP, 2011.

Ouellette, Laurie. Better Living through Reality TV: Television and Post-Welfare Citizenship. Malden: Blackwell, 2008.

Palmer, A. Laurie. In the Aura of a Hole: Exploring Sites of Material Extraction. London: Black Dog, 2014.

Panitch, Leo, and Sam Gindin. The Making of Global Capitalism: The Political Economy of American Empire. New York: Verso, 2012.

Peck, Jamie. Constructions of Neoliberal Reason. New York: Oxford UP, 2010.

Peck, Janice. The Age of Oprah: Cultural Icon for a Neoliberal Era. Boulder: Paradigm, 2008.

Piketty, Thomas. Capital in the Twenty-First Century. Trans. Arthur Goldhammer. Cambridge: Harvard UP, 2014.

Piskor, Ed. Hip Hop Family Tree, Book 1: 1970s–1981. Seattle: Fantagraphics, 2013.

———. Hip Hop Family Tree, Book 4: 1984–1985. Seattle: Fantagraphics, 2016.

———. Hip Hop Family Tree: Hip Hop/Comics Connection Pt. 2. Seattle: Fantagraphics, 2014.

Powaqqatsi. qatsi.org, 2014. http://www.koyaanisqatsi.org/films/powaqqatsi.php.

Powers, Bill. “Ed Ruscha.” W Magazine (Nov. 2007).

Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. 2nd ed. New York: Routledge, 2008.

Pusha T. “M.F.T.R.” King Push: Darkest Before the Dawn, The Prelude. Def Jam/GOOD Music, 2015.

Quinn, Eithne. Nothin’ But a “G” Thang: The Culture and Commerce of Gangsta Rap. New York: Columbia UP, 2004.

———. “Occupy Wall Street, Racial Neoliberalism, and New York’s Hip-Hop Moguls.” American Quarterly 68.1 (March 2016): 75–99.

Rak, Julie. Boom!: Manufacturing Memoir for the Popular Market. Waterloo: Wilfred Laurier UP, 2013.

Read, Jason. “A Genealogy of Homo Economicus: Neoliberalism and the Production of Subjectivity.” Foucault Studies 6 (2009): 25–36.

The River. Dir. Pare Lorentz. 1938. http://xroads.virginia.edu/~1930s/film/lorentz/river.html.

Rose, Tricia. The Hip Hop Wars: What We Talk about When We Talk about Hip Hop—and Why It Matters. New York: Basic, 2008.

Rosler, Martha. “In, Around, and Afterthoughts (On Documentary Photography).” Decoys and Disruptions: Selected Writings, 1975–2001. Cambridge: MIT P, 2004. 151–206.

Rowan, Jamin Creed. “The New York School of Urban Ecology: The New Yorker, Rachel Carson, and Jane Jacobs.” American Literature 82.3 (Sept. 2010): 583–610.

Rule, Ann. The Stranger Beside Me. New York: Pocket, 2009.

Sacco, Joe. Safe Area Goražde: The War in Eastern Bosnia. Seattle: Fantagraphics, 2001.

Schudson, Michael. Discovering the News: A Social History of American Newspapers. New York: Basic, 1978.

Schwabsky, Barry. “Inside Out.” Nation (6 May 2015).

The Sea Around Us. Dir. Irwin Allen. Warner Brothers, 2010.

Sekula, Allan. Fish Story. Düsseldorf: Richter Verlag, 1995.

Seltzer, Mark. “Serial Killers (II): The Pathological Public Sphere.” Critical Inquiry 22.1 (Autumn 1995): 122–49.

Simon, Taryn. The Innocents. New York: Umbrage, 2003.

Sims, Norman, ed. Literary Journalism in the Twentieth Century. New York: Oxford UP, 1990.

Smith, Rachel Greenwald. Affect and American Literature in the Age of Neoliberalism. New York: Cambridge UP, 2015.

Smith, Terry. What is Contemporary Art? Chicago: U of Chicago P, 2009.

Solnit, Rebecca. “Men Explain Things to Me.” Men Explain Things to Me. Chicago: Haymarket, 2014. 1–15.

Sontag, Susan. “One Culture and the New Sensibility.” Against Interpretation and Other Essays. New York: Farrar, Straus and Giroux, 1966. 293–304.

———. On Photography. New York: Noonday P, 1989.

———. Regarding the Pain of Others. New York: Picador, 2003.

———. “Regarding the Torture of Others.” New York Times (23 May 2004).

Souder, William. On a Farther Shore: The Life and Legacy of Rachel Carson. New York: Broadway, 2012.

St. Germain, Justin. Son of a Gun: A Memoir. New York: Random House, 2013.

Stallabrass, Julian. “Sebastião Sagado and Fine Art Photojournalism.” New Left Review 223 (May–June 1997): 131–60.

Steger, Manfred B., and Ravi K. Roy. Neoliberalism: A Very Short Introduction. New York: Oxford UP, 2010.

Stuelke, Patricia. “The Reparative Politics of the Central America Solidarity Movement Culture.” American Quarterly 66.3 (Sept. 2014): 767–90.

Szalay, Michael. Hip Figures: A Literary History of the Democratic Party. Stanford: Stanford UP, 2012.

Szeman, Imre. “Crude Aesthetics: The Politics of Oil Documentaries.” Oil Culture. Ed. Ross Barrett and Daniel Worden. Minneapolis: U of Minnesota P, 2014. 350–65.

Tagg, John. “Melancholy Realism: Walker Evans’s Resistance to Meaning.” Narrative 11.1 (Jan. 2003): 3–77.

Tate, Greg. “What is Hip-Hop?” Flyboy 2: The Greg Tate Reader. Durham: Duke UP, 2016. 239–42.

Thin Blue Line transcript. http://www.errolmorris.com/film/tbl_transcript.html.

Thoma, Pamela. “What Julia Knew: Domestic Labor in the Recession-Era Chick Flick.” Gendering the Recession: Media and Culture in an Age of Austerity. Ed. Diane Negra and Yvonne Tasker. Durham: Duke UP, 2014.

Thompson, Hunter S. Fear and Loathing at Rolling Stone: The Essential Writings of Hunter S. Thompson. Ed. Jann S. Wenner. New York: Simon and Schuster, 2011.

———. Fear and Loathing in Las Vegas: A Strange Journey to the Heart of the American Dream. New York: Vintage, 1998.

———. Hey Rube: Blood Sport, the Bush Doctrine, and the Downward Spiral of Dumbness. New York: Simon and Schuster, 2004.

Toscano, Alberto, and Jeff Kinkle. Cartographies of the Absolute. Winchester, UK: Zero, 2015.

The 2015 Baltimore Uprising: A Teen Epistolary. New York: Research and Destroy, 2015.

Uricchio, William et al. Mapping the Intersection of Two Cultures: Interactive Documentary and Digital Journalism. MIT Open Documentary Lab/MacArthur Foundation, 2015. http://opendoclab.mit.edu/interactivejournalism/.

VanderMeer, Jeff. Twitter post. 23 Oct. 2014, 11:46 a.m. https://twitter.com/jeffvandermeer/status/525357671839326208.

Venturi, Robert, Denise Scott Brown, and Steven Izenour. Learning from Las Vegas. Revised ed. Cambridge: MIT P, 1977.

Wakefield, Dan. “Slouching Towards Bethlehem.” New York Times (21 July 1968).

Wallace, David Foster. “Consider the Lobster.” Consider the Lobster and Other Essays. New York: Back Bay, 2005. 235–54.

———. “E Unibus Pluram: Television and U.S. Fiction.” Review of Contemporary Fiction 13.2 (Summer 1993): 151–94.

Wallace, David Foster, and Mark Costello. Signifying Rappers. New York: Back Bay, 2013.

Ward, Jesmyn. Men We Reaped: A Memoir. New York: Bloomsbury, 2013.

Warner, Michael. The Letters of the Republic: Publication and the Public Sphere in Eighteenth-Century America. Cambridge: Harvard UP, 1990.

West, Kanye, with Jay-Z. “Diamonds from Sierra Leone (Remix).” Late Registration. Def Jam, 2005.

White, Hayden. Figural Realism: Studies in the Mimesis Effect. Baltimore: Johns Hopkins UP, 1999.

Wild Style. Dir. Charlie Ahearn. Music Box Films, 2013.

“A Wilderness of Error: The Trials of Jeffrey MacDonald.” Pentagram. https://www.pentagram.com/work/.

Williams, Justin A. “Intertextuality and Lineage in The Game’s ‘We Ain’t’ and Kendrick Lamar’s ‘M.A.A.D. City.’” The Pop Palimpsest: Intertextuality in Recorded Popular Music. Ed. Lori Burns and Serge Lacasse. Ann Arbor: U of Michigan P, 2018. 291–312.

Williams, Linda. “Mirrors without Memories: Truth, History, and the New Documentary.” Film Quarterly 46.3 (Spring 1993): 9–21.

Williams, Raymond. Marxism and Literature. New York: Oxford UP, 1977.

Williams, Ruth. “Eat, Pray, Love: Producing the Female Neoliberal Spiritual Subject.” Journal of Popular Culture 47.3 (June 2014): 613–33.

Wilson, Christopher P. Learning to Live with Crime: American Crime Narrative in the Neoconservative Turn. Columbus: Ohio State UP, 2010.

Wolfe, Tom, and E. W. Johnson, eds. The New Journalism. New York: Harper and Row, 1973.

Yagoda, Ben. Memoir: A History. New York: Riverhead, 2009.